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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4F2DE it is the complementary color #4B0D21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4F2DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4F2DE shade: #B9F2D9, #CAFFEC, #DBFFFF, #ECFFFF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4F2DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4F2DE shade: #B4F2DE, #A3E0CB, #92CEB8, #81BCA5 and #70AA92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4F2DE shade: #B5F1DE, #B5F1CE, #B5F1BD, #BDF1B5 and #CDF1B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4F2DE shade: #B5F1DE, #B5F1EE, #B5E4F1, #B5D4F1 and #B5C4F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4F2DE shade matches the following richer shades: #B5F1DE and #AEF9E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4F2DE shade: #B5F1DE, #BCEADB, #C3E3D9, #CADCD6 and #D1D5D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4F2DE shade: #B5F1BD, #B5F1CD, #B5F1DD, #B5F1ED and #B5E5F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4F2DE shade: #6FE5BF, #92EBCE, #B5F1DE, #D8F8ED and #FBFEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4F2DE shade: #B4F2DE, #B5BDF1 and #F1C5B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4F2DE shade: #B4F2DE, #DDB5F1 and #F1DDB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4F2DE shade: #B4F2DE, #B5BDF1, #F1B5C9 and #F1E9B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4F2DE shade: #B4F2DE, #BFB5F1, #F1B5C9 and #E7F1B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

Complementary color

CMYK 0 / 83 / 56 / 71

HEX #4B0D21

RGB 75 13 33

HSL 340.65, 0.7%, 0.17%

LAB 14.92, 30.18, 4.02

 

CMYK 24 / 0 / 10 / 5

HEX #B9F2D9

RGB 185 242 217

HSL 153.68, 0.69%, 0.84%

LAB 91.16, -22.99, 6.2

 

CMYK 21 / 0 / 7 / 0

HEX #CAFFEC

RGB 202 255 236

HSL 158.49, 1%, 0.9%

LAB 96.05, -20.42, 3.58

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 29 / 0 / 11 / 19

HEX #92CEB8

RGB 146 206 184

HSL 158, 0.38%, 0.69%

LAB 78.29, -23.87, 4.79

 

CMYK 31 / 0 / 12 / 26

HEX #81BCA5

RGB 129 188 165

HSL 156.61, 0.31%, 0.62%

LAB 71.79, -24.08, 5.57

 

CMYK 34 / 0 / 14 / 33

HEX #70AA92

RGB 112 170 146

HSL 155.17, 0.25%, 0.55%

LAB 65.18, -24.3, 6.4

 

CMYK 25 / 0 / 8 / 5

HEX #B5F1DE

RGB 181 241 222

HSL 161, 0.68%, 0.83%

LAB 90.78, -22.72, 3.03

 

CMYK 25 / 0 / 15 / 5

HEX #B5F1CE

RGB 181 241 206

HSL 145, 0.68%, 0.83%

LAB 90.41, -25.84, 10.82

 

CMYK 25 / 0 / 22 / 5

HEX #B5F1BD

RGB 181 241 189

HSL 128, 0.68%, 0.83%

LAB 90.05, -28.91, 19.11

 

CMYK 22 / 0 / 25 / 5

HEX #BDF1B5

RGB 189 241 181

HSL 112, 0.68%, 0.83%

LAB 90.35, -27.64, 23.71

 

CMYK 15 / 0 / 25 / 5

HEX #CDF1B5

RGB 205 241 181

HSL 96, 0.68%, 0.83%

LAB 91.34, -22.2, 25.22

 

CMYK 25 / 0 / 8 / 5

HEX #B5F1DE

RGB 181 241 222

HSL 161, 0.68%, 0.83%

LAB 90.78, -22.72, 3.03

 

CMYK 25 / 0 / 1 / 5

HEX #B5F1EE

RGB 181 241 238

HSL 177, 0.68%, 0.83%

LAB 91.19, -19.4, -4.7

 

CMYK 25 / 5 / 0 / 5

HEX #B5E4F1

RGB 181 228 241

HSL 193, 0.68%, 0.83%

LAB 87.81, -12.23, -11.29

 

CMYK 25 / 12 / 0 / 5

HEX #B5D4F1

RGB 181 212 241

HSL 209, 0.68%, 0.83%

LAB 83.58, -3.97, -17.63

 

CMYK 25 / 19 / 0 / 5

HEX #B5C4F1

RGB 181 196 241

HSL 225, 0.68%, 0.83%

LAB 79.42, 4.55, -23.93

 

CMYK 25 / 0 / 8 / 5

HEX #B5F1DE

RGB 181 241 222

HSL 161, 0.68%, 0.83%

LAB 90.78, -22.72, 3.03

 

CMYK 30 / 0 / 10 / 2

HEX #AEF9E0

RGB 174 249 224

HSL 160, 0.86%, 0.83%

LAB 92.63, -28.21, 4.63

 

