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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B53093 it is the complementary color #4ACF6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B53093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B53093 shade: #BA308E, #CB42A1, #DC54B4, #ED66C7 and #FE78DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B53093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B53093 shade: #B53093, #A41E80, #930C6D, #82005A and #710047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B53093 shade: #B53093, #B5306F, #B5304B and #B53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B53093 shade: #B53093, #B330B5, #8F30B5, #6B30B5 and #4730B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B53093 shade matches the following richer shades: #B53093, #C71D9C and #DA0BA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B53093 shade: #B53093, #A2428A, #905581, #7D6778 and #6B7A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B53093 shade: #8F30B5, #B330B5, #B53094, #B53070 and #B5304D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B53093 shade: #741E5E, #942778, #B53093, #CC41A9 and #D562B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B53093 shade: #B53093, #B56C30 and #30B5A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B53093 shade: #B53093, #94B530 and #3094B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B53093 shade: #B53093, #B56C30, #30B551 and #3079B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B53093 shade: #B53093, #B59430, #30B551 and #3051B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

Complementary color

CMYK 64 / 0 / 48 / 19

HEX #4ACF6C

RGB 74 207 108

HSL 135.34, 0.58%, 0.55%

LAB 74.29, -57.13, 38.64

 

CMYK 0 / 74 / 24 / 27

HEX #BA308E

RGB 186 48 142

HSL 319.13, 0.59%, 0.46%

LAB 44.95, 62.64, -20.58

 

CMYK 0 / 67 / 21 / 20

HEX #CB42A1

RGB 203 66 161

HSL 318.39, 0.57%, 0.53%

LAB 50.88, 63.18, -22.57

 

CMYK 0 / 62 / 18 / 14

HEX #DC54B4

RGB 220 84 180

HSL 317.65, 0.66%, 0.6%

LAB 56.93, 63.2, -24.13

 

CMYK 0 / 57 / 16 / 7

HEX #ED66C7

RGB 237 102 199

HSL 316.89, 0.79%, 0.66%

LAB 63.04, 62.91, -25.39

 

CMYK 0 / 53 / 14 / 0

HEX #FE78DA

RGB 254 120 218

HSL 316.12, 0.99%, 0.73%

LAB 69.16, 62.43, -26.44

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 82 / 22 / 36

HEX #A41E80

RGB 164 30 128

HSL 316.12, 0.69%, 0.38%

LAB 38.52, 60.77, -22.27

 

CMYK 0 / 92 / 26 / 42

HEX #930C6D

RGB 147 12 109

HSL 316.89, 0.85%, 0.31%

LAB 33.07, 58.23, -19.01

 

CMYK 0 / 100 / 31 / 49

HEX #82005A

RGB 130 0 90

HSL 318.46, 1%, 0.25%

LAB 28.07, 54.08, -14.7

 

CMYK 0 / 100 / 37 / 56

HEX #710047

RGB 113 0 71

HSL 322.3, 1%, 0.22%

LAB 23.56, 48.13, -9.18

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 73 / 39 / 29

HEX #B5306F

RGB 181 48 111

HSL 331.58, 0.58%, 0.45%

LAB 42.89, 57.65, -4.77

 

CMYK 0 / 73 / 59 / 29

HEX #B5304B

RGB 181 48 75

HSL 347.82, 0.58%, 0.45%

LAB 41.92, 54.46, 16.33

 

CMYK 0 / 73 / 73 / 29

HEX #B53030

RGB 181 48 48

HSL 0, 0.58%, 0.45%

LAB 41.46, 52.91, 32.28

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 1 / 73 / 0 / 29

HEX #B330B5

RGB 179 48 181

HSL 299.1, 0.58%, 0.45%

LAB 45.68, 66.78, -42.79

 

CMYK 21 / 73 / 0 / 29

HEX #8F30B5

RGB 143 48 181

HSL 282.86, 0.58%, 0.45%

LAB 40.06, 59.29, -52.09

 

CMYK 41 / 73 / 0 / 29

HEX #6B30B5

RGB 107 48 181

HSL 266.62, 0.58%, 0.45%

LAB 35.15, 52.45, -60.29

 

CMYK 61 / 73 / 0 / 29

HEX #4730B5

RGB 71 48 181

HSL 250.38, 0.58%, 0.45%

LAB 31.32, 46.83, -66.71

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 85 / 22 / 22

HEX #C71D9C

RGB 199 29 156

HSL 315.18, 0.75%, 0.45%

LAB 46.21, 72.28, -26.89

 

CMYK 0 / 95 / 24 / 15

HEX #DA0BA5

RGB 218 11 165

HSL 315.36, 0.9%, 0.45%

LAB 49.33, 79.59, -27.13

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 59 / 15 / 36

HEX #A2428A

RGB 162 66 138

HSL 315, 0.42%, 0.45%

LAB 43.38, 48.41, -20.91

 

