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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4FB73 it is the complementary color #4B048C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4FB73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4FB73 shade: #B9FB6E, #CAFF81, #DBFF94, #ECFFA7 and #FDFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4FB73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4FB73 shade: #B4FB73, #A3E960, #92D74D, #81C53A and #70B327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4FB73 shade: #B4FA74, #D8FA74, #FAF874, #FAD474 and #FAAF74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4FB73 shade: #B4FA74, #90FA74, #74FA7C, #74FAA0 and #74FAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4FB73 shade matches the following richer shades: #B4FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4FB73 shade: #B4FA74, #B5EF80, #B5E38B, #B6D897 and #B6CCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4FB73 shade: #FAF874, #D9FA74, #B5FA74, #91FA74 and #74FA7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4FB73 shade: #89F824, #9FF94C, #B4FA74, #CAFB9C and #DFFDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4FB73 shade: #B4FB73, #74FAD4 and #FA74EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4FB73 shade: #B4FB73, #74B5FA and #FA74B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4FB73 shade: #B4FB73, #74FAD4, #B974FA and #FA749A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4FB73 shade: #B4FB73, #74F8FA, #B974FA and #FA7674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 54 / 2

HEX #B4FB73

RGB 180 251 115

HSL 91.32, 0.94%, 0.72%

LAB 91.66, -43.84, 57.42

 

Complementary color

CMYK 46 / 97 / 0 / 45

HEX #4B048C

RGB 75 4 140

HSL 271.32, 0.94%, 0.28%

LAB 21.86, 52.97, -57.32

 

CMYK 26 / 0 / 56 / 2

HEX #B9FB6E

RGB 185 251 110

HSL 88.09, 0.95%, 0.71%

LAB 91.88, -42.57, 59.95

 

CMYK 21 / 0 / 49 / 0

HEX #CAFF81

RGB 202 255 129

HSL 85.24, 1%, 0.75%

LAB 94.17, -36.43, 54.36

 

CMYK 14 / 0 / 42 / 0

HEX #DBFF94

RGB 219 255 148

HSL 80.19, 1%, 0.79%

LAB 95.46, -28.22, 47.24

 

CMYK 7 / 0 / 35 / 0

HEX #ECFFA7

RGB 236 255 167

HSL 72.95, 1%, 0.83%

LAB 96.88, -19.78, 40.04

 

CMYK 1 / 0 / 27 / 0

HEX #FDFFBA

RGB 253 255 186

HSL 61.74, 1%, 0.86%

LAB 98.41, -11.18, 32.85

 

CMYK 28 / 0 / 54 / 2

HEX #B4FB73

RGB 180 251 115

HSL 91.32, 0.94%, 0.72%

LAB 91.66, -43.84, 57.42

 

CMYK 30 / 0 / 59 / 9

HEX #A3E960

RGB 163 233 96

HSL 90.66, 0.76%, 0.65%

LAB 85.46, -43.75, 58.4

 

CMYK 32 / 0 / 64 / 16

HEX #92D74D

RGB 146 215 77

HSL 90, 0.63%, 0.57%

LAB 79.18, -43.57, 59.21

 

CMYK 35 / 0 / 71 / 23

HEX #81C53A

RGB 129 197 58

HSL 89.35, 0.55%, 0.5%

LAB 72.83, -43.27, 59.72

 

CMYK 37 / 0 / 78 / 30

HEX #70B327

RGB 112 179 39

HSL 88.71, 0.64%, 0.43%

LAB 66.39, -42.8, 59.65

 

CMYK 28 / 0 / 54 / 2

HEX #B4FA74

RGB 180 250 116

HSL 91.34, 0.93%, 0.72%

LAB 91.39, -43.3, 56.65

 

CMYK 14 / 0 / 54 / 2

HEX #D8FA74

RGB 216 250 116

HSL 75.22, 0.93%, 0.72%

LAB 93.55, -30.21, 59.73

 

CMYK 0 / 1 / 54 / 2

HEX #FAF874

RGB 250 248 116

HSL 59.1, 0.93%, 0.72%

LAB 95.46, -16.07, 62.57

 

CMYK 0 / 15 / 54 / 2

HEX #FAD474

RGB 250 212 116

HSL 42.99, 0.93%, 0.72%

LAB 86.34, 1.91, 51.91

 

CMYK 0 / 30 / 54 / 2

HEX #FAAF74

RGB 250 175 116

HSL 26.42, 0.93%, 0.72%

LAB 77.43, 21.17, 41.02

 

CMYK 28 / 0 / 54 / 2

HEX #B4FA74

RGB 180 250 116

HSL 91.34, 0.93%, 0.72%

LAB 91.39, -43.3, 56.65

 

CMYK 42 / 0 / 54 / 2

HEX #90FA74

RGB 144 250 116

HSL 107.46, 0.93%, 0.72%

LAB 89.66, -54.93, 54.18

 

CMYK 54 / 0 / 50 / 2

HEX #74FA7C

RGB 116 250 124

HSL 123.58, 0.93%, 0.72%

LAB 88.7, -61.54, 49.11

 

CMYK 54 / 0 / 36 / 2

HEX #74FAA0

RGB 116 250 160

HSL 139.7, 0.93%, 0.72%

LAB 89.22, -56.08, 32.27

 

CMYK 54 / 0 / 21 / 2

HEX #74FAC5

RGB 116 250 197

HSL 156.27, 0.93%, 0.72%

LAB 89.91, -48.99, 14.38

 

CMYK 28 / 0 / 54 / 2

HEX #B4FA74

RGB 180 250 116

HSL 91.34, 0.93%, 0.72%

LAB 91.39, -43.3, 56.65

 

