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Color name
HEX #B4DB22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DB22 it is the complementary color #4B24DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DB22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4DB22 shade: #B9DB1D, #CAED30, #DBFF43, #ECFF56 and #FDFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DB22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4DB22 shade: #B4DB22, #A3C90F, #92B700, #81A500 and #709300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4DB22 shade: #B5DC22, #DCD122, #DC9F22, #DC6D22 and #DC3B22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4DB22 shade: #B5DC22, #83DC22, #50DC22, #22DC26 and #22DC58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4DB22 shade matches the following richer shades: #B5DC22 and #C1F10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4DB22 shade: #B5DC22, #A9C737, #9DB34B, #919E60 and #858A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4DB22 shade: #DC9E22, #DCD022, #B7DC22, #85DC22 and #54DC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4DB22 shade: #7A9517, #97B81C, #B5DC22, #C1E246 and #CDE769

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4DB22 shade: #B4DB22, #22DC6C and #B722DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4DB22 shade: #B4DB22, #22B7DC and #DC22B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4DB22 shade: #B4DB22, #22DC6C, #4722DC and #DC2292

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4DB22 shade: #B4DB22, #22DCA4, #4722DC and #DC225A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 84 / 14

HEX #B4DB22

RGB 180 219 34

HSL 72.65, 0.73%, 0.5%

LAB 82.1, -34.76, 76.43

 

Complementary color

CMYK 66 / 84 / 0 / 13

HEX #4B24DD

RGB 75 36 221

HSL 252.65, 0.73%, 0.5%

LAB 33.94, 64.15, -85.75

 

CMYK 16 / 0 / 87 / 14

HEX #B9DB1D

RGB 185 219 29

HSL 70.74, 0.77%, 0.49%

LAB 82.41, -32.89, 77.83

 

CMYK 15 / 0 / 80 / 7

HEX #CAED30

RGB 202 237 48

HSL 71.11, 0.84%, 0.56%

LAB 88.61, -33.8, 79.31

 

CMYK 14 / 0 / 74 / 0

HEX #DBFF43

RGB 219 255 67

HSL 71.49, 1%, 0.63%

LAB 94.73, -34.56, 79.9

 

CMYK 7 / 0 / 66 / 0

HEX #ECFF56

RGB 236 255 86

HSL 66.75, 1%, 0.67%

LAB 96.01, -26.93, 75.08

 

CMYK 1 / 0 / 59 / 0

HEX #FDFF69

RGB 253 255 105

HSL 60.8, 1%, 0.71%

LAB 97.4, -19.04, 69.49

 

CMYK 18 / 0 / 84 / 14

HEX #B4DB22

RGB 180 219 34

HSL 72.65, 0.73%, 0.5%

LAB 82.1, -34.76, 76.43

 

CMYK 19 / 0 / 93 / 21

HEX #A3C90F

RGB 163 201 15

HSL 72.26, 0.86%, 0.42%

LAB 75.82, -33.75, 74.11

 

CMYK 20 / 0 / 100 / 28

HEX #92B700

RGB 146 183 0

HSL 72.13, 1%, 0.36%

LAB 69.45, -32.55, 70.39

 

CMYK 22 / 0 / 100 / 35

HEX #81A500

RGB 129 165 0

HSL 73.09, 1%, 0.32%

LAB 62.99, -31.14, 65.01

 

CMYK 24 / 0 / 100 / 42

HEX #709300

RGB 112 147 0

HSL 74.29, 1%, 0.29%

LAB 56.4, -29.71, 59.52

 

CMYK 18 / 0 / 85 / 14

HEX #B5DC22

RGB 181 220 34

HSL 72.58, 0.73%, 0.5%

LAB 82.45, -34.82, 76.75

 

CMYK 0 / 5 / 85 / 14

HEX #DCD122

RGB 220 209 34

HSL 56.45, 0.73%, 0.5%

LAB 82.34, -13.37, 77.84

 

