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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E558 it is the complementary color #4A1AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E558 shade: #BAE553, #CBF766, #DCFF79, #EDFF8C and #FEFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E558 shade: #B5E558, #A4D345, #93C132, #82AF1F and #719D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E558 shade: #B4E457, #DAE457, #E4C857, #E4A257 and #E47C57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E558 shade: #B4E457, #8EE457, #68E457, #57E46C and #57E492

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E558 shade matches the following richer shades: #B4E457 and #B9F447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E558 shade: #B4E457, #AFD567, #AAC576, #A5B586 and #A0A696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E558 shade: #E4C857, #DBE457, #B5E457, #8FE457 and #6AE457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E558 shade: #90CA1F, #A4DF33, #B4E457, #C4EA7B and #D4EF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E558 shade: #B5E558, #57E4A2 and #DB57E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E558 shade: #B5E558, #57B5E4 and #E457B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E558 shade: #B5E558, #57E4A2, #8657E4 and #E45799

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E558 shade: #B5E558, #57E4CD, #8657E4 and #E4576E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 62 / 10

HEX #B5E558

RGB 181 229 88

HSL 80.43, 0.73%, 0.62%

LAB 85.28, -36.1, 61.88

 

Complementary color

CMYK 56 / 84 / 0 / 35

HEX #4A1AA7

RGB 74 26 167

HSL 260.43, 0.73%, 0.38%

LAB 26.69, 53.35, -65.94

 

CMYK 19 / 0 / 64 / 10

HEX #BAE553

RGB 186 229 83

HSL 77.67, 0.74%, 0.61%

LAB 85.56, -34.57, 64.3

 

CMYK 18 / 0 / 59 / 3

HEX #CBF766

RGB 203 247 102

HSL 78.21, 0.9%, 0.68%

LAB 91.76, -34.9, 63.55

 

CMYK 14 / 0 / 53 / 0

HEX #DCFF79

RGB 220 255 121

HSL 75.67, 1%, 0.74%

LAB 95.21, -30.57, 59.5

 

CMYK 7 / 0 / 45 / 0

HEX #EDFF8C

RGB 237 255 140

HSL 69.39, 1%, 0.77%

LAB 96.58, -22.37, 52.7

 

CMYK 0 / 0 / 38 / 0

HEX #FEFF9F

RGB 254 255 159

HSL 60.63, 1%, 0.81%

LAB 98.07, -13.98, 45.75

 

CMYK 21 / 0 / 62 / 10

HEX #B5E558

RGB 181 229 88

HSL 80.43, 0.73%, 0.62%

LAB 85.28, -36.1, 61.88

 

CMYK 22 / 0 / 67 / 17

HEX #A4D345

RGB 164 211 69

HSL 79.86, 0.62%, 0.55%

LAB 78.99, -35.75, 62.5

 

CMYK 24 / 0 / 74 / 24

HEX #93C132

RGB 147 193 50

HSL 79.3, 0.59%, 0.48%

LAB 72.61, -35.27, 62.69

 

CMYK 26 / 0 / 82 / 31

HEX #82AF1F

RGB 130 175 31

HSL 78.75, 0.7%, 0.4%

LAB 66.14, -34.62, 62.1

 

CMYK 28 / 0 / 92 / 38

HEX #719D0C

RGB 113 157 12

HSL 78.21, 0.86%, 0.33%

LAB 59.57, -33.73, 60.2

 

CMYK 21 / 0 / 62 / 11

HEX #B4E457

RGB 180 228 87

HSL 80.43, 0.72%, 0.62%

LAB 84.93, -36.1, 61.9

 

CMYK 4 / 0 / 62 / 11

HEX #DAE457

RGB 218 228 87

HSL 64.26, 0.72%, 0.62%

LAB 87.52, -21.21, 65.45

 

CMYK 0 / 12 / 62 / 11

HEX #E4C857

RGB 228 200 87

HSL 48.09, 0.72%, 0.62%

LAB 81.01, -3.09, 58.64

 

CMYK 0 / 29 / 62 / 11

HEX #E4A257

RGB 228 162 87

HSL 31.91, 0.72%, 0.62%

LAB 71.57, 16.9, 48.01

 

CMYK 0 / 46 / 62 / 11

HEX #E47C57

RGB 228 124 87

HSL 15.74, 0.72%, 0.62%

LAB 63.01, 37, 37.84

 

CMYK 21 / 0 / 62 / 11

HEX #B4E457

RGB 180 228 87

HSL 80.43, 0.72%, 0.62%

LAB 84.93, -36.1, 61.9

 

CMYK 38 / 0 / 62 / 11

HEX #8EE457

RGB 142 228 87

HSL 96.6, 0.72%, 0.62%

LAB 82.87, -49.56, 59.05

 

CMYK 54 / 0 / 62 / 11

HEX #68E457

RGB 104 228 87

HSL 112.77, 0.72%, 0.62%

LAB 81.36, -60.67, 56.94

 

CMYK 62 / 0 / 53 / 11

HEX #57E46C

RGB 87 228 108

HSL 128.94, 0.72%, 0.62%

LAB 81.07, -62.14, 47.08

 

CMYK 62 / 0 / 36 / 11

HEX #57E492

RGB 87 228 146

HSL 145.11, 0.72%, 0.62%

LAB 81.61, -56.12, 29.05

 

CMYK 21 / 0 / 62 / 11

HEX #B4E457

RGB 180 228 87

HSL 80.43, 0.72%, 0.62%

LAB 84.93, -36.1, 61.9

 

CMYK 24 / 0 / 71 / 4

HEX #B9F447

RGB 185 244 71

HSL 80.46, 0.89%, 0.62%

LAB 89.61, -42.41, 72.92

 