CMYK 28 / 0 / 54 / 2

HEX #B4FA74

RGB 180 250 116

HSL 91.34, 0.93%, 0.72%

LAB 91.39, -43.3, 56.65

 

CMYK 24 / 0 / 46 / 6

HEX #B5EF80

RGB 181 239 128

HSL 91.35, 0.78%, 0.72%

LAB 88.5, -36.79, 47.62

 

CMYK 20 / 0 / 39 / 11

HEX #B5E38B

RGB 181 227 139

HSL 91.36, 0.61%, 0.72%

LAB 85.31, -29.91, 38.22

 

CMYK 16 / 0 / 30 / 15

HEX #B6D897

RGB 182 216 151

HSL 91.38, 0.45%, 0.72%

LAB 82.54, -22.62, 28.46

 

CMYK 11 / 0 / 21 / 20

HEX #B6CCA2

RGB 182 204 162

HSL 91.43, 0.29%, 0.72%

LAB 79.47, -14.97, 18.5

 

CMYK 0 / 1 / 54 / 2

HEX #FAF874

RGB 250 248 116

HSL 59.1, 0.93%, 0.72%

LAB 95.46, -16.07, 62.57

 

CMYK 13 / 0 / 54 / 2

HEX #D9FA74

RGB 217 250 116

HSL 74.78, 0.93%, 0.72%

LAB 93.62, -29.83, 59.82

 

CMYK 28 / 0 / 54 / 2

HEX #B5FA74

RGB 181 250 116

HSL 90.9, 0.93%, 0.72%

LAB 91.44, -42.96, 56.73

 

CMYK 42 / 0 / 54 / 2

HEX #91FA74

RGB 145 250 116

HSL 107.01, 0.93%, 0.72%

LAB 89.7, -54.63, 54.24

 

CMYK 54 / 0 / 51 / 2

HEX #74FA7B

RGB 116 250 123

HSL 123.13, 0.93%, 0.72%

LAB 88.69, -61.67, 49.56

 

CMYK 45 / 0 / 85 / 3

HEX #89F824

RGB 137 248 36

HSL 91.42, 0.94%, 0.56%

LAB 88.25, -61.96, 80.38

 

CMYK 36 / 0 / 69 / 2

HEX #9FF94C

RGB 159 249 76

HSL 91.21, 0.94%, 0.64%

LAB 89.69, -53.36, 70.8

 

CMYK 28 / 0 / 54 / 2

HEX #B4FA74

RGB 180 250 116

HSL 91.34, 0.93%, 0.72%

LAB 91.39, -43.3, 56.65

 

CMYK 20 / 0 / 38 / 2

HEX #CAFB9C

RGB 202 251 156

HSL 90.95, 0.92%, 0.8%

LAB 93.43, -31.49, 40.54

 

CMYK 12 / 0 / 23 / 1

HEX #DFFDC4

RGB 223 253 196

HSL 91.58, 0.93%, 0.88%

LAB 95.97, -19.5, 24.12

 

CMYK 28 / 0 / 54 / 2

HEX #B4FB73

RGB 180 251 115

HSL 91.32, 0.94%, 0.72%

LAB 91.66, -43.84, 57.42

 

CMYK 54 / 0 / 15 / 2

HEX #74FAD4

RGB 116 250 212

HSL 162.99, 0.93%, 0.72%

LAB 90.25, -45.71, 7.1

 

CMYK 0 / 54 / 6 / 2

HEX #FA74EB

RGB 250 116 235

HSL 306.72, 0.93%, 0.72%

LAB 68.62, 65.77, -36.73

 

CMYK 28 / 0 / 54 / 2

HEX #B4FB73

RGB 180 251 115

HSL 91.32, 0.94%, 0.72%

LAB 91.66, -43.84, 57.42

 

CMYK 54 / 28 / 0 / 2

HEX #74B5FA

RGB 116 181 250

HSL 210.9, 0.93%, 0.72%

LAB 72, -1.59, -40.52

 

CMYK 0 / 54 / 28 / 2

HEX #FA74B5

RGB 250 116 181

HSL 330.9, 0.93%, 0.72%

LAB 66.64, 57.96, -9.58

 

CMYK 28 / 0 / 54 / 2

HEX #B4FB73

RGB 180 251 115

HSL 91.32, 0.94%, 0.72%

LAB 91.66, -43.84, 57.42

 

CMYK 54 / 0 / 15 / 2

HEX #74FAD4

RGB 116 250 212

HSL 162.99, 0.93%, 0.72%

LAB 90.25, -45.71, 7.1

 

CMYK 26 / 54 / 0 / 2

HEX #B974FA

RGB 185 116 250

HSL 270.9, 0.93%, 0.72%

LAB 61.4, 51.72, -56.91

 

CMYK 0 / 54 / 38 / 2

HEX #FA749A

RGB 250 116 154

HSL 342.99, 0.93%, 0.72%

LAB 65.86, 54.77, 4.61

 

CMYK 28 / 0 / 54 / 2

HEX #B4FB73

RGB 180 251 115

HSL 91.32, 0.94%, 0.72%

LAB 91.66, -43.84, 57.42

 

CMYK 54 / 1 / 0 / 2

HEX #74F8FA

RGB 116 248 250

HSL 180.9, 0.93%, 0.72%

LAB 90.67, -35.61, -12.04

 

CMYK 26 / 54 / 0 / 2

HEX #B974FA

RGB 185 116 250

HSL 270.9, 0.93%, 0.72%

LAB 61.4, 51.72, -56.91

 

CMYK 0 / 53 / 54 / 2

HEX #FA7674

RGB 250 118 116

HSL 0.9, 0.93%, 0.72%

LAB 65.39, 50.25, 25.5

 

Description

Color code: HEX #B4FB73 | qconv.com Color code: HEX #B4FB73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 251 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 251 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 54 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 54% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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