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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4F383 it is the complementary color #4B0C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4F383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4F383 shade: #B9F37E, #CAFF91, #DBFFA4, #ECFFB7 and #FDFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4F383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4F383 shade: #B4F383, #A3E170, #92CF5D, #81BD4A and #70AB37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4F383 shade: #B3F281, #D1F281, #EFF281, #F2D681 and #F2B881

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4F383 shade: #B3F281, #94F281, #81F28D, #81F2AB and #81F2CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4F383 shade matches the following richer shades: #B3F281 and #B1FD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4F383 shade: #B3F281, #B4E78C, #B5DC97, #B7D1A3 and #B8C6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4F383 shade: #F0F281, #D2F281, #B4F281, #96F281 and #81F28B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4F383 shade: #85EB36, #9CEE5C, #B3F281, #C9F6A7 and #E0FACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4F383 shade: #B4F383, #81F2D6 and #F281E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4F383 shade: #B4F383, #81B4F2 and #F281B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4F383 shade: #B4F383, #81F2D6, #BF81F2 and #F2819D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4F383 shade: #B4F383, #81ECF2, #BF81F2 and #F28781

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 46 / 5

HEX #B4F383

RGB 180 243 131

HSL 93.75, 0.82%, 0.73%

LAB 89.6, -38.59, 47.54

 

Complementary color

CMYK 40 / 90 / 0 / 51

HEX #4B0C7C

RGB 75 12 124

HSL 273.75, 0.82%, 0.27%

LAB 20.88, 47.28, -48.83

 

CMYK 24 / 0 / 48 / 5

HEX #B9F37E

RGB 185 243 126

HSL 89.74, 0.83%, 0.72%

LAB 89.82, -37.41, 50.25

 

CMYK 21 / 0 / 43 / 0

HEX #CAFF91

RGB 202 255 145

HSL 88.91, 1%, 0.78%

LAB 94.36, -34.68, 47.08

 

CMYK 14 / 0 / 36 / 0

HEX #DBFFA4

RGB 219 255 164

HSL 83.74, 1%, 0.82%

LAB 95.69, -26.31, 39.75

 

CMYK 7 / 0 / 28 / 0

HEX #ECFFB7

RGB 236 255 183

HSL 75.83, 1%, 0.86%

LAB 97.13, -17.74, 32.43

 

CMYK 1 / 0 / 21 / 0

HEX #FDFFCA

RGB 253 255 202

HSL 62.26, 1%, 0.9%

LAB 98.7, -9.04, 25.18

 

CMYK 26 / 0 / 46 / 5

HEX #B4F383

RGB 180 243 131

HSL 93.75, 0.82%, 0.73%

LAB 89.6, -38.59, 47.54

 

CMYK 28 / 0 / 50 / 12

HEX #A3E170

RGB 163 225 112

HSL 92.92, 0.65%, 0.66%

LAB 83.34, -38.63, 48.67

 

CMYK 29 / 0 / 55 / 19

HEX #92CF5D

RGB 146 207 93

HSL 92.11, 0.54%, 0.59%

LAB 77, -38.61, 49.77

 

CMYK 32 / 0 / 61 / 26

HEX #81BD4A

RGB 129 189 74

HSL 91.3, 0.47%, 0.52%

LAB 70.56, -38.51, 50.77

 

CMYK 35 / 0 / 68 / 33

HEX #70AB37

RGB 112 171 55

HSL 90.52, 0.51%, 0.44%

LAB 64.04, -38.29, 51.53

 

CMYK 26 / 0 / 47 / 5

HEX #B3F281

RGB 179 242 129

HSL 93.45, 0.81%, 0.73%

LAB 89.24, -38.72, 48.03

 

CMYK 14 / 0 / 47 / 5

HEX #D1F281

RGB 209 242 129

HSL 77.52, 0.81%, 0.73%

LAB 91.07, -27.87, 50.7

 