CMYK 0 / 41 / 10 / 44

HEX #905581

RGB 144 85 129

HSL 315.25, 0.26%, 0.45%

LAB 44.25, 31.18, -14.34

 

CMYK 0 / 18 / 4 / 51

HEX #7D6778

RGB 125 103 120

HSL 313.64, 0.1%, 0.45%

LAB 46.2, 11.93, -6.19

 

CMYK 12 / 0 / 10 / 52

HEX #6B7A6E

RGB 107 122 110

HSL 132, 0.07%, 0.45%

LAB 49.7, -8.06, 4.7

 

CMYK 21 / 73 / 0 / 29

HEX #8F30B5

RGB 143 48 181

HSL 282.86, 0.58%, 0.45%

LAB 40.06, 59.29, -52.09

 

CMYK 1 / 73 / 0 / 29

HEX #B330B5

RGB 179 48 181

HSL 299.1, 0.58%, 0.45%

LAB 45.68, 66.78, -42.79

 

CMYK 0 / 73 / 18 / 29

HEX #B53094

RGB 181 48 148

HSL 314.89, 0.58%, 0.45%

LAB 44.34, 62.21, -25.22

 

CMYK 0 / 73 / 38 / 29

HEX #B53070

RGB 181 48 112

HSL 331.13, 0.58%, 0.45%

LAB 42.92, 57.76, -5.35

 

CMYK 0 / 73 / 57 / 29

HEX #B5304D

RGB 181 48 77

HSL 346.92, 0.58%, 0.45%

LAB 41.96, 54.6, 15.13

 

CMYK 0 / 74 / 19 / 55

HEX #741E5E

RGB 116 30 94

HSL 315.35, 0.59%, 0.29%

LAB 27.98, 43.99, -17.69

 

CMYK 0 / 74 / 19 / 42

HEX #942778

RGB 148 39 120

HSL 315.41, 0.58%, 0.37%

LAB 36.18, 53.03, -21.13

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 68 / 17 / 20

HEX #CC41A9

RGB 204 65 169

HSL 315.11, 0.58%, 0.53%

LAB 51.25, 64.92, -26.71

 

CMYK 0 / 54 / 14 / 16

HEX #D562B8

RGB 213 98 184

HSL 315.13, 0.58%, 0.61%

LAB 58.36, 55.61, -24.32

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 40 / 73 / 29

HEX #B56C30

RGB 181 108 48

HSL 27.07, 0.58%, 0.45%

LAB 52.69, 24.08, 44.55

 

CMYK 73 / 0 / 11 / 29

HEX #30B5A1

RGB 48 181 161

HSL 170.98, 0.58%, 0.45%

LAB 66.71, -39.71, 0.03

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 18 / 0 / 73 / 29

HEX #94B530

RGB 148 181 48

HSL 74.89, 0.58%, 0.45%

LAB 69.15, -29.39, 60.05

 

CMYK 73 / 18 / 0 / 29

HEX #3094B5

RGB 48 148 181

HSL 194.89, 0.58%, 0.45%

LAB 57.22, -17.45, -25.46

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 40 / 73 / 29

HEX #B56C30

RGB 181 108 48

HSL 27.07, 0.58%, 0.45%

LAB 52.69, 24.08, 44.55

 

CMYK 73 / 0 / 55 / 29

HEX #30B551

RGB 48 181 81

HSL 134.89, 0.58%, 0.45%

LAB 65.18, -56.38, 40.51

 

CMYK 73 / 33 / 0 / 29

HEX #3079B5

RGB 48 121 181

HSL 207.07, 0.58%, 0.45%

LAB 49.06, -2.07, -38.18

 

CMYK 0 / 73 / 19 / 29

HEX #B53093

RGB 181 48 147

HSL 315.34, 0.58%, 0.45%

LAB 44.3, 62.07, -24.69

 

CMYK 0 / 18 / 73 / 29

HEX #B59430

RGB 181 148 48

HSL 45.11, 0.58%, 0.45%

LAB 62.69, 1.93, 54.68

 

CMYK 73 / 0 / 55 / 29

HEX #30B551

RGB 48 181 81

HSL 134.89, 0.58%, 0.45%

LAB 65.18, -56.38, 40.51

 

CMYK 73 / 55 / 0 / 29

HEX #3051B5

RGB 48 81 181

HSL 225.11, 0.58%, 0.45%

LAB 37.57, 23.37, -56.57

 

Description

Color code: HEX #B53093 | qconv.com Color code: HEX #B53093 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 48 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 48 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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