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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B590A3 it is the complementary color #4A6F5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B590A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B590A3 shade: #BA909E, #CBA2B1, #DCB4C4, #EDC6D7 and #FED8EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B590A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B590A3 shade: #B590A3, #A47E90, #936C7D, #825A6A and #714857

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B590A3 shade: #B590A3, #B59099 and #B59090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B590A3 shade: #B590A3, #B590AD, #B390B5, #A990B5 and #9F90B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B590A3 shade matches the following richer shades: #B590A3, #C481A4, #D373A4, #E264A4 and #F055A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B590A3 shade: #B590A3, #A69FA3, #97AEA2, #89BDA2 and #7ACCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B590A3 shade: #B390B5, #B590AD, #B590A3, #B5909A and #B59190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B590A3 shade: #92617A, #A5788F, #B590A3, #C6A9B8 and #D6C2CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B590A3 shade: #B590A3, #B5A990 and #90B2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B590A3 shade: #B590A3, #A3B590 and #90A3B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B590A3 shade: #B590A3, #B5A990, #90B5A2 and #909CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B590A3 shade: #B590A3, #B5B490, #90B5A2 and #9091B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

Complementary color

CMYK 33 / 0 / 17 / 56

HEX #4A6F5C

RGB 74 111 92

HSL 149.19, 0.2%, 0.36%

LAB 43.65, -17.66, 6.43

 

CMYK 0 / 23 / 15 / 27

HEX #BA909E

RGB 186 144 158

HSL 340, 0.23%, 0.65%

LAB 64.04, 18.07, -1.27

 

CMYK 0 / 20 / 13 / 20

HEX #CBA2B1

RGB 203 162 177

HSL 338.05, 0.28%, 0.72%

LAB 70.67, 17.51, -1.98

 

CMYK 0 / 18 / 11 / 14

HEX #DCB4C4

RGB 220 180 196

HSL 336, 0.36%, 0.78%

LAB 77.19, 17, -2.65

 

CMYK 0 / 16 / 9 / 7

HEX #EDC6D7

RGB 237 198 215

HSL 333.85, 0.52%, 0.85%

LAB 83.6, 16.53, -3.29

 

CMYK 0 / 15 / 8 / 0

HEX #FED8EA

RGB 254 216 234

HSL 331.58, 0.95%, 0.92%

LAB 89.92, 16.1, -3.9

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 23 / 12 / 36

HEX #A47E90

RGB 164 126 144

HSL 331.58, 0.17%, 0.57%

LAB 56.91, 17.66, -4.02

 

CMYK 0 / 27 / 15 / 42

HEX #936C7D

RGB 147 108 125

HSL 333.85, 0.15%, 0.5%

LAB 49.99, 18.3, -3.31

 

CMYK 0 / 31 / 18 / 49

HEX #825A6A

RGB 130 90 106

HSL 336, 0.18%, 0.43%

LAB 42.91, 19.03, -2.52

 

CMYK 0 / 36 / 23 / 56

HEX #714857

RGB 113 72 87

HSL 338.05, 0.22%, 0.36%

LAB 35.66, 19.85, -1.61

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 20 / 15 / 29

HEX #B59099

RGB 181 144 153

HSL 345.41, 0.2%, 0.64%

LAB 63.4, 15.38, 0.56

 

CMYK 0 / 20 / 20 / 29

HEX #B59090

RGB 181 144 144

HSL 0, 0.2%, 0.64%

LAB 63.16, 13.93, 5.31

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 20 / 4 / 29

HEX #B590AD

RGB 181 144 173

HSL 312.97, 0.2%, 0.64%

LAB 63.99, 18.89, -9.88

 

CMYK 1 / 20 / 0 / 29

HEX #B390B5

RGB 179 144 181

HSL 296.76, 0.2%, 0.64%

LAB 64.05, 19.71, -14.31

 

CMYK 7 / 20 / 0 / 29

HEX #A990B5

RGB 169 144 181

HSL 280.54, 0.2%, 0.64%

LAB 63.11, 16.29, -15.83

 

CMYK 12 / 20 / 0 / 29

HEX #9F90B5

RGB 159 144 181

HSL 264.32, 0.2%, 0.64%

LAB 62.21, 12.91, -17.27

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 34 / 16 / 23

HEX #C481A4

RGB 196 129 164

HSL 328.66, 0.36%, 0.64%

LAB 61.75, 30.97, -7.94

 

CMYK 0 / 45 / 22 / 17

HEX #D373A4

RGB 211 115 164

HSL 329.38, 0.52%, 0.64%

LAB 60.6, 43.58, -9.47

 

CMYK 0 / 56 / 27 / 11

HEX #E264A4

RGB 226 100 164

HSL 329.52, 0.68%, 0.64%

LAB 59.86, 55.74, -10.36

 

