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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DBE8 it is the complementary color #4A2417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DBE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DBE8 shade: #BADBE3, #CBEDF6, #DCFFFF, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DBE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DBE8 shade: #B5DBE8, #A4C9D5, #93B7C2, #82A5AF and #71939C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DBE8 shade: #B4DBE8, #B4CDE8, #B4BFE8, #B8B4E8 and #C5B4E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DBE8 shade: #B4DBE8, #B4CDE8, #B4BFE8 and #B4B4E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DBE8 shade matches the following richer shades: #B4DBE8, #ADDEF0 and #A5E2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DBE8 shade: #B4DBE8, #BCD7E0, #C4D3D8, #CCCFD0 and #D4CBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DBE8 shade: #B4E8D9, #B4E8E7, #B4DBE8, #B4CDE8 and #B4BFE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DBE8 shade: #75BCD4, #95CBDE, #B4DBE8, #D4EAF1 and #F3F9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DBE8 shade: #B5DBE8, #CBB4E8 and #E8E0B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DBE8 shade: #B5DBE8, #E8B4DB and #DBE8B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DBE8 shade: #B5DBE8, #CBB4E8, #E8C1B4 and #D1E8B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DBE8 shade: #B5DBE8, #DBB4E8, #E8C1B4 and #C1E8B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 6 / 0 / 9

HEX #B5DBE8

RGB 181 219 232

HSL 195.29, 0.53%, 0.81%

LAB 85.16, -9.61, -10.49

 

Complementary color

CMYK 0 / 51 / 69 / 71

HEX #4A2417

RGB 74 36 23

HSL 15.29, 0.53%, 0.19%

LAB 19.14, 16.61, 16.61

 

CMYK 18 / 4 / 0 / 11

HEX #BADBE3

RGB 186 219 227

HSL 191.71, 0.42%, 0.81%

LAB 85.33, -9.16, -7.56

 

CMYK 17 / 4 / 0 / 4

HEX #CBEDF6

RGB 203 237 246

HSL 192.56, 0.7%, 0.88%

LAB 91.65, -9.17, -8.05

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 22 / 6 / 0 / 9

HEX #B5DBE8

RGB 181 219 232

HSL 195.29, 0.53%, 0.81%

LAB 85.16, -9.61, -10.49

 

CMYK 23 / 6 / 0 / 16

HEX #A4C9D5

RGB 164 201 213

HSL 194.69, 0.37%, 0.74%

LAB 78.73, -9.6, -10.03

 

CMYK 24 / 6 / 0 / 24

HEX #93B7C2

RGB 147 183 194

HSL 194.04, 0.28%, 0.67%

LAB 72.21, -9.59, -9.57

 

CMYK 26 / 6 / 0 / 31

HEX #82A5AF

RGB 130 165 175

HSL 193.33, 0.22%, 0.6%

LAB 65.55, -9.59, -9.09

 

CMYK 28 / 6 / 0 / 39

HEX #71939C

RGB 113 147 156

HSL 192.56, 0.18%, 0.53%

LAB 58.77, -9.6, -8.61

 

CMYK 22 / 6 / 0 / 9

HEX #B4DBE8

RGB 180 219 232

HSL 195, 0.53%, 0.81%

LAB 85.09, -9.91, -10.59

 

CMYK 22 / 12 / 0 / 9

HEX #B4CDE8

RGB 180 205 232

HSL 211.15, 0.53%, 0.81%

LAB 81.4, -2.61, -16.13

 

CMYK 22 / 18 / 0 / 9

HEX #B4BFE8

RGB 180 191 232

HSL 227.31, 0.53%, 0.81%

LAB 77.75, 4.89, -21.64

 

CMYK 21 / 22 / 0 / 9

HEX #B8B4E8

RGB 184 180 232

HSL 244.62, 0.53%, 0.81%

LAB 75.24, 12.11, -25.44

 

CMYK 15 / 22 / 0 / 9

HEX #C5B4E8

RGB 197 180 232

HSL 259.62, 0.53%, 0.81%

LAB 76.28, 16.15, -23.76

 

CMYK 22 / 6 / 0 / 9

HEX #B4DBE8

RGB 180 219 232

HSL 195, 0.53%, 0.81%

LAB 85.09, -9.91, -10.59

 

CMYK 22 / 12 / 0 / 9

HEX #B4CDE8

RGB 180 205 232

HSL 211.15, 0.53%, 0.81%

LAB 81.4, -2.61, -16.13

 

CMYK 22 / 18 / 0 / 9

HEX #B4BFE8

RGB 180 191 232

HSL 227.31, 0.53%, 0.81%

LAB 77.75, 4.89, -21.64

 

CMYK 22 / 22 / 0 / 9

HEX #B4B4E8

RGB 180 180 232

HSL 240, 0.53%, 0.81%

LAB 74.93, 10.89, -25.93

 

CMYK 22 / 6 / 0 / 9

HEX #B4DBE8

RGB 180 219 232

HSL 195, 0.53%, 0.81%

LAB 85.09, -9.91, -10.59

 

CMYK 28 / 8 / 0 / 6

HEX #ADDEF0

RGB 173 222 240

HSL 196.12, 0.69%, 0.81%

LAB 85.71, -11.7, -13.94

 

CMYK 33 / 9 / 0 / 3

HEX #A5E2F7

RGB 165 226 247

HSL 195.37, 0.84%, 0.81%

LAB 86.56, -14.33, -16.41

 

CMYK 22 / 6 / 0 / 9

HEX #B4DBE8

RGB 180 219 232

HSL 195, 0.53%, 0.81%

LAB 85.09, -9.91, -10.59

 

