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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B559AA it is the complementary color #4AA655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B559AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B559AA shade: #BA59A5, #CB6BB8, #DC7DCB, #ED8FDE and #FEA1F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B559AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B559AA shade: #B559AA, #A44797, #933584, #822371 and #71115E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B559AA shade: #B459A9, #B45991, #B45978, #B45960 and #B45959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B559AA shade: #B459A9, #A759B4, #8E59B4, #7559B4 and #5D59B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B559AA shade matches the following richer shades: #B459A9, #C846B8, #DB32C7 and #EE1FD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B559AA shade: #B459A9, #A16C9B, #8D808C, #7A937D and #67A76E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B559AA shade: #8E59B4, #A759B4, #B459AA, #B45991 and #B45979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B559AA shade: #813A79, #9E4793, #B459A9, #C176B8 and #CE92C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B559AA shade: #B559AA, #B47659 and #59B49A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B559AA shade: #B559AA, #AAB459 and #59AAB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B559AA shade: #B559AA, #B47659, #59B464 and #5997B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B559AA shade: #B559AA, #B49159, #59B464 and #597CB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 6 / 29

HEX #B559AA

RGB 181 89 170

HSL 307.17, 0.38%, 0.53%

LAB 51.69, 48.22, -26.88

 

Complementary color

CMYK 55 / 0 / 49 / 35

HEX #4AA655

RGB 74 166 85

HSL 127.17, 0.38%, 0.47%

LAB 61.12, -44.75, 33.7

 

CMYK 0 / 52 / 11 / 27

HEX #BA59A5

RGB 186 89 165

HSL 312.99, 0.41%, 0.54%

LAB 52.18, 48.88, -23.15

 

CMYK 0 / 47 / 9 / 20

HEX #CB6BB8

RGB 203 107 184

HSL 311.88, 0.48%, 0.61%

LAB 58.67, 48.22, -23.96

 

CMYK 0 / 43 / 8 / 14

HEX #DC7DCB

RGB 220 125 203

HSL 310.74, 0.58%, 0.68%

LAB 65.12, 47.5, -24.65

 

CMYK 0 / 40 / 6 / 7

HEX #ED8FDE

RGB 237 143 222

HSL 309.57, 0.72%, 0.75%

LAB 71.5, 46.77, -25.24

 

CMYK 0 / 37 / 5 / 0

HEX #FEA1F1

RGB 254 161 241

HSL 308.39, 0.98%, 0.81%

LAB 77.82, 46.04, -25.77

 

CMYK 0 / 51 / 6 / 29

HEX #B559AA

RGB 181 89 170

HSL 307.17, 0.38%, 0.53%

LAB 51.69, 48.22, -26.88

 

CMYK 0 / 57 / 8 / 36

HEX #A44797

RGB 164 71 151

HSL 308.39, 0.4%, 0.46%

LAB 45.13, 48.77, -26.01

 

CMYK 0 / 64 / 10 / 42

HEX #933584

RGB 147 53 132

HSL 309.57, 0.47%, 0.39%

LAB 38.58, 49.04, -24.87

 

CMYK 0 / 73 / 13 / 49

HEX #822371

RGB 130 35 113

HSL 310.74, 0.58%, 0.32%

LAB 32.12, 48.77, -23.28

 

CMYK 0 / 85 / 17 / 56

HEX #71115E

RGB 113 17 94

HSL 311.88, 0.74%, 0.25%

LAB 25.92, 47.46, -20.94

 

CMYK 0 / 51 / 6 / 29

HEX #B459A9

RGB 180 89 169

HSL 307.25, 0.38%, 0.53%

LAB 51.51, 47.75, -26.58

 

CMYK 0 / 51 / 19 / 29

HEX #B45991

RGB 180 89 145

HSL 323.08, 0.38%, 0.53%

LAB 50.56, 43.82, -13.9

 

