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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B57F34 it is the complementary color #4A80CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B57F34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B57F34 shade: #BA7F2F, #CB9142, #DCA355, #EDB568 and #FEC77B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B57F34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B57F34 shade: #B57F34, #A46D21, #935B0E, #824900 and #713700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B57F34 shade: #B57F34, #B55C34, #B53A34 and #B53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B57F34 shade: #B57F34, #B5A234, #A6B534, #83B534 and #60B534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B57F34 shade matches the following richer shades: #B57F34, #C88221 and #DB850E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B57F34 shade: #B57F34, #A27C47, #8F795A, #7C766D and #697380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B57F34 shade: #B53934, #B55B34, #B57D34, #B5A034 and #A8B534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B57F34 shade: #755222, #95692B, #B57F34, #CA9449 and #D3A769

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B57F34 shade: #B57F34, #52B534 and #4A34B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B57F34 shade: #B57F34, #34B57D and #7D34B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B57F34 shade: #B57F34, #52B534, #346CB5 and #9734B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B57F34 shade: #B57F34, #34B53D, #346CB5 and #B534AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

Complementary color

CMYK 64 / 37 / 0 / 20

HEX #4A80CB

RGB 74 128 203

HSL 214.88, 0.55%, 0.54%

LAB 53.17, 5.65, -44.22

 

CMYK 0 / 32 / 75 / 27

HEX #BA7F2F

RGB 186 127 47

HSL 34.53, 0.6%, 0.46%

LAB 57.87, 15.68, 50.5

 

CMYK 0 / 29 / 67 / 20

HEX #CB9142

RGB 203 145 66

HSL 34.6, 0.57%, 0.53%

LAB 64.44, 14.18, 49.34

 

CMYK 0 / 26 / 61 / 14

HEX #DCA355

RGB 220 163 85

HSL 34.67, 0.66%, 0.6%

LAB 70.92, 12.89, 48

 

CMYK 0 / 24 / 56 / 7

HEX #EDB568

RGB 237 181 104

HSL 34.74, 0.79%, 0.67%

LAB 77.31, 11.78, 46.63

 

CMYK 0 / 22 / 52 / 0

HEX #FEC77B

RGB 254 199 123

HSL 34.81, 0.98%, 0.74%

LAB 83.63, 10.81, 45.27

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 0 / 34 / 80 / 36

HEX #A46D21

RGB 164 109 33

HSL 34.81, 0.66%, 0.39%

LAB 50.62, 15.39, 48.45

 

CMYK 0 / 38 / 90 / 42

HEX #935B0E

RGB 147 91 14

HSL 34.74, 0.83%, 0.32%

LAB 43.82, 17.37, 48.45

 

CMYK 0 / 44 / 100 / 49

HEX #824900

RGB 130 73 0

HSL 33.69, 1%, 0.25%

LAB 36.95, 19.7, 46.48

 

CMYK 0 / 51 / 100 / 56

HEX #713700

RGB 113 55 0

HSL 29.2, 1%, 0.22%

LAB 30.02, 22.37, 40.68

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 0 / 49 / 71 / 29

HEX #B55C34

RGB 181 92 52

HSL 18.6, 0.55%, 0.46%

LAB 49.16, 32.96, 38.72

 

CMYK 0 / 68 / 71 / 29

HEX #B53A34

RGB 181 58 52

HSL 2.79, 0.55%, 0.46%

LAB 42.91, 49.25, 31.61

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 0 / 10 / 71 / 29

HEX #B5A234

RGB 181 162 52

HSL 51.16, 0.55%, 0.46%

LAB 66.45, -5.42, 56.81

 

CMYK 8 / 0 / 71 / 29

HEX #A6B534

RGB 166 181 52

HSL 66.98, 0.55%, 0.46%

LAB 70.46, -21.7, 60.33

 

CMYK 28 / 0 / 71 / 29

HEX #83B534

RGB 131 181 52

HSL 83.26, 0.55%, 0.46%

LAB 68.11, -35.88, 57.22

 

CMYK 47 / 0 / 71 / 29

HEX #60B534

RGB 96 181 52

HSL 99.53, 0.55%, 0.46%

LAB 66.35, -48.13, 54.87

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 0 / 35 / 84 / 22

HEX #C88221

RGB 200 130 33

HSL 34.85, 0.72%, 0.46%

LAB 60.21, 19.63, 58.73

 

CMYK 0 / 39 / 94 / 14

HEX #DB850E

RGB 219 133 14

HSL 34.83, 0.88%, 0.46%

LAB 63.23, 25.79, 67.05

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 0 / 23 / 56 / 36

HEX #A27C47

RGB 162 124 71

HSL 34.95, 0.39%, 0.46%

LAB 54.61, 8.34, 34.33

 

