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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B582ED it is the complementary color #4A7D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B582ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B582ED shade: #BA82E8, #CB94FB, #DCA6FF, #EDB8FF and #FECAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B582ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B582ED shade: #B582ED, #A470DA, #935EC7, #824CB4 and #713AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B582ED shade: #B582ED, #D182ED, #ED82EB, #ED82CE and #ED82B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B582ED shade: #B582ED, #9882ED and #8282ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B582ED shade matches the following richer shades: #B582ED and #B476F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B582ED shade: #B582ED, #B58DE1, #B699D6, #B6A4CA and #B7B0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B582ED shade: #8289ED, #9782ED, #B482ED, #D082ED and #ED82ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B582ED shade: #8A39E2, #9F5DE7, #B582ED, #CAA6F2 and #DFCAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B582ED shade: #B582ED, #ED82A5 and #82ED89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B582ED shade: #B582ED, #EDB482 and #82EDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B582ED shade: #B582ED, #ED82A5, #BBED82 and #82EDC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B582ED shade: #B582ED, #ED8285, #BBED82 and #82EDE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

Complementary color

CMYK 41 / 0 / 86 / 51

HEX #4A7D12

RGB 74 125 18

HSL 88.6, 0.75%, 0.28%

LAB 47.19, -34.26, 47.54

 

CMYK 20 / 44 / 0 / 9

HEX #BA82E8

RGB 186 130 232

HSL 272.94, 0.69%, 0.71%

LAB 63.53, 40.42, -43.58

 

CMYK 19 / 41 / 0 / 2

HEX #CB94FB

RGB 203 148 251

HSL 272.04, 0.93%, 0.78%

LAB 70.06, 39.62, -43.64

 

CMYK 14 / 35 / 0 / 0

HEX #DCA6FF

RGB 220 166 255

HSL 276.4, 1%, 0.83%

LAB 75.89, 35.69, -36.61

 

CMYK 7 / 28 / 0 / 0

HEX #EDB8FF

RGB 237 184 255

HSL 284.79, 1%, 0.86%

LAB 81.57, 31.23, -27.73

 

CMYK 0 / 21 / 0 / 0

HEX #FECAFF

RGB 254 202 255

HSL 298.87, 1%, 0.9%

LAB 87.26, 27.1, -18.94

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 25 / 49 / 0 / 15

HEX #A470DA

RGB 164 112 218

HSL 269.43, 0.59%, 0.65%

LAB 56.63, 41.05, -46.81

 

CMYK 26 / 53 / 0 / 22

HEX #935EC7

RGB 147 94 199

HSL 270.29, 0.48%, 0.57%

LAB 49.9, 41.96, -46.8

 

CMYK 28 / 58 / 0 / 29

HEX #824CB4

RGB 130 76 180

HSL 271.15, 0.41%, 0.5%

LAB 43.08, 42.89, -46.76

 

CMYK 30 / 64 / 0 / 37

HEX #713AA1

RGB 113 58 161

HSL 272.04, 0.47%, 0.43%

LAB 36.2, 43.75, -46.62

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 12 / 45 / 0 / 7

HEX #D182ED

RGB 209 130 237

HSL 284.3, 0.75%, 0.72%

LAB 66.24, 47.97, -41.92

 

CMYK 0 / 45 / 1 / 7

HEX #ED82EB

RGB 237 130 235

HSL 301.12, 0.75%, 0.72%

LAB 69.45, 55.56, -35.57

 

CMYK 0 / 45 / 13 / 7

HEX #ED82CE

RGB 237 130 206

HSL 317.38, 0.75%, 0.72%

LAB 68.33, 50.73, -21.22

 

CMYK 0 / 45 / 25 / 7

HEX #ED82B1

RGB 237 130 177

HSL 333.64, 0.75%, 0.72%

LAB 67.39, 46.47, -6.4

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 36 / 45 / 0 / 7

HEX #9882ED

RGB 152 130 237

HSL 252.34, 0.75%, 0.72%

LAB 60.56, 32.47, -51.25

 

CMYK 45 / 45 / 0 / 7

HEX #8282ED

RGB 130 130 237

HSL 240, 0.75%, 0.72%

LAB 58.81, 27.08, -54.14

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 27 / 52 / 0 / 3

HEX #B476F8

RGB 180 118 248

HSL 268.62, 0.9%, 0.72%

LAB 61.17, 48.96, -56.21

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 20 / 37 / 0 / 12

HEX #B58DE1

RGB 181 141 225

HSL 268.57, 0.58%, 0.72%

LAB 65.21, 31.32, -37.11

 

