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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B51FF0 it is the complementary color #4AE00F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B51FF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B51FF0 shade: #BA1FEB, #CB31FE, #DC43FF, #ED55FF and #FE67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B51FF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B51FF0 shade: #B51FF0, #A40DDD, #9300CA, #8200B7 and #7100A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B51FF0 shade: #B41EEF, #EC1EEF, #EF1EB9, #EF1E81 and #EF1E49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B51FF0 shade: #B41EEF, #7C1EEF, #441EEF and #1E1EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B51FF0 shade matches the following richer shades: #B41EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B51FF0 shade: #B41EEF, #AC32DC, #A345C8, #9B59B5 and #926CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B51FF0 shade: #451EEF, #7C1EEF, #B41EEF, #EB1EEF and #EF1EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B51FF0 shade: #810CAF, #9D0ED6, #B41EEF, #C145F2 and #CE6CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B51FF0 shade: #B51FF0, #EF1E30 and #1EEF60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B51FF0 shade: #B51FF0, #EFB41E and #1EEFB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B51FF0 shade: #B51FF0, #EF1E30, #59EF1E and #1EEFDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B51FF0 shade: #B51FF0, #EF4C1E, #59EF1E and #1EC2EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 87 / 0 / 6

HEX #B51FF0

RGB 181 31 240

HSL 283.06, 0.87%, 0.53%

LAB 48.38, 81.82, -72.34

 

Complementary color

CMYK 67 / 0 / 93 / 12

HEX #4AE00F

RGB 74 224 15

HSL 103.06, 0.87%, 0.47%

LAB 78.93, -70.39, 75.05

 

CMYK 21 / 87 / 0 / 8

HEX #BA1FEB

RGB 186 31 235

HSL 285.59, 0.84%, 0.52%

LAB 48.78, 81.64, -68.84

 

CMYK 20 / 81 / 0 / 0

HEX #CB31FE

RGB 203 49 254

HSL 285.07, 0.99%, 0.59%

LAB 54.08, 83.6, -70.77

 

CMYK 14 / 74 / 0 / 0

HEX #DC43FF

RGB 220 67 255

HSL 288.83, 1%, 0.63%

LAB 58.46, 81.52, -64.13

 

CMYK 7 / 67 / 0 / 0

HEX #ED55FF

RGB 237 85 255

HSL 293.65, 1%, 0.67%

LAB 63.11, 78.72, -56.55

 

CMYK 0 / 60 / 0 / 0

HEX #FE67FF

RGB 254 103 255

HSL 299.61, 1%, 0.7%

LAB 68.01, 75.6, -48.63

 

CMYK 25 / 87 / 0 / 6

HEX #B51FF0

RGB 181 31 240

HSL 283.06, 0.87%, 0.53%

LAB 48.38, 81.82, -72.34

 

CMYK 26 / 94 / 0 / 13

HEX #A40DDD

RGB 164 13 221

HSL 283.56, 0.89%, 0.46%

LAB 43.36, 78.81, -69.85

 

CMYK 27 / 100 / 0 / 21

HEX #9300CA

RGB 147 0 202

HSL 283.66, 1%, 0.4%

LAB 38.67, 74.55, -66.65

 

CMYK 29 / 100 / 0 / 28

HEX #8200B7

RGB 130 0 183

HSL 282.62, 1%, 0.36%

LAB 34.32, 68.9, -62.69

 

CMYK 31 / 100 / 0 / 36

HEX #7100A4

RGB 113 0 164

HSL 281.34, 1%, 0.32%

LAB 29.89, 63.15, -58.67

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 1 / 87 / 0 / 6

HEX #EC1EEF

RGB 236 30 239

HSL 299.14, 0.87%, 0.53%

LAB 57.07, 90.38, -57.32

 

CMYK 0 / 87 / 23 / 6

HEX #EF1EB9

RGB 239 30 185

HSL 315.5, 0.87%, 0.53%

LAB 54.85, 83.8, -29.99

 

CMYK 0 / 87 / 46 / 6

HEX #EF1E81

RGB 239 30 129

HSL 331.58, 0.87%, 0.53%

LAB 52.8, 78.21, 0.05

 

CMYK 0 / 87 / 69 / 6

HEX #EF1E49

RGB 239 30 73

HSL 347.66, 0.87%, 0.53%

LAB 51.57, 74.72, 32.19

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 48 / 87 / 0 / 6

HEX #7C1EEF

RGB 124 30 239

HSL 266.99, 0.87%, 0.53%

LAB 40.32, 74.82, -85.29

 

CMYK 72 / 87 / 0 / 6

HEX #441EEF

RGB 68 30 239

HSL 250.91, 0.87%, 0.53%

LAB 34.78, 70.51, -94.64

 

CMYK 87 / 87 / 0 / 6

HEX #1E1EEF

RGB 30 30 239

HSL 240, 0.87%, 0.53%

LAB 32.78, 69.11, -98.02

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 22 / 77 / 0 / 14

HEX #AC32DC

RGB 172 50 220

HSL 283.06, 0.71%, 0.53%

LAB 47.26, 71.76, -62.89

 

