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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5693B it is the complementary color #4A96C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5693B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5693B shade: #BA6936, #CB7B49, #DC8D5C, #ED9F6F and #FEB182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5693B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5693B shade: #B5693B, #A45728, #934515, #823302 and #712100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5693B shade: #B4683A, #B4473A and #B43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5693B shade: #B4683A, #B4893A, #B4AA3A, #9EB43A and #7DB43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5693B shade matches the following richer shades: #B4683A, #C86427, #DB5F13 and #EF5A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5693B shade: #B4683A, #A16D4E, #8E7261, #7A7774 and #677B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5693B shade: #B43A4F, #B4463A, #B4673A, #B4883A and #B4A83A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5693B shade: #764426, #955630, #B4683A, #C67E52 and #D09571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5693B shade: #B5693B, #6FB43A and #3A3EB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5693B shade: #B5693B, #3AB467 and #673AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5693B shade: #B5693B, #6FB43A, #3A88B4 and #7F3AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5693B shade: #B5693B, #4BB43A, #3A88B4 and #A43AB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 67 / 29

HEX #B5693B

RGB 181 105 59

HSL 22.62, 0.51%, 0.47%

LAB 52.11, 26.34, 38.34

 

Complementary color

CMYK 62 / 23 / 0 / 23

HEX #4A96C4

RGB 74 150 196

HSL 202.62, 0.51%, 0.53%

LAB 59.21, -9.49, -30.8

 

CMYK 0 / 44 / 71 / 27

HEX #BA6936

RGB 186 105 54

HSL 23.18, 0.55%, 0.47%

LAB 52.74, 28.15, 41.83

 

CMYK 0 / 39 / 64 / 20

HEX #CB7B49

RGB 203 123 73

HSL 23.08, 0.56%, 0.54%

LAB 59.29, 26.59, 40.04

 

CMYK 0 / 36 / 58 / 14

HEX #DC8D5C

RGB 220 141 92

HSL 22.97, 0.65%, 0.61%

LAB 65.78, 25.21, 38.33

 

CMYK 0 / 33 / 53 / 7

HEX #ED9F6F

RGB 237 159 111

HSL 22.86, 0.78%, 0.68%

LAB 72.19, 24, 36.73

 

CMYK 0 / 30 / 49 / 0

HEX #FEB182

RGB 254 177 130

HSL 22.74, 0.98%, 0.75%

LAB 78.54, 22.92, 35.25

 

CMYK 0 / 42 / 67 / 29

HEX #B5693B

RGB 181 105 59

HSL 22.62, 0.51%, 0.47%

LAB 52.11, 26.34, 38.34

 

CMYK 0 / 47 / 76 / 36

HEX #A45728

RGB 164 87 40

HSL 22.74, 0.61%, 0.4%

LAB 45.44, 28.02, 40.18

 

CMYK 0 / 53 / 86 / 42

HEX #934515

RGB 147 69 21

HSL 22.86, 0.75%, 0.33%

LAB 38.75, 29.92, 41.75

 

CMYK 0 / 61 / 98 / 49

HEX #823302

RGB 130 51 2

HSL 22.97, 0.97%, 0.26%

LAB 32.07, 31.94, 42.67

 

CMYK 0 / 71 / 100 / 56

HEX #712100

RGB 113 33 0

HSL 17.52, 1%, 0.22%

LAB 25.56, 33.93, 36.91

 

CMYK 0 / 42 / 68 / 29

HEX #B4683A

RGB 180 104 58

HSL 22.62, 0.51%, 0.47%

LAB 51.73, 26.41, 38.41

 

CMYK 0 / 61 / 68 / 29

HEX #B4473A

RGB 180 71 58

HSL 6.39, 0.51%, 0.47%

LAB 44.96, 43.47, 30.49

 

CMYK 0 / 68 / 68 / 29

HEX #B43A3A

RGB 180 58 58

HSL 0, 0.51%, 0.47%

LAB 42.82, 49.23, 27.89

 

CMYK 0 / 42 / 68 / 29

HEX #B4683A

RGB 180 104 58

HSL 22.62, 0.51%, 0.47%

LAB 51.73, 26.41, 38.41

 

CMYK 0 / 24 / 68 / 29

HEX #B4893A

RGB 180 137 58

HSL 38.85, 0.51%, 0.47%

LAB 59.8, 8.07, 47.33

 

CMYK 0 / 6 / 68 / 29

HEX #B4AA3A

RGB 180 170 58

HSL 55.08, 0.51%, 0.47%

LAB 68.58, -9.75, 56.51

 

CMYK 12 / 0 / 68 / 29

HEX #9EB43A

RGB 158 180 58

HSL 70.82, 0.51%, 0.47%

LAB 69.62, -24.21, 57.03

 

CMYK 31 / 0 / 68 / 29

HEX #7DB43A

RGB 125 180 58

HSL 87.05, 0.51%, 0.47%

LAB 67.51, -37.29, 54.17

 

CMYK 0 / 42 / 68 / 29

HEX #B4683A

RGB 180 104 58

HSL 22.62, 0.51%, 0.47%

LAB 51.73, 26.41, 38.41

 

CMYK 0 / 50 / 81 / 22

HEX #C86427

RGB 200 100 39

HSL 22.73, 0.67%, 0.47%

LAB 53.54, 35.89, 50.42

 

CMYK 0 / 57 / 91 / 14

HEX #DB5F13

RGB 219 95 19

HSL 22.8, 0.84%, 0.47%

LAB 55.37, 45.28, 60.38

 

CMYK 0 / 62 / 100 / 6

HEX #EF5A00

RGB 239 90 0

HSL 22.59, 1%, 0.47%

LAB 57.72, 54.61, 67.47

 

