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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5A835 it is the complementary color #4A57CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5A835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5A835 shade: #BAA830, #CBBA43, #DCCC56, #EDDE69 and #FEF07C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5A835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5A835 shade: #B5A835, #A49622, #93840F, #827200 and #716000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5A835 shade: #B5A834, #B58534, #B56334, #B54034 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5A835 shade: #B5A834, #A0B534, #7DB534, #5AB534 and #37B534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5A835 shade matches the following richer shades: #B5A834, #C8B721 and #DBC60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5A835 shade: #B5A834, #A29947, #8F8A5A, #7C7B6D and #696C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5A835 shade: #B56134, #B58434, #B5A634, #A2B534 and #80B534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5A835 shade: #756D22, #958B2B, #B5A834, #CABD49 and #D3C869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5A835 shade: #B5A835, #34B53F and #7334B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5A835 shade: #B5A835, #34B5A6 and #A634B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5A835 shade: #B5A835, #34B53F, #3443B5 and #B534AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5A835 shade: #B5A835, #34B566, #3443B5 and #B53484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 71 / 29

HEX #B5A835

RGB 181 168 53

HSL 53.91, 0.55%, 0.46%

LAB 68.08, -8.54, 58.03

 

Complementary color

CMYK 63 / 57 / 0 / 21

HEX #4A57CA

RGB 74 87 202

HSL 233.91, 0.55%, 0.54%

LAB 42.06, 30.88, -61.47

 

CMYK 0 / 10 / 74 / 27

HEX #BAA830

RGB 186 168 48

HSL 52.17, 0.59%, 0.46%

LAB 68.5, -6.59, 60.47

 

CMYK 0 / 8 / 67 / 20

HEX #CBBA43

RGB 203 186 67

HSL 52.5, 0.57%, 0.53%

LAB 74.96, -7.65, 60.05

 

CMYK 0 / 7 / 61 / 14

HEX #DCCC56

RGB 220 204 86

HSL 52.84, 0.66%, 0.6%

LAB 81.33, -8.54, 59.23

 

CMYK 0 / 6 / 56 / 7

HEX #EDDE69

RGB 237 222 105

HSL 53.18, 0.79%, 0.67%

LAB 87.61, -9.29, 58.22

 

CMYK 0 / 6 / 51 / 0

HEX #FEF07C

RGB 254 240 124

HSL 53.54, 0.98%, 0.74%

LAB 93.82, -9.94, 57.12

 

CMYK 0 / 7 / 71 / 29

HEX #B5A835

RGB 181 168 53

HSL 53.91, 0.55%, 0.46%

LAB 68.08, -8.54, 58.03

 

CMYK 0 / 9 / 79 / 36

HEX #A49622

RGB 164 150 34

HSL 53.54, 0.66%, 0.39%

LAB 61.5, -7.39, 58.06

 

CMYK 0 / 10 / 90 / 42

HEX #93840F

RGB 147 132 15

HSL 53.18, 0.81%, 0.32%

LAB 54.8, -5.97, 56.9

 

CMYK 0 / 12 / 100 / 49

HEX #827200

RGB 130 114 0

HSL 52.62, 1%, 0.25%

LAB 47.98, -4.25, 53.95

 

CMYK 0 / 15 / 100 / 56

HEX #716000

RGB 113 96 0

HSL 50.97, 1%, 0.22%

LAB 41.02, -2.16, 48.19

 

CMYK 0 / 7 / 71 / 29

HEX #B5A834

RGB 181 168 52

HSL 53.95, 0.55%, 0.46%

LAB 68.08, -8.59, 58.41

 

CMYK 0 / 27 / 71 / 29

HEX #B58534

RGB 181 133 52

HSL 37.67, 0.55%, 0.46%

LAB 58.83, 10.39, 49.09

 

CMYK 0 / 45 / 71 / 29

HEX #B56334

RGB 181 99 52

HSL 21.86, 0.55%, 0.46%

LAB 50.68, 29.21, 40.4

 

CMYK 0 / 65 / 71 / 29

HEX #B54034

RGB 181 64 52

HSL 5.58, 0.55%, 0.46%

LAB 43.86, 46.7, 32.71

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 7 / 71 / 29

HEX #B5A834

RGB 181 168 52

HSL 53.95, 0.55%, 0.46%

LAB 68.08, -8.59, 58.41

 

CMYK 12 / 0 / 71 / 29

HEX #A0B534

RGB 160 181 52

HSL 69.77, 0.55%, 0.46%

LAB 70.01, -24.22, 59.75

 

CMYK 31 / 0 / 71 / 29

HEX #7DB534

RGB 125 181 52

HSL 86.05, 0.55%, 0.46%

LAB 67.77, -38.15, 56.76

 

CMYK 50 / 0 / 71 / 29

HEX #5AB534

RGB 90 181 52

HSL 102.33, 0.55%, 0.46%

LAB 66.11, -49.94, 54.55

 

CMYK 70 / 0 / 71 / 29

HEX #37B534

RGB 55 181 52

HSL 118.6, 0.55%, 0.46%

LAB 65.05, -58.44, 53.12

 

CMYK 0 / 7 / 71 / 29

HEX #B5A834

RGB 181 168 52

HSL 53.95, 0.55%, 0.46%

LAB 68.08, -8.59, 58.41

 

CMYK 0 / 9 / 84 / 22

HEX #C8B721

RGB 200 183 33

HSL 53.89, 0.72%, 0.46%

LAB 73.71, -8.81, 70.2

 

CMYK 0 / 10 / 94 / 14

HEX #DBC60E

RGB 219 198 14

HSL 53.85, 0.88%, 0.46%

LAB 79.32, -8.61, 78.81

 

