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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58ECD it is the complementary color #4A7132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58ECD shade: #BA8EC8, #CBA0DB, #DCB2EE, #EDC4FF and #FED6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58ECD shade: #B58ECD, #A47CBA, #936AA7, #825894 and #714681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58ECD shade: #B48DCD, #C68DCD, #CD8DC3, #CD8DB1 and #CD8DA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58ECD shade: #B48DCD, #A38DCD, #928DCD and #8D8DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58ECD shade matches the following richer shades: #B48DCD, #B880DA, #BB73E7 and #BE65F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58ECD shade: #B48DCD, #B19AC0, #AEA7B2, #ABB5A5 and #A8C298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58ECD shade: #928DCD, #A38DCD, #B48DCD, #C58DCD and #CD8DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58ECD shade: #8F54B4, #A270C0, #B48DCD, #C7AAD9 and #DAC6E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58ECD shade: #B58ECD, #CD8D99 and #8DCD9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58ECD shade: #B58ECD, #CDB48D and #8DCDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58ECD shade: #B58ECD, #CD8D99, #A5CD8D and #8DCDC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58ECD shade: #B58ECD, #CD958D, #A5CD8D and #8DC5CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 31 / 0 / 20

HEX #B58ECD

RGB 181 142 205

HSL 277.14, 0.39%, 0.68%

LAB 64.63, 26.38, -26.89

 

Complementary color

CMYK 35 / 0 / 56 / 56

HEX #4A7132

RGB 74 113 50

HSL 97.14, 0.39%, 0.32%

LAB 43.5, -26.03, 30.34

 

CMYK 7 / 29 / 0 / 22

HEX #BA8EC8

RGB 186 142 200

HSL 285.52, 0.35%, 0.67%

LAB 64.93, 26.95, -23.59

 

CMYK 7 / 27 / 0 / 14

HEX #CBA0DB

RGB 203 160 219

HSL 283.73, 0.45%, 0.74%

LAB 71.52, 26.34, -23.88

 

CMYK 8 / 25 / 0 / 7

HEX #DCB2EE

RGB 220 178 238

HSL 282, 0.64%, 0.82%

LAB 78.01, 25.76, -24.18

 

CMYK 7 / 23 / 0 / 0

HEX #EDC4FF

RGB 237 196 255

HSL 281.69, 1%, 0.88%

LAB 84.33, 24.84, -23.51

 

CMYK 0 / 16 / 0 / 0

HEX #FED6FF

RGB 254 214 255

HSL 298.54, 1%, 0.92%

LAB 90.04, 20.8, -14.76

 

CMYK 12 / 31 / 0 / 20

HEX #B58ECD

RGB 181 142 205

HSL 277.14, 0.39%, 0.68%

LAB 64.63, 26.38, -26.89

 

CMYK 12 / 33 / 0 / 27

HEX #A47CBA

RGB 164 124 186

HSL 278.71, 0.31%, 0.61%

LAB 57.9, 27.05, -26.68

 

CMYK 12 / 37 / 0 / 35

HEX #936AA7

RGB 147 106 167

HSL 280.33, 0.26%, 0.54%

LAB 51.04, 27.78, -26.47

 

CMYK 12 / 41 / 0 / 42

HEX #825894

RGB 130 88 148

HSL 282, 0.25%, 0.46%

LAB 44.04, 28.57, -26.26

 

CMYK 12 / 46 / 0 / 49

HEX #714681

RGB 113 70 129

HSL 283.73, 0.3%, 0.39%

LAB 36.89, 29.42, -26.03

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 3 / 31 / 0 / 20

HEX #C68DCD

RGB 198 141 205

HSL 293.44, 0.39%, 0.68%

LAB 66.11, 32.39, -24.47

 

CMYK 0 / 31 / 5 / 20

HEX #CD8DC3

RGB 205 141 195

HSL 309.38, 0.39%, 0.68%

LAB 66.5, 32.81, -18.22

 

CMYK 0 / 31 / 14 / 20

HEX #CD8DB1

RGB 205 141 177

HSL 326.25, 0.39%, 0.68%

LAB 65.91, 29.71, -9.01

 

CMYK 0 / 31 / 22 / 20

HEX #CD8DA0

RGB 205 141 160

HSL 342.19, 0.39%, 0.68%

LAB 65.41, 27.03, -0.16

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 20 / 31 / 0 / 20

HEX #A38DCD

RGB 163 141 205

HSL 260.63, 0.39%, 0.68%

LAB 62.71, 21.3, -29.98

 

CMYK 29 / 31 / 0 / 20

HEX #928DCD

RGB 146 141 205

HSL 244.69, 0.39%, 0.68%

LAB 61.28, 16.17, -32.31

 

CMYK 31 / 31 / 0 / 20

HEX #8D8DCD

RGB 141 141 205

HSL 240, 0.39%, 0.68%

LAB 60.89, 14.71, -32.95

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 16 / 41 / 0 / 15

HEX #B880DA

RGB 184 128 218

HSL 277.33, 0.55%, 0.68%

LAB 62.25, 37.87, -37.82

 

CMYK 19 / 50 / 0 / 9

HEX #BB73E7

RGB 187 115 231

HSL 277.24, 0.71%, 0.68%

LAB 60.42, 48.53, -47.92

 