CMYK 0 / 42 / 68 / 29

HEX #B4683A

RGB 180 104 58

HSL 22.62, 0.51%, 0.47%

LAB 51.73, 26.41, 38.41

 

CMYK 0 / 32 / 52 / 37

HEX #A16D4E

RGB 161 109 78

HSL 22.41, 0.35%, 0.47%

LAB 50.76, 17.08, 25.62

 

CMYK 0 / 20 / 32 / 44

HEX #8E7261

RGB 142 114 97

HSL 22.67, 0.19%, 0.47%

LAB 50.27, 8.38, 13.58

 

CMYK 0 / 2 / 5 / 52

HEX #7A7774

RGB 122 119 116

HSL 30, 0.03%, 0.47%

LAB 50.21, 0.56, 2.05

 

CMYK 24 / 10 / 0 / 47

HEX #677B88

RGB 103 123 136

HSL 203.64, 0.14%, 0.47%

LAB 50.48, -4.19, -9.49

 

CMYK 0 / 68 / 56 / 29

HEX #B43A4F

RGB 180 58 79

HSL 349.67, 0.51%, 0.47%

LAB 43.2, 50.63, 15.55

 

CMYK 0 / 61 / 68 / 29

HEX #B4463A

RGB 180 70 58

HSL 5.9, 0.51%, 0.47%

LAB 44.79, 43.94, 30.28

 

CMYK 0 / 43 / 68 / 29

HEX #B4673A

RGB 180 103 58

HSL 22.13, 0.51%, 0.47%

LAB 51.51, 26.96, 38.15

 

CMYK 0 / 24 / 68 / 29

HEX #B4883A

RGB 180 136 58

HSL 38.36, 0.51%, 0.47%

LAB 59.54, 8.62, 47.05

 

CMYK 0 / 7 / 68 / 29

HEX #B4A83A

RGB 180 168 58

HSL 54.1, 0.51%, 0.47%

LAB 68.03, -8.7, 55.96

 

CMYK 0 / 42 / 68 / 54

HEX #764426

RGB 118 68 38

HSL 22.5, 0.51%, 0.31%

LAB 34.24, 18.59, 27.03

 

CMYK 0 / 42 / 68 / 42

HEX #955630

RGB 149 86 48

HSL 22.57, 0.51%, 0.39%

LAB 43.15, 22.58, 32.84

 

CMYK 0 / 42 / 68 / 29

HEX #B4683A

RGB 180 104 58

HSL 22.62, 0.51%, 0.47%

LAB 51.73, 26.41, 38.41

 

CMYK 0 / 36 / 59 / 22

HEX #C67E52

RGB 198 126 82

HSL 22.76, 0.5%, 0.55%

LAB 59.47, 23.53, 35.31

 

CMYK 0 / 28 / 46 / 18

HEX #D09571

RGB 208 149 113

HSL 22.74, 0.5%, 0.63%

LAB 66.59, 17.87, 27.78

 

CMYK 0 / 42 / 67 / 29

HEX #B5693B

RGB 181 105 59

HSL 22.62, 0.51%, 0.47%

LAB 52.11, 26.34, 38.34

 

CMYK 38 / 0 / 68 / 29

HEX #6FB43A

RGB 111 180 58

HSL 93.93, 0.51%, 0.47%

LAB 66.77, -42.32, 53.17

 

CMYK 68 / 66 / 0 / 29

HEX #3A3EB4

RGB 58 62 180

HSL 238.03, 0.51%, 0.47%

LAB 33.22, 36.6, -63.04

 

CMYK 0 / 42 / 67 / 29

HEX #B5693B

RGB 181 105 59

HSL 22.62, 0.51%, 0.47%

LAB 52.11, 26.34, 38.34

 

CMYK 68 / 0 / 43 / 29

HEX #3AB467

RGB 58 180 103

HSL 142.13, 0.51%, 0.47%

LAB 65.37, -50.83, 29.7

 

CMYK 43 / 68 / 0 / 29

HEX #673AB4

RGB 103 58 180

HSL 262.13, 0.51%, 0.47%

LAB 36.38, 46.5, -57.73

 

CMYK 0 / 42 / 67 / 29

HEX #B5693B

RGB 181 105 59

HSL 22.62, 0.51%, 0.47%

LAB 52.11, 26.34, 38.34

 

CMYK 38 / 0 / 68 / 29

HEX #6FB43A

RGB 111 180 58

HSL 93.93, 0.51%, 0.47%

LAB 66.77, -42.32, 53.17

 

CMYK 68 / 24 / 0 / 29

HEX #3A88B4

RGB 58 136 180

HSL 201.64, 0.51%, 0.47%

LAB 53.82, -9.68, -30.13

 

CMYK 29 / 68 / 0 / 29

HEX #7F3AB4

RGB 127 58 180

HSL 273.93, 0.51%, 0.47%

LAB 39.3, 51.43, -52.85

 

CMYK 0 / 42 / 67 / 29

HEX #B5693B

RGB 181 105 59

HSL 22.62, 0.51%, 0.47%

LAB 52.11, 26.34, 38.34

 

CMYK 58 / 0 / 68 / 29

HEX #4BB43A

RGB 75 180 58

HSL 111.64, 0.51%, 0.47%

LAB 65.31, -53.16, 51.19

 

CMYK 68 / 24 / 0 / 29

HEX #3A88B4

RGB 58 136 180

HSL 201.64, 0.51%, 0.47%

LAB 53.82, -9.68, -30.13

 

CMYK 9 / 68 / 0 / 29

HEX #A43AB4

RGB 164 58 180

HSL 292.13, 0.51%, 0.47%

LAB 44.54, 59.68, -44.16

 

Description

Color code: HEX #B5693B | qconv.com Color code: HEX #B5693B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 105 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 105 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 67 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 67% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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