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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B54BC7 it is the complementary color #4AB438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B54BC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B54BC7 shade: #BA4BC2, #CB5DD5, #DC6FE8, #ED81FB and #FE93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B54BC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B54BC7 shade: #B54BC7, #A439B4, #9327A1, #82158E and #71037B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B54BC7 shade: #B54BC7, #C74BB8, #C74B96, #C74B75 and #C74B53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B54BC7 shade: #B54BC7, #944BC7, #724BC7, #514BC7 and #4B4BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B54BC7 shade matches the following richer shades: #B54BC7, #C338DA and #D025ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B54BC7 shade: #B54BC7, #A85EB4, #9A71A1, #8D848E and #7F977B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B54BC7 shade: #724BC7, #944BC7, #B54BC7, #C74BB9 and #C74B98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B54BC7 shade: #842D93, #A137B3, #B54BC7, #C26BD1 and #CF8ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B54BC7 shade: #B54BC7, #C7514B and #4BC783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B54BC7 shade: #B54BC7, #C7B54B and #4BC7B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B54BC7 shade: #B54BC7, #C7514B, #5EC74B and #4BC1C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B54BC7 shade: #B54BC7, #C7774B, #5EC74B and #4B9CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

Complementary color

CMYK 59 / 0 / 69 / 29

HEX #4AB438

RGB 74 180 56

HSL 111.29, 0.53%, 0.46%

LAB 65.27, -53.59, 51.94

 

CMYK 4 / 61 / 0 / 24

HEX #BA4BC2

RGB 186 75 194

HSL 295.97, 0.49%, 0.53%

LAB 51.11, 60.37, -41.68

 

CMYK 5 / 56 / 0 / 16

HEX #CB5DD5

RGB 203 93 213

HSL 295, 0.59%, 0.6%

LAB 57.39, 60.06, -42.46

 

CMYK 5 / 52 / 0 / 9

HEX #DC6FE8

RGB 220 111 232

HSL 294.05, 0.72%, 0.67%

LAB 63.68, 59.54, -43.07

 

CMYK 6 / 49 / 0 / 2

HEX #ED81FB

RGB 237 129 251

HSL 293.11, 0.94%, 0.75%

LAB 69.94, 58.92, -43.56

 

CMYK 0 / 42 / 0 / 0

HEX #FE93FF

RGB 254 147 255

HSL 299.44, 1%, 0.79%

LAB 75.55, 55.54, -36.85

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 9 / 68 / 0 / 29

HEX #A439B4

RGB 164 57 180

HSL 292.2, 0.52%, 0.46%

LAB 44.4, 60.08, -44.39

 

CMYK 9 / 76 / 0 / 37

HEX #9327A1

RGB 147 39 161

HSL 293.11, 0.61%, 0.39%

LAB 38.25, 59.51, -43.06

 

CMYK 8 / 85 / 0 / 44

HEX #82158E

RGB 130 21 142

HSL 294.05, 0.74%, 0.32%

LAB 32.34, 57.94, -41.11

 

CMYK 8 / 98 / 0 / 52

HEX #71037B

RGB 113 3 123

HSL 295, 0.95%, 0.25%

LAB 26.75, 55.01, -38.36

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 0 / 62 / 8 / 22

HEX #C74BB8

RGB 199 75 184

HSL 307.26, 0.53%, 0.54%

LAB 52.55, 61.96, -33.5

 

CMYK 0 / 62 / 25 / 22

HEX #C74B96

RGB 199 75 150

HSL 323.71, 0.53%, 0.54%

LAB 51.12, 56.96, -15.74

 

CMYK 0 / 62 / 41 / 22

HEX #C74B75

RGB 199 75 117

HSL 339.68, 0.53%, 0.54%

LAB 50.05, 53, 2.41

 

CMYK 0 / 62 / 58 / 22

HEX #C74B53

RGB 199 75 83

HSL 356.13, 0.53%, 0.54%

LAB 49.25, 49.97, 21.78

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 26 / 62 / 0 / 22

HEX #944BC7

RGB 148 75 199

HSL 275.32, 0.53%, 0.54%

LAB 46.25, 52.22, -52.63

 

CMYK 43 / 62 / 0 / 22

HEX #724BC7

RGB 114 75 199

HSL 258.87, 0.53%, 0.54%

LAB 42.36, 44.68, -59.1

 

CMYK 59 / 62 / 0 / 22

HEX #514BC7

RGB 81 75 199

HSL 242.9, 0.53%, 0.54%

LAB 39.42, 38.45, -64

 

CMYK 62 / 62 / 0 / 22

HEX #4B4BC7

RGB 75 75 199

HSL 240, 0.53%, 0.54%

LAB 38.99, 37.48, -64.73

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 11 / 74 / 0 / 15

HEX #C338DA

RGB 195 56 218

HSL 291.48, 0.69%, 0.54%

LAB 51.26, 73.77, -55.13

 