CMYK 1 / 0 / 47 / 5

HEX #EFF281

RGB 239 242 129

HSL 61.59, 0.81%, 0.73%

LAB 93.21, -16.38, 53.79

 

CMYK 0 / 12 / 47 / 5

HEX #F2D681

RGB 242 214 129

HSL 45.13, 0.81%, 0.73%

LAB 86.28, -1.21, 45.35

 

CMYK 0 / 24 / 47 / 5

HEX #F2B881

RGB 242 184 129

HSL 29.2, 0.81%, 0.73%

LAB 78.89, 14.39, 35.98

 

CMYK 26 / 0 / 47 / 5

HEX #B3F281

RGB 179 242 129

HSL 93.45, 0.81%, 0.73%

LAB 89.24, -38.72, 48.03

 

CMYK 39 / 0 / 47 / 5

HEX #94F281

RGB 148 242 129

HSL 109.91, 0.81%, 0.73%

LAB 87.67, -48.89, 45.74

 

CMYK 47 / 0 / 42 / 5

HEX #81F28D

RGB 129 242 141

HSL 126.37, 0.81%, 0.73%

LAB 87.04, -52.69, 38.95

 

CMYK 47 / 0 / 29 / 5

HEX #81F2AB

RGB 129 242 171

HSL 142.3, 0.81%, 0.73%

LAB 87.54, -47.69, 24.51

 

CMYK 47 / 0 / 17 / 5

HEX #81F2CA

RGB 129 242 202

HSL 158.76, 0.81%, 0.73%

LAB 88.18, -41.51, 9.38

 

CMYK 26 / 0 / 47 / 5

HEX #B3F281

RGB 179 242 129

HSL 93.45, 0.81%, 0.73%

LAB 89.24, -38.72, 48.03

 

CMYK 30 / 0 / 53 / 1

HEX #B1FD76

RGB 177 253 118

HSL 93.78, 0.97%, 0.73%

LAB 92.09, -45.43, 56.54

 

CMYK 26 / 0 / 47 / 5

HEX #B3F281

RGB 179 242 129

HSL 93.45, 0.81%, 0.73%

LAB 89.24, -38.72, 48.03

 

CMYK 22 / 0 / 39 / 9

HEX #B4E78C

RGB 180 231 140

HSL 93.63, 0.65%, 0.73%

LAB 86.38, -32.01, 39.08

 

CMYK 18 / 0 / 31 / 14

HEX #B5DC97

RGB 181 220 151

HSL 93.91, 0.5%, 0.73%

LAB 83.57, -24.93, 29.84

 

CMYK 12 / 0 / 22 / 18

HEX #B7D1A3

RGB 183 209 163

HSL 93.91, 0.33%, 0.73%

LAB 80.91, -16.97, 19.99

 

CMYK 7 / 0 / 12 / 22

HEX #B8C6AE

RGB 184 198 174

HSL 95, 0.17%, 0.73%

LAB 78.25, -9.18, 10.4

 

CMYK 1 / 0 / 47 / 5

HEX #F0F281

RGB 240 242 129

HSL 61.06, 0.81%, 0.73%

LAB 93.28, -15.99, 53.9

 

CMYK 13 / 0 / 47 / 5

HEX #D2F281

RGB 210 242 129

HSL 76.99, 0.81%, 0.73%

LAB 91.14, -27.49, 50.8

 

CMYK 26 / 0 / 47 / 5

HEX #B4F281

RGB 180 242 129

HSL 92.92, 0.81%, 0.73%

LAB 89.3, -38.38, 48.12

 

CMYK 38 / 0 / 47 / 5

HEX #96F281

RGB 150 242 129

HSL 108.85, 0.81%, 0.73%

LAB 87.76, -48.27, 45.88

 

CMYK 47 / 0 / 43 / 5

HEX #81F28B

RGB 129 242 139

HSL 125.31, 0.81%, 0.73%

LAB 87.01, -52.99, 39.9

 

