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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B51DEA it is the complementary color #4AE215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B51DEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B51DEA shade: #BA1DE5, #CB2FF8, #DC41FF, #ED53FF and #FE65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B51DEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B51DEA shade: #B51DEA, #A40BD7, #9300C4, #8200B1 and #71009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B51DEA shade: #B51FEA, #EA1FE7, #EA1FB1, #EA1F7A and #EA1F43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B51DEA shade: #B51FEA, #7E1FEA, #481FEA and #1F1FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B51DEA shade matches the following richer shades: #B51FEA and #BF0BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B51DEA shade: #B51FEA, #AC32D6, #A246C2, #985AAE and #8F6E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B51DEA shade: #471FEA, #7D1FEA, #B41FEA, #EA1FEA and #EA1FB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B51DEA shade: #7F0FA7, #9C13CC, #B51FEA, #C244ED and #CE6AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B51DEA shade: #B51DEA, #EA1F2C and #1FEA62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B51DEA shade: #B51DEA, #EAB41F and #1FEAB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B51DEA shade: #B51DEA, #EA1F2C, #55EA1F and #1FEADC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B51DEA shade: #B51DEA, #EA4E1F, #55EA1F and #1FBAEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 88 / 0 / 8

HEX #B51DEA

RGB 181 29 234

HSL 284.49, 0.83%, 0.52%

LAB 47.81, 81.11, -69.89

 

Complementary color

CMYK 67 / 0 / 91 / 11

HEX #4AE215

RGB 74 226 21

HSL 104.49, 0.83%, 0.48%

LAB 79.56, -70.87, 74.79

 

CMYK 19 / 87 / 0 / 10

HEX #BA1DE5

RGB 186 29 229

HSL 287.1, 0.79%, 0.51%

LAB 48.23, 80.96, -66.34

 

CMYK 18 / 81 / 0 / 3

HEX #CB2FF8

RGB 203 47 248

HSL 286.57, 0.93%, 0.58%

LAB 53.5, 83.04, -68.36

 

CMYK 14 / 75 / 0 / 0

HEX #DC41FF

RGB 220 65 255

HSL 288.95, 1%, 0.63%

LAB 58.24, 82.15, -64.48

 

CMYK 7 / 67 / 0 / 0

HEX #ED53FF

RGB 237 83 255

HSL 293.72, 1%, 0.66%

LAB 62.85, 79.45, -56.96

 

CMYK 0 / 60 / 0 / 0

HEX #FE65FF

RGB 254 101 255

HSL 299.61, 1%, 0.7%

LAB 67.72, 76.4, -49.09

 

CMYK 23 / 88 / 0 / 8

HEX #B51DEA

RGB 181 29 234

HSL 284.49, 0.83%, 0.52%

LAB 47.81, 81.11, -69.89

 

CMYK 24 / 95 / 0 / 16

HEX #A40BD7

RGB 164 11 215

HSL 285, 0.9%, 0.44%

LAB 42.82, 77.94, -67.29

 

CMYK 25 / 100 / 0 / 23

HEX #9300C4

RGB 147 0 196

HSL 285, 1%, 0.38%

LAB 38.18, 73.45, -63.95

 

CMYK 27 / 100 / 0 / 31

HEX #8200B1

RGB 130 0 177

HSL 284.07, 1%, 0.35%

LAB 33.82, 67.77, -59.95

 

CMYK 28 / 100 / 0 / 38

HEX #71009E

RGB 113 0 158

HSL 282.91, 1%, 0.31%

LAB 29.36, 61.98, -55.89

 

CMYK 23 / 87 / 0 / 8

HEX #B51FEA

RGB 181 31 234

HSL 284.33, 0.83%, 0.52%

LAB 47.94, 80.73, -69.68

 

CMYK 0 / 87 / 1 / 8

HEX #EA1FE7

RGB 234 31 231

HSL 300.89, 0.83%, 0.52%

LAB 56.33, 88.73, -54.02

 

