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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B52925 it is the complementary color #4AD6DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B52925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B52925 shade: #BA2920, #CB3B33, #DC4D46, #ED5F59 and #FE716C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B52925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B52925 shade: #B52925, #A41712, #930500, #820000 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B52925 shade: #B62925 and #B62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B52925 shade: #B62925, #B65025, #B67725, #B69E25 and #A6B625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B52925 shade matches the following richer shades: #B62925, #C71813 and #D90701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B52925 shade: #B62925, #A43A37, #924A48, #805B5A and #6F6C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B52925 shade: #B62570, #B62549, #B62725, #B64E25 and #B67425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B52925 shade: #711917, #93211E, #B62925, #D4342F and #DB5652

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B52925 shade: #B52925, #96B625 and #255CB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B52925 shade: #B52925, #25B627 and #2725B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B52925 shade: #B52925, #96B625, #25B3B6 and #4425B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B52925 shade: #B52925, #6BB625, #25B3B6 and #7025B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

Complementary color

CMYK 66 / 2 / 0 / 15

HEX #4AD6DA

RGB 74 214 218

HSL 181.67, 0.66%, 0.57%

LAB 78.82, -35.49, -12.99

 

CMYK 0 / 78 / 83 / 27

HEX #BA2920

RGB 186 41 32

HSL 3.51, 0.71%, 0.43%

LAB 41.42, 56.22, 41.52

 

CMYK 0 / 71 / 75 / 20

HEX #CB3B33

RGB 203 59 51

HSL 3.16, 0.6%, 0.5%

LAB 47.06, 56.03, 37.97

 

CMYK 0 / 65 / 68 / 14

HEX #DC4D46

RGB 220 77 70

HSL 2.8, 0.68%, 0.57%

LAB 52.91, 55.36, 34.74

 

CMYK 0 / 60 / 62 / 7

HEX #ED5F59

RGB 237 95 89

HSL 2.43, 0.8%, 0.64%

LAB 58.89, 54.43, 31.94

 

CMYK 0 / 56 / 57 / 0

HEX #FE716C

RGB 254 113 108

HSL 2.05, 0.99%, 0.71%

LAB 64.93, 53.38, 29.5

 

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

CMYK 0 / 86 / 89 / 36

HEX #A41712

RGB 164 23 18

HSL 2.05, 0.8%, 0.36%

LAB 35.1, 54.23, 41.32

 

CMYK 0 / 97 / 100 / 42

HEX #930500

RGB 147 5 0

HSL 2.04, 1%, 0.29%

LAB 30.19, 52.36, 43.73

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 77 / 80 / 29

HEX #B62925

RGB 182 41 37

HSL 1.66, 0.66%, 0.43%

LAB 40.68, 55.15, 37.82

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 77 / 80 / 29

HEX #B62925

RGB 182 41 37

HSL 1.66, 0.66%, 0.43%

LAB 40.68, 55.15, 37.82

 

CMYK 0 / 56 / 80 / 29

HEX #B65025

RGB 182 80 37

HSL 17.79, 0.66%, 0.43%

LAB 46.73, 38.88, 43.86

 

CMYK 0 / 35 / 80 / 29

HEX #B67725

RGB 182 119 37

HSL 33.93, 0.66%, 0.43%

LAB 55.35, 17.95, 52.07

 

CMYK 0 / 13 / 80 / 29

HEX #B69E25

RGB 182 158 37

HSL 50.07, 0.66%, 0.43%

LAB 65.38, -3.49, 61.21

 

CMYK 9 / 0 / 80 / 29

HEX #A6B625

RGB 166 182 37

HSL 66.62, 0.66%, 0.43%

LAB 70.66, -22.87, 65.4

 

CMYK 0 / 77 / 80 / 29

HEX #B62925

RGB 182 41 37

HSL 1.66, 0.66%, 0.43%

LAB 40.68, 55.15, 37.82

 

CMYK 0 / 88 / 90 / 22

HEX #C71813

RGB 199 24 19

HSL 1.67, 0.83%, 0.43%

LAB 42.52, 63.76, 49.67

 

CMYK 0 / 97 / 100 / 15

HEX #D90701

RGB 217 7 1

HSL 1.67, 0.99%, 0.43%

LAB 45.5, 70.32, 59.26

 

CMYK 0 / 77 / 80 / 29

HEX #B62925

RGB 182 41 37

HSL 1.66, 0.66%, 0.43%

LAB 40.68, 55.15, 37.82

 

CMYK 0 / 65 / 66 / 36

HEX #A43A37

RGB 164 58 55

HSL 1.65, 0.5%, 0.43%

LAB 39.91, 43.54, 25.48

 