CMYK 0 / 51 / 33 / 29

HEX #B45978

RGB 180 89 120

HSL 339.56, 0.38%, 0.53%

LAB 49.74, 40.3, -0.2

 

CMYK 0 / 51 / 47 / 29

HEX #B45960

RGB 180 89 96

HSL 355.38, 0.38%, 0.53%

LAB 49.12, 37.54, 13.32

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 51 / 6 / 29

HEX #B459A9

RGB 180 89 169

HSL 307.25, 0.38%, 0.53%

LAB 51.51, 47.75, -26.58

 

CMYK 7 / 51 / 0 / 29

HEX #A759B4

RGB 167 89 180

HSL 291.43, 0.38%, 0.53%

LAB 50.28, 45.99, -35.05

 

CMYK 21 / 51 / 0 / 29

HEX #8E59B4

RGB 142 89 180

HSL 274.95, 0.38%, 0.53%

LAB 47.22, 38.91, -40.07

 

CMYK 35 / 51 / 0 / 29

HEX #7559B4

RGB 117 89 180

HSL 258.46, 0.38%, 0.53%

LAB 44.55, 32.11, -44.49

 

CMYK 48 / 51 / 0 / 29

HEX #5D59B4

RGB 93 89 180

HSL 242.64, 0.38%, 0.53%

LAB 42.41, 26.16, -48.03

 

CMYK 0 / 51 / 6 / 29

HEX #B459A9

RGB 180 89 169

HSL 307.25, 0.38%, 0.53%

LAB 51.51, 47.75, -26.58

 

CMYK 0 / 65 / 8 / 22

HEX #C846B8

RGB 200 70 184

HSL 307.38, 0.54%, 0.53%

LAB 51.97, 64.24, -34.39

 

CMYK 0 / 77 / 9 / 14

HEX #DB32C7

RGB 219 50 199

HSL 307.1, 0.7%, 0.53%

LAB 53.45, 77.38, -40.52

 

CMYK 0 / 87 / 10 / 7

HEX #EE1FD6

RGB 238 31 214

HSL 306.96, 0.86%, 0.53%

LAB 56.1, 87.09, -44.72

 

CMYK 0 / 51 / 6 / 29

HEX #B459A9

RGB 180 89 169

HSL 307.25, 0.38%, 0.53%

LAB 51.51, 47.75, -26.58

 

CMYK 0 / 33 / 4 / 37

HEX #A16C9B

RGB 161 108 155

HSL 306.79, 0.22%, 0.53%

LAB 52.59, 28.85, -16.94

 

CMYK 0 / 9 / 1 / 45

HEX #8D808C

RGB 141 128 140

HSL 304.62, 0.05%, 0.53%

LAB 55.07, 7.22, -4.68

 

CMYK 17 / 0 / 15 / 42

HEX #7A937D

RGB 122 147 125

HSL 127.2, 0.1%, 0.53%

LAB 58.5, -13.36, 8.73

 

CMYK 38 / 0 / 34 / 35

HEX #67A76E

RGB 103 167 110

HSL 126.56, 0.27%, 0.53%

LAB 63.05, -32.69, 23.2

 

CMYK 21 / 51 / 0 / 29

HEX #8E59B4

RGB 142 89 180

HSL 274.95, 0.38%, 0.53%

LAB 47.22, 38.91, -40.07

 

CMYK 7 / 51 / 0 / 29

HEX #A759B4

RGB 167 89 180

HSL 291.43, 0.38%, 0.53%

LAB 50.28, 45.99, -35.05

 

CMYK 0 / 51 / 6 / 29

HEX #B459AA

RGB 180 89 170

HSL 306.59, 0.38%, 0.53%

LAB 51.55, 47.93, -27.1

 

CMYK 0 / 51 / 19 / 29

HEX #B45991

RGB 180 89 145

HSL 323.08, 0.38%, 0.53%

LAB 50.56, 43.82, -13.9

 

CMYK 0 / 51 / 33 / 29

HEX #B45979

RGB 180 89 121

HSL 338.9, 0.38%, 0.53%

LAB 49.77, 40.43, -0.75

 

