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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5DB56 it is the complementary color #4A24A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5DB56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5DB56 shade: #BADB51, #CBED64, #DCFF77, #EDFF8A and #FEFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5DB56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5DB56 shade: #B5DB56, #A4C943, #93B730, #82A51D and #71930A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5DB56 shade: #B5DB56, #D9DB56, #DBB956, #DB9556 and #DB7256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5DB56 shade: #B5DB56, #91DB56, #6DDB56, #56DB63 and #56DB87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5DB56 shade matches the following richer shades: #B5DB56, #BCEB46 and #C3FC35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5DB56 shade: #B5DB56, #AECA67, #A7BA77, #A0A988 and #999998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5DB56 shade: #DBBA56, #D9DB56, #B5DB56, #92DB56 and #6FDB56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5DB56 shade: #8EB827, #A6D434, #B5DB56, #C4E278 and #D3E99A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5DB56 shade: #B5DB56, #56DB96 and #CB56DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5DB56 shade: #B5DB56, #56B5DB and #DB56B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5DB56 shade: #B5DB56, #56DB96, #7C56DB and #DB569B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5DB56 shade: #B5DB56, #56DBBE, #7C56DB and #DB5673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

Complementary color

CMYK 56 / 79 / 0 / 34

HEX #4A24A9

RGB 74 36 169

HSL 257.14, 0.65%, 0.4%

LAB 28.33, 49.71, -64.44

 

CMYK 15 / 0 / 63 / 14

HEX #BADB51

RGB 186 219 81

HSL 74.35, 0.66%, 0.59%

LAB 82.75, -30.08, 62.12

 

CMYK 14 / 0 / 58 / 7

HEX #CBED64

RGB 203 237 100

HSL 74.89, 0.79%, 0.66%

LAB 89.01, -30.46, 61.32

 

CMYK 14 / 0 / 53 / 0

HEX #DCFF77

RGB 220 255 119

HSL 75.44, 1%, 0.73%

LAB 95.19, -30.75, 60.37

 

CMYK 7 / 0 / 46 / 0

HEX #EDFF8A

RGB 237 255 138

HSL 69.23, 1%, 0.77%

LAB 96.56, -22.57, 53.61

 

CMYK 0 / 0 / 38 / 0

HEX #FEFF9D

RGB 254 255 157

HSL 60.61, 1%, 0.81%

LAB 98.04, -14.19, 46.69

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 18 / 0 / 67 / 21

HEX #A4C943

RGB 164 201 67

HSL 76.57, 0.55%, 0.53%

LAB 76.11, -31.27, 60.3

 

CMYK 20 / 0 / 74 / 28

HEX #93B730

RGB 147 183 48

HSL 76, 0.58%, 0.45%

LAB 69.67, -30.74, 60.53

 

CMYK 21 / 0 / 82 / 35

HEX #82A51D

RGB 130 165 29

HSL 75.44, 0.7%, 0.38%

LAB 63.13, -30.04, 59.97

 

CMYK 23 / 0 / 93 / 42

HEX #71930A

RGB 113 147 10

HSL 74.89, 0.87%, 0.31%

LAB 56.49, -29.09, 58.02

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 1 / 0 / 61 / 14

HEX #D9DB56

RGB 217 219 86

HSL 60.9, 0.65%, 0.6%

LAB 85.04, -17.29, 63.18

 

CMYK 0 / 16 / 61 / 14

HEX #DBB956

RGB 219 185 86

HSL 44.66, 0.65%, 0.6%

LAB 76.33, 0.86, 53.66

 

CMYK 0 / 32 / 61 / 14

HEX #DB9556

RGB 219 149 86

HSL 28.42, 0.65%, 0.6%

LAB 67.45, 20.06, 43.42

 

CMYK 0 / 48 / 61 / 14

HEX #DB7256

RGB 219 114 86

HSL 12.63, 0.65%, 0.6%

LAB 59.68, 38.59, 34.01

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 34 / 0 / 61 / 14

HEX #91DB56

RGB 145 219 86

HSL 93.38, 0.65%, 0.6%

LAB 80.38, -44.87, 56.74

 

CMYK 50 / 0 / 61 / 14

HEX #6DDB56

RGB 109 219 86

HSL 109.62, 0.65%, 0.6%

LAB 78.8, -56.08, 54.54

 

CMYK 61 / 0 / 55 / 14

HEX #56DB63

RGB 86 219 99

HSL 125.86, 0.65%, 0.6%

LAB 78.19, -60.28, 47.81

 

CMYK 61 / 0 / 38 / 14

HEX #56DB87

RGB 86 219 135

HSL 142.11, 0.65%, 0.6%

LAB 78.69, -54.81, 30.77

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 20 / 0 / 70 / 8

HEX #BCEB46

RGB 188 235 70

HSL 77.09, 0.8%, 0.6%

LAB 87.27, -37.35, 71

 

