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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5AC11 it is the complementary color #4A53EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5AC11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5AC11 shade: #BAAC0C, #CBBE1F, #DCD032, #EDE245 and #FEF458

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5AC11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5AC11 shade: #B5AC11, #A49A00, #938800, #827600 and #716400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5AC11 shade: #B5AC10, #B58010, #B55310, #B52710 and #B51010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5AC11 shade: #B5AC10, #92B510, #66B510, #39B510 and #10B514

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5AC11 shade matches the following richer shades: #B5AC10 and #C6BB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5AC11 shade: #B5AC10, #A59E20, #959031, #858141 and #757351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5AC11 shade: #B55210, #B57E10, #B5AA10, #94B510 and #68B510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5AC11 shade: #6A6509, #90890D, #B5AC10, #DBD014 and #EBE12D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5AC11 shade: #B5AC11, #10B526 and #6810B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5AC11 shade: #B5AC11, #10B5AA and #AA10B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5AC11 shade: #B5AC11, #10B526, #101BB5 and #B5109F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5AC11 shade: #B5AC11, #10B558, #101BB5 and #B5106E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 91 / 29

HEX #B5AC11

RGB 181 172 17

HSL 56.71, 0.83%, 0.39%

LAB 69.02, -11.83, 69.06

 

Complementary color

CMYK 69 / 65 / 0 / 7

HEX #4A53EE

RGB 74 83 238

HSL 236.71, 0.83%, 0.61%

LAB 43.97, 45.46, -78.89

 

CMYK 0 / 8 / 94 / 27

HEX #BAAC0C

RGB 186 172 12

HSL 55.17, 0.88%, 0.39%

LAB 69.45, -9.7, 70.32

 

CMYK 0 / 6 / 85 / 20

HEX #CBBE1F

RGB 203 190 31

HSL 55.47, 0.74%, 0.46%

LAB 75.84, -11.15, 72.55

 

CMYK 0 / 5 / 77 / 14

HEX #DCD032

RGB 220 208 50

HSL 55.76, 0.71%, 0.53%

LAB 82.14, -12.39, 73.5

 

CMYK 0 / 5 / 71 / 7

HEX #EDE245

RGB 237 226 69

HSL 56.07, 0.82%, 0.6%

LAB 88.37, -13.45, 73.62

 

CMYK 0 / 4 / 65 / 0

HEX #FEF458

RGB 254 244 88

HSL 56.39, 0.99%, 0.67%

LAB 94.52, -14.35, 73.23

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC11

RGB 181 172 17

HSL 56.71, 0.83%, 0.39%

LAB 69.02, -11.83, 69.06

 

CMYK 0 / 6 / 100 / 36

HEX #A49A00

RGB 164 154 0

HSL 56.34, 1%, 0.32%

LAB 62.51, -10.27, 65.87

 

CMYK 0 / 7 / 100 / 42

HEX #938800

RGB 147 136 0

HSL 55.51, 1%, 0.29%

LAB 55.9, -8.42, 60.38

 

CMYK 0 / 9 / 100 / 49

HEX #827600

RGB 130 118 0

HSL 54.46, 1%, 0.25%

LAB 49.13, -6.5, 54.78

 

CMYK 0 / 12 / 100 / 56

HEX #716400

RGB 113 100 0

HSL 53.1, 1%, 0.22%

LAB 42.19, -4.49, 49.03

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC10

RGB 181 172 16

HSL 56.73, 0.84%, 0.39%

LAB 69.02, -11.85, 69.22

 

CMYK 0 / 29 / 91 / 29

HEX #B58010

RGB 181 128 16

HSL 40.73, 0.84%, 0.39%

LAB 57.37, 11.92, 60.24

 

CMYK 0 / 54 / 91 / 29

HEX #B55310

RGB 181 83 16

HSL 24.36, 0.84%, 0.39%

LAB 47.04, 36.41, 52.49

 

CMYK 0 / 78 / 91 / 29

HEX #B52710

RGB 181 39 16

HSL 8.36, 0.84%, 0.39%

LAB 40.1, 54.96, 47.47

 

CMYK 0 / 91 / 91 / 29

HEX #B51010

RGB 181 16 16

HSL 0, 0.84%, 0.39%

LAB 38.26, 60.2, 46.18

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC10

RGB 181 172 16

HSL 56.73, 0.84%, 0.39%

LAB 69.02, -11.85, 69.22

 

CMYK 19 / 0 / 91 / 29

HEX #92B510

RGB 146 181 16

HSL 72.73, 0.84%, 0.39%

LAB 68.89, -31.37, 67.98

 

CMYK 44 / 0 / 91 / 29

HEX #66B510

RGB 102 181 16

HSL 88.73, 0.84%, 0.39%

LAB 66.45, -47.95, 64.98

 

CMYK 69 / 0 / 91 / 29

HEX #39B510

RGB 57 181 16

HSL 105.09, 0.84%, 0.39%

LAB 64.93, -60.08, 63.09

 

CMYK 91 / 0 / 89 / 29

HEX #10B514

RGB 16 181 20

HSL 121.45, 0.84%, 0.39%

LAB 64.33, -65.29, 61.63

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC10

RGB 181 172 16

HSL 56.73, 0.84%, 0.39%

LAB 69.02, -11.85, 69.22

 