CMYK 0 / 55 / 6 / 49

HEX #813A79

RGB 129 58 121

HSL 306.76, 0.38%, 0.37%

LAB 36.13, 39.49, -22.09

 

CMYK 0 / 55 / 7 / 38

HEX #9E4793

RGB 158 71 147

HSL 307.59, 0.38%, 0.45%

LAB 44.06, 46.32, -25.33

 

CMYK 0 / 51 / 6 / 29

HEX #B459A9

RGB 180 89 169

HSL 307.25, 0.38%, 0.53%

LAB 51.51, 47.75, -26.58

 

CMYK 0 / 39 / 5 / 24

HEX #C176B8

RGB 193 118 184

HSL 307.2, 0.38%, 0.61%

LAB 59.67, 39.34, -22.54

 

CMYK 0 / 29 / 3 / 19

HEX #CE92C7

RGB 206 146 199

HSL 307, 0.38%, 0.69%

LAB 67.88, 31.15, -18.35

 

CMYK 0 / 51 / 6 / 29

HEX #B559AA

RGB 181 89 170

HSL 307.17, 0.38%, 0.53%

LAB 51.69, 48.22, -26.88

 

CMYK 0 / 34 / 51 / 29

HEX #B47659

RGB 180 118 89

HSL 19.12, 0.38%, 0.53%

LAB 55.46, 21.07, 25.92

 

CMYK 51 / 0 / 14 / 29

HEX #59B49A

RGB 89 180 154

HSL 162.86, 0.38%, 0.53%

LAB 67.35, -33.56, 4.97

 

CMYK 0 / 51 / 6 / 29

HEX #B559AA

RGB 181 89 170

HSL 307.17, 0.38%, 0.53%

LAB 51.69, 48.22, -26.88

 

CMYK 6 / 0 / 51 / 29

HEX #AAB459

RGB 170 180 89

HSL 66.59, 0.38%, 0.53%

LAB 70.81, -16.81, 44.77

 

CMYK 51 / 6 / 0 / 29

HEX #59AAB4

RGB 89 170 180

HSL 186.59, 0.38%, 0.53%

LAB 65.1, -21.96, -12.78

 

CMYK 0 / 51 / 6 / 29

HEX #B559AA

RGB 181 89 170

HSL 307.17, 0.38%, 0.53%

LAB 51.69, 48.22, -26.88

 

CMYK 0 / 34 / 51 / 29

HEX #B47659

RGB 180 118 89

HSL 19.12, 0.38%, 0.53%

LAB 55.46, 21.07, 25.92

 

CMYK 51 / 0 / 44 / 29

HEX #59B464

RGB 89 180 100

HSL 127.25, 0.38%, 0.53%

LAB 66.28, -44.25, 32.61

 

CMYK 51 / 16 / 0 / 29

HEX #5997B4

RGB 89 151 180

HSL 199.12, 0.38%, 0.53%

LAB 59.48, -11.87, -21.29

 

CMYK 0 / 51 / 6 / 29

HEX #B559AA

RGB 181 89 170

HSL 307.17, 0.38%, 0.53%

LAB 51.69, 48.22, -26.88

 

CMYK 0 / 19 / 51 / 29

HEX #B49159

RGB 180 145 89

HSL 36.92, 0.38%, 0.53%

LAB 62.23, 6.04, 34.54

 

CMYK 51 / 0 / 44 / 29

HEX #59B464

RGB 89 180 100

HSL 127.25, 0.38%, 0.53%

LAB 66.28, -44.25, 32.61

 

CMYK 51 / 31 / 0 / 29

HEX #597CB4

RGB 89 124 180

HSL 216.92, 0.38%, 0.53%

LAB 51.65, 3.63, -33.41

 

Description

Color code: HEX #B559AA | qconv.com Color code: HEX #B559AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 89 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 89 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 6 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 6% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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