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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B51DD1 it is the complementary color #4AE22E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B51DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B51DD1 shade: #BA1DCC, #CB2FDF, #DC41F2, #ED53FF and #FE65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B51DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B51DD1 shade: #B51DD1, #A40BBE, #9300AB, #820098 and #710085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B51DD1 shade: #B61CD2, #D21CBE, #D21C8D, #D21C5B and #D21C2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B51DD1 shade: #B61CD2, #851CD2, #541CD2, #231CD2 and #1C1CD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B51DD1 shade matches the following richer shades: #B61CD2 and #C309E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B51DD1 shade: #B61CD2, #A930BF, #9B43AC, #8E5698 and #816A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B51DD1 shade: #531CD2, #831CD2, #B41CD2, #D21CC0 and #D21C90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B51DD1 shade: #77128A, #9717AE, #B61CD2, #C835E3 and #D259E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B51DD1 shade: #B51DD1, #D2221C and #1CD26B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B51DD1 shade: #B51DD1, #D2B41C and #1CD2B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B51DD1 shade: #B51DD1, #D2221C, #3BD21C and #1CCCD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B51DD1 shade: #B51DD1, #D2591C, #3BD21C and #1C96D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 86 / 0 / 18

HEX #B51DD1

RGB 181 29 209

HSL 290.67, 0.76%, 0.47%

LAB 46.05, 76.73, -58.47

 

Complementary color

CMYK 67 / 0 / 80 / 11

HEX #4AE22E

RGB 74 226 46

HSL 110.67, 0.76%, 0.53%

LAB 79.64, -69.88, 69.56

 

CMYK 9 / 86 / 0 / 20

HEX #BA1DCC

RGB 186 29 204

HSL 293.83, 0.75%, 0.46%

LAB 46.55, 76.73, -54.74

 

CMYK 9 / 79 / 0 / 13

HEX #CB2FDF

RGB 203 47 223

HSL 293.18, 0.73%, 0.53%

LAB 51.9, 78.75, -56.87

 

CMYK 9 / 73 / 0 / 5

HEX #DC41F2

RGB 220 65 242

HSL 292.54, 0.87%, 0.6%

LAB 57.47, 79.92, -58.49

 

CMYK 7 / 67 / 0 / 0

HEX #ED53FF

RGB 237 83 255

HSL 293.72, 1%, 0.66%

LAB 62.85, 79.45, -56.96

 

CMYK 0 / 60 / 0 / 0

HEX #FE65FF

RGB 254 101 255

HSL 299.61, 1%, 0.7%

LAB 67.72, 76.4, -49.09

 

CMYK 13 / 86 / 0 / 18

HEX #B51DD1

RGB 181 29 209

HSL 290.67, 0.76%, 0.47%

LAB 46.05, 76.73, -58.47

 

CMYK 14 / 94 / 0 / 25

HEX #A40BBE

RGB 164 11 190

HSL 291.28, 0.89%, 0.39%

LAB 40.98, 73.59, -55.76

 

CMYK 14 / 100 / 0 / 33

HEX #9300AB

RGB 147 0 171

HSL 291.58, 1%, 0.34%

LAB 36.26, 69.05, -52.26

 

CMYK 14 / 100 / 0 / 40

HEX #820098

RGB 130 0 152

HSL 291.32, 1%, 0.3%

LAB 31.84, 63.25, -48.06

 

CMYK 15 / 100 / 0 / 48

HEX #710085

RGB 113 0 133

HSL 290.98, 1%, 0.26%

LAB 27.31, 57.31, -43.77

 

CMYK 13 / 87 / 0 / 18

HEX #B61CD2

RGB 182 28 210

HSL 290.77, 0.76%, 0.47%

LAB 46.22, 77.25, -58.77

 

CMYK 0 / 87 / 10 / 18

HEX #D21CBE

RGB 210 28 190

HSL 306.59, 0.76%, 0.47%

LAB 49.8, 79.11, -41.19

 