CMYK 0 / 87 / 24 / 8

HEX #EA1FB1

RGB 234 31 177

HSL 316.85, 0.83%, 0.52%

LAB 53.65, 81.7, -27.26

 

CMYK 0 / 87 / 48 / 8

HEX #EA1F7A

RGB 234 31 122

HSL 333.1, 0.83%, 0.52%

LAB 51.7, 76.33, 2.56

 

CMYK 0 / 87 / 71 / 8

HEX #EA1F43

RGB 234 31 67

HSL 349.36, 0.83%, 0.52%

LAB 50.54, 73.03, 34.28

 

CMYK 23 / 87 / 0 / 8

HEX #B51FEA

RGB 181 31 234

HSL 284.33, 0.83%, 0.52%

LAB 47.94, 80.73, -69.68

 

CMYK 46 / 87 / 0 / 8

HEX #7E1FEA

RGB 126 31 234

HSL 268.08, 0.83%, 0.52%

LAB 40.17, 73.66, -82.69

 

CMYK 69 / 87 / 0 / 8

HEX #481FEA

RGB 72 31 234

HSL 252.12, 0.83%, 0.52%

LAB 34.6, 69.12, -92.1

 

CMYK 87 / 87 / 0 / 8

HEX #1F1FEA

RGB 31 31 234

HSL 240, 0.83%, 0.52%

LAB 32.28, 67.42, -96.01

 

CMYK 23 / 87 / 0 / 8

HEX #B51FEA

RGB 181 31 234

HSL 284.33, 0.83%, 0.52%

LAB 47.94, 80.73, -69.68

 

CMYK 25 / 96 / 0 / 1

HEX #BF0BFD

RGB 191 11 253

HSL 284.63, 0.98%, 0.52%

LAB 49.99, 88.18, -76.94

 

CMYK 23 / 87 / 0 / 8

HEX #B51FEA

RGB 181 31 234

HSL 284.33, 0.83%, 0.52%

LAB 47.94, 80.73, -69.68

 

CMYK 20 / 77 / 0 / 16

HEX #AC32D6

RGB 172 50 214

HSL 284.63, 0.67%, 0.52%

LAB 46.85, 70.62, -60.12

 

CMYK 16 / 64 / 0 / 24

HEX #A246C2

RGB 162 70 194

HSL 284.52, 0.5%, 0.52%

LAB 46.92, 56.79, -48.56

 

CMYK 13 / 48 / 0 / 32

HEX #985AAE

RGB 152 90 174

HSL 284.29, 0.34%, 0.52%

LAB 48.32, 39.88, -34.77

 

CMYK 7 / 29 / 0 / 40

HEX #8F6E9A

RGB 143 110 154

HSL 285, 0.18%, 0.52%

LAB 51.06, 21.31, -18.85

 

CMYK 70 / 87 / 0 / 8

HEX #471FEA

RGB 71 31 234

HSL 251.82, 0.83%, 0.52%

LAB 34.52, 69.06, -92.23

 

CMYK 47 / 87 / 0 / 8

HEX #7D1FEA

RGB 125 31 234

HSL 267.78, 0.83%, 0.52%

LAB 40.05, 73.55, -82.9

 

CMYK 23 / 87 / 0 / 8

HEX #B41FEA

RGB 180 31 234

HSL 284.04, 0.83%, 0.52%

LAB 47.78, 80.58, -69.94

 

CMYK 0 / 87 / 0 / 8

HEX #EA1FEA

RGB 234 31 234

HSL 300, 0.83%, 0.52%

LAB 56.5, 89.17, -55.44

 

CMYK 0 / 87 / 23 / 8

HEX #EA1FB4

RGB 234 31 180

HSL 315.96, 0.83%, 0.52%

LAB 53.78, 82.05, -28.81

 

