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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4FC0C it is the complementary color #4B03F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4FC0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4FC0C shade: #B9FC07, #CAFF1A, #DBFF2D, #ECFF40 and #FDFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4FC0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4FC0C shade: #B4FC0C, #A3EA00, #92D800, #81C600 and #70B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4FC0C shade: #B4FC0C, #F5FC0C, #FCC30C, #FC820C and #FC410C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4FC0C shade: #B4FC0C, #73FC0C, #33FC0C, #0CFC26 and #0CFC67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4FC0C shade matches the following richer shades: #B4FC0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4FC0C shade: #B4FC0C, #ACE820, #A4D434, #9CC148 and #94AD5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4FC0C shade: #FCC40C, #F4FC0C, #B4FC0C, #74FC0C and #34FC0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4FC0C shade: #7FB401, #9BDD02, #B4FC0C, #C1FC35 and #CDFD5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4FC0C shade: #B4FC0C, #0CFC84 and #E40CFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4FC0C shade: #B4FC0C, #0CB4FC and #FC0CB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4FC0C shade: #B4FC0C, #0CFC84, #540CFC and #FC0C84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4FC0C shade: #B4FC0C, #0CFCCC, #540CFC and #FC0C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

Complementary color

CMYK 69 / 99 / 0 / 5

HEX #4B03F3

RGB 75 3 243

HSL 258, 0.98%, 0.48%

LAB 34.05, 77.2, -98.11

 

CMYK 27 / 0 / 97 / 1

HEX #B9FC07

RGB 185 252 7

HSL 76.41, 0.98%, 0.51%

LAB 91.66, -47.77, 87.8

 

CMYK 21 / 0 / 90 / 0

HEX #CAFF1A

RGB 202 255 26

HSL 73.89, 1%, 0.55%

LAB 93.52, -42.41, 87.78

 

CMYK 14 / 0 / 82 / 0

HEX #DBFF2D

RGB 219 255 45

HSL 70.29, 1%, 0.59%

LAB 94.64, -35.37, 85.7

 

CMYK 7 / 0 / 75 / 0

HEX #ECFF40

RGB 236 255 64

HSL 65.97, 1%, 0.63%

LAB 95.88, -27.99, 82.3

 

CMYK 1 / 0 / 67 / 0

HEX #FDFF53

RGB 253 255 83

HSL 60.7, 1%, 0.66%

LAB 97.24, -20.32, 77.81

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 30 / 0 / 100 / 8

HEX #A3EA00

RGB 163 234 0

HSL 78.21, 1%, 0.46%

LAB 85.32, -48.39, 82.93

 

CMYK 32 / 0 / 100 / 15

HEX #92D800

RGB 146 216 0

HSL 79.44, 1%, 0.42%

LAB 79.17, -47.08, 77.81

 

CMYK 35 / 0 / 100 / 22

HEX #81C600

RGB 129 198 0

HSL 80.91, 1%, 0.39%

LAB 72.93, -45.75, 72.62

 

CMYK 38 / 0 / 100 / 29

HEX #70B400

RGB 112 180 0

HSL 82.67, 1%, 0.35%

LAB 66.59, -44.38, 67.34

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 3 / 0 / 95 / 1

HEX #F5FC0C

RGB 245 252 12

HSL 61.75, 0.98%, 0.52%

LAB 95.61, -24.14, 92.17

 

CMYK 0 / 23 / 95 / 1

HEX #FCC30C

RGB 252 195 12

HSL 45.75, 0.98%, 0.52%

LAB 81.7, 7.13, 82.2

 

CMYK 0 / 48 / 95 / 1

HEX #FC820C

RGB 252 130 12

HSL 29.5, 0.98%, 0.52%

LAB 67.04, 40.77, 72.09

 

CMYK 0 / 74 / 95 / 1

HEX #FC410C

RGB 252 65 12

HSL 13.25, 0.98%, 0.52%

LAB 56.59, 68.27, 65.71

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 54 / 0 / 95 / 1

HEX #73FC0C

RGB 115 252 12

HSL 94.25, 0.98%, 0.52%

LAB 88.59, -70.13, 83.68

 

CMYK 80 / 0 / 95 / 1

HEX #33FC0C

RGB 51 252 12

HSL 110.25, 0.98%, 0.52%

LAB 87.17, -82.12, 81.94

 

CMYK 95 / 0 / 85 / 1

HEX #0CFC26

RGB 12 252 38

HSL 126.5, 0.98%, 0.52%

LAB 86.92, -84.17, 77.83

 

