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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4E8ED it is the complementary color #4B1712. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4E8ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4E8ED shade: #B9E8E8, #CAFAFB, #DBFFFF, #ECFFFF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4E8ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4E8ED shade: #B4E8ED, #A3D6DA, #92C4C7, #81B2B4 and #70A0A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4E8ED shade: #B5E8ED, #B5D9ED, #B5C9ED, #B5BAED and #BEB5ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4E8ED shade: #B5E8ED, #B5D9ED, #B5C9ED, #B5BAED and #B5B5ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4E8ED shade matches the following richer shades: #B5E8ED, #ADEEF4 and #A6F4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4E8ED shade: #B5E8ED, #BCE2E5, #C3DBDE, #CBD5D6 and #D2CFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4E8ED shade: #B5EDD3, #B5EDE2, #B5E8ED, #B5D9ED and #B5CAED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4E8ED shade: #72D3DD, #93DDE5, #B5E8ED, #D6F2F5 and #F7FCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4E8ED shade: #B4E8ED, #C4B5ED and #EDDBB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4E8ED shade: #B4E8ED, #EDB5E8 and #E8EDB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4E8ED shade: #B4E8ED, #C4B5ED, #EDB9B5 and #DDEDB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4E8ED shade: #B4E8ED, #D5B5ED, #EDB9B5 and #CCEDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 2 / 0 / 7

HEX #B4E8ED

RGB 180 232 237

HSL 185.26, 0.61%, 0.82%

LAB 88.7, -15.42, -7.87

 

Complementary color

CMYK 0 / 69 / 76 / 71

HEX #4B1712

RGB 75 23 18

HSL 5.26, 0.61%, 0.18%

LAB 16.27, 24.32, 16.42

 

CMYK 20 / 0 / 0 / 9

HEX #B9E8E8

RGB 185 232 232

HSL 180, 0.51%, 0.82%

LAB 88.85, -15.01, -4.99

 

CMYK 20 / 0 / 0 / 2

HEX #CAFAFB

RGB 202 250 251

HSL 181.22, 0.86%, 0.89%

LAB 95.12, -14.96, -5.53

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 24 / 2 / 0 / 7

HEX #B4E8ED

RGB 180 232 237

HSL 185.26, 0.61%, 0.82%

LAB 88.7, -15.42, -7.87

 

CMYK 25 / 2 / 0 / 15

HEX #A3D6DA

RGB 163 214 218

HSL 184.36, 0.43%, 0.75%

LAB 82.35, -15.48, -7.35

 

CMYK 27 / 2 / 0 / 22

HEX #92C4C7

RGB 146 196 199

HSL 183.4, 0.32%, 0.68%

LAB 75.89, -15.55, -6.81

 

CMYK 28 / 1 / 0 / 29

HEX #81B2B4

RGB 129 178 180

HSL 182.35, 0.25%, 0.61%

LAB 69.33, -15.63, -6.26

 

CMYK 30 / 1 / 0 / 37

HEX #70A0A1

RGB 112 160 161

HSL 181.22, 0.21%, 0.54%

LAB 62.64, -15.71, -5.69

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 24 / 8 / 0 / 7

HEX #B5D9ED

RGB 181 217 237

HSL 201.43, 0.61%, 0.82%

LAB 84.77, -7.47, -13.71

 

CMYK 24 / 15 / 0 / 7

HEX #B5C9ED

RGB 181 201 237

HSL 218.57, 0.61%, 0.82%

LAB 80.58, 0.95, -20.03

 

CMYK 24 / 22 / 0 / 7

HEX #B5BAED

RGB 181 186 237

HSL 234.64, 0.61%, 0.82%

LAB 76.71, 9.05, -25.91

 

CMYK 20 / 24 / 0 / 7

HEX #BEB5ED

RGB 190 181 237

HSL 249.64, 0.61%, 0.82%

LAB 76.14, 14.52, -26.73

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 24 / 8 / 0 / 7

HEX #B5D9ED

RGB 181 217 237

HSL 201.43, 0.61%, 0.82%

LAB 84.77, -7.47, -13.71

 

CMYK 24 / 15 / 0 / 7

HEX #B5C9ED

RGB 181 201 237

HSL 218.57, 0.61%, 0.82%

LAB 80.58, 0.95, -20.03

 

CMYK 24 / 22 / 0 / 7

HEX #B5BAED

RGB 181 186 237

HSL 234.64, 0.61%, 0.82%

LAB 76.71, 9.05, -25.91

 

CMYK 24 / 24 / 0 / 7

HEX #B5B5ED

RGB 181 181 237

HSL 240, 0.61%, 0.82%

LAB 75.44, 11.8, -27.85

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 29 / 2 / 0 / 4

HEX #ADEEF4

RGB 173 238 244

HSL 185.07, 0.76%, 0.82%

LAB 90.12, -18.86, -9.47

 

CMYK 34 / 3 / 0 / 2

HEX #A6F4FB

RGB 166 244 251

HSL 184.94, 0.91%, 0.82%

LAB 91.58, -22.1, -10.98

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 18 / 1 / 0 / 10

HEX #BCE2E5

RGB 188 226 229

HSL 184.39, 0.44%, 0.82%

LAB 87.36, -11.7, -5.6

 

