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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56344 it is the complementary color #4A9CBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56344. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56344 shade: #BA633F, #CB7552, #DC8765, #ED9978 and #FEAB8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56344. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56344 shade: #B56344, #A45131, #933F1E, #822D0B and #711B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56344 shade: #B56344, #B54544 and #B54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56344 shade: #B56344, #B58144, #B5A044, #ABB544 and #8DB544

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56344 shade matches the following richer shades: #B56344, #C95A30, #DD511C and #F14808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56344 shade: #B56344, #A06C58, #8C756D, #787E81 and #648895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56344 shade: #B54462, #B54444, #B56244, #B58044 and #B59E44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56344 shade: #79422E, #975339, #B56344, #C27B60 and #CE947E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56344 shade: #B56344, #80B544 and #4453B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56344 shade: #B56344, #44B562 and #6244B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56344 shade: #B56344, #80B544, #4497B5 and #7944B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56344 shade: #B56344, #5EB544, #4497B5 and #9A44B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

Complementary color

CMYK 60 / 17 / 0 / 27

HEX #4A9CBB

RGB 74 156 187

HSL 196.46, 0.45%, 0.51%

LAB 60.62, -15.64, -23.55

 

CMYK 0 / 47 / 66 / 27

HEX #BA633F

RGB 186 99 63

HSL 17.56, 0.49%, 0.49%

LAB 51.52, 31.9, 35.69

 

CMYK 0 / 42 / 60 / 20

HEX #CB7552

RGB 203 117 82

HSL 17.36, 0.54%, 0.56%

LAB 58.06, 30.44, 33.73

 

CMYK 0 / 39 / 54 / 14

HEX #DC8765

RGB 220 135 101

HSL 17.14, 0.63%, 0.63%

LAB 64.55, 29.14, 31.95

 

CMYK 0 / 35 / 49 / 7

HEX #ED9978

RGB 237 153 120

HSL 16.92, 0.76%, 0.7%

LAB 70.97, 27.97, 30.35

 

CMYK 0 / 33 / 45 / 0

HEX #FEAB8B

RGB 254 171 139

HSL 16.7, 0.98%, 0.77%

LAB 77.32, 26.92, 28.89

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 0 / 51 / 70 / 36

HEX #A45131

RGB 164 81 49

HSL 16.7, 0.54%, 0.42%

LAB 44.23, 31.74, 34.11

 

CMYK 0 / 57 / 80 / 42

HEX #933F1E

RGB 147 63 30

HSL 16.92, 0.66%, 0.35%

LAB 37.58, 33.41, 36.38

 

CMYK 0 / 65 / 92 / 49

HEX #822D0B

RGB 130 45 11

HSL 17.14, 0.84%, 0.28%

LAB 30.99, 35.1, 38.29

 

CMYK 0 / 76 / 100 / 56

HEX #711B00

RGB 113 27 0

HSL 14.34, 1%, 0.22%

LAB 24.62, 36.48, 36.03

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 0 / 62 / 62 / 29

HEX #B54544

RGB 181 69 68

HSL 0.53, 0.45%, 0.49%

LAB 44.94, 45.39, 24.58

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 0 / 29 / 62 / 29

HEX #B58144

RGB 181 129 68

HSL 32.39, 0.45%, 0.49%

LAB 57.98, 13.61, 40.42

 

CMYK 0 / 12 / 62 / 29

HEX #B5A044

RGB 181 160 68

HSL 48.85, 0.45%, 0.49%

LAB 66.05, -3.4, 49.52

 

CMYK 6 / 0 / 62 / 29

HEX #ABB544

RGB 171 181 68

HSL 65.31, 0.45%, 0.49%

LAB 70.96, -18.62, 54.6

 

CMYK 22 / 0 / 62 / 29

HEX #8DB544

RGB 141 181 68

HSL 81.24, 0.45%, 0.49%

LAB 68.84, -30.84, 51.7

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 0 / 55 / 76 / 21

HEX #C95A30

RGB 201 90 48

HSL 16.47, 0.61%, 0.49%

LAB 51.77, 41.66, 44.5

 

CMYK 0 / 63 / 87 / 13

HEX #DD511C

RGB 221 81 28

HSL 16.48, 0.78%, 0.49%

LAB 53.32, 52.52, 56.05

 

CMYK 0 / 70 / 97 / 5

HEX #F14808

RGB 241 72 8

HSL 16.48, 0.94%, 0.49%

LAB 55.43, 62.48, 64.83

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 0 / 33 / 45 / 37

HEX #A06C58

RGB 160 108 88

HSL 16.67, 0.29%, 0.49%

LAB 50.57, 18.27, 19.59

 