CMYK 19 / 66 / 0 / 22

HEX #A345C8

RGB 163 69 200

HSL 283.05, 0.54%, 0.53%

LAB 47.25, 58.69, -51.48

 

CMYK 14 / 51 / 0 / 29

HEX #9B59B5

RGB 155 89 181

HSL 283.04, 0.38%, 0.53%

LAB 48.82, 42.78, -38.03

 

CMYK 9 / 33 / 0 / 37

HEX #926CA1

RGB 146 108 161

HSL 283.02, 0.22%, 0.53%

LAB 51.16, 24.99, -22.78

 

CMYK 71 / 87 / 0 / 6

HEX #451EEF

RGB 69 30 239

HSL 251.2, 0.87%, 0.53%

LAB 34.85, 70.56, -94.51

 

CMYK 48 / 87 / 0 / 6

HEX #7C1EEF

RGB 124 30 239

HSL 266.99, 0.87%, 0.53%

LAB 40.32, 74.82, -85.29

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 2 / 87 / 0 / 6

HEX #EB1EEF

RGB 235 30 239

HSL 298.85, 0.87%, 0.53%

LAB 56.9, 90.21, -57.59

 

CMYK 0 / 87 / 22 / 6

HEX #EF1EBB

RGB 239 30 187

HSL 314.93, 0.87%, 0.53%

LAB 54.94, 84.03, -31.02

 

CMYK 26 / 93 / 0 / 31

HEX #810CAF

RGB 129 12 175

HSL 283.07, 0.87%, 0.37%

LAB 34.04, 65.62, -58.41

 

CMYK 27 / 93 / 0 / 16

HEX #9D0ED6

RGB 157 14 214

HSL 282.9, 0.88%, 0.45%

LAB 41.75, 76.49, -68.51

 

CMYK 25 / 87 / 0 / 6

HEX #B41EEF

RGB 180 30 239

HSL 283.06, 0.87%, 0.53%

LAB 48.09, 81.69, -72.26

 

CMYK 20 / 71 / 0 / 5

HEX #C145F2

RGB 193 69 242

HSL 283.01, 0.87%, 0.61%

LAB 54.03, 73.29, -64.23

 

CMYK 16 / 56 / 0 / 4

HEX #CE6CF4

RGB 206 108 244

HSL 283.24, 0.86%, 0.69%

LAB 61.98, 59.68, -52.53

 

CMYK 25 / 87 / 0 / 6

HEX #B51FF0

RGB 181 31 240

HSL 283.06, 0.87%, 0.53%

LAB 48.38, 81.82, -72.34

 

CMYK 0 / 87 / 80 / 6

HEX #EF1E30

RGB 239 30 48

HSL 354.83, 0.87%, 0.53%

LAB 51.26, 73.84, 46.16

 

CMYK 87 / 0 / 60 / 6

HEX #1EEF60

RGB 30 239 96

HSL 138.95, 0.87%, 0.53%

LAB 83.37, -75.06, 54.98

 

CMYK 25 / 87 / 0 / 6

HEX #B51FF0

RGB 181 31 240

HSL 283.06, 0.87%, 0.53%

LAB 48.38, 81.82, -72.34

 

CMYK 0 / 25 / 87 / 6

HEX #EFB41E

RGB 239 180 30

HSL 43.06, 0.87%, 0.53%

LAB 76.73, 9.63, 74.94

 

CMYK 87 / 0 / 25 / 6

HEX #1EEFB4

RGB 30 239 180

HSL 163.06, 0.87%, 0.53%

LAB 84.64, -60.23, 15.51

 

CMYK 25 / 87 / 0 / 6

HEX #B51FF0

RGB 181 31 240

HSL 283.06, 0.87%, 0.53%

LAB 48.38, 81.82, -72.34

 

CMYK 0 / 87 / 80 / 6

HEX #EF1E30

RGB 239 30 48

HSL 354.83, 0.87%, 0.53%

LAB 51.26, 73.84, 46.16

 

CMYK 63 / 0 / 87 / 6

HEX #59EF1E

RGB 89 239 30

HSL 103.06, 0.87%, 0.53%

LAB 83.94, -71.64, 77.18

 

CMYK 87 / 0 / 7 / 6

HEX #1EEFDE

RGB 30 239 222

HSL 175.12, 0.87%, 0.53%

LAB 85.65, -49.63, -5.03

 

CMYK 25 / 87 / 0 / 6

HEX #B51FF0

RGB 181 31 240

HSL 283.06, 0.87%, 0.53%

LAB 48.38, 81.82, -72.34

 

CMYK 0 / 68 / 87 / 6

HEX #EF4C1E

RGB 239 76 30

HSL 13.21, 0.87%, 0.53%

LAB 55.7, 60.63, 58.48

 

CMYK 63 / 0 / 87 / 6

HEX #59EF1E

RGB 89 239 30

HSL 103.06, 0.87%, 0.53%

LAB 83.94, -71.64, 77.18

 

CMYK 87 / 19 / 0 / 6

HEX #1EC2EF

RGB 30 194 239

HSL 192.92, 0.87%, 0.53%

LAB 72.95, -23.65, -33.28

 

Description

Color code: HEX #B51FF0 | qconv.com Color code: HEX #B51FF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 31 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 31 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 87 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 87% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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