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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DF00 it is the complementary color #4B20FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4DF00 shade: #B9DF00, #CAF10E, #DBFF21, #ECFF34 and #FDFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4DF00 shade: #B4DF00, #A3CD00, #92BB00, #81A900 and #709700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4DF00 shade: #B5E000, #E0CF00, #E09200, #E05600 and #E01900

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4DF00 shade: #B5E000, #78E000, #3CE000, #00E000 and #00E03C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4DF00 shade matches the following richer shades: #B5E000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4DF00 shade: #B5E000, #A9CE12, #9EBC24, #93A936 and #889748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4DF00 shade: #E09100, #E0CD00, #B7E000, #7BE000 and #3FE000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4DF00 shade: #728D00, #93B700, #B5E000, #CFFF0A and #D7FF33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4DF00 shade: #B4DF00, #00E056 and #AF00E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4DF00 shade: #B4DF00, #00B7E0 and #E000B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4DF00 shade: #B4DF00, #00E056, #2900E0 and #E0008A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4DF00 shade: #B4DF00, #00E099, #2900E0 and #E00047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 100 / 13

HEX #B4DF00

RGB 180 223 0

HSL 71.57, 1%, 0.44%

LAB 83.17, -37.14, 81.73

 

Complementary color

CMYK 71 / 87 / 0 / 0

HEX #4B20FF

RGB 75 32 255

HSL 251.57, 1%, 0.56%

LAB 37.39, 74.38, -99.3

 

CMYK 17 / 0 / 100 / 13

HEX #B9DF00

RGB 185 223 0

HSL 70.22, 1%, 0.44%

LAB 83.49, -35.15, 82.11

 

CMYK 16 / 0 / 94 / 5

HEX #CAF10E

RGB 202 241 14

HSL 70.31, 0.89%, 0.5%

LAB 89.63, -36.39, 86.11

 

CMYK 14 / 0 / 87 / 0

HEX #DBFF21

RGB 219 255 33

HSL 69.73, 1%, 0.56%

LAB 94.61, -35.68, 88.02

 

CMYK 7 / 0 / 80 / 0

HEX #ECFF34

RGB 236 255 52

HSL 65.62, 1%, 0.6%

LAB 95.83, -28.42, 85.54

 

CMYK 1 / 0 / 72 / 0

HEX #FDFF47

RGB 253 255 71

HSL 60.65, 1%, 0.64%

LAB 97.17, -20.88, 81.8

 

CMYK 19 / 0 / 100 / 13

HEX #B4DF00

RGB 180 223 0

HSL 71.57, 1%, 0.44%

LAB 83.17, -37.14, 81.73

 

CMYK 20 / 0 / 100 / 20

HEX #A3CD00

RGB 163 205 0

HSL 72.29, 1%, 0.4%

LAB 76.95, -35.78, 76.55

 

CMYK 22 / 0 / 100 / 27

HEX #92BB00

RGB 146 187 0

HSL 73.16, 1%, 0.37%

LAB 70.63, -34.4, 71.28

 

CMYK 24 / 0 / 100 / 34

HEX #81A900

RGB 129 169 0

HSL 74.2, 1%, 0.33%

LAB 64.2, -33.01, 65.93

 

CMYK 26 / 0 / 100 / 41

HEX #709700

RGB 112 151 0

HSL 75.5, 1%, 0.3%

LAB 57.63, -31.6, 60.46

 

CMYK 19 / 0 / 100 / 12

HEX #B5E000

RGB 181 224 0

HSL 71.52, 1%, 0.44%

LAB 83.51, -37.2, 82.02

 

CMYK 0 / 8 / 100 / 12

HEX #E0CF00

RGB 224 207 0

HSL 55.45, 1%, 0.44%

LAB 82.09, -11.14, 82.41

 

CMYK 0 / 35 / 100 / 12

HEX #E09200

RGB 224 146 0

HSL 39.11, 1%, 0.44%

LAB 66.83, 20.83, 71.84

 

CMYK 0 / 62 / 100 / 12

HEX #E05600

RGB 224 86 0

HSL 23.04, 1%, 0.44%

LAB 54.56, 51.05, 64.44

 

CMYK 0 / 89 / 100 / 12

HEX #E01900

RGB 224 25 0

HSL 6.7, 1%, 0.44%

LAB 47.68, 70.02, 61.27

 

CMYK 19 / 0 / 100 / 12

HEX #B5E000

RGB 181 224 0

HSL 71.52, 1%, 0.44%

LAB 83.51, -37.2, 82.02

 

CMYK 46 / 0 / 100 / 12

HEX #78E000

RGB 120 224 0

HSL 87.86, 1%, 0.44%

LAB 80.35, -58.98, 78.21

 

CMYK 73 / 0 / 100 / 12

HEX #3CE000

RGB 60 224 0

HSL 103.93, 1%, 0.44%

LAB 78.62, -73.11, 76.11

 

CMYK 100 / 0 / 100 / 12

HEX #00E000

RGB 0 224 0

HSL 120, 1%, 0.44%

LAB 78.06, -78.14, 75.42

 

CMYK 100 / 0 / 73 / 12

HEX #00E03C

RGB 0 224 60

HSL 136.07, 1%, 0.44%

LAB 78.25, -75.66, 63.56

 

CMYK 19 / 0 / 100 / 12

HEX #B5E000

RGB 181 224 0

HSL 71.52, 1%, 0.44%

LAB 83.51, -37.2, 82.02

 

CMYK 19 / 0 / 100 / 12

HEX #B5E000

RGB 181 224 0

HSL 71.52, 1%, 0.44%

LAB 83.51, -37.2, 82.02

 