CMYK 0 / 65 / 31 / 6

HEX #F055A5

RGB 240 85 165

HSL 329.03, 0.84%, 0.64%

LAB 59.65, 66.41, -11.03

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 4 / 2 / 35

HEX #A69FA3

RGB 166 159 163

HSL 325.71, 0.04%, 0.64%

LAB 66.17, 3.28, -1.18

 

CMYK 13 / 0 / 7 / 32

HEX #97AEA2

RGB 151 174 162

HSL 148.7, 0.12%, 0.64%

LAB 69.08, -10.35, 3.47

 

CMYK 28 / 0 / 14 / 26

HEX #89BDA2

RGB 137 189 162

HSL 148.85, 0.28%, 0.64%

LAB 72.44, -22.72, 8.19

 

CMYK 40 / 0 / 21 / 20

HEX #7ACCA2

RGB 122 204 162

HSL 149.27, 0.45%, 0.64%

LAB 76.03, -34.44, 13.18

 

CMYK 1 / 20 / 0 / 29

HEX #B390B5

RGB 179 144 181

HSL 296.76, 0.2%, 0.64%

LAB 64.05, 19.71, -14.31

 

CMYK 0 / 20 / 4 / 29

HEX #B590AD

RGB 181 144 173

HSL 312.97, 0.2%, 0.64%

LAB 63.99, 18.89, -9.88

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 20 / 15 / 29

HEX #B5909A

RGB 181 144 154

HSL 343.78, 0.2%, 0.64%

LAB 63.43, 15.55, 0.03

 

CMYK 0 / 20 / 20 / 29

HEX #B59190

RGB 181 145 144

HSL 1.62, 0.2%, 0.64%

LAB 63.42, 13.38, 5.67

 

CMYK 0 / 34 / 16 / 43

HEX #92617A

RGB 146 97 122

HSL 329.39, 0.2%, 0.48%

LAB 47.06, 23.8, -5.86

 

CMYK 0 / 27 / 13 / 35

HEX #A5788F

RGB 165 120 143

HSL 329.33, 0.2%, 0.56%

LAB 55.5, 21.28, -5.52

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 15 / 7 / 22

HEX #C6A9B8

RGB 198 169 184

HSL 328.97, 0.2%, 0.72%

LAB 72.12, 13.09, -3.77

 

CMYK 0 / 9 / 5 / 16

HEX #D6C2CC

RGB 214 194 204

HSL 330, 0.2%, 0.8%

LAB 80.31, 8.76, -2.45

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 7 / 20 / 29

HEX #B5A990

RGB 181 169 144

HSL 40.54, 0.2%, 0.64%

LAB 69.62, 0.18, 14.47

 

CMYK 20 / 2 / 0 / 29

HEX #90B2B5

RGB 144 178 181

HSL 184.86, 0.2%, 0.64%

LAB 70.25, -10.8, -5.35

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 10 / 0 / 20 / 29

HEX #A3B590

RGB 163 181 144

HSL 89.19, 0.2%, 0.64%

LAB 71.45, -12.98, 16.81

 

CMYK 20 / 10 / 0 / 29

HEX #90A3B5

RGB 144 163 181

HSL 209.19, 0.2%, 0.64%

LAB 66.11, -2.7, -11.52

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 7 / 20 / 29

HEX #B5A990

RGB 181 169 144

HSL 40.54, 0.2%, 0.64%

LAB 69.62, 0.18, 14.47

 

CMYK 20 / 0 / 10 / 29

HEX #90B5A2

RGB 144 181 162

HSL 149.19, 0.2%, 0.64%

LAB 70.58, -16.38, 5.58

 

CMYK 20 / 14 / 0 / 29

HEX #909CB5

RGB 144 156 181

HSL 220.54, 0.2%, 0.64%

LAB 64.2, 1.19, -14.39

 

CMYK 0 / 20 / 10 / 29

HEX #B590A3

RGB 181 144 163

HSL 329.19, 0.2%, 0.64%

LAB 63.68, 17.09, -4.68

 

CMYK 0 / 1 / 20 / 29

HEX #B5B490

RGB 181 180 144

HSL 58.38, 0.2%, 0.64%

LAB 72.55, -5.7, 18.54

 

CMYK 20 / 0 / 10 / 29

HEX #90B5A2

RGB 144 181 162

HSL 149.19, 0.2%, 0.64%

LAB 70.58, -16.38, 5.58

 

CMYK 20 / 20 / 0 / 29

HEX #9091B5

RGB 144 145 181

HSL 238.38, 0.2%, 0.64%

LAB 61.23, 7.4, -18.88

 

Description

Color code: HEX #B590A3 | qconv.com Color code: HEX #B590A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 144 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 144 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 10 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 10% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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