CMYK 25 / 0 / 8 / 5

HEX #B5F1DE

RGB 181 241 222

HSL 161, 0.68%, 0.83%

LAB 90.78, -22.72, 3.03

 

CMYK 20 / 0 / 6 / 8

HEX #BCEADB

RGB 188 234 219

HSL 160.43, 0.52%, 0.83%

LAB 89.23, -17.74, 2.39

 

CMYK 14 / 0 / 4 / 11

HEX #C3E3D9

RGB 195 227 217

HSL 161.25, 0.36%, 0.83%

LAB 87.75, -12.41, 1.34

 

CMYK 8 / 0 / 3 / 14

HEX #CADCD6

RGB 202 220 214

HSL 160, 0.2%, 0.83%

LAB 86.3, -7.13, 0.87

 

CMYK 2 / 0 / 0 / 16

HEX #D1D5D4

RGB 209 213 212

HSL 165, 0.05%, 0.83%

LAB 84.94, -1.54, 0.01

 

CMYK 25 / 0 / 22 / 5

HEX #B5F1BD

RGB 181 241 189

HSL 128, 0.68%, 0.83%

LAB 90.05, -28.91, 19.11

 

CMYK 25 / 0 / 15 / 5

HEX #B5F1CD

RGB 181 241 205

HSL 144, 0.68%, 0.83%

LAB 90.39, -26.03, 11.3

 

CMYK 25 / 0 / 8 / 5

HEX #B5F1DD

RGB 181 241 221

HSL 160, 0.68%, 0.83%

LAB 90.76, -22.92, 3.52

 

CMYK 25 / 0 / 2 / 5

HEX #B5F1ED

RGB 181 241 237

HSL 176, 0.68%, 0.83%

LAB 91.17, -19.61, -4.22

 

CMYK 25 / 5 / 0 / 5

HEX #B5E5F1

RGB 181 229 241

HSL 192, 0.68%, 0.83%

LAB 88.07, -12.74, -10.9

 

CMYK 52 / 0 / 17 / 10

HEX #6FE5BF

RGB 111 229 191

HSL 160.68, 0.69%, 0.67%

LAB 83.54, -42.31, 8.41

 

CMYK 38 / 0 / 12 / 8

HEX #92EBCE

RGB 146 235 206

HSL 160.45, 0.69%, 0.75%

LAB 86.99, -33.14, 5.68

 

CMYK 25 / 0 / 8 / 5

HEX #B5F1DE

RGB 181 241 222

HSL 161, 0.68%, 0.83%

LAB 90.78, -22.72, 3.03

 

CMYK 13 / 0 / 4 / 3

HEX #D8F8ED

RGB 216 248 237

HSL 159.38, 0.7%, 0.91%

LAB 95.1, -12.41, 1.78

 

CMYK 1 / 0 / 0 / 0

HEX #FBFEFD

RGB 251 254 253

HSL 160, 0.6%, 0.99%

LAB 99.41, -1.16, 0.12

 

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

CMYK 25 / 22 / 0 / 5

HEX #B5BDF1

RGB 181 189 241

HSL 232, 0.68%, 0.83%

LAB 77.62, 8.35, -26.68

 

CMYK 0 / 18 / 25 / 5

HEX #F1C5B5

RGB 241 197 181

HSL 16, 0.68%, 0.83%

LAB 82.9, 13.29, 13.91

 

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

CMYK 8 / 25 / 0 / 5

HEX #DDB5F1

RGB 221 181 241

HSL 280, 0.68%, 0.83%

LAB 78.91, 25.05, -24.42

 

CMYK 0 / 8 / 25 / 5

HEX #F1DDB5

RGB 241 221 181

HSL 40, 0.68%, 0.83%

LAB 88.8, 0.81, 22.16

 

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

CMYK 25 / 22 / 0 / 5

HEX #B5BDF1

RGB 181 189 241

HSL 232, 0.68%, 0.83%

LAB 77.62, 8.35, -26.68

 

CMYK 0 / 25 / 17 / 5

HEX #F1B5C9

RGB 241 181 201

HSL 340, 0.68%, 0.83%

LAB 79.59, 24.69, -1.59

 

CMYK 0 / 3 / 25 / 5

HEX #F1E9B5

RGB 241 233 181

HSL 52, 0.68%, 0.83%

LAB 91.83, -5.3, 26.31

 

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

CMYK 21 / 25 / 0 / 5

HEX #BFB5F1

RGB 191 181 241

HSL 250, 0.68%, 0.83%

LAB 76.36, 15.72, -28.54

 

CMYK 0 / 25 / 17 / 5

HEX #F1B5C9

RGB 241 181 201

HSL 340, 0.68%, 0.83%

LAB 79.59, 24.69, -1.59

 

CMYK 4 / 0 / 25 / 5

HEX #E7F1B5

RGB 231 241 181

HSL 70, 0.68%, 0.83%

LAB 93.12, -12.96, 27.94

 

Description

Color code: HEX #B4F2DE | qconv.com Color code: HEX #B4F2DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 242 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 242 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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