CMYK 0 / 16 / 22 / 45

HEX #8C756D

RGB 140 117 109

HSL 15.48, 0.12%, 0.49%

LAB 51.15, 7.62, 7.75

 

CMYK 7 / 2 / 0 / 49

HEX #787E81

RGB 120 126 129

HSL 200, 0.04%, 0.49%

LAB 52.4, -1.6, -2.41

 

CMYK 33 / 9 / 0 / 42

HEX #648895

RGB 100 136 149

HSL 195.92, 0.2%, 0.49%

LAB 54.54, -9.24, -11

 

CMYK 0 / 62 / 46 / 29

HEX #B54462

RGB 181 68 98

HSL 344.07, 0.45%, 0.49%

LAB 45.41, 48.34, 6.93

 

CMYK 0 / 62 / 62 / 29

HEX #B54444

RGB 181 68 68

HSL 0, 0.45%, 0.49%

LAB 44.77, 45.84, 24.36

 

CMYK 0 / 46 / 62 / 29

HEX #B56244

RGB 181 98 68

HSL 15.93, 0.45%, 0.49%

LAB 50.66, 30.74, 31.72

 

CMYK 0 / 29 / 62 / 29

HEX #B58044

RGB 181 128 68

HSL 31.86, 0.45%, 0.49%

LAB 57.73, 14.16, 40.13

 

CMYK 0 / 13 / 62 / 29

HEX #B59E44

RGB 181 158 68

HSL 47.79, 0.45%, 0.49%

LAB 65.51, -2.32, 48.93

 

CMYK 0 / 45 / 62 / 53

HEX #79422E

RGB 121 66 46

HSL 16, 0.45%, 0.33%

LAB 34.31, 21.73, 22.46

 

CMYK 0 / 45 / 62 / 41

HEX #975339

RGB 151 83 57

HSL 16.6, 0.45%, 0.41%

LAB 42.86, 25.77, 27.47

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 0 / 37 / 51 / 24

HEX #C27B60

RGB 194 123 96

HSL 16.53, 0.45%, 0.57%

LAB 58.49, 24.73, 26.25

 

CMYK 0 / 28 / 39 / 19

HEX #CE947E

RGB 206 148 126

HSL 16.5, 0.45%, 0.65%

LAB 66.37, 19.04, 20.29

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 29 / 0 / 62 / 29

HEX #80B544

RGB 128 181 68

HSL 88.14, 0.45%, 0.49%

LAB 68.06, -35.81, 50.62

 

CMYK 62 / 54 / 0 / 29

HEX #4453B5

RGB 68 83 181

HSL 232.04, 0.45%, 0.49%

LAB 39.16, 25.15, -53.94

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 62 / 0 / 46 / 29

HEX #44B562

RGB 68 181 98

HSL 135.93, 0.45%, 0.49%

LAB 65.87, -50.09, 32.98

 

CMYK 46 / 62 / 0 / 29

HEX #6244B5

RGB 98 68 181

HSL 255.93, 0.45%, 0.49%

LAB 37.96, 40.25, -55.77

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 29 / 0 / 62 / 29

HEX #80B544

RGB 128 181 68

HSL 88.14, 0.45%, 0.49%

LAB 68.06, -35.81, 50.62

 

CMYK 62 / 17 / 0 / 29

HEX #4497B5

RGB 68 151 181

HSL 195.93, 0.45%, 0.49%

LAB 58.69, -15.94, -23.14

 

CMYK 33 / 62 / 0 / 29

HEX #7944B5

RGB 121 68 181

HSL 268.14, 0.45%, 0.49%

LAB 40.47, 45.28, -51.59

 

CMYK 0 / 45 / 62 / 29

HEX #B56344

RGB 181 99 68

HSL 16.46, 0.45%, 0.49%

LAB 50.88, 30.2, 31.99

 

CMYK 48 / 0 / 62 / 29

HEX #5EB544

RGB 94 181 68

HSL 106.19, 0.45%, 0.49%

LAB 66.4, -47.33, 48.31

 

CMYK 62 / 17 / 0 / 29

HEX #4497B5

RGB 68 151 181

HSL 195.93, 0.45%, 0.49%

LAB 58.69, -15.94, -23.14

 

CMYK 15 / 62 / 0 / 29

HEX #9A44B5

RGB 154 68 181

HSL 285.66, 0.45%, 0.49%

LAB 44.72, 53.15, -44.55

 

Description

Color code: HEX #B56344 | qconv.com Color code: HEX #B56344 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 99 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 99 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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