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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B55E75 it is the complementary color #4AA18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B55E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B55E75 shade: #BA5E70, #CB7083, #DC8296, #ED94A9 and #FEA6BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B55E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B55E75 shade: #B55E75, #A44C62, #933A4F, #82283C and #711629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B55E75 shade: #B55E75 and #B55E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B55E75 shade: #B55E75, #B55E8C, #B55EA4, #AE5EB5 and #975EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B55E75 shade matches the following richer shades: #B55E75, #C84B6C, #DB3863 and #EE255A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B55E75 shade: #B55E75, #A2717E, #8F8487, #7C9790 and #69AA99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B55E75 shade: #B55EA3, #B55E8C, #B55E75, #B55E5E and #B5755E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B55E75 shade: #843C4F, #A04960, #B55E75, #C27A8D and #CF96A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B55E75 shade: #B55E75, #B5AF5E and #5E98B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B55E75 shade: #B55E75, #75B55E and #5E75B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B55E75 shade: #B55E75, #B5AF5E, #5EB59D and #5E64B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B55E75 shade: #B55E75, #A0B55E, #5EB59D and #725EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

Complementary color

CMYK 54 / 0 / 14 / 37

HEX #4AA18A

RGB 74 161 138

HSL 164.14, 0.37%, 0.46%

LAB 60.59, -31.95, 4.06

 

CMYK 0 / 49 / 40 / 27

HEX #BA5E70

RGB 186 94 112

HSL 348.26, 0.4%, 0.55%

LAB 51.4, 38.89, 7.09

 

CMYK 0 / 45 / 35 / 20

HEX #CB7083

RGB 203 112 131

HSL 347.47, 0.47%, 0.62%

LAB 57.96, 37.92, 5.62

 

CMYK 0 / 41 / 32 / 14

HEX #DC8296

RGB 220 130 150

HSL 346.67, 0.56%, 0.69%

LAB 64.47, 36.99, 4.36

 

CMYK 0 / 38 / 29 / 7

HEX #ED94A9

RGB 237 148 169

HSL 345.84, 0.71%, 0.75%

LAB 70.9, 36.12, 3.24

 

CMYK 0 / 35 / 26 / 0

HEX #FEA6BC

RGB 254 166 188

HSL 345, 0.98%, 0.82%

LAB 77.27, 35.29, 2.24

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 54 / 40 / 36

HEX #A44C62

RGB 164 76 98

HSL 345, 0.37%, 0.47%

LAB 44.15, 38.61, 4.76

 

CMYK 0 / 61 / 46 / 42

HEX #933A4F

RGB 147 58 79

HSL 345.84, 0.43%, 0.4%

LAB 37.47, 39.47, 6.71

 

CMYK 0 / 69 / 54 / 49

HEX #82283C

RGB 130 40 60

HSL 346.67, 0.53%, 0.33%

LAB 30.85, 40.07, 9.26

 

CMYK 0 / 81 / 64 / 56

HEX #711629

RGB 113 22 41

HSL 347.47, 0.67%, 0.26%

LAB 24.46, 40.02, 12.76

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 48 / 48 / 29

HEX #B55E5E

RGB 181 94 94

HSL 0, 0.37%, 0.54%

LAB 50.26, 35.09, 16.1

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 48 / 23 / 29

HEX #B55E8C

RGB 181 94 140

HSL 328.28, 0.37%, 0.54%

LAB 51.52, 40.82, -9.47

 

CMYK 0 / 48 / 9 / 29

HEX #B55EA4

RGB 181 94 164

HSL 311.72, 0.37%, 0.54%

LAB 52.41, 44.66, -22.26

 

CMYK 4 / 48 / 0 / 29

HEX #AE5EB5

RGB 174 94 181

HSL 295.17, 0.37%, 0.54%

LAB 52.22, 45.62, -32.53

 

CMYK 17 / 48 / 0 / 29

HEX #975EB5

RGB 151 94 181

HSL 279.31, 0.37%, 0.54%

LAB 49.4, 38.91, -37.15

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 63 / 46 / 22

HEX #C84B6C

RGB 200 75 108

HSL 344.16, 0.53%, 0.54%

LAB 49.97, 52.41, 7.75

 

CMYK 0 / 74 / 55 / 14

HEX #DB3863

RGB 219 56 99

HSL 344.17, 0.69%, 0.54%

LAB 50.44, 64.62, 14.34

 