CMYK 23 / 0 / 79 / 1

HEX #C3FC35

RGB 195 252 53

HSL 77.19, 0.97%, 0.6%

LAB 92.34, -43.01, 81.17

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 14 / 0 / 49 / 21

HEX #AECA67

RGB 174 202 103

HSL 76.97, 0.48%, 0.6%

LAB 77.41, -24.77, 45.96

 

CMYK 10 / 0 / 36 / 27

HEX #A7BA77

RGB 167 186 119

HSL 77.01, 0.33%, 0.6%

LAB 72.67, -17.7, 31.84

 

CMYK 5 / 0 / 20 / 34

HEX #A0A988

RGB 160 169 136

HSL 76.36, 0.16%, 0.6%

LAB 67.74, -9.09, 15.99

 

CMYK 0 / 0 / 1 / 40

HEX #999998

RGB 153 153 152

HSL 60, 0%, 0.6%

LAB 63.2, -0.19, 0.52

 

CMYK 0 / 15 / 61 / 14

HEX #DBBA56

RGB 219 186 86

HSL 45.11, 0.65%, 0.6%

LAB 76.59, 0.33, 53.95

 

CMYK 1 / 0 / 61 / 14

HEX #D9DB56

RGB 217 219 86

HSL 60.9, 0.65%, 0.6%

LAB 85.04, -17.29, 63.18

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 33 / 0 / 61 / 14

HEX #92DB56

RGB 146 219 86

HSL 92.93, 0.65%, 0.6%

LAB 80.43, -44.53, 56.81

 

CMYK 49 / 0 / 61 / 14

HEX #6FDB56

RGB 111 219 86

HSL 108.72, 0.65%, 0.6%

LAB 78.88, -55.53, 54.64

 

CMYK 23 / 0 / 79 / 28

HEX #8EB827

RGB 142 184 39

HSL 77.38, 0.65%, 0.44%

LAB 69.6, -33.66, 63.24

 

CMYK 22 / 0 / 75 / 17

HEX #A6D434

RGB 166 212 52

HSL 77.25, 0.65%, 0.52%

LAB 79.3, -36.41, 68.82

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 13 / 0 / 47 / 11

HEX #C4E278

RGB 196 226 120

HSL 76.98, 0.65%, 0.68%

LAB 85.75, -26.12, 48.27

 

CMYK 9 / 0 / 34 / 9

HEX #D3E99A

RGB 211 233 154

HSL 76.71, 0.64%, 0.76%

LAB 89.14, -19.94, 36.05

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 61 / 0 / 32 / 14

HEX #56DB96

RGB 86 219 150

HSL 148.87, 0.65%, 0.6%

LAB 78.95, -52, 23.38

 

CMYK 7 / 61 / 0 / 14

HEX #CB56DB

RGB 203 86 219

HSL 292.78, 0.65%, 0.6%

LAB 56.55, 64.28, -47.19

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 61 / 17 / 0 / 14

HEX #56B5DB

RGB 86 181 219

HSL 197.14, 0.65%, 0.6%

LAB 69.57, -16.89, -27.53

 

CMYK 0 / 61 / 17 / 14

HEX #DB56B5

RGB 219 86 181

HSL 317.14, 0.65%, 0.6%

LAB 57.13, 62.23, -24.42

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 61 / 0 / 32 / 14

HEX #56DB96

RGB 86 219 150

HSL 148.87, 0.65%, 0.6%

LAB 78.95, -52, 23.38

 

CMYK 43 / 61 / 0 / 14

HEX #7C56DB

RGB 124 86 219

HSL 257.14, 0.65%, 0.6%

LAB 47.05, 46.14, -62.95

 

CMYK 0 / 61 / 29 / 14

HEX #DB569B

RGB 219 86 155

HSL 328.87, 0.65%, 0.6%

LAB 56.17, 58.74, -10.76

 

CMYK 17 / 0 / 61 / 14

HEX #B5DB56

RGB 181 219 86

HSL 77.14, 0.65%, 0.6%

LAB 82.46, -31.66, 59.63

 

CMYK 61 / 0 / 13 / 14

HEX #56DBBE

RGB 86 219 190

HSL 166.92, 0.65%, 0.6%

LAB 79.82, -43.17, 3.48

 

CMYK 43 / 61 / 0 / 14

HEX #7C56DB

RGB 124 86 219

HSL 257.14, 0.65%, 0.6%

LAB 47.05, 46.14, -62.95

 

CMYK 0 / 61 / 47 / 14

HEX #DB5673

RGB 219 86 115

HSL 346.92, 0.65%, 0.6%

LAB 55.02, 54.4, 11.14

 

Description

Color code: HEX #B5DB56 | qconv.com Color code: HEX #B5DB56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 219 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 219 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 61 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 61% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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