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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B51BA0 it is the complementary color #4AE45F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B51BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B51BA0 shade: #BA1B9B, #CB2DAE, #DC3FC1, #ED51D4 and #FE63E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B51BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B51BA0 shade: #B51BA0, #A4098D, #93007A, #820067 and #710054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B51BA0 shade: #B51BA0, #B51B77, #B51B4D, #B51B23 and #B51B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B51BA0 shade: #B51BA0, #A11BB5, #771BB5, #4D1BB5 and #241BB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B51BA0 shade matches the following richer shades: #B51BA0 and #C60AAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B51BA0 shade: #B51BA0, #A52C94, #943D88, #834D7B and #725E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B51BA0 shade: #781BB5, #A11BB5, #B51BA1, #B51B78 and #B51B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B51BA0 shade: #6E1061, #921581, #B51BA0, #D920C0 and #E241CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B51BA0 shade: #B51BA0, #B54E1B and #1BB58C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B51BA0 shade: #B51BA0, #A1B51B and #1BA1B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B51BA0 shade: #B51BA0, #B54E1B, #1BB52F and #1B82B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B51BA0 shade: #B51BA0, #B57D1B, #1BB52F and #1B53B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

Complementary color

CMYK 68 / 0 / 58 / 11

HEX #4AE45F

RGB 74 228 95

HSL 128.18, 0.74%, 0.59%

LAB 80.61, -66.31, 52.39

 

CMYK 0 / 85 / 17 / 27

HEX #BA1B9B

RGB 186 27 155

HSL 311.7, 0.75%, 0.42%

LAB 43.64, 69.82, -30.47

 

CMYK 0 / 78 / 14 / 20

HEX #CB2DAE

RGB 203 45 174

HSL 311.01, 0.64%, 0.49%

LAB 49.04, 71.8, -33.09

 

CMYK 0 / 71 / 12 / 14

HEX #DC3FC1

RGB 220 63 193

HSL 310.32, 0.69%, 0.55%

LAB 54.68, 72.89, -35.13

 

CMYK 0 / 66 / 11 / 7

HEX #ED51D4

RGB 237 81 212

HSL 309.62, 0.81%, 0.62%

LAB 60.47, 73.37, -36.73

 

CMYK 0 / 61 / 9 / 0

HEX #FE63E7

RGB 254 99 231

HSL 308.9, 0.99%, 0.69%

LAB 66.34, 73.43, -38.02

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 95 / 14 / 36

HEX #A4098D

RGB 164 9 141

HSL 308.9, 0.9%, 0.34%

LAB 37.86, 66.29, -31.32

 

CMYK 0 / 100 / 17 / 42

HEX #93007A

RGB 147 0 122

HSL 310.2, 1%, 0.29%

LAB 33.15, 61.57, -27.14

 

CMYK 0 / 100 / 21 / 49

HEX #820067

RGB 130 0 103

HSL 312.46, 1%, 0.25%

LAB 28.71, 55.69, -22.21

 

CMYK 0 / 100 / 26 / 56

HEX #710054

RGB 113 0 84

HSL 315.4, 1%, 0.22%

LAB 24.16, 49.69, -17.04

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 85 / 34 / 29

HEX #B51B77

RGB 181 27 119

HSL 324.16, 0.74%, 0.41%

LAB 41.12, 64.36, -12.4

 

CMYK 0 / 85 / 57 / 29

HEX #B51B4D

RGB 181 27 77

HSL 340.52, 0.74%, 0.41%

LAB 39.82, 60.64, 12.21

 

CMYK 0 / 85 / 81 / 29

HEX #B51B23

RGB 181 27 35

HSL 356.88, 0.74%, 0.41%

LAB 39.12, 58.57, 37.29

 

CMYK 0 / 85 / 85 / 29

HEX #B51B1B

RGB 181 27 27

HSL 0, 0.74%, 0.41%

LAB 39.05, 58.35, 41.58

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 11 / 85 / 0 / 29

HEX #A11BB5

RGB 161 27 181

HSL 292.21, 0.74%, 0.41%

LAB 40.73, 68.98, -50.88

 

CMYK 34 / 85 / 0 / 29

HEX #771BB5

RGB 119 27 181

HSL 275.84, 0.74%, 0.41%

LAB 34.07, 62.2, -61.99

 

CMYK 57 / 85 / 0 / 29

HEX #4D1BB5

RGB 77 27 181

HSL 259.48, 0.74%, 0.41%

LAB 28.64, 56.98, -71.12

 

CMYK 80 / 85 / 0 / 29

HEX #241BB5

RGB 36 27 181

HSL 243.51, 0.74%, 0.41%

LAB 25.25, 53.93, -76.85

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 95 / 13 / 22

HEX #C60AAD

RGB 198 10 173

HSL 307.98, 0.9%, 0.41%

LAB 45.96, 76.88, -37.41

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 73 / 10 / 35

HEX #A52C94

RGB 165 44 148

HSL 308.43, 0.58%, 0.41%

LAB 41.12, 59.69, -30.46

 