CMYK 0 / 87 / 33 / 18

HEX #D21C8D

RGB 210 28 141

HSL 322.75, 0.76%, 0.47%

LAB 47.57, 73.12, -15.59

 

CMYK 0 / 87 / 57 / 18

HEX #D21C5B

RGB 210 28 91

HSL 339.23, 0.76%, 0.47%

LAB 46.03, 68.8, 12.88

 

CMYK 0 / 87 / 80 / 18

HEX #D21C2A

RGB 210 28 42

HSL 355.38, 0.76%, 0.47%

LAB 45.22, 66.47, 41.46

 

CMYK 13 / 87 / 0 / 18

HEX #B61CD2

RGB 182 28 210

HSL 290.77, 0.76%, 0.47%

LAB 46.22, 77.25, -58.77

 

CMYK 37 / 87 / 0 / 18

HEX #851CD2

RGB 133 28 210

HSL 274.62, 0.76%, 0.47%

LAB 38.67, 70.03, -71.37

 

CMYK 60 / 87 / 0 / 18

HEX #541CD2

RGB 84 28 210

HSL 258.46, 0.76%, 0.47%

LAB 32.63, 64.75, -81.54

 

CMYK 83 / 87 / 0 / 18

HEX #231CD2

RGB 35 28 210

HSL 242.31, 0.76%, 0.47%

LAB 29.01, 61.9, -87.66

 

CMYK 87 / 87 / 0 / 18

HEX #1C1CD2

RGB 28 28 210

HSL 240, 0.76%, 0.47%

LAB 28.72, 61.68, -88.14

 

CMYK 13 / 87 / 0 / 18

HEX #B61CD2

RGB 182 28 210

HSL 290.77, 0.76%, 0.47%

LAB 46.22, 77.25, -58.77

 

CMYK 15 / 96 / 0 / 10

HEX #C309E6

RGB 195 9 230

HSL 290.5, 0.92%, 0.47%

LAB 48.9, 84.98, -65.75

 

CMYK 13 / 87 / 0 / 18

HEX #B61CD2

RGB 182 28 210

HSL 290.77, 0.76%, 0.47%

LAB 46.22, 77.25, -58.77

 

CMYK 12 / 75 / 0 / 25

HEX #A930BF

RGB 169 48 191

HSL 290.77, 0.6%, 0.47%

LAB 44.67, 66.43, -50.34

 

CMYK 10 / 61 / 0 / 33

HEX #9B43AC

RGB 155 67 172

HSL 290.29, 0.44%, 0.47%

LAB 44.18, 52.06, -40.1

 

CMYK 7 / 43 / 0 / 40

HEX #8E5698

RGB 142 86 152

HSL 290.91, 0.28%, 0.47%

LAB 45.18, 34.42, -26.75

 

CMYK 3 / 20 / 0 / 48

HEX #816A85

RGB 129 106 133

HSL 291.11, 0.11%, 0.47%

LAB 47.84, 14.29, -11.47

 

CMYK 60 / 87 / 0 / 18

HEX #531CD2

RGB 83 28 210

HSL 258.13, 0.76%, 0.47%

LAB 32.53, 64.66, -81.71

 

CMYK 38 / 87 / 0 / 18

HEX #831CD2

RGB 131 28 210

HSL 273.96, 0.76%, 0.47%

LAB 38.39, 69.77, -71.84

 

CMYK 14 / 87 / 0 / 18

HEX #B41CD2

RGB 180 28 210

HSL 290.11, 0.76%, 0.47%

LAB 45.89, 76.93, -59.31

 

CMYK 0 / 87 / 9 / 18

HEX #D21CC0

RGB 210 28 192

HSL 305.93, 0.76%, 0.47%

LAB 49.9, 79.39, -42.19

 

CMYK 0 / 87 / 31 / 18

HEX #D21C90

RGB 210 28 144

HSL 321.76, 0.76%, 0.47%

LAB 47.68, 73.44, -17.22

 