CMYK 0 / 6 / 100 / 22

HEX #C6BB00

RGB 198 187 0

HSL 56.67, 1%, 0.39%

LAB 74.54, -12.28, 75.93

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC10

RGB 181 172 16

HSL 56.73, 0.84%, 0.39%

LAB 69.02, -11.85, 69.22

 

CMYK 0 / 4 / 81 / 35

HEX #A59E20

RGB 165 158 32

HSL 56.84, 0.68%, 0.39%

LAB 63.8, -11.26, 60.75

 

CMYK 0 / 3 / 67 / 42

HEX #959031

RGB 149 144 49

HSL 57, 0.51%, 0.39%

LAB 58.56, -10.17, 49.11

 

CMYK 0 / 3 / 51 / 48

HEX #858141

RGB 133 129 65

HSL 56.47, 0.34%, 0.39%

LAB 53.02, -7.87, 34.91

 

CMYK 0 / 2 / 31 / 54

HEX #757351

RGB 117 115 81

HSL 56.67, 0.18%, 0.39%

LAB 47.8, -5.09, 19.14

 

CMYK 0 / 55 / 91 / 29

HEX #B55210

RGB 181 82 16

HSL 24, 0.84%, 0.39%

LAB 46.84, 36.92, 52.34

 

CMYK 0 / 30 / 91 / 29

HEX #B57E10

RGB 181 126 16

HSL 40, 0.84%, 0.39%

LAB 56.86, 13.03, 59.86

 

CMYK 0 / 6 / 91 / 29

HEX #B5AA10

RGB 181 170 16

HSL 56, 0.84%, 0.39%

LAB 68.47, -10.81, 68.79

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 43 / 0 / 91 / 29

HEX #68B510

RGB 104 181 16

HSL 88, 0.84%, 0.39%

LAB 66.54, -47.28, 65.09

 

CMYK 0 / 5 / 92 / 58

HEX #6A6509

RGB 106 101 9

HSL 56.91, 0.84%, 0.23%

LAB 41.83, -8.25, 46.17

 

CMYK 0 / 5 / 91 / 44

HEX #90890D

RGB 144 137 13

HSL 56.79, 0.83%, 0.31%

LAB 55.94, -10.12, 58.09

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC10

RGB 181 172 16

HSL 56.73, 0.84%, 0.39%

LAB 69.02, -11.85, 69.22

 

CMYK 0 / 5 / 91 / 14

HEX #DBD014

RGB 219 208 20

HSL 56.68, 0.83%, 0.47%

LAB 81.96, -13.57, 80.03

 

CMYK 0 / 4 / 81 / 8

HEX #EBE12D

RGB 235 225 45

HSL 56.84, 0.83%, 0.55%

LAB 87.82, -14.68, 80.34

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC11

RGB 181 172 17

HSL 56.71, 0.83%, 0.39%

LAB 69.02, -11.83, 69.06

 

CMYK 91 / 0 / 79 / 29

HEX #10B526

RGB 16 181 38

HSL 128, 0.84%, 0.39%

LAB 64.4, -64.36, 57.15

 

CMYK 43 / 91 / 0 / 29

HEX #6810B5

RGB 104 16 181

HSL 272, 0.84%, 0.39%

LAB 31, 62.96, -67.11

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC11

RGB 181 172 17

HSL 56.71, 0.83%, 0.39%

LAB 69.02, -11.83, 69.06

 

CMYK 91 / 0 / 6 / 29

HEX #10B5AA

RGB 16 181 170

HSL 176, 0.84%, 0.39%

LAB 66.57, -39.89, -5.2

 

CMYK 6 / 91 / 0 / 29

HEX #AA10B5

RGB 170 16 181

HSL 296, 0.84%, 0.39%

LAB 41.62, 72.46, -49.37

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC11

RGB 181 172 17

HSL 56.71, 0.83%, 0.39%

LAB 69.02, -11.83, 69.06

 

CMYK 91 / 0 / 79 / 29

HEX #10B526

RGB 16 181 38

HSL 128, 0.84%, 0.39%

LAB 64.4, -64.36, 57.15

 

CMYK 91 / 85 / 0 / 29

HEX #101BB5

RGB 16 27 181

HSL 236, 0.84%, 0.39%

LAB 24.42, 53.22, -78.24

 

CMYK 0 / 91 / 12 / 29

HEX #B5109F

RGB 181 16 159

HSL 308, 0.84%, 0.39%

LAB 42.3, 71.17, -35.04

 

CMYK 0 / 5 / 91 / 29

HEX #B5AC11

RGB 181 172 17

HSL 56.71, 0.83%, 0.39%

LAB 69.02, -11.83, 69.06

 

CMYK 91 / 0 / 51 / 29

HEX #10B558

RGB 16 181 88

HSL 146.18, 0.84%, 0.39%

LAB 64.85, -58.74, 36.58

 

CMYK 91 / 85 / 0 / 29

HEX #101BB5

RGB 16 27 181

HSL 236, 0.84%, 0.39%

LAB 24.42, 53.22, -78.24

 

CMYK 0 / 91 / 39 / 29

HEX #B5106E

RGB 181 16 110

HSL 325.82, 0.84%, 0.39%

LAB 40.11, 65.38, -8.29

 

Description

Color code: HEX #B5AC11 | qconv.com Color code: HEX #B5AC11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 172 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 172 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 91 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 91% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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