CMYK 15 / 29 / 0 / 16

HEX #B699D6

RGB 182 153 214

HSL 268.52, 0.43%, 0.72%

LAB 67.71, 22.47, -27.14

 

CMYK 10 / 19 / 0 / 21

HEX #B6A4CA

RGB 182 164 202

HSL 268.42, 0.26%, 0.72%

LAB 70.01, 13.79, -17

 

CMYK 4 / 7 / 0 / 25

HEX #B7B0BE

RGB 183 176 190

HSL 270, 0.1%, 0.72%

LAB 72.78, 5.12, -6.24

 

CMYK 45 / 42 / 0 / 7

HEX #8289ED

RGB 130 137 237

HSL 236.07, 0.75%, 0.72%

LAB 60.56, 22.96, -51.36

 

CMYK 36 / 45 / 0 / 7

HEX #9782ED

RGB 151 130 237

HSL 251.78, 0.75%, 0.72%

LAB 60.48, 32.21, -51.39

 

CMYK 24 / 45 / 0 / 7

HEX #B482ED

RGB 180 130 237

HSL 268.04, 0.75%, 0.72%

LAB 63.16, 39.89, -46.97

 

CMYK 12 / 45 / 0 / 7

HEX #D082ED

RGB 208 130 237

HSL 283.74, 0.75%, 0.72%

LAB 66.13, 47.68, -42.1

 

CMYK 0 / 45 / 0 / 7

HEX #ED82ED

RGB 237 130 237

HSL 300, 0.75%, 0.72%

LAB 69.53, 55.91, -36.54

 

CMYK 39 / 75 / 0 / 11

HEX #8A39E2

RGB 138 57 226

HSL 268.76, 0.74%, 0.55%

LAB 43.97, 64.69, -71.85

 

CMYK 31 / 60 / 0 / 9

HEX #9F5DE7

RGB 159 93 231

HSL 268.7, 0.74%, 0.64%

LAB 52.92, 53.08, -60.08

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 17 / 31 / 0 / 5

HEX #CAA6F2

RGB 202 166 242

HSL 268.42, 0.75%, 0.8%

LAB 73.7, 27.53, -33.1

 

CMYK 10 / 18 / 0 / 3

HEX #DFCAF7

RGB 223 202 247

HSL 268, 0.74%, 0.88%

LAB 84.3, 15.61, -19.43

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 0 / 45 / 30 / 7

HEX #ED82A5

RGB 237 130 165

HSL 340.37, 0.75%, 0.72%

LAB 67.04, 44.88, -0.14

 

CMYK 45 / 0 / 42 / 7

HEX #82ED89

RGB 130 237 137

HSL 123.93, 0.75%, 0.72%

LAB 85.56, -50.97, 39.02

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 0 / 24 / 45 / 7

HEX #EDB482

RGB 237 180 130

HSL 28.04, 0.75%, 0.72%

LAB 77.44, 14.61, 33.47

 

CMYK 45 / 0 / 24 / 7

HEX #82EDB4

RGB 130 237 180

HSL 148.04, 0.75%, 0.72%

LAB 86.31, -43.57, 18.18

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 0 / 45 / 30 / 7

HEX #ED82A5

RGB 237 130 165

HSL 340.37, 0.75%, 0.72%

LAB 67.04, 44.88, -0.14

 

CMYK 21 / 0 / 45 / 7

HEX #BBED82

RGB 187 237 130

HSL 88.04, 0.75%, 0.72%

LAB 88.33, -33.51, 46.53

 

CMYK 45 / 0 / 15 / 7

HEX #82EDC9

RGB 130 237 201

HSL 159.81, 0.75%, 0.72%

LAB 86.77, -39.24, 7.89

 

CMYK 24 / 45 / 0 / 7

HEX #B582ED

RGB 181 130 237

HSL 268.6, 0.75%, 0.72%

LAB 63.26, 40.17, -46.8

 

CMYK 0 / 45 / 44 / 7

HEX #ED8285

RGB 237 130 133

HSL 358.32, 0.75%, 0.72%

LAB 66.26, 41.21, 16.82

 

CMYK 21 / 0 / 45 / 7

HEX #BBED82

RGB 187 237 130

HSL 88.04, 0.75%, 0.72%

LAB 88.33, -33.51, 46.53

 

CMYK 45 / 0 / 2 / 7

HEX #82EDE9

RGB 130 237 233

HSL 177.76, 0.75%, 0.72%

LAB 87.58, -31.85, -7.69

 

Description

Color code: HEX #B582ED | qconv.com Color code: HEX #B582ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 130 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 130 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 45 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 45% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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