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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59092 it is the complementary color #4A6F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59092 shade: #BA908D, #CBA2A0, #DCB4B3, #EDC6C6 and #FED8D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59092 shade: #B59092, #A47E7F, #936C6C, #825A59 and #714846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59092 shade: #B59092 and #B59090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59092 shade: #B59092, #B5909C, #B590A6, #B590B0 and #B090B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59092 shade matches the following richer shades: #B59092, #C48185, #D37378, #E2646B and #F0555D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59092 shade: #B59092, #A69FA0, #97AEAD, #89BDBA and #7ACCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59092 shade: #B590A6, #B5909D, #B59093, #B59890 and #B5A190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59092 shade: #926164, #A5787A, #B59092, #C6A9AB and #D6C2C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59092 shade: #B59092, #B0B590 and #90A1B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59092 shade: #B59092, #93B590 and #9093B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59092 shade: #B59092, #B0B590, #90B5B3 and #9590B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59092 shade: #B59092, #A5B590, #90B5B3 and #A090B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

Complementary color

CMYK 33 / 0 / 2 / 56

HEX #4A6F6D

RGB 74 111 109

HSL 176.76, 0.2%, 0.36%

LAB 44.13, -13.55, -3.09

 

CMYK 0 / 23 / 24 / 27

HEX #BA908D

RGB 186 144 141

HSL 4, 0.25%, 0.64%

LAB 63.6, 15.4, 7.69

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A0

RGB 203 162 160

HSL 2.79, 0.29%, 0.71%

LAB 70.23, 14.8, 6.79

 

CMYK 0 / 18 / 19 / 14

HEX #DCB4B3

RGB 220 180 179

HSL 1.46, 0.37%, 0.78%

LAB 76.75, 14.27, 5.95

 

CMYK 0 / 16 / 16 / 7

HEX #EDC6C6

RGB 237 198 198

HSL 0, 0.52%, 0.85%

LAB 83.16, 13.79, 5.16

 

CMYK 0 / 15 / 15 / 0

HEX #FED8D9

RGB 254 216 217

HSL 358.42, 0.95%, 0.92%

LAB 89.48, 13.36, 4.42

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 0 / 23 / 23 / 36

HEX #A47E7F

RGB 164 126 127

HSL 358.42, 0.17%, 0.57%

LAB 56.43, 14.85, 5.13

 

CMYK 0 / 27 / 27 / 42

HEX #936C6C

RGB 147 108 108

HSL 0, 0.15%, 0.5%

LAB 49.51, 15.53, 6.09

 

CMYK 0 / 31 / 32 / 49

HEX #825A59

RGB 130 90 89

HSL 1.46, 0.19%, 0.43%

LAB 42.43, 16.33, 7.18

 

CMYK 0 / 36 / 38 / 56

HEX #714846

RGB 113 72 70

HSL 2.79, 0.23%, 0.36%

LAB 35.18, 17.27, 8.45

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 0 / 20 / 20 / 29

HEX #B59090

RGB 181 144 144

HSL 0, 0.2%, 0.64%

LAB 63.16, 13.93, 5.31

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 0 / 20 / 14 / 29

HEX #B5909C

RGB 181 144 156

HSL 340.54, 0.2%, 0.64%

LAB 63.48, 15.88, -1.02

 

CMYK 0 / 20 / 8 / 29

HEX #B590A6

RGB 181 144 166

HSL 324.32, 0.2%, 0.64%

LAB 63.77, 17.62, -6.25

 

CMYK 0 / 20 / 3 / 29

HEX #B590B0

RGB 181 144 176

HSL 308.11, 0.2%, 0.64%

LAB 64.08, 19.45, -11.43

 

CMYK 3 / 20 / 0 / 29

HEX #B090B5

RGB 176 144 181

HSL 291.89, 0.2%, 0.64%

LAB 63.76, 18.68, -14.78

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 0 / 34 / 32 / 23

HEX #C48185

RGB 196 129 133

HSL 356.42, 0.36%, 0.64%

LAB 60.9, 26.42, 8.54

 

CMYK 0 / 45 / 43 / 17

HEX #D37378

RGB 211 115 120

HSL 356.88, 0.52%, 0.64%

LAB 59.4, 38.03, 14.17

 

CMYK 0 / 56 / 53 / 11

HEX #E2646B

RGB 226 100 107

HSL 356.67, 0.68%, 0.64%

LAB 58.36, 49.66, 20.6

 

CMYK 0 / 65 / 61 / 6

HEX #F0555D

RGB 240 85 93

HSL 356.9, 0.84%, 0.64%

LAB 57.86, 59.92, 28.44

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 0 / 4 / 4 / 35

HEX #A69FA0

RGB 166 159 160

HSL 351.43, 0.04%, 0.64%

LAB 66.09, 2.72, 0.38

 