CMYK 0 / 15 / 37 / 44

HEX #8F795A

RGB 143 121 90

HSL 35.09, 0.23%, 0.46%

LAB 52.12, 3.82, 20.18

 

CMYK 0 / 5 / 12 / 51

HEX #7C766D

RGB 124 118 109

HSL 36, 0.06%, 0.46%

LAB 49.91, 0.62, 5.77

 

CMYK 18 / 10 / 0 / 50

HEX #697380

RGB 105 115 128

HSL 213.91, 0.1%, 0.46%

LAB 48.04, -0.79, -8.42

 

CMYK 0 / 69 / 71 / 29

HEX #B53934

RGB 181 57 52

HSL 2.33, 0.55%, 0.46%

LAB 42.76, 49.66, 31.43

 

CMYK 0 / 50 / 71 / 29

HEX #B55B34

RGB 181 91 52

HSL 18.14, 0.55%, 0.46%

LAB 48.95, 33.49, 38.49

 

CMYK 0 / 31 / 71 / 29

HEX #B57D34

RGB 181 125 52

HSL 33.95, 0.55%, 0.46%

LAB 56.82, 14.84, 46.99

 

CMYK 0 / 12 / 71 / 29

HEX #B5A034

RGB 181 160 52

HSL 50.23, 0.55%, 0.46%

LAB 65.91, -4.35, 56.27

 

CMYK 7 / 0 / 71 / 29

HEX #A8B534

RGB 168 181 52

HSL 66.05, 0.55%, 0.46%

LAB 70.61, -20.86, 60.53

 

CMYK 0 / 30 / 71 / 54

HEX #755222

RGB 117 82 34

HSL 34.7, 0.55%, 0.3%

LAB 37.72, 9.44, 33.1

 

CMYK 0 / 30 / 71 / 42

HEX #95692B

RGB 149 105 43

HSL 35.09, 0.55%, 0.38%

LAB 47.84, 11.34, 40.61

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 0 / 27 / 64 / 21

HEX #CA9449

RGB 202 148 73

HSL 34.88, 0.55%, 0.54%

LAB 65.13, 12.55, 46.73

 

CMYK 0 / 21 / 50 / 17

HEX #D3A769

RGB 211 167 105

HSL 35.09, 0.55%, 0.62%

LAB 71.22, 8.59, 38.05

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 55 / 0 / 71 / 29

HEX #52B534

RGB 82 181 52

HSL 106.05, 0.55%, 0.46%

LAB 65.82, -52.21, 54.16

 

CMYK 59 / 71 / 0 / 29

HEX #4A34B5

RGB 74 52 181

HSL 250.23, 0.55%, 0.46%

LAB 32.37, 45.07, -64.99

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 71 / 0 / 31 / 29

HEX #34B57D

RGB 52 181 125

HSL 153.95, 0.55%, 0.46%

LAB 65.95, -47.91, 18.71

 

CMYK 31 / 71 / 0 / 29

HEX #7D34B5

RGB 125 52 181

HSL 273.95, 0.55%, 0.46%

LAB 38.11, 54.02, -55.37

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 55 / 0 / 71 / 29

HEX #52B534

RGB 82 181 52

HSL 106.05, 0.55%, 0.46%

LAB 65.82, -52.21, 54.16

 

CMYK 71 / 40 / 0 / 29

HEX #346CB5

RGB 52 108 181

HSL 213.95, 0.55%, 0.46%

LAB 45.35, 6.49, -44.05

 

CMYK 17 / 71 / 0 / 29

HEX #9734B5

RGB 151 52 181

HSL 286.05, 0.55%, 0.46%

LAB 41.8, 59.39, -49.24

 

CMYK 0 / 30 / 71 / 29

HEX #B57F34

RGB 181 127 52

HSL 34.88, 0.55%, 0.46%

LAB 57.32, 13.73, 47.51

 

CMYK 71 / 0 / 66 / 29

HEX #34B53D

RGB 52 181 61

HSL 124.19, 0.55%, 0.46%

LAB 65.05, -58.14, 49.48

 

CMYK 71 / 40 / 0 / 29

HEX #346CB5

RGB 52 108 181

HSL 213.95, 0.55%, 0.46%

LAB 45.35, 6.49, -44.05

 

CMYK 0 / 71 / 4 / 29

HEX #B534AD

RGB 181 52 173

HSL 303.72, 0.55%, 0.46%

LAB 46.04, 64.6, -37.49

 

Description

Color code: HEX #B57F34 | qconv.com Color code: HEX #B57F34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 127 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 127 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 71 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 71% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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