CMYK 95 / 0 / 59 / 1

HEX #0CFC67

RGB 12 252 103

HSL 142.75, 0.98%, 0.52%

LAB 87.33, -78.95, 56.5

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 26 / 0 / 86 / 9

HEX #ACE820

RGB 172 232 32

HSL 78, 0.81%, 0.52%

LAB 85.3, -43.68, 79.33

 

CMYK 23 / 0 / 75 / 17

HEX #A4D434

RGB 164 212 52

HSL 78, 0.65%, 0.52%

LAB 79.17, -37.18, 68.66

 

CMYK 19 / 0 / 63 / 24

HEX #9CC148

RGB 156 193 72

HSL 78.35, 0.49%, 0.52%

LAB 73.33, -30.3, 55.15

 

CMYK 14 / 0 / 47 / 32

HEX #94AD5B

RGB 148 173 91

HSL 78.29, 0.33%, 0.52%

LAB 67.23, -21.97, 39.08

 

CMYK 0 / 22 / 95 / 1

HEX #FCC40C

RGB 252 196 12

HSL 46, 0.98%, 0.52%

LAB 81.95, 6.61, 82.38

 

CMYK 3 / 0 / 95 / 1

HEX #F4FC0C

RGB 244 252 12

HSL 62, 0.98%, 0.52%

LAB 95.53, -24.55, 92.08

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 54 / 0 / 95 / 1

HEX #74FC0C

RGB 116 252 12

HSL 94, 0.98%, 0.52%

LAB 88.62, -69.87, 83.72

 

CMYK 79 / 0 / 95 / 1

HEX #34FC0C

RGB 52 252 12

HSL 110, 0.98%, 0.52%

LAB 87.18, -82.01, 81.96

 

CMYK 29 / 0 / 99 / 29

HEX #7FB401

RGB 127 180 1

HSL 77.77, 0.99%, 0.35%

LAB 67.39, -38.76, 68.19

 

CMYK 30 / 0 / 99 / 13

HEX #9BDD02

RGB 155 221 2

HSL 78.08, 0.98%, 0.44%

LAB 81.12, -45.85, 79.34

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 23 / 0 / 79 / 1

HEX #C1FC35

RGB 193 252 53

HSL 77.79, 0.97%, 0.6%

LAB 92.23, -43.76, 81.02

 

CMYK 19 / 0 / 63 / 1

HEX #CDFD5E

RGB 205 253 94

HSL 78.11, 0.98%, 0.68%

LAB 93.47, -37.46, 68.72

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 95 / 0 / 48 / 1

HEX #0CFC84

RGB 12 252 132

HSL 150, 0.98%, 0.52%

LAB 87.66, -74.87, 43.65

 

CMYK 10 / 95 / 0 / 1

HEX #E40CFC

RGB 228 12 252

HSL 294, 0.98%, 0.52%

LAB 55.87, 93.02, -66.57

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 95 / 29 / 0 / 1

HEX #0CB4FC

RGB 12 180 252

HSL 198, 0.98%, 0.52%

LAB 69.29, -12.54, -46.03

 

CMYK 0 / 95 / 29 / 1

HEX #FC0CB4

RGB 252 12 180

HSL 318, 0.98%, 0.52%

LAB 56.34, 87.78, -24.58

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 95 / 0 / 48 / 1

HEX #0CFC84

RGB 12 252 132

HSL 150, 0.98%, 0.52%

LAB 87.66, -74.87, 43.65

 

CMYK 67 / 95 / 0 / 1

HEX #540CFC

RGB 84 12 252

HSL 258, 0.98%, 0.52%

LAB 36.32, 78.46, -99.37

 

CMYK 0 / 95 / 48 / 1

HEX #FC0C84

RGB 252 12 132

HSL 330, 0.98%, 0.52%

LAB 54.68, 83.41, 1.3

 

CMYK 29 / 0 / 95 / 1

HEX #B4FC0C

RGB 180 252 12

HSL 78, 0.98%, 0.52%

LAB 91.39, -49.55, 87.1

 

CMYK 95 / 0 / 19 / 1

HEX #0CFCCC

RGB 12 252 204

HSL 168, 0.98%, 0.52%

LAB 88.95, -60.2, 9.16

 

CMYK 67 / 95 / 0 / 1

HEX #540CFC

RGB 84 12 252

HSL 258, 0.98%, 0.52%

LAB 36.32, 78.46, -99.37

 

CMYK 0 / 95 / 76 / 1

HEX #FC0C3C

RGB 252 12 60

HSL 348, 0.98%, 0.52%

LAB 53.26, 79.54, 42.4

 

Description

Color code: HEX #B4FC0C | qconv.com Color code: HEX #B4FC0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 252 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 252 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 95% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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