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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E49E it is the complementary color #4A1B61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E49E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E49E shade: #BAE499, #CBF6AC, #DCFFBF, #EDFFD2 and #FEFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E49E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E49E shade: #B5E49E, #A4D28B, #93C078, #82AE65 and #719C52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E49E shade: #B6E49F, #C8E49F, #DBE49F, #E4DA9F and #E4C89F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E49E shade: #B6E49F, #A3E49F, #9FE4AD, #9FE4C0 and #9FE4D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E49E shade matches the following richer shades: #B6E49F, #B2ED95 and #AFF78B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E49E shade: #B6E49F, #B9DAA9, #BCD0B3, #C0C6BD and #C3BCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E49E shade: #DAE49F, #C8E49F, #B6E49F, #A4E49F and #9FE4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E49E shade: #84D15F, #9DDA7F, #B6E49F, #CEEDBF and #E7F6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E49E shade: #B5E49E, #9FE4DA and #E49FD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E49E shade: #B5E49E, #9FB6E4 and #E49FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E49E shade: #B5E49E, #9FE4DA, #CD9FE4 and #E49FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E49E shade: #B5E49E, #9FD8E4, #CD9FE4 and #E4AA9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

Complementary color

CMYK 24 / 72 / 0 / 62

HEX #4A1B61

RGB 74 27 97

HSL 280.29, 0.56%, 0.24%

LAB 20.45, 34.79, -32.03

 

CMYK 18 / 0 / 33 / 11

HEX #BAE499

RGB 186 228 153

HSL 93.6, 0.58%, 0.75%

LAB 86.12, -26.71, 32.27

 

CMYK 17 / 0 / 30 / 4

HEX #CBF6AC

RGB 203 246 172

HSL 94.86, 0.8%, 0.82%

LAB 92.39, -26.62, 31.21

 

CMYK 14 / 0 / 25 / 0

HEX #DCFFBF

RGB 220 255 191

HSL 92.81, 1%, 0.87%

LAB 96.2, -22.25, 26.95

 

CMYK 7 / 0 / 18 / 0

HEX #EDFFD2

RGB 237 255 210

HSL 84, 1%, 0.91%

LAB 97.7, -13.5, 19.56

 

CMYK 0 / 0 / 10 / 0

HEX #FEFFE5

RGB 254 255 229

HSL 62.31, 1%, 0.95%

LAB 99.32, -4.67, 12.31

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 22 / 0 / 34 / 18

HEX #A4D28B

RGB 164 210 139

HSL 98.87, 0.44%, 0.68%

LAB 79.53, -27.87, 30.44

 

CMYK 23 / 0 / 38 / 25

HEX #93C078

RGB 147 192 120

HSL 97.5, 0.36%, 0.61%

LAB 73.06, -28.01, 31.58

 

CMYK 25 / 0 / 42 / 32

HEX #82AE65

RGB 130 174 101

HSL 96.16, 0.31%, 0.54%

LAB 66.49, -28.12, 32.77

 

CMYK 28 / 0 / 47 / 39

HEX #719C52

RGB 113 156 82

HSL 94.86, 0.31%, 0.47%

LAB 59.8, -28.22, 34

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 12 / 0 / 30 / 11

HEX #C8E49F

RGB 200 228 159

HSL 84.35, 0.56%, 0.76%

LAB 87.13, -20.86, 30.71

 

CMYK 4 / 0 / 30 / 11

HEX #DBE49F

RGB 219 228 159

HSL 67.83, 0.56%, 0.76%

LAB 88.47, -13.86, 32.74

 

CMYK 0 / 4 / 30 / 11

HEX #E4DA9F

RGB 228 218 159

HSL 51.3, 0.56%, 0.76%

LAB 86.57, -5.43, 30.33

 

CMYK 0 / 12 / 30 / 11

HEX #E4C89F

RGB 228 200 159

HSL 35.65, 0.56%, 0.76%

LAB 82, 3.87, 24.16

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 29 / 0 / 30 / 11

HEX #A3E49F

RGB 163 228 159

HSL 116.52, 0.56%, 0.76%

LAB 84.88, -33.63, 27.3

 

CMYK 30 / 0 / 24 / 11

HEX #9FE4AD

RGB 159 228 173

HSL 132.17, 0.56%, 0.76%

LAB 84.93, -32.55, 20.1

 

CMYK 30 / 0 / 16 / 11

HEX #9FE4C0

RGB 159 228 192

HSL 148.7, 0.56%, 0.76%

LAB 85.33, -29.01, 10.73

 

CMYK 30 / 0 / 8 / 11

HEX #9FE4D2

RGB 159 228 210

HSL 164.35, 0.56%, 0.76%

LAB 85.76, -25.34, 1.88

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 25 / 0 / 37 / 7

HEX #B2ED95

RGB 178 237 149

HSL 100.23, 0.71%, 0.76%

LAB 88.07, -34.27, 36.76

 