CMYK 24 / 91 / 0 / 35

HEX #7F0FA7

RGB 127 15 167

HSL 284.21, 0.84%, 0.36%

LAB 33.23, 63.29, -54.93

 

CMYK 24 / 91 / 0 / 20

HEX #9C13CC

RGB 156 19 204

HSL 284.43, 0.83%, 0.44%

LAB 41.05, 73.8, -63.88

 

CMYK 23 / 87 / 0 / 8

HEX #B51FEA

RGB 181 31 234

HSL 284.33, 0.83%, 0.52%

LAB 47.94, 80.73, -69.68

 

CMYK 18 / 71 / 0 / 7

HEX #C244ED

RGB 194 68 237

HSL 284.73, 0.82%, 0.6%

LAB 53.73, 72.9, -61.91

 

CMYK 15 / 56 / 0 / 5

HEX #CE6AF1

RGB 206 106 241

HSL 284.44, 0.83%, 0.68%

LAB 61.46, 60.04, -51.68

 

CMYK 23 / 88 / 0 / 8

HEX #B51DEA

RGB 181 29 234

HSL 284.49, 0.83%, 0.52%

LAB 47.81, 81.11, -69.89

 

CMYK 0 / 87 / 81 / 8

HEX #EA1F2C

RGB 234 31 44

HSL 356.16, 0.83%, 0.52%

LAB 50.28, 72.27, 46.99

 

CMYK 87 / 0 / 58 / 8

HEX #1FEA62

RGB 31 234 98

HSL 139.8, 0.83%, 0.52%

LAB 81.85, -73.23, 52.34

 

CMYK 23 / 88 / 0 / 8

HEX #B51DEA

RGB 181 29 234

HSL 284.49, 0.83%, 0.52%

LAB 47.81, 81.11, -69.89

 

CMYK 0 / 23 / 87 / 8

HEX #EAB41F

RGB 234 180 31

HSL 44.04, 0.83%, 0.52%

LAB 76.21, 7.5, 74.08

 

CMYK 87 / 0 / 23 / 8

HEX #1FEAB4

RGB 31 234 180

HSL 164.04, 0.83%, 0.52%

LAB 83.14, -58.27, 13.4

 

CMYK 23 / 88 / 0 / 8

HEX #B51DEA

RGB 181 29 234

HSL 284.49, 0.83%, 0.52%

LAB 47.81, 81.11, -69.89

 

CMYK 0 / 87 / 81 / 8

HEX #EA1F2C

RGB 234 31 44

HSL 356.16, 0.83%, 0.52%

LAB 50.28, 72.27, 46.99

 

CMYK 64 / 0 / 87 / 8

HEX #55EA1F

RGB 85 234 31

HSL 104.04, 0.83%, 0.52%

LAB 82.31, -70.86, 75.56

 

CMYK 87 / 0 / 6 / 8

HEX #1FEADC

RGB 31 234 220

HSL 175.86, 0.83%, 0.52%

LAB 84.12, -48.01, -6.22

 

CMYK 23 / 88 / 0 / 8

HEX #B51DEA

RGB 181 29 234

HSL 284.49, 0.83%, 0.52%

LAB 47.81, 81.11, -69.89

 

CMYK 0 / 67 / 87 / 8

HEX #EA4E1F

RGB 234 78 31

HSL 13.89, 0.83%, 0.52%

LAB 55.11, 58.24, 57.26

 

CMYK 64 / 0 / 87 / 8

HEX #55EA1F

RGB 85 234 31

HSL 104.04, 0.83%, 0.52%

LAB 82.31, -70.86, 75.56

 

CMYK 87 / 21 / 0 / 8

HEX #1FBAEA

RGB 31 186 234

HSL 194.19, 0.83%, 0.52%

LAB 70.42, -21.17, -34.49

 

Description

Color code: HEX #B51DEA | qconv.com Color code: HEX #B51DEA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 29 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 29 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 88 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 88% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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