CMYK 14 / 87 / 0 / 46

HEX #77128A

RGB 119 18 138

HSL 290.5, 0.77%, 0.31%

LAB 29.89, 55.88, -42.67

 

CMYK 13 / 87 / 0 / 32

HEX #9717AE

RGB 151 23 174

HSL 290.86, 0.77%, 0.39%

LAB 38.28, 66.88, -50.75

 

CMYK 13 / 87 / 0 / 18

HEX #B61CD2

RGB 182 28 210

HSL 290.77, 0.76%, 0.47%

LAB 46.22, 77.25, -58.77

 

CMYK 12 / 77 / 0 / 11

HEX #C835E3

RGB 200 53 227

HSL 290.69, 0.76%, 0.55%

LAB 52.25, 77.21, -58.6

 

CMYK 9 / 62 / 0 / 9

HEX #D259E8

RGB 210 89 232

HSL 290.77, 0.76%, 0.63%

LAB 58.67, 67.02, -51.08

 

CMYK 13 / 86 / 0 / 18

HEX #B51DD1

RGB 181 29 209

HSL 290.67, 0.76%, 0.47%

LAB 46.05, 76.73, -58.47

 

CMYK 0 / 84 / 87 / 18

HEX #D2221C

RGB 210 34 28

HSL 1.98, 0.76%, 0.47%

LAB 45.54, 64.89, 48.97

 

CMYK 87 / 0 / 49 / 18

HEX #1CD26B

RGB 28 210 107

HSL 146.04, 0.76%, 0.47%

LAB 74.45, -64.53, 39.15

 

CMYK 13 / 86 / 0 / 18

HEX #B51DD1

RGB 181 29 209

HSL 290.67, 0.76%, 0.47%

LAB 46.05, 76.73, -58.47

 

CMYK 0 / 14 / 87 / 18

HEX #D2B41C

RGB 210 180 28

HSL 50.11, 0.76%, 0.47%

LAB 73.82, -3, 71.85

 

CMYK 87 / 0 / 14 / 18

HEX #1CD2B4

RGB 28 210 180

HSL 170.11, 0.76%, 0.47%

LAB 75.84, -48.91, 2.94

 

CMYK 13 / 86 / 0 / 18

HEX #B51DD1

RGB 181 29 209

HSL 290.67, 0.76%, 0.47%

LAB 46.05, 76.73, -58.47

 

CMYK 0 / 84 / 87 / 18

HEX #D2221C

RGB 210 34 28

HSL 1.98, 0.76%, 0.47%

LAB 45.54, 64.89, 48.97

 

CMYK 72 / 0 / 87 / 18

HEX #3BD21C

RGB 59 210 28

HSL 109.78, 0.76%, 0.47%

LAB 74.26, -68.43, 68.92

 

CMYK 87 / 3 / 0 / 18

HEX #1CCCD2

RGB 28 204 210

HSL 181.98, 0.76%, 0.47%

LAB 74.88, -37.81, -14.67

 

CMYK 13 / 86 / 0 / 18

HEX #B51DD1

RGB 181 29 209

HSL 290.67, 0.76%, 0.47%

LAB 46.05, 76.73, -58.47

 

CMYK 0 / 58 / 87 / 18

HEX #D2591C

RGB 210 89 28

HSL 20.11, 0.76%, 0.47%

LAB 52.87, 44.92, 54.92

 

CMYK 72 / 0 / 87 / 18

HEX #3BD21C

RGB 59 210 28

HSL 109.78, 0.76%, 0.47%

LAB 74.26, -68.43, 68.92

 

CMYK 87 / 29 / 0 / 18

HEX #1C96D2

RGB 28 150 210

HSL 199.78, 0.76%, 0.47%

LAB 58.71, -10.36, -39.52

 

Description

Color code: HEX #B51DD1 | qconv.com Color code: HEX #B51DD1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 29 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 29 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 86 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 86% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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