CMYK 21 / 0 / 62 / 11

HEX #B4E457

RGB 180 228 87

HSL 80.43, 0.72%, 0.62%

LAB 84.93, -36.1, 61.9

 

CMYK 18 / 0 / 52 / 16

HEX #AFD567

RGB 175 213 103

HSL 80.73, 0.57%, 0.62%

LAB 80.56, -29.65, 49.75

 

CMYK 14 / 0 / 40 / 23

HEX #AAC576

RGB 170 197 118

HSL 80.51, 0.41%, 0.62%

LAB 75.94, -22.17, 36.62

 

CMYK 9 / 0 / 26 / 29

HEX #A5B586

RGB 165 181 134

HSL 80.43, 0.24%, 0.62%

LAB 71.4, -13.8, 22.16

 

CMYK 4 / 0 / 10 / 35

HEX #A0A696

RGB 160 166 150

HSL 82.5, 0.08%, 0.62%

LAB 67.24, -5.11, 7.54

 

CMYK 0 / 12 / 62 / 11

HEX #E4C857

RGB 228 200 87

HSL 48.09, 0.72%, 0.62%

LAB 81.01, -3.09, 58.64

 

CMYK 4 / 0 / 62 / 11

HEX #DBE457

RGB 219 228 87

HSL 63.83, 0.72%, 0.62%

LAB 87.6, -20.81, 65.55

 

CMYK 21 / 0 / 62 / 11

HEX #B5E457

RGB 181 228 87

HSL 80, 0.72%, 0.62%

LAB 85, -35.72, 61.98

 

CMYK 37 / 0 / 62 / 11

HEX #8FE457

RGB 143 228 87

HSL 96.17, 0.72%, 0.62%

LAB 82.92, -49.23, 59.11

 

CMYK 54 / 0 / 62 / 11

HEX #6AE457

RGB 106 228 87

HSL 111.91, 0.72%, 0.62%

LAB 81.42, -60.16, 57.03

 

CMYK 29 / 0 / 85 / 21

HEX #90CA1F

RGB 144 202 31

HSL 80.35, 0.73%, 0.46%

LAB 74.99, -41.26, 70.15

 

CMYK 26 / 0 / 77 / 13

HEX #A4DF33

RGB 164 223 51

HSL 80.58, 0.73%, 0.54%

LAB 82.33, -42.1, 71.92

 

CMYK 21 / 0 / 62 / 11

HEX #B4E457

RGB 180 228 87

HSL 80.43, 0.72%, 0.62%

LAB 84.93, -36.1, 61.9

 

CMYK 16 / 0 / 47 / 8

HEX #C4EA7B

RGB 196 234 123

HSL 80.54, 0.73%, 0.7%

LAB 87.97, -29.59, 49.56

 

CMYK 11 / 0 / 34 / 6

HEX #D4EF9E

RGB 212 239 158

HSL 80, 0.72%, 0.78%

LAB 90.87, -21.97, 36.33

 

CMYK 21 / 0 / 62 / 10

HEX #B5E558

RGB 181 229 88

HSL 80.43, 0.73%, 0.62%

LAB 85.28, -36.1, 61.88

 

CMYK 62 / 0 / 29 / 11

HEX #57E4A2

RGB 87 228 162

HSL 151.91, 0.72%, 0.62%

LAB 81.9, -53.03, 21.19

 

CMYK 4 / 62 / 0 / 11

HEX #DB57E4

RGB 219 87 228

HSL 296.17, 0.72%, 0.62%

LAB 59.41, 69.27, -47.58

 

CMYK 21 / 0 / 62 / 10

HEX #B5E558

RGB 181 229 88

HSL 80.43, 0.73%, 0.62%

LAB 85.28, -36.1, 61.88

 

CMYK 62 / 21 / 0 / 11

HEX #57B5E4

RGB 87 181 228

HSL 200, 0.72%, 0.62%

LAB 69.95, -13.94, -31.86

 

CMYK 0 / 62 / 21 / 11

HEX #E457B5

RGB 228 87 181

HSL 320, 0.72%, 0.62%

LAB 58.65, 64.29, -21.97

 

CMYK 21 / 0 / 62 / 10

HEX #B5E558

RGB 181 229 88

HSL 80.43, 0.73%, 0.62%

LAB 85.28, -36.1, 61.88

 

CMYK 62 / 0 / 29 / 11

HEX #57E4A2

RGB 87 228 162

HSL 151.91, 0.72%, 0.62%

LAB 81.9, -53.03, 21.19

 

CMYK 41 / 62 / 0 / 11

HEX #8657E4

RGB 134 87 228

HSL 260, 0.72%, 0.62%

LAB 48.87, 50.07, -65.06

 

CMYK 0 / 62 / 33 / 11

HEX #E45799

RGB 228 87 153

HSL 331.91, 0.72%, 0.62%

LAB 57.67, 60.74, -7.21

 

CMYK 21 / 0 / 62 / 10

HEX #B5E558

RGB 181 229 88

HSL 80.43, 0.73%, 0.62%

LAB 85.28, -36.1, 61.88

 

CMYK 62 / 0 / 10 / 11

HEX #57E4CD

RGB 87 228 205

HSL 170.21, 0.72%, 0.62%

LAB 82.87, -43.25, -0.03

 

CMYK 41 / 62 / 0 / 11

HEX #8657E4

RGB 134 87 228

HSL 260, 0.72%, 0.62%

LAB 48.87, 50.07, -65.06

 

CMYK 0 / 62 / 52 / 11

HEX #E4576E

RGB 228 87 110

HSL 350.21, 0.72%, 0.62%

LAB 56.52, 56.45, 16.39

 

Description

Color code: HEX #B5E558 | qconv.com Color code: HEX #B5E558 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 229 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 229 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 62 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 62% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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