CMYK 12 / 1 / 0 / 13

HEX #C3DBDE

RGB 195 219 222

HSL 186.67, 0.29%, 0.82%

LAB 85.78, -7.35, -4.19

 

CMYK 5 / 0 / 0 / 16

HEX #CBD5D6

RGB 203 213 214

HSL 185.45, 0.12%, 0.82%

LAB 84.56, -3.18, -1.67

 

CMYK 0 / 1 / 1 / 18

HEX #D2CFCF

RGB 210 207 207

HSL 0, 0.03%, 0.82%

LAB 83.35, 1.03, 0.36

 

CMYK 24 / 0 / 11 / 7

HEX #B5EDD3

RGB 181 237 211

HSL 152.14, 0.61%, 0.82%

LAB 89.44, -22.95, 6.82

 

CMYK 24 / 0 / 5 / 7

HEX #B5EDE2

RGB 181 237 226

HSL 168.21, 0.61%, 0.82%

LAB 89.81, -19.95, -0.48

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 24 / 8 / 0 / 7

HEX #B5D9ED

RGB 181 217 237

HSL 201.43, 0.61%, 0.82%

LAB 84.77, -7.47, -13.71

 

CMYK 24 / 15 / 0 / 7

HEX #B5CAED

RGB 181 202 237

HSL 217.5, 0.61%, 0.82%

LAB 80.84, 0.41, -19.63

 

CMYK 48 / 5 / 0 / 13

HEX #72D3DD

RGB 114 211 221

HSL 185.61, 0.61%, 0.66%

LAB 79.26, -25.94, -13.8

 

CMYK 36 / 3 / 0 / 10

HEX #93DDE5

RGB 147 221 229

HSL 185.85, 0.61%, 0.74%

LAB 83.74, -20.9, -11.21

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 13 / 1 / 0 / 4

HEX #D6F2F5

RGB 214 242 245

HSL 185.81, 0.61%, 0.9%

LAB 93.62, -8.49, -4.54

 

CMYK 2 / 0 / 0 / 1

HEX #F7FCFD

RGB 247 252 253

HSL 190, 0.6%, 0.98%

LAB 98.63, -1.46, -1.06

 

CMYK 24 / 2 / 0 / 7

HEX #B4E8ED

RGB 180 232 237

HSL 185.26, 0.61%, 0.82%

LAB 88.7, -15.42, -7.87

 

CMYK 17 / 24 / 0 / 7

HEX #C4B5ED

RGB 196 181 237

HSL 256.07, 0.61%, 0.82%

LAB 76.62, 16.37, -25.95

 

CMYK 0 / 8 / 24 / 7

HEX #EDDBB5

RGB 237 219 181

HSL 40.71, 0.61%, 0.82%

LAB 87.97, 0.35, 20.95

 

CMYK 24 / 2 / 0 / 7

HEX #B4E8ED

RGB 180 232 237

HSL 185.26, 0.61%, 0.82%

LAB 88.7, -15.42, -7.87

 

CMYK 0 / 24 / 2 / 7

HEX #EDB5E8

RGB 237 181 232

HSL 305.36, 0.61%, 0.82%

LAB 80.11, 28.52, -17.61

 

CMYK 2 / 0 / 24 / 7

HEX #E8EDB5

RGB 232 237 181

HSL 65.36, 0.61%, 0.82%

LAB 92.16, -10.61, 26.65

 

CMYK 24 / 2 / 0 / 7

HEX #B4E8ED

RGB 180 232 237

HSL 185.26, 0.61%, 0.82%

LAB 88.7, -15.42, -7.87

 

CMYK 17 / 24 / 0 / 7

HEX #C4B5ED

RGB 196 181 237

HSL 256.07, 0.61%, 0.82%

LAB 76.62, 16.37, -25.95

 

CMYK 0 / 22 / 24 / 7

HEX #EDB9B5

RGB 237 185 181

HSL 4.29, 0.61%, 0.82%

LAB 79.64, 18.15, 9.22

 

CMYK 7 / 0 / 24 / 7

HEX #DDEDB5

RGB 221 237 181

HSL 77.14, 0.61%, 0.82%

LAB 91.36, -14.59, 25.43

 

CMYK 24 / 2 / 0 / 7

HEX #B4E8ED

RGB 180 232 237

HSL 185.26, 0.61%, 0.82%

LAB 88.7, -15.42, -7.87

 

CMYK 10 / 24 / 0 / 7

HEX #D5B5ED

RGB 213 181 237

HSL 274.29, 0.61%, 0.82%

LAB 78.06, 21.71, -23.63

 

CMYK 0 / 22 / 24 / 7

HEX #EDB9B5

RGB 237 185 181

HSL 4.29, 0.61%, 0.82%

LAB 79.64, 18.15, 9.22

 

CMYK 14 / 0 / 24 / 7

HEX #CCEDB5

RGB 204 237 181

HSL 95.36, 0.61%, 0.82%

LAB 90.2, -20.61, 23.65

 

Description

Color code: HEX #B4E8ED | qconv.com Color code: HEX #B4E8ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 232 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 232 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 2 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 2% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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