CMYK 22 / 59 / 0 / 4

HEX #BE65F4

RGB 190 101 244

HSL 277.34, 0.87%, 0.68%

LAB 58.78, 59.19, -57.75

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 8 / 20 / 0 / 25

HEX #B19AC0

RGB 177 154 192

HSL 276.32, 0.23%, 0.68%

LAB 66.72, 15.63, -16.47

 

CMYK 2 / 6 / 0 / 30

HEX #AEA7B2

RGB 174 167 178

HSL 278.18, 0.07%, 0.68%

LAB 69.36, 4.58, -4.76

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 13 / 0 / 22 / 24

HEX #A8C298

RGB 168 194 152

HSL 97.14, 0.26%, 0.68%

LAB 75.56, -16.53, 18.26

 

CMYK 29 / 31 / 0 / 20

HEX #928DCD

RGB 146 141 205

HSL 244.69, 0.39%, 0.68%

LAB 61.28, 16.17, -32.31

 

CMYK 20 / 31 / 0 / 20

HEX #A38DCD

RGB 163 141 205

HSL 260.63, 0.39%, 0.68%

LAB 62.71, 21.3, -29.98

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 4 / 31 / 0 / 20

HEX #C58DCD

RGB 197 141 205

HSL 292.5, 0.39%, 0.68%

LAB 66, 32.06, -24.64

 

CMYK 0 / 31 / 5 / 20

HEX #CD8DC3

RGB 205 141 195

HSL 309.38, 0.39%, 0.68%

LAB 66.5, 32.81, -18.22

 

CMYK 21 / 53 / 0 / 29

HEX #8F54B4

RGB 143 84 180

HSL 276.88, 0.39%, 0.52%

LAB 46.28, 41.94, -41.56

 

CMYK 16 / 42 / 0 / 25

HEX #A270C0

RGB 162 112 192

HSL 277.5, 0.39%, 0.6%

LAB 55.15, 34.54, -34.39

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 8 / 22 / 0 / 15

HEX #C7AAD9

RGB 199 170 217

HSL 277.02, 0.38%, 0.76%

LAB 73.48, 19.14, -19.84

 

CMYK 5 / 14 / 0 / 10

HEX #DAC6E6

RGB 218 198 230

HSL 277.5, 0.39%, 0.84%

LAB 82.38, 12.79, -13.29

 

CMYK 12 / 31 / 0 / 20

HEX #B58ECD

RGB 181 142 205

HSL 277.14, 0.39%, 0.68%

LAB 64.63, 26.38, -26.89

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D99

RGB 205 141 153

HSL 348.75, 0.39%, 0.68%

LAB 65.22, 26, 3.52

 

CMYK 31 / 0 / 24 / 20

HEX #8DCD9B

RGB 141 205 155

HSL 133.13, 0.39%, 0.68%

LAB 77.1, -30.58, 18.54

 

CMYK 12 / 31 / 0 / 20

HEX #B58ECD

RGB 181 142 205

HSL 277.14, 0.39%, 0.68%

LAB 64.63, 26.38, -26.89

 

CMYK 0 / 12 / 31 / 20

HEX #CDB48D

RGB 205 180 141

HSL 36.56, 0.39%, 0.68%

LAB 74.54, 3.19, 23.22

 

CMYK 31 / 0 / 12 / 20

HEX #8DCDB4

RGB 141 205 180

HSL 156.56, 0.39%, 0.68%

LAB 77.65, -25.71, 5.97

 

CMYK 12 / 31 / 0 / 20

HEX #B58ECD

RGB 181 142 205

HSL 277.14, 0.39%, 0.68%

LAB 64.63, 26.38, -26.89

 

CMYK 0 / 31 / 25 / 20

HEX #CD8D99

RGB 205 141 153

HSL 348.75, 0.39%, 0.68%

LAB 65.22, 26, 3.52

 

CMYK 20 / 0 / 31 / 20

HEX #A5CD8D

RGB 165 205 141

HSL 97.5, 0.39%, 0.68%

LAB 78.22, -24.81, 27.67

 

CMYK 31 / 0 / 6 / 20

HEX #8DCDC1

RGB 141 205 193

HSL 168.75, 0.39%, 0.68%

LAB 77.98, -22.91, -0.54

 

CMYK 12 / 31 / 0 / 20

HEX #B58ECD

RGB 181 142 205

HSL 277.14, 0.39%, 0.68%

LAB 64.63, 26.38, -26.89

 

CMYK 0 / 27 / 31 / 20

HEX #CD958D

RGB 205 149 141

HSL 7.5, 0.39%, 0.68%

LAB 66.82, 19.97, 12.54

 

CMYK 20 / 0 / 31 / 20

HEX #A5CD8D

RGB 165 205 141

HSL 97.5, 0.39%, 0.68%

LAB 78.22, -24.81, 27.67

 

CMYK 31 / 4 / 0 / 20

HEX #8DC5CD

RGB 141 197 205

HSL 187.5, 0.39%, 0.68%

LAB 76.07, -16.11, -9.83

 

Description

Color code: HEX #B58ECD | qconv.com Color code: HEX #B58ECD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 142 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 142 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 31 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 31% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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