CMYK 18 / 0 / 91 / 19

HEX #A9CE12

RGB 169 206 18

HSL 71.81, 0.84%, 0.44%

LAB 77.65, -33.58, 75.33

 

CMYK 16 / 0 / 81 / 26

HEX #9EBC24

RGB 158 188 36

HSL 71.84, 0.68%, 0.44%

LAB 71.8, -29.16, 66.47

 

CMYK 13 / 0 / 68 / 34

HEX #93A936

RGB 147 169 54

HSL 71.48, 0.52%, 0.44%

LAB 65.63, -23.62, 54.27

 

CMYK 10 / 0 / 52 / 41

HEX #889748

RGB 136 151 72

HSL 71.39, 0.35%, 0.44%

LAB 59.74, -17.67, 39.39

 

CMYK 0 / 35 / 100 / 12

HEX #E09100

RGB 224 145 0

HSL 38.84, 1%, 0.44%

LAB 66.59, 21.37, 71.69

 

CMYK 0 / 8 / 100 / 12

HEX #E0CD00

RGB 224 205 0

HSL 54.91, 1%, 0.44%

LAB 81.57, -10.13, 82.03

 

CMYK 18 / 0 / 100 / 12

HEX #B7E000

RGB 183 224 0

HSL 70.98, 1%, 0.44%

LAB 83.64, -36.4, 82.17

 

CMYK 45 / 0 / 100 / 12

HEX #7BE000

RGB 123 224 0

HSL 87.05, 1%, 0.44%

LAB 80.47, -58.05, 78.36

 

CMYK 72 / 0 / 100 / 12

HEX #3FE000

RGB 63 224 0

HSL 103.13, 1%, 0.44%

LAB 78.68, -72.62, 76.17

 

CMYK 19 / 0 / 100 / 45

HEX #728D00

RGB 114 141 0

HSL 71.49, 1%, 0.28%

LAB 54.69, -25.96, 58.28

 

CMYK 20 / 0 / 100 / 28

HEX #93B700

RGB 147 183 0

HSL 71.8, 1%, 0.36%

LAB 69.52, -32.14, 70.47

 

CMYK 19 / 0 / 100 / 12

HEX #B5E000

RGB 181 224 0

HSL 71.52, 1%, 0.44%

LAB 83.51, -37.2, 82.02

 

CMYK 19 / 0 / 96 / 0

HEX #CFFF0A

RGB 207 255 10

HSL 71.76, 1%, 0.52%

LAB 93.8, -40.7, 89.8

 

CMYK 16 / 0 / 80 / 0

HEX #D7FF33

RGB 215 255 51

HSL 71.76, 1%, 0.6%

LAB 94.4, -36.75, 83.98

 

CMYK 19 / 0 / 100 / 13

HEX #B4DF00

RGB 180 223 0

HSL 71.57, 1%, 0.44%

LAB 83.17, -37.14, 81.73

 

CMYK 100 / 0 / 62 / 12

HEX #00E056

RGB 0 224 86

HSL 143.04, 1%, 0.44%

LAB 78.45, -73.1, 53.63

 

CMYK 22 / 100 / 0 / 12

HEX #AF00E0

RGB 175 0 224

HSL 286.88, 1%, 0.44%

LAB 44.94, 82.01, -68.92

 

CMYK 19 / 0 / 100 / 13

HEX #B4DF00

RGB 180 223 0

HSL 71.57, 1%, 0.44%

LAB 83.17, -37.14, 81.73

 

CMYK 100 / 18 / 0 / 12

HEX #00B7E0

RGB 0 183 224

HSL 190.98, 1%, 0.44%

LAB 68.93, -24.19, -31.36

 

CMYK 0 / 100 / 18 / 12

HEX #E000B7

RGB 224 0 183

HSL 310.98, 1%, 0.44%

LAB 51, 83.68, -35.04

 

CMYK 19 / 0 / 100 / 13

HEX #B4DF00

RGB 180 223 0

HSL 71.57, 1%, 0.44%

LAB 83.17, -37.14, 81.73

 

CMYK 100 / 0 / 62 / 12

HEX #00E056

RGB 0 224 86

HSL 143.04, 1%, 0.44%

LAB 78.45, -73.1, 53.63

 

CMYK 82 / 100 / 0 / 12

HEX #2900E0

RGB 41 0 224

HSL 250.98, 1%, 0.44%

LAB 29.04, 72.22, -95.69

 

CMYK 0 / 100 / 38 / 12

HEX #E0008A

RGB 224 0 138

HSL 323.04, 1%, 0.44%

LAB 49.11, 78.86, -11.18

 

CMYK 19 / 0 / 100 / 13

HEX #B4DF00

RGB 180 223 0

HSL 71.57, 1%, 0.44%

LAB 83.17, -37.14, 81.73

 

CMYK 100 / 0 / 32 / 12

HEX #00E099

RGB 0 224 153

HSL 160.98, 1%, 0.44%

LAB 79.39, -61.87, 22.24

 

CMYK 82 / 100 / 0 / 12

HEX #2900E0

RGB 41 0 224

HSL 250.98, 1%, 0.44%

LAB 29.04, 72.22, -95.69

 

CMYK 0 / 100 / 68 / 12

HEX #E00047

RGB 224 0 71

HSL 340.98, 1%, 0.44%

LAB 47.37, 74.25, 27.54

 

Description

Color code: HEX #B4DF00 | qconv.com Color code: HEX #B4DF00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 223 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 223 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 100 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 100% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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