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Color name
HEX #B5927F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5927F it is the complementary color #4A6D80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5927F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5927F shade: #BA927A, #CBA48D, #DCB6A0, #EDC8B3 and #FEDAC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5927F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5927F shade: #B5927F, #A4806C, #936E59, #825C46 and #714A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5927F shade: #B4907D, #B4817D and #B47D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5927F shade: #B4907D, #B49F7D, #B4AE7D, #ABB47D and #9CB47D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5927F shade matches the following richer shades: #B4907D, #C58B6C, #D5875C, #E6824B and #F67D3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5927F shade: #B4907D, #A4958D, #939A9E, #839FAE and #72A4BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5927F shade: #B47D87, #B4827D, #B4907D, #B49F7D and #B4AE7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5927F shade: #8D6651, #A57A63, #B4907D, #C3A797 and #D2BDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5927F shade: #B5927F, #96B47D and #7D80B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5927F shade: #B5927F, #7DB490 and #907DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5927F shade: #B5927F, #96B47D, #7DA1B4 and #9B7DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5927F shade: #B5927F, #85B47D, #7DA1B4 and #AC7DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 30 / 29

HEX #B5927F

RGB 181 146 127

HSL 21.11, 0.27%, 0.6%

LAB 63.27, 10.32, 15.04

 

Complementary color

CMYK 42 / 15 / 0 / 50

HEX #4A6D80

RGB 74 109 128

HSL 201.11, 0.27%, 0.4%

LAB 44.16, -7.18, -14.46

 

CMYK 0 / 22 / 34 / 27

HEX #BA927A

RGB 186 146 122

HSL 22.5, 0.32%, 0.6%

LAB 63.67, 11.66, 18.48

 

CMYK 0 / 19 / 31 / 20

HEX #CBA48D

RGB 203 164 141

HSL 22.26, 0.37%, 0.67%

LAB 70.3, 11.02, 17.36

 

CMYK 0 / 17 / 27 / 14

HEX #DCB6A0

RGB 220 182 160

HSL 22, 0.46%, 0.75%

LAB 76.81, 10.45, 16.33

 

CMYK 0 / 16 / 24 / 7

HEX #EDC8B3

RGB 237 200 179

HSL 21.72, 0.62%, 0.82%

LAB 83.21, 9.95, 15.37

 

CMYK 0 / 14 / 22 / 0

HEX #FEDAC6

RGB 254 218 198

HSL 21.43, 0.97%, 0.89%

LAB 89.53, 9.5, 14.46

 

CMYK 0 / 19 / 30 / 29

HEX #B5927F

RGB 181 146 127

HSL 21.11, 0.27%, 0.6%

LAB 63.27, 10.32, 15.04

 

CMYK 0 / 22 / 34 / 36

HEX #A4806C

RGB 164 128 108

HSL 21.43, 0.24%, 0.53%

LAB 56.5, 10.97, 16.17

 

CMYK 0 / 25 / 39 / 42

HEX #936E59

RGB 147 110 89

HSL 21.72, 0.25%, 0.46%

LAB 49.59, 11.74, 17.42

 

CMYK 0 / 29 / 46 / 49

HEX #825C46

RGB 130 92 70

HSL 22, 0.3%, 0.39%

LAB 42.52, 12.67, 18.82

 

CMYK 0 / 35 / 55 / 56

HEX #714A33

RGB 113 74 51

HSL 22.26, 0.38%, 0.32%

LAB 35.3, 13.8, 20.43

 

CMYK 0 / 20 / 31 / 29

HEX #B4907D

RGB 180 144 125

HSL 20.73, 0.27%, 0.6%

LAB 62.62, 10.76, 15.24

 

CMYK 0 / 28 / 31 / 29

HEX #B4817D

RGB 180 129 125

HSL 4.36, 0.27%, 0.6%

LAB 58.87, 19.14, 9.99

 