CMYK 0 / 49 / 51 / 43

HEX #924A48

RGB 146 74 72

HSL 1.62, 0.34%, 0.43%

LAB 40.37, 30.03, 15.1

 

CMYK 0 / 29 / 30 / 50

HEX #805B5A

RGB 128 91 90

HSL 1.58, 0.17%, 0.43%

LAB 42.47, 15.05, 6.61

 

CMYK 0 / 3 / 3 / 56

HEX #6F6C6C

RGB 111 108 108

HSL 0, 0.01%, 0.43%

LAB 45.89, 1.16, 0.41

 

CMYK 0 / 80 / 38 / 29

HEX #B62570

RGB 182 37 112

HSL 328.97, 0.66%, 0.43%

LAB 41.9, 61.44, -6.85

 

CMYK 0 / 80 / 60 / 29

HEX #B62549

RGB 182 37 73

HSL 345.1, 0.66%, 0.43%

LAB 40.81, 58.12, 16.13

 

CMYK 0 / 79 / 80 / 29

HEX #B62725

RGB 182 39 37

HSL 0.83, 0.66%, 0.43%

LAB 40.46, 55.77, 37.59

 

CMYK 0 / 57 / 80 / 29

HEX #B64E25

RGB 182 78 37

HSL 16.97, 0.66%, 0.43%

LAB 46.35, 39.87, 43.49

 

CMYK 0 / 36 / 80 / 29

HEX #B67425

RGB 182 116 37

HSL 32.69, 0.66%, 0.43%

LAB 54.63, 19.61, 51.4

 

CMYK 0 / 78 / 80 / 56

HEX #711917

RGB 113 25 23

HSL 1.33, 0.66%, 0.27%

LAB 24.54, 37.92, 24.79

 

CMYK 0 / 78 / 80 / 42

HEX #93211E

RGB 147 33 30

HSL 1.54, 0.66%, 0.35%

LAB 32.67, 46.59, 31.33

 

CMYK 0 / 77 / 80 / 29

HEX #B62925

RGB 182 41 37

HSL 1.66, 0.66%, 0.43%

LAB 40.68, 55.15, 37.82

 

CMYK 0 / 75 / 78 / 17

HEX #D4342F

RGB 212 52 47

HSL 1.82, 0.66%, 0.51%

LAB 47.83, 61.08, 41.51

 

CMYK 0 / 61 / 63 / 14

HEX #DB5652

RGB 219 86 82

HSL 1.75, 0.66%, 0.59%

LAB 54.37, 51.84, 29.62

 

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

CMYK 18 / 0 / 80 / 29

HEX #96B625

RGB 150 182 37

HSL 73.24, 0.66%, 0.43%

LAB 69.52, -29.57, 63.95

 

CMYK 80 / 49 / 0 / 29

HEX #255CB6

RGB 37 92 182

HSL 217.24, 0.66%, 0.43%

LAB 40.29, 15.22, -52.78

 

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

CMYK 80 / 0 / 79 / 29

HEX #25B627

RGB 37 182 39

HSL 120.83, 0.66%, 0.43%

LAB 64.96, -62.59, 57.45

 

CMYK 79 / 80 / 0 / 29

HEX #2725B6

RGB 39 37 182

HSL 240.83, 0.66%, 0.43%

LAB 27.11, 49.78, -74.35

 

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

CMYK 18 / 0 / 80 / 29

HEX #96B625

RGB 150 182 37

HSL 73.24, 0.66%, 0.43%

LAB 69.52, -29.57, 63.95

 

CMYK 80 / 2 / 0 / 29

HEX #25B3B6

RGB 37 179 182

HSL 181.24, 0.66%, 0.43%

LAB 66.53, -33.98, -11.88

 

CMYK 63 / 80 / 0 / 29

HEX #4425B6

RGB 68 37 182

HSL 252.83, 0.66%, 0.43%

LAB 29.23, 52.25, -70.76

 

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

CMYK 41 / 0 / 80 / 29

HEX #6BB625

RGB 107 182 37

HSL 91.03, 0.66%, 0.43%

LAB 67.06, -45.89, 60.8

 

CMYK 80 / 2 / 0 / 29

HEX #25B3B6

RGB 37 179 182

HSL 181.24, 0.66%, 0.43%

LAB 66.53, -33.98, -11.88

 

CMYK 38 / 80 / 0 / 29

HEX #7025B6

RGB 112 37 182

HSL 271.03, 0.66%, 0.43%

LAB 34.28, 58.11, -62.28

 

Description

Color code: HEX #B52925 | qconv.com Color code: HEX #B52925 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 41 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 41 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 80 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 80% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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