CMYK 29 / 0 / 44 / 3

HEX #AFF78B

RGB 175 247 139

HSL 100, 0.87%, 0.76%

LAB 90.55, -41.11, 44.83

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 15 / 0 / 22 / 15

HEX #B9DAA9

RGB 185 218 169

HSL 100.41, 0.4%, 0.76%

LAB 83.61, -19.79, 20.59

 

CMYK 10 / 0 / 14 / 18

HEX #BCD0B3

RGB 188 208 179

HSL 101.38, 0.24%, 0.76%

LAB 81.32, -12.05, 12.14

 

CMYK 3 / 0 / 5 / 22

HEX #C0C6BD

RGB 192 198 189

HSL 100, 0.07%, 0.76%

LAB 79.2, -3.71, 3.78

 

CMYK 2 / 6 / 0 / 22

HEX #C3BCC7

RGB 195 188 199

HSL 278.18, 0.09%, 0.76%

LAB 77.1, 4.49, -4.66

 

CMYK 4 / 0 / 30 / 11

HEX #DAE49F

RGB 218 228 159

HSL 68.7, 0.56%, 0.76%

LAB 88.4, -14.24, 32.63

 

CMYK 12 / 0 / 30 / 11

HEX #C8E49F

RGB 200 228 159

HSL 84.35, 0.56%, 0.76%

LAB 87.13, -20.86, 30.71

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 28 / 0 / 30 / 11

HEX #A4E49F

RGB 164 228 159

HSL 115.65, 0.56%, 0.76%

LAB 84.94, -33.31, 27.39

 

CMYK 30 / 0 / 24 / 11

HEX #9FE4AD

RGB 159 228 173

HSL 132.17, 0.56%, 0.76%

LAB 84.93, -32.55, 20.1

 

CMYK 37 / 0 / 55 / 18

HEX #84D15F

RGB 132 209 95

HSL 100.53, 0.55%, 0.6%

LAB 76.88, -44.09, 48.53

 

CMYK 28 / 0 / 42 / 15

HEX #9DDA7F

RGB 157 218 127

HSL 100.22, 0.55%, 0.68%

LAB 81.21, -35.73, 38.65

 

CMYK 20 / 0 / 30 / 11

HEX #B6E49F

RGB 182 228 159

HSL 100, 0.56%, 0.76%

LAB 85.97, -27.24, 28.96

 

CMYK 13 / 0 / 19 / 7

HEX #CEEDBF

RGB 206 237 191

HSL 100.43, 0.56%, 0.84%

LAB 90.53, -18.34, 18.97

 

CMYK 6 / 0 / 9 / 4

HEX #E7F6DF

RGB 231 246 223

HSL 99.13, 0.56%, 0.92%

LAB 95.26, -8.99, 9.37

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 30 / 0 / 4 / 11

HEX #9FE4DA

RGB 159 228 218

HSL 171.3, 0.56%, 0.76%

LAB 85.97, -23.62, -2.04

 

CMYK 0 / 30 / 8 / 11

HEX #E49FD1

RGB 228 159 209

HSL 316.52, 0.56%, 0.76%

LAB 73.48, 33.25, -15.19

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 30 / 20 / 0 / 11

HEX #9FB6E4

RGB 159 182 228

HSL 220, 0.56%, 0.76%

LAB 73.82, 2.62, -25.59

 

CMYK 0 / 30 / 20 / 11

HEX #E49FB6

RGB 228 159 182

HSL 340, 0.56%, 0.76%

LAB 72.67, 28.91, -1.51

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 30 / 0 / 4 / 11

HEX #9FE4DA

RGB 159 228 218

HSL 171.3, 0.56%, 0.76%

LAB 85.97, -23.62, -2.04

 

CMYK 10 / 30 / 0 / 11

HEX #CD9FE4

RGB 205 159 228

HSL 280, 0.56%, 0.76%

LAB 71.81, 29.34, -28.36

 

CMYK 0 / 30 / 26 / 11

HEX #E49FA8

RGB 228 159 168

HSL 352.17, 0.56%, 0.76%

LAB 72.31, 26.89, 5.69

 

CMYK 21 / 0 / 31 / 11

HEX #B5E49E

RGB 181 228 158

HSL 100.29, 0.56%, 0.76%

LAB 85.9, -27.74, 29.36

 

CMYK 30 / 5 / 0 / 11

HEX #9FD8E4

RGB 159 216 228

HSL 190.43, 0.56%, 0.76%

LAB 82.96, -15.37, -11.78

 

CMYK 10 / 30 / 0 / 11

HEX #CD9FE4

RGB 205 159 228

HSL 280, 0.56%, 0.76%

LAB 71.81, 29.34, -28.36

 

CMYK 0 / 25 / 30 / 11

HEX #E4AA9F

RGB 228 170 159

HSL 9.57, 0.56%, 0.76%

LAB 74.66, 19.78, 13.99

 

Description

Color code: HEX #B5E49E | qconv.com Color code: HEX #B5E49E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 228 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 228 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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