CMYK 0 / 31 / 31 / 29

HEX #B47D7D

RGB 180 125 125

HSL 0, 0.27%, 0.6%

LAB 57.9, 21.38, 8.61

 

CMYK 0 / 20 / 31 / 29

HEX #B4907D

RGB 180 144 125

HSL 20.73, 0.27%, 0.6%

LAB 62.62, 10.76, 15.24

 

CMYK 0 / 12 / 31 / 29

HEX #B49F7D

RGB 180 159 125

HSL 37.09, 0.27%, 0.6%

LAB 66.5, 2.49, 20.59

 

CMYK 0 / 3 / 31 / 29

HEX #B4AE7D

RGB 180 174 125

HSL 53.45, 0.27%, 0.6%

LAB 70.49, -5.58, 25.98

 

CMYK 5 / 0 / 31 / 29

HEX #ABB47D

RGB 171 180 125

HSL 69.82, 0.27%, 0.6%

LAB 71.41, -12.27, 27.07

 

CMYK 13 / 0 / 31 / 29

HEX #9CB47D

RGB 156 180 125

HSL 86.18, 0.27%, 0.6%

LAB 70.31, -18.02, 25.41

 

CMYK 0 / 20 / 31 / 29

HEX #B4907D

RGB 180 144 125

HSL 20.73, 0.27%, 0.6%

LAB 62.62, 10.76, 15.24

 

CMYK 0 / 29 / 45 / 23

HEX #C58B6C

RGB 197 139 108

HSL 20.9, 0.43%, 0.6%

LAB 62.86, 18.35, 25.37

 

CMYK 0 / 37 / 57 / 16

HEX #D5875C

RGB 213 135 92

HSL 21.32, 0.59%, 0.6%

LAB 63.55, 25.59, 35.38

 

CMYK 0 / 43 / 67 / 10

HEX #E6824B

RGB 230 130 75

HSL 21.29, 0.76%, 0.6%

LAB 64.4, 33.94, 45.82

 

CMYK 0 / 49 / 76 / 4

HEX #F67D3B

RGB 246 125 59

HSL 21.18, 0.91%, 0.6%

LAB 65.42, 41.99, 55.3

 

CMYK 0 / 20 / 31 / 29

HEX #B4907D

RGB 180 144 125

HSL 20.73, 0.27%, 0.6%

LAB 62.62, 10.76, 15.24

 

CMYK 0 / 9 / 14 / 36

HEX #A4958D

RGB 164 149 141

HSL 20.87, 0.11%, 0.6%

LAB 62.77, 4.15, 6.22

 

CMYK 7 / 3 / 0 / 38

HEX #939A9E

RGB 147 154 158

HSL 201.82, 0.05%, 0.6%

LAB 63.16, -1.7, -2.97

 

CMYK 25 / 9 / 0 / 32

HEX #839FAE

RGB 131 159 174

HSL 200.93, 0.21%, 0.6%

LAB 63.9, -6.25, -11

 

CMYK 40 / 14 / 0 / 25

HEX #72A4BF

RGB 114 164 191

HSL 201.04, 0.38%, 0.6%

LAB 64.88, -9.61, -19.13

 

CMYK 0 / 31 / 25 / 29

HEX #B47D87

RGB 180 125 135

HSL 349.09, 0.27%, 0.6%

LAB 58.15, 22.81, 3.21

 

CMYK 0 / 28 / 31 / 29

HEX #B4827D

RGB 180 130 125

HSL 5.45, 0.27%, 0.6%

LAB 59.11, 18.58, 10.33

 

CMYK 0 / 20 / 31 / 29

HEX #B4907D

RGB 180 144 125

HSL 20.73, 0.27%, 0.6%

LAB 62.62, 10.76, 15.24

 

CMYK 0 / 12 / 31 / 29

HEX #B49F7D

RGB 180 159 125

HSL 37.09, 0.27%, 0.6%

LAB 66.5, 2.49, 20.59

 

CMYK 0 / 3 / 31 / 29

HEX #B4AE7D

RGB 180 174 125

HSL 53.45, 0.27%, 0.6%

LAB 70.49, -5.58, 25.98

 