CMYK 13 / 0 / 1 / 32

HEX #97AEAD

RGB 151 174 173

HSL 177.39, 0.12%, 0.64%

LAB 69.38, -8.12, -2.17

 

CMYK 28 / 0 / 2 / 26

HEX #89BDBA

RGB 137 189 186

HSL 176.54, 0.28%, 0.64%

LAB 73.06, -17.57, -3.99

 

CMYK 40 / 0 / 2 / 20

HEX #7ACCC7

RGB 122 204 199

HSL 176.34, 0.45%, 0.64%

LAB 76.95, -26.17, -5.39

 

CMYK 0 / 20 / 8 / 29

HEX #B590A6

RGB 181 144 166

HSL 324.32, 0.2%, 0.64%

LAB 63.77, 17.62, -6.25

 

CMYK 0 / 20 / 13 / 29

HEX #B5909D

RGB 181 144 157

HSL 338.92, 0.2%, 0.64%

LAB 63.51, 16.05, -1.54

 

CMYK 0 / 20 / 19 / 29

HEX #B59093

RGB 181 144 147

HSL 355.14, 0.2%, 0.64%

LAB 63.24, 14.41, 3.72

 

CMYK 0 / 16 / 20 / 29

HEX #B59890

RGB 181 152 144

HSL 12.97, 0.2%, 0.64%

LAB 65.2, 9.49, 8.22

 

CMYK 0 / 11 / 20 / 29

HEX #B5A190

RGB 181 161 144

HSL 27.57, 0.2%, 0.64%

LAB 67.52, 4.53, 11.52

 

CMYK 0 / 34 / 32 / 43

HEX #926164

RGB 146 97 100

HSL 356.33, 0.2%, 0.48%

LAB 46.42, 20.35, 6.45

 

CMYK 0 / 27 / 26 / 35

HEX #A5787A

RGB 165 120 122

HSL 357.33, 0.2%, 0.56%

LAB 54.9, 17.89, 5.85

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 0 / 15 / 14 / 22

HEX #C6A9AB

RGB 198 169 171

HSL 355.86, 0.2%, 0.72%

LAB 71.77, 10.87, 2.88

 

CMYK 0 / 9 / 9 / 16

HEX #D6C2C3

RGB 214 194 195

HSL 357, 0.2%, 0.8%

LAB 80.08, 7.21, 2.05

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 3 / 0 / 20 / 29

HEX #B0B590

RGB 176 181 144

HSL 68.11, 0.2%, 0.64%

LAB 72.42, -8.12, 18.31

 

CMYK 20 / 11 / 0 / 29

HEX #90A1B5

RGB 144 161 181

HSL 212.43, 0.2%, 0.64%

LAB 65.56, -1.59, -12.34

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 19 / 0 / 20 / 29

HEX #93B590

RGB 147 181 144

HSL 115.14, 0.2%, 0.64%

LAB 70.36, -18.74, 15.13

 

CMYK 20 / 19 / 0 / 29

HEX #9093B5

RGB 144 147 181

HSL 235.14, 0.2%, 0.64%

LAB 61.77, 6.26, -18.06

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 3 / 0 / 20 / 29

HEX #B0B590

RGB 176 181 144

HSL 68.11, 0.2%, 0.64%

LAB 72.42, -8.12, 18.31

 

CMYK 20 / 0 / 1 / 29

HEX #90B5B3

RGB 144 181 179

HSL 176.76, 0.2%, 0.64%

LAB 71.03, -12.83, -3.1

 

CMYK 18 / 20 / 0 / 29

HEX #9590B5

RGB 149 144 181

HSL 248.11, 0.2%, 0.64%

LAB 61.37, 9.6, -18.63

 

CMYK 0 / 20 / 19 / 29

HEX #B59092

RGB 181 144 146

HSL 356.76, 0.2%, 0.64%

LAB 63.22, 14.25, 4.25

 

CMYK 9 / 0 / 20 / 29

HEX #A5B590

RGB 165 181 144

HSL 85.95, 0.2%, 0.64%

LAB 71.6, -12.24, 17.03

 

CMYK 20 / 0 / 1 / 29

HEX #90B5B3

RGB 144 181 179

HSL 176.76, 0.2%, 0.64%

LAB 71.03, -12.83, -3.1

 

CMYK 12 / 20 / 0 / 29

HEX #A090B5

RGB 160 144 181

HSL 265.95, 0.2%, 0.64%

LAB 62.3, 13.24, -17.13

 

Description

Color code: HEX #B59092 | qconv.com Color code: HEX #B59092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 144 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 144 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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