CMYK 0 / 84 / 62 / 7

HEX #EE255A

RGB 238 37 90

HSL 344.18, 0.86%, 0.54%

LAB 52.11, 74.03, 22.64

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 30 / 22 / 36

HEX #A2717E

RGB 162 113 126

HSL 344.08, 0.21%, 0.54%

LAB 52.95, 21.33, 0.64

 

CMYK 0 / 8 / 6 / 44

HEX #8F8487

RGB 143 132 135

HSL 343.64, 0.05%, 0.54%

LAB 56.18, 4.7, -0.12

 

CMYK 18 / 0 / 5 / 41

HEX #7C9790

RGB 124 151 144

HSL 164.44, 0.11%, 0.54%

LAB 60.28, -10.95, 0.53

 

CMYK 38 / 0 / 10 / 33

HEX #69AA99

RGB 105 170 153

HSL 164.31, 0.28%, 0.54%

LAB 65, -24.79, 2.21

 

CMYK 0 / 48 / 10 / 29

HEX #B55EA3

RGB 181 94 163

HSL 312.41, 0.37%, 0.54%

LAB 52.37, 44.49, -21.74

 

CMYK 0 / 48 / 23 / 29

HEX #B55E8C

RGB 181 94 140

HSL 328.28, 0.37%, 0.54%

LAB 51.52, 40.82, -9.47

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 48 / 48 / 29

HEX #B55E5E

RGB 181 94 94

HSL 0, 0.37%, 0.54%

LAB 50.26, 35.09, 16.1

 

CMYK 0 / 35 / 48 / 29

HEX #B5755E

RGB 181 117 94

HSL 15.86, 0.37%, 0.54%

LAB 55.44, 22.54, 23.06

 

CMYK 0 / 55 / 40 / 48

HEX #843C4F

RGB 132 60 79

HSL 344.17, 0.38%, 0.38%

LAB 35.4, 32.99, 3.43

 

CMYK 0 / 54 / 40 / 37

HEX #A04960

RGB 160 73 96

HSL 344.14, 0.37%, 0.46%

LAB 42.89, 38.48, 4.09

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 37 / 27 / 24

HEX #C27A8D

RGB 194 122 141

HSL 344.17, 0.37%, 0.62%

LAB 59.26, 30.59, 1.56

 

CMYK 0 / 28 / 20 / 19

HEX #CF96A5

RGB 207 150 165

HSL 344.21, 0.37%, 0.7%

LAB 67.87, 23.61, 0.65

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 3 / 48 / 29

HEX #B5AF5E

RGB 181 175 94

HSL 55.86, 0.37%, 0.54%

LAB 70.38, -9.21, 42

 

CMYK 48 / 16 / 0 / 29

HEX #5E98B5

RGB 94 152 181

HSL 200, 0.37%, 0.54%

LAB 60.04, -10.94, -20.98

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 35 / 0 / 48 / 29

HEX #75B55E

RGB 117 181 94

HSL 104.14, 0.37%, 0.54%

LAB 67.75, -36.93, 37.79

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 0 / 3 / 48 / 29

HEX #B5AF5E

RGB 181 175 94

HSL 55.86, 0.37%, 0.54%

LAB 70.38, -9.21, 42

 

CMYK 48 / 0 / 13 / 29

HEX #5EB59D

RGB 94 181 157

HSL 163.45, 0.37%, 0.54%

LAB 67.92, -32.12, 4.16

 

CMYK 48 / 45 / 0 / 29

HEX #5E64B5

RGB 94 100 181

HSL 235.86, 0.37%, 0.54%

LAB 45.4, 19.86, -43.83

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 12 / 0 / 48 / 29

HEX #A0B55E

RGB 160 181 94

HSL 74.48, 0.37%, 0.54%

LAB 70.41, -20.87, 41.65

 

CMYK 48 / 0 / 13 / 29

HEX #5EB59D

RGB 94 181 157

HSL 163.45, 0.37%, 0.54%

LAB 67.92, -32.12, 4.16

 

CMYK 37 / 48 / 0 / 29

HEX #725EB5

RGB 114 94 181

HSL 253.79, 0.37%, 0.54%

LAB 45.52, 28.61, -43.54

 

Description

Color code: HEX #B55E75 | qconv.com Color code: HEX #B55E75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 94 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 94 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 35 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 35% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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