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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B50156 it is the complementary color #4AFEA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B50156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B50156 shade: #BA0151, #CB1364, #DC2577, #ED378A and #FE499D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B50156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B50156 shade: #B50156, #A40043, #930030, #82001D and #71000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B50156 shade: #B60056, #B60025 and #B60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B50156 shade: #B60056, #B60087, #B400B6, #8300B6 and #5200B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B50156 shade matches the following richer shades: #B60056

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B50156 shade: #B60056, #A70F57, #981E58, #8A2D59 and #7B3C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B50156 shade: #B300B6, #B60089, #B60058, #B60028 and #B60A00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B50156 shade: #64002F, #8D0043, #B60056, #DF016A and #FD0C7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B50156 shade: #B50156, #B68300 and #00A1B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B50156 shade: #B50156, #58B600 and #0058B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B50156 shade: #B50156, #B68300, #00B65E and #0034B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B50156 shade: #B50156, #B3B600, #00B65E and #0300B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 52 / 29

HEX #B50156

RGB 181 1 86

HSL 331.67, 0.99%, 0.36%

LAB 38.76, 65.04, 4.96

 

Complementary color

CMYK 71 / 0 / 33 / 0

HEX #4AFEA9

RGB 74 254 169

HSL 151.67, 0.99%, 0.64%

LAB 89.49, -63.76, 27.93

 

CMYK 0 / 99 / 56 / 27

HEX #BA0151

RGB 186 1 81

HSL 334.05, 0.99%, 0.37%

LAB 39.67, 65.84, 9.61

 

CMYK 0 / 91 / 51 / 20

HEX #CB1364

RGB 203 19 100

HSL 333.59, 0.83%, 0.44%

LAB 44.35, 69.21, 4.71

 

CMYK 0 / 83 / 46 / 14

HEX #DC2577

RGB 220 37 119

HSL 333.11, 0.72%, 0.5%

LAB 49.34, 71.58, 0.62

 

CMYK 0 / 77 / 42 / 7

HEX #ED378A

RGB 237 55 138

HSL 332.64, 0.83%, 0.57%

LAB 54.63, 72.98, -2.7

 

CMYK 0 / 71 / 38 / 0

HEX #FE499D

RGB 254 73 157

HSL 332.15, 0.99%, 0.64%

LAB 60.13, 73.69, -5.42

 

CMYK 0 / 99 / 52 / 29

HEX #B50156

RGB 181 1 86

HSL 331.67, 0.99%, 0.36%

LAB 38.76, 65.04, 4.96

 

CMYK 0 / 100 / 59 / 36

HEX #A40043

RGB 164 0 67

HSL 335.49, 1%, 0.32%

LAB 34.6, 59.84, 10.91

 

CMYK 0 / 100 / 67 / 42

HEX #930030

RGB 147 0 48

HSL 340.41, 1%, 0.29%

LAB 30.44, 54.55, 17.26

 

CMYK 0 / 100 / 78 / 49

HEX #82001D

RGB 130 0 29

HSL 346.62, 1%, 0.25%

LAB 26.26, 49.3, 23.89

 

CMYK 0 / 100 / 91 / 56

HEX #71000A

RGB 113 0 10

HSL 354.69, 1%, 0.22%

LAB 22.06, 44.17, 29.35

 

CMYK 0 / 100 / 53 / 29

HEX #B60056

RGB 182 0 86

HSL 331.65, 1%, 0.36%

LAB 38.93, 65.38, 5.23

 

CMYK 0 / 100 / 80 / 29

HEX #B60025

RGB 182 0 37

HSL 347.8, 1%, 0.36%

LAB 37.98, 62.84, 35.03

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 100 / 53 / 29

HEX #B60056

RGB 182 0 86

HSL 331.65, 1%, 0.36%

LAB 38.93, 65.38, 5.23

 

CMYK 0 / 100 / 26 / 29

HEX #B60087

RGB 182 0 135

HSL 315.49, 1%, 0.36%

LAB 40.73, 70.04, -22.89

 

CMYK 1 / 100 / 0 / 29

HEX #B400B6

RGB 180 0 182

HSL 299.34, 1%, 0.36%

LAB 42.88, 75.95, -47.83

 

CMYK 28 / 100 / 0 / 29

HEX #8300B6

RGB 131 0 182

HSL 283.19, 1%, 0.36%

LAB 34.4, 68.84, -61.97

 

CMYK 55 / 100 / 0 / 29

HEX #5200B6

RGB 82 0 182

HSL 267.03, 1%, 0.36%

LAB 27.22, 64.02, -74.05

 

CMYK 0 / 100 / 53 / 29

HEX #B60056

RGB 182 0 86

HSL 331.65, 1%, 0.36%

LAB 38.93, 65.38, 5.23

 

CMYK 0 / 100 / 53 / 29

HEX #B60056

RGB 182 0 86

HSL 331.65, 1%, 0.36%

LAB 38.93, 65.38, 5.23

 

CMYK 0 / 91 / 48 / 35

HEX #A70F57

RGB 167 15 87

HSL 331.58, 0.84%, 0.36%

LAB 36.45, 60.12, 0.62

 

CMYK 0 / 80 / 42 / 40

HEX #981E58

RGB 152 30 88

HSL 331.48, 0.67%, 0.36%

LAB 34.62, 53.07, -3.07

 