CMYK 16 / 4 / 0 / 12

HEX #BCD7E0

RGB 188 215 224

HSL 195, 0.37%, 0.81%

LAB 84.32, -7.1, -7.45

 

CMYK 9 / 2 / 0 / 15

HEX #C4D3D8

RGB 196 211 216

HSL 195, 0.2%, 0.81%

LAB 83.59, -4.07, -4.21

 

CMYK 2 / 0 / 0 / 18

HEX #CCCFD0

RGB 204 207 208

HSL 195, 0.04%, 0.81%

LAB 82.92, -0.83, -0.86

 

CMYK 0 / 4 / 6 / 17

HEX #D4CBC8

RGB 212 203 200

HSL 15, 0.12%, 0.81%

LAB 82.31, 2.59, 2.6

 

CMYK 22 / 0 / 6 / 9

HEX #B4E8D9

RGB 180 232 217

HSL 162.69, 0.53%, 0.81%

LAB 88.17, -19.62, 1.85

 

CMYK 22 / 0 / 0 / 9

HEX #B4E8E7

RGB 180 232 231

HSL 178.85, 0.53%, 0.81%

LAB 88.54, -16.72, -4.96

 

CMYK 22 / 6 / 0 / 9

HEX #B4DBE8

RGB 180 219 232

HSL 195, 0.53%, 0.81%

LAB 85.09, -9.91, -10.59

 

CMYK 22 / 12 / 0 / 9

HEX #B4CDE8

RGB 180 205 232

HSL 211.15, 0.53%, 0.81%

LAB 81.4, -2.61, -16.13

 

CMYK 22 / 18 / 0 / 9

HEX #B4BFE8

RGB 180 191 232

HSL 227.31, 0.53%, 0.81%

LAB 77.75, 4.89, -21.64

 

CMYK 45 / 11 / 0 / 17

HEX #75BCD4

RGB 117 188 212

HSL 195.16, 0.52%, 0.65%

LAB 72.56, -15.99, -19.02

 

CMYK 33 / 9 / 0 / 13

HEX #95CBDE

RGB 149 203 222

HSL 195.62, 0.53%, 0.73%

LAB 78.68, -12.9, -15.04

 

CMYK 22 / 6 / 0 / 9

HEX #B4DBE8

RGB 180 219 232

HSL 195, 0.53%, 0.81%

LAB 85.09, -9.91, -10.59

 

CMYK 12 / 3 / 0 / 5

HEX #D4EAF1

RGB 212 234 241

HSL 194.48, 0.51%, 0.89%

LAB 91.32, -5.85, -5.86

 

CMYK 3 / 1 / 0 / 2

HEX #F3F9FB

RGB 243 249 251

HSL 195, 0.5%, 0.97%

LAB 97.54, -1.61, -1.66

 

CMYK 22 / 6 / 0 / 9

HEX #B5DBE8

RGB 181 219 232

HSL 195.29, 0.53%, 0.81%

LAB 85.16, -9.61, -10.49

 

CMYK 13 / 22 / 0 / 9

HEX #CBB4E8

RGB 203 180 232

HSL 266.54, 0.53%, 0.81%

LAB 76.78, 18.04, -22.95

 

CMYK 0 / 3 / 22 / 9

HEX #E8E0B4

RGB 232 224 180

HSL 50.77, 0.53%, 0.81%

LAB 88.81, -4.2, 22.57

 

CMYK 22 / 6 / 0 / 9

HEX #B5DBE8

RGB 181 219 232

HSL 195.29, 0.53%, 0.81%

LAB 85.16, -9.61, -10.49

 

CMYK 0 / 22 / 6 / 9

HEX #E8B4DB

RGB 232 180 219

HSL 315, 0.53%, 0.81%

LAB 78.99, 25.09, -12.32

 

CMYK 6 / 0 / 22 / 9

HEX #DBE8B4

RGB 219 232 180

HSL 75, 0.53%, 0.81%

LAB 89.89, -12.98, 23.9

 

CMYK 22 / 6 / 0 / 9

HEX #B5DBE8

RGB 181 219 232

HSL 195.29, 0.53%, 0.81%

LAB 85.16, -9.61, -10.49

 

CMYK 13 / 22 / 0 / 9

HEX #CBB4E8

RGB 203 180 232

HSL 266.54, 0.53%, 0.81%

LAB 76.78, 18.04, -22.95

 

CMYK 0 / 17 / 22 / 9

HEX #E8C1B4

RGB 232 193 180

HSL 15, 0.53%, 0.81%

LAB 81.07, 11.92, 11.73

 

CMYK 10 / 0 / 22 / 9

HEX #D1E8B4

RGB 209 232 180

HSL 86.54, 0.53%, 0.81%

LAB 89.19, -16.55, 22.82

 

CMYK 22 / 6 / 0 / 9

HEX #B5DBE8

RGB 181 219 232

HSL 195.29, 0.53%, 0.81%

LAB 85.16, -9.61, -10.49

 

CMYK 6 / 22 / 0 / 9

HEX #DBB4E8

RGB 219 180 232

HSL 285, 0.53%, 0.81%

LAB 78.19, 23.18, -20.68

 

CMYK 0 / 17 / 22 / 9

HEX #E8C1B4

RGB 232 193 180

HSL 15, 0.53%, 0.81%

LAB 81.07, 11.92, 11.73

 

CMYK 17 / 0 / 22 / 9

HEX #C1E8B4

RGB 193 232 180

HSL 105, 0.53%, 0.81%

LAB 88.13, -22.13, 21.2

 

Description

Color code: HEX #B5DBE8 | qconv.com Color code: HEX #B5DBE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 219 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 219 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 6 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 6% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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