CMYK 0 / 28 / 43 / 45

HEX #8D6651

RGB 141 102 81

HSL 21, 0.27%, 0.44%

LAB 46.66, 12.85, 18.04

 

CMYK 0 / 26 / 40 / 35

HEX #A57A63

RGB 165 122 99

HSL 20.91, 0.27%, 0.52%

LAB 54.89, 13.65, 19.14

 

CMYK 0 / 20 / 31 / 29

HEX #B4907D

RGB 180 144 125

HSL 20.73, 0.27%, 0.6%

LAB 62.62, 10.76, 15.24

 

CMYK 0 / 14 / 23 / 24

HEX #C3A797

RGB 195 167 151

HSL 21.82, 0.27%, 0.68%

LAB 70.51, 7.69, 12.05

 

CMYK 0 / 10 / 16 / 18

HEX #D2BDB1

RGB 210 189 177

HSL 21.82, 0.27%, 0.76%

LAB 78.03, 5.47, 8.76

 

CMYK 0 / 19 / 30 / 29

HEX #B5927F

RGB 181 146 127

HSL 21.11, 0.27%, 0.6%

LAB 63.27, 10.32, 15.04

 

CMYK 17 / 0 / 31 / 29

HEX #96B47D

RGB 150 180 125

HSL 92.73, 0.27%, 0.6%

LAB 69.9, -20.26, 24.79

 

CMYK 31 / 29 / 0 / 29

HEX #7D80B4

RGB 125 128 180

HSL 236.73, 0.27%, 0.6%

LAB 55.17, 11.08, -27.75

 

CMYK 0 / 19 / 30 / 29

HEX #B5927F

RGB 181 146 127

HSL 21.11, 0.27%, 0.6%

LAB 63.27, 10.32, 15.04

 

CMYK 31 / 0 / 20 / 29

HEX #7DB490

RGB 125 180 144

HSL 140.73, 0.27%, 0.6%

LAB 68.76, -25.63, 12.69

 

CMYK 20 / 31 / 0 / 29

HEX #907DB4

RGB 144 125 180

HSL 260.73, 0.27%, 0.6%

LAB 55.98, 18.73, -26.36

 

CMYK 0 / 19 / 30 / 29

HEX #B5927F

RGB 181 146 127

HSL 21.11, 0.27%, 0.6%

LAB 63.27, 10.32, 15.04

 

CMYK 17 / 0 / 31 / 29

HEX #96B47D

RGB 150 180 125

HSL 92.73, 0.27%, 0.6%

LAB 69.9, -20.26, 24.79

 

CMYK 31 / 11 / 0 / 29

HEX #7DA1B4

RGB 125 161 180

HSL 200.73, 0.27%, 0.6%

LAB 64.28, -7.72, -13.83

 

CMYK 14 / 31 / 0 / 29

HEX #9B7DB4

RGB 155 125 180

HSL 272.73, 0.27%, 0.6%

LAB 57.01, 22.26, -24.69

 

CMYK 0 / 19 / 30 / 29

HEX #B5927F

RGB 181 146 127

HSL 21.11, 0.27%, 0.6%

LAB 63.27, 10.32, 15.04

 

CMYK 26 / 0 / 31 / 29

HEX #85B47D

RGB 133 180 125

HSL 111.27, 0.27%, 0.6%

LAB 68.83, -26.37, 23.16

 

CMYK 31 / 11 / 0 / 29

HEX #7DA1B4

RGB 125 161 180

HSL 200.73, 0.27%, 0.6%

LAB 64.28, -7.72, -13.83

 

CMYK 4 / 31 / 0 / 29

HEX #AC7DB4

RGB 172 125 180

HSL 291.27, 0.27%, 0.6%

LAB 58.73, 27.85, -21.91

 

Description

Color code: HEX #B5927F | qconv.com Color code: HEX #B5927F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 146 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 146 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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