CMYK 0 / 7 / 71 / 29

HEX #B5A834

RGB 181 168 52

HSL 53.95, 0.55%, 0.46%

LAB 68.08, -8.59, 58.41

 

CMYK 0 / 6 / 56 / 36

HEX #A29947

RGB 162 153 71

HSL 54.07, 0.39%, 0.46%

LAB 62.44, -7.68, 43.57

 

CMYK 0 / 3 / 37 / 44

HEX #8F8A5A

RGB 143 138 90

HSL 54.34, 0.23%, 0.46%

LAB 56.84, -5.74, 26.4

 

CMYK 0 / 1 / 12 / 51

HEX #7C7B6D

RGB 124 123 109

HSL 56, 0.06%, 0.46%

LAB 51.33, -2.26, 7.79

 

CMYK 18 / 16 / 0 / 50

HEX #696C80

RGB 105 108 128

HSL 232.17, 0.1%, 0.46%

LAB 46.02, 3.36, -11.44

 

CMYK 0 / 46 / 71 / 29

HEX #B56134

RGB 181 97 52

HSL 20.93, 0.55%, 0.46%

LAB 50.24, 30.29, 39.92

 

CMYK 0 / 27 / 71 / 29

HEX #B58434

RGB 181 132 52

HSL 37.21, 0.55%, 0.46%

LAB 58.58, 10.95, 48.82

 

CMYK 0 / 8 / 71 / 29

HEX #B5A634

RGB 181 166 52

HSL 53.02, 0.55%, 0.46%

LAB 67.53, -7.54, 57.88

 

CMYK 10 / 0 / 71 / 29

HEX #A2B534

RGB 162 181 52

HSL 68.84, 0.55%, 0.46%

LAB 70.16, -23.38, 59.94

 

CMYK 29 / 0 / 71 / 29

HEX #80B534

RGB 128 181 52

HSL 84.65, 0.55%, 0.46%

LAB 67.94, -37.03, 56.99

 

CMYK 0 / 7 / 71 / 54

HEX #756D22

RGB 117 109 34

HSL 54.22, 0.55%, 0.3%

LAB 45.41, -6.45, 41.17

 

CMYK 0 / 7 / 71 / 42

HEX #958B2B

RGB 149 139 43

HSL 54.34, 0.55%, 0.38%

LAB 57.1, -7.81, 50.13

 

CMYK 0 / 7 / 71 / 29

HEX #B5A834

RGB 181 168 52

HSL 53.95, 0.55%, 0.46%

LAB 68.08, -8.59, 58.41

 

CMYK 0 / 6 / 64 / 21

HEX #CABD49

RGB 202 189 73

HSL 53.95, 0.55%, 0.54%

LAB 75.72, -9.27, 58.31

 

CMYK 0 / 5 / 50 / 17

HEX #D3C869

RGB 211 200 105

HSL 53.77, 0.55%, 0.62%

LAB 79.71, -8.75, 48.44

 

CMYK 0 / 7 / 71 / 29

HEX #B5A835

RGB 181 168 53

HSL 53.91, 0.55%, 0.46%

LAB 68.08, -8.54, 58.03

 

CMYK 71 / 0 / 65 / 29

HEX #34B53F

RGB 52 181 63

HSL 125.12, 0.55%, 0.46%

LAB 65.07, -57.93, 48.65

 

CMYK 36 / 71 / 0 / 29

HEX #7334B5

RGB 115 52 181

HSL 269.3, 0.55%, 0.46%

LAB 36.81, 52.06, -57.54

 

CMYK 0 / 7 / 71 / 29

HEX #B5A835

RGB 181 168 53

HSL 53.91, 0.55%, 0.46%

LAB 68.08, -8.54, 58.03

 

CMYK 71 / 0 / 8 / 29

HEX #34B5A6

RGB 52 181 166

HSL 173.02, 0.55%, 0.46%

LAB 66.92, -37.83, -2.41

 

CMYK 8 / 71 / 0 / 29

HEX #A634B5

RGB 166 52 181

HSL 293.02, 0.55%, 0.46%

LAB 44.09, 62.61, -45.45

 

CMYK 0 / 7 / 71 / 29

HEX #B5A835

RGB 181 168 53

HSL 53.91, 0.55%, 0.46%

LAB 68.08, -8.54, 58.03

 

CMYK 71 / 0 / 65 / 29

HEX #34B53F

RGB 52 181 63

HSL 125.12, 0.55%, 0.46%

LAB 65.07, -57.93, 48.65

 

CMYK 71 / 63 / 0 / 29

HEX #3443B5

RGB 52 67 181

HSL 233.02, 0.55%, 0.46%

LAB 34.15, 33.01, -62.13

 

CMYK 0 / 71 / 6 / 29

HEX #B534AB

RGB 181 52 171

HSL 304.65, 0.55%, 0.46%

LAB 45.93, 64.28, -36.47

 

CMYK 0 / 7 / 71 / 29

HEX #B5A835

RGB 181 168 53

HSL 53.91, 0.55%, 0.46%

LAB 68.08, -8.54, 58.03

 

CMYK 71 / 0 / 44 / 29

HEX #34B566

RGB 52 181 102

HSL 143.26, 0.55%, 0.46%

LAB 65.54, -52.42, 30.41

 

CMYK 71 / 63 / 0 / 29

HEX #3443B5

RGB 52 67 181

HSL 233.02, 0.55%, 0.46%

LAB 34.15, 33.01, -62.13

 

CMYK 0 / 71 / 27 / 29

HEX #B53484

RGB 181 52 132

HSL 322.79, 0.55%, 0.46%

LAB 44.15, 58.7, -15.8

 

Description

Color code: HEX #B5A835 | qconv.com Color code: HEX #B5A835 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 168 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 168 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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