CMYK 43 / 0 / 77 / 8

HEX #85EB36

RGB 133 235 54

HSL 93.81, 0.82%, 0.57%

LAB 84.31, -57.54, 72.34

 

CMYK 34 / 0 / 61 / 7

HEX #9CEE5C

RGB 156 238 92

HSL 93.7, 0.81%, 0.65%

LAB 86.5, -48.63, 61.16

 

CMYK 26 / 0 / 47 / 5

HEX #B3F281

RGB 179 242 129

HSL 93.45, 0.81%, 0.73%

LAB 89.24, -38.72, 48.03

 

CMYK 18 / 0 / 32 / 4

HEX #C9F6A7

RGB 201 246 167

HSL 94.18, 0.81%, 0.81%

LAB 92.18, -28.03, 33.42

 

CMYK 10 / 0 / 18 / 2

HEX #E0FACC

RGB 224 250 204

HSL 93.91, 0.82%, 0.89%

LAB 95.4, -16.46, 19.27

 

CMYK 26 / 0 / 46 / 5

HEX #B4F383

RGB 180 243 131

HSL 93.75, 0.82%, 0.73%

LAB 89.6, -38.59, 47.54

 

CMYK 47 / 0 / 12 / 5

HEX #81F2D6

RGB 129 242 214

HSL 165.13, 0.81%, 0.73%

LAB 88.46, -38.86, 3.53

 

CMYK 0 / 47 / 7 / 5

HEX #F281E1

RGB 242 129 225

HSL 309.03, 0.81%, 0.73%

LAB 69.48, 55.8, -29.95

 

CMYK 26 / 0 / 46 / 5

HEX #B4F383

RGB 180 243 131

HSL 93.75, 0.82%, 0.73%

LAB 89.6, -38.59, 47.54

 

CMYK 47 / 26 / 0 / 5

HEX #81B4F2

RGB 129 180 242

HSL 212.92, 0.81%, 0.73%

LAB 72.04, -0.47, -36.08

 

CMYK 0 / 47 / 26 / 5

HEX #F281B4

RGB 242 129 180

HSL 332.92, 0.81%, 0.73%

LAB 67.93, 49.03, -7.21

 

CMYK 26 / 0 / 46 / 5

HEX #B4F383

RGB 180 243 131

HSL 93.75, 0.82%, 0.73%

LAB 89.6, -38.59, 47.54

 

CMYK 47 / 0 / 12 / 5

HEX #81F2D6

RGB 129 242 214

HSL 165.13, 0.81%, 0.73%

LAB 88.46, -38.86, 3.53

 

CMYK 21 / 47 / 0 / 5

HEX #BF81F2

RGB 191 129 242

HSL 272.92, 0.81%, 0.73%

LAB 64.31, 44.57, -47.84

 

CMYK 0 / 47 / 35 / 5

HEX #F2819D

RGB 242 129 157

HSL 345.13, 0.81%, 0.73%

LAB 67.29, 46.12, 4.82

 

CMYK 26 / 0 / 46 / 5

HEX #B4F383

RGB 180 243 131

HSL 93.75, 0.82%, 0.73%

LAB 89.6, -38.59, 47.54

 

CMYK 47 / 2 / 0 / 5

HEX #81ECF2

RGB 129 236 242

HSL 183.19, 0.81%, 0.73%

LAB 87.52, -29.35, -12.51

 

CMYK 21 / 47 / 0 / 5

HEX #BF81F2

RGB 191 129 242

HSL 272.92, 0.81%, 0.73%

LAB 64.31, 44.57, -47.84

 

CMYK 0 / 44 / 47 / 5

HEX #F28781

RGB 242 135 129

HSL 3.19, 0.81%, 0.73%

LAB 67.87, 40.09, 21.37

 

Description

Color code: HEX #B4F383 | qconv.com Color code: HEX #B4F383 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 243 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 243 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 46 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 46% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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