CMYK 0 / 67 / 36 / 46

HEX #8A2D59

RGB 138 45 89

HSL 331.61, 0.51%, 0.36%

LAB 33.99, 43.62, -4.94

 

CMYK 0 / 51 / 27 / 52

HEX #7B3C5A

RGB 123 60 90

HSL 331.43, 0.34%, 0.36%

LAB 34.36, 31.17, -5.3

 

CMYK 2 / 100 / 0 / 29

HEX #B300B6

RGB 179 0 182

HSL 299.01, 1%, 0.36%

LAB 42.7, 75.78, -48.13

 

CMYK 0 / 100 / 25 / 29

HEX #B60089

RGB 182 0 137

HSL 314.84, 1%, 0.36%

LAB 40.82, 70.27, -23.98

 

CMYK 0 / 100 / 52 / 29

HEX #B60058

RGB 182 0 88

HSL 330.99, 1%, 0.36%

LAB 38.98, 65.52, 4.03

 

CMYK 0 / 100 / 78 / 29

HEX #B60028

RGB 182 0 40

HSL 346.81, 1%, 0.36%

LAB 38.02, 62.94, 33.27

 

CMYK 0 / 95 / 100 / 29

HEX #B60A00

RGB 182 10 0

HSL 3.3, 1%, 0.36%

LAB 38.13, 61.06, 52.31

 

CMYK 0 / 100 / 53 / 61

HEX #64002F

RGB 100 0 47

HSL 331.8, 1%, 0.2%

LAB 19.7, 42.62, 1.49

 

CMYK 0 / 100 / 52 / 45

HEX #8D0043

RGB 141 0 67

HSL 331.49, 1%, 0.28%

LAB 29.58, 54.34, 3.13

 

CMYK 0 / 100 / 53 / 29

HEX #B60056

RGB 182 0 86

HSL 331.65, 1%, 0.36%

LAB 38.93, 65.38, 5.23

 

CMYK 0 / 100 / 52 / 13

HEX #DF016A

RGB 223 1 106

HSL 331.62, 0.99%, 0.44%

LAB 47.94, 75.96, 6.66

 

CMYK 0 / 95 / 50 / 1

HEX #FD0C7E

RGB 253 12 126

HSL 331.62, 0.98%, 0.52%

LAB 54.71, 83.18, 4.97

 

CMYK 0 / 99 / 52 / 29

HEX #B50156

RGB 181 1 86

HSL 331.67, 0.99%, 0.36%

LAB 38.76, 65.04, 4.96

 

CMYK 0 / 28 / 100 / 29

HEX #B68300

RGB 182 131 0

HSL 43.19, 1%, 0.36%

LAB 58.21, 10.48, 63.7

 

CMYK 100 / 12 / 0 / 29

HEX #00A1B6

RGB 0 161 182

HSL 186.92, 1%, 0.36%

LAB 60.66, -27.28, -20.78

 

CMYK 0 / 99 / 52 / 29

HEX #B50156

RGB 181 1 86

HSL 331.67, 0.99%, 0.36%

LAB 38.76, 65.04, 4.96

 

CMYK 52 / 0 / 100 / 29

HEX #58B600

RGB 88 182 0

HSL 90.99, 1%, 0.36%

LAB 66.16, -53.06, 66.56

 

CMYK 100 / 52 / 0 / 29

HEX #0058B6

RGB 0 88 182

HSL 210.99, 1%, 0.36%

LAB 38.48, 15.56, -55.74

 

CMYK 0 / 99 / 52 / 29

HEX #B50156

RGB 181 1 86

HSL 331.67, 0.99%, 0.36%

LAB 38.76, 65.04, 4.96

 

CMYK 0 / 28 / 100 / 29

HEX #B68300

RGB 182 131 0

HSL 43.19, 1%, 0.36%

LAB 58.21, 10.48, 63.7

 

CMYK 100 / 0 / 48 / 29

HEX #00B65E

RGB 0 182 94

HSL 150.99, 1%, 0.36%

LAB 65.17, -58.82, 33.94

HEX #00B65E

CMYK 100 / 71 / 0 / 29

HEX #0034B6

RGB 0 52 182

HSL 222.86, 1%, 0.36%

LAB 28.99, 39.51, -71.27

HEX #0034B6

CMYK 0 / 99 / 52 / 29

HEX #B50156

RGB 181 1 86

HSL 331.67, 0.99%, 0.36%

LAB 38.76, 65.04, 4.96

 

CMYK 2 / 0 / 100 / 29

HEX #B3B600

RGB 179 182 0

HSL 60.99, 1%, 0.36%

LAB 71.58, -18.04, 73.05

 

CMYK 100 / 0 / 48 / 29

HEX #00B65E

RGB 0 182 94

HSL 150.99, 1%, 0.36%

LAB 65.17, -58.82, 33.94

HEX #00B65E

CMYK 98 / 100 / 0 / 29

HEX #0300B6

RGB 3 0 182

HSL 240.99, 1%, 0.36%

LAB 21.57, 61.5, -83.61

HEX #0300B6

Description

Color code: HEX #B50156 | qconv.com Color code: HEX #B50156 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 1 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 1 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 52 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 52% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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