CMYK 12 / 84 / 0 / 7

HEX #D025ED

RGB 208 37 237

HSL 291.3, 0.85%, 0.54%

LAB 52.78, 84.24, -63.32

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 7 / 48 / 0 / 29

HEX #A85EB4

RGB 168 94 180

HSL 291.63, 0.36%, 0.54%

LAB 51.41, 43.66, -33.27

 

CMYK 4 / 30 / 0 / 37

HEX #9A71A1

RGB 154 113 161

HSL 291.25, 0.2%, 0.54%

LAB 53.23, 24.79, -19.54

 

CMYK 1 / 7 / 0 / 44

HEX #8D848E

RGB 141 132 142

HSL 294, 0.04%, 0.54%

LAB 56.21, 5.31, -4.15

 

CMYK 16 / 0 / 19 / 41

HEX #7F977B

RGB 127 151 123

HSL 111.43, 0.12%, 0.54%

LAB 59.96, -14.05, 11.98

 

CMYK 43 / 62 / 0 / 22

HEX #724BC7

RGB 114 75 199

HSL 258.87, 0.53%, 0.54%

LAB 42.36, 44.68, -59.1

 

CMYK 26 / 62 / 0 / 22

HEX #944BC7

RGB 148 75 199

HSL 275.32, 0.53%, 0.54%

LAB 46.25, 52.22, -52.63

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 0 / 62 / 7 / 22

HEX #C74BB9

RGB 199 75 185

HSL 306.77, 0.53%, 0.54%

LAB 52.59, 62.12, -34.01

 

CMYK 0 / 62 / 24 / 22

HEX #C74B98

RGB 199 75 152

HSL 322.74, 0.53%, 0.54%

LAB 51.2, 57.23, -16.81

 

CMYK 10 / 69 / 0 / 42

HEX #842D93

RGB 132 45 147

HSL 291.18, 0.53%, 0.38%

LAB 35.77, 51.32, -38.66

 

CMYK 10 / 69 / 0 / 30

HEX #A137B3

RGB 161 55 179

HSL 291.29, 0.53%, 0.46%

LAB 43.6, 60.01, -45.09

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 7 / 49 / 0 / 18

HEX #C26BD1

RGB 194 107 209

HSL 291.18, 0.53%, 0.62%

LAB 58.59, 50.08, -38.4

 

CMYK 5 / 37 / 0 / 14

HEX #CF8ADB

RGB 207 138 219

HSL 291.11, 0.53%, 0.7%

LAB 66.94, 39.57, -30.89

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 0 / 59 / 62 / 22

HEX #C7514B

RGB 199 81 75

HSL 2.9, 0.53%, 0.54%

LAB 50.14, 46.68, 27.66

 

CMYK 62 / 0 / 34 / 22

HEX #4BC783

RGB 75 199 131

HSL 147.1, 0.53%, 0.54%

LAB 72.22, -49.85, 24.14

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 0 / 9 / 62 / 22

HEX #C7B54B

RGB 199 181 75

HSL 51.29, 0.53%, 0.54%

LAB 73.35, -6.27, 54.82

 

CMYK 62 / 0 / 9 / 22

HEX #4BC7B5

RGB 75 199 181

HSL 171.29, 0.53%, 0.54%

LAB 73.34, -38.45, -1.16

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 0 / 59 / 62 / 22

HEX #C7514B

RGB 199 81 75

HSL 2.9, 0.53%, 0.54%

LAB 50.14, 46.68, 27.66

 

CMYK 53 / 0 / 62 / 22

HEX #5EC74B

RGB 94 199 75

HSL 110.81, 0.53%, 0.54%

LAB 72.05, -53.67, 51.56

 

CMYK 62 / 3 / 0 / 22

HEX #4BC1C7

RGB 75 193 199

HSL 182.9, 0.53%, 0.54%

LAB 72.07, -30.75, -12.83

 

CMYK 9 / 62 / 0 / 22

HEX #B54BC7

RGB 181 75 199

HSL 291.29, 0.53%, 0.54%

LAB 50.66, 60.06, -45.32

 

CMYK 0 / 40 / 62 / 22

HEX #C7774B

RGB 199 119 75

HSL 21.29, 0.53%, 0.54%

LAB 57.89, 27.24, 37.19

 

CMYK 53 / 0 / 62 / 22

HEX #5EC74B

RGB 94 199 75

HSL 110.81, 0.53%, 0.54%

LAB 72.05, -53.67, 51.56

 

CMYK 62 / 22 / 0 / 22

HEX #4B9CC7

RGB 75 156 199

HSL 200.81, 0.53%, 0.54%

LAB 61.13, -11.67, -29.5

 

Description

Color code: HEX #B54BC7 | qconv.com Color code: HEX #B54BC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 75 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 75 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 62 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 62% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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