CMYK 0 / 59 / 8 / 42

HEX #943D88

RGB 148 61 136

HSL 308.28, 0.42%, 0.41%

LAB 40.26, 46.33, -24.69

 

CMYK 0 / 41 / 6 / 49

HEX #834D7B

RGB 131 77 123

HSL 308.89, 0.26%, 0.41%

LAB 40.51, 30.1, -16.53

 

CMYK 0 / 18 / 3 / 55

HEX #725E6F

RGB 114 94 111

HSL 309, 0.1%, 0.41%

LAB 42.35, 11.34, -6.59

 

CMYK 34 / 85 / 0 / 29

HEX #781BB5

RGB 120 27 181

HSL 276.23, 0.74%, 0.41%

LAB 34.22, 62.35, -61.74

 

CMYK 11 / 85 / 0 / 29

HEX #A11BB5

RGB 161 27 181

HSL 292.21, 0.74%, 0.41%

LAB 40.73, 68.98, -50.88

 

CMYK 0 / 85 / 11 / 29

HEX #B51BA1

RGB 181 27 161

HSL 307.79, 0.74%, 0.41%

LAB 43.03, 69.62, -35.09

 

CMYK 0 / 85 / 34 / 29

HEX #B51B78

RGB 181 27 120

HSL 323.77, 0.74%, 0.41%

LAB 41.16, 64.47, -12.97

 

CMYK 0 / 85 / 57 / 29

HEX #B51B4E

RGB 181 27 78

HSL 340.13, 0.74%, 0.41%

LAB 39.84, 60.71, 11.61

 

CMYK 0 / 85 / 12 / 57

HEX #6E1061

RGB 110 16 97

HSL 308.3, 0.75%, 0.25%

LAB 25.41, 47.48, -23.76

 

CMYK 0 / 86 / 12 / 43

HEX #921581

RGB 146 21 129

HSL 308.16, 0.75%, 0.33%

LAB 34.46, 59.05, -29.48

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 85 / 12 / 15

HEX #D920C0

RGB 217 32 192

HSL 308.11, 0.74%, 0.49%

LAB 51.37, 80.03, -39.79

 

CMYK 0 / 71 / 10 / 11

HEX #E241CC

RGB 226 65 204

HSL 308.2, 0.74%, 0.57%

LAB 56.4, 75.19, -38.68

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 57 / 85 / 29

HEX #B54E1B

RGB 181 78 27

HSL 19.87, 0.74%, 0.41%

LAB 46.11, 39.17, 47.77

 

CMYK 85 / 0 / 23 / 29

HEX #1BB58C

RGB 27 181 140

HSL 164.03, 0.74%, 0.41%

LAB 65.88, -47.31, 10.38

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 11 / 0 / 85 / 29

HEX #A1B51B

RGB 161 181 27

HSL 67.79, 0.74%, 0.41%

LAB 69.97, -24.83, 67.2

 

CMYK 85 / 11 / 0 / 29

HEX #1BA1B5

RGB 27 161 181

HSL 187.79, 0.74%, 0.41%

LAB 60.83, -26.35, -19.94

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 57 / 85 / 29

HEX #B54E1B

RGB 181 78 27

HSL 19.87, 0.74%, 0.41%

LAB 46.11, 39.17, 47.77

 

CMYK 85 / 0 / 74 / 29

HEX #1BB52F

RGB 27 181 47

HSL 127.79, 0.74%, 0.41%

LAB 64.55, -62.82, 54.32

 

CMYK 85 / 28 / 0 / 29

HEX #1B82B5

RGB 27 130 181

HSL 199.87, 0.74%, 0.41%

LAB 51.31, -9.65, -34.68

 

CMYK 0 / 85 / 12 / 29

HEX #B51BA0

RGB 181 27 160

HSL 308.18, 0.74%, 0.41%

LAB 42.98, 69.48, -34.57

 

CMYK 0 / 31 / 85 / 29

HEX #B57D1B

RGB 181 125 27

HSL 38.18, 0.74%, 0.41%

LAB 56.65, 13.84, 56.75

 

CMYK 85 / 0 / 74 / 29

HEX #1BB52F

RGB 27 181 47

HSL 127.79, 0.74%, 0.41%

LAB 64.55, -62.82, 54.32

 

CMYK 85 / 54 / 0 / 29

HEX #1B53B5

RGB 27 83 181

HSL 218.18, 0.74%, 0.41%

LAB 37.4, 19.86, -56.88

 

Description

Color code: HEX #B51BA0 | qconv.com Color code: HEX #B51BA0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 27 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 27 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 12 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 12% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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