CMYK 0 / 28 / 85 / 14

HEX #DC9F22

RGB 220 159 34

HSL 40.32, 0.73%, 0.5%

LAB 69.56, 12.65, 67.27

 

CMYK 0 / 50 / 85 / 14

HEX #DC6D22

RGB 220 109 34

HSL 24.19, 0.73%, 0.5%

LAB 58.29, 39.09, 57.81

 

CMYK 0 / 73 / 85 / 14

HEX #DC3B22

RGB 220 59 34

HSL 8.06, 0.73%, 0.5%

LAB 50.05, 60.84, 50.75

 

CMYK 18 / 0 / 85 / 14

HEX #B5DC22

RGB 181 220 34

HSL 72.58, 0.73%, 0.5%

LAB 82.45, -34.82, 76.75

 

CMYK 40 / 0 / 85 / 14

HEX #83DC22

RGB 131 220 34

HSL 88.71, 0.73%, 0.5%

LAB 79.69, -53.23, 73.29

 

CMYK 64 / 0 / 85 / 14

HEX #50DC22

RGB 80 220 34

HSL 105.16, 0.73%, 0.5%

LAB 77.88, -67.31, 71.01

 

CMYK 85 / 0 / 83 / 14

HEX #22DC26

RGB 34 220 38

HSL 121.29, 0.73%, 0.5%

LAB 77.08, -74.15, 69.05

 

CMYK 85 / 0 / 60 / 14

HEX #22DC58

RGB 34 220 88

HSL 137.42, 0.73%, 0.5%

LAB 77.42, -69.92, 51.63

 

CMYK 18 / 0 / 85 / 14

HEX #B5DC22

RGB 181 220 34

HSL 72.58, 0.73%, 0.5%

LAB 82.45, -34.82, 76.75

 

CMYK 20 / 0 / 95 / 5

HEX #C1F10D

RGB 193 241 13

HSL 72.63, 0.9%, 0.5%

LAB 89.05, -39.93, 85.51

 

CMYK 18 / 0 / 85 / 14

HEX #B5DC22

RGB 181 220 34

HSL 72.58, 0.73%, 0.5%

LAB 82.45, -34.82, 76.75

 

CMYK 15 / 0 / 72 / 22

HEX #A9C737

RGB 169 199 55

HSL 72.5, 0.57%, 0.5%

LAB 75.8, -29.04, 64.55

 

CMYK 12 / 0 / 58 / 30

HEX #9DB34B

RGB 157 179 75

HSL 72.69, 0.41%, 0.5%

LAB 69.41, -22.88, 49.51

 

CMYK 8 / 0 / 39 / 38

HEX #919E60

RGB 145 158 96

HSL 72.58, 0.24%, 0.5%

LAB 62.78, -14.91, 30.85

 

CMYK 4 / 0 / 16 / 46

HEX #858A74

RGB 133 138 116

HSL 73.64, 0.09%, 0.5%

LAB 56.51, -5.95, 11.17

 

CMYK 0 / 28 / 85 / 14

HEX #DC9E22

RGB 220 158 34

HSL 40, 0.73%, 0.5%

LAB 69.32, 13.19, 67.06

 

CMYK 0 / 5 / 85 / 14

HEX #DCD022

RGB 220 208 34

HSL 56.13, 0.73%, 0.5%

LAB 82.08, -12.87, 77.62

 

CMYK 17 / 0 / 85 / 14

HEX #B7DC22

RGB 183 220 34

HSL 71.94, 0.73%, 0.5%

LAB 82.58, -34.02, 76.91

 

CMYK 40 / 0 / 85 / 14

HEX #85DC22

RGB 133 220 34

HSL 88.06, 0.73%, 0.5%

LAB 79.78, -52.57, 73.41

 

CMYK 62 / 0 / 85 / 14

HEX #54DC22

RGB 84 220 34

HSL 103.87, 0.73%, 0.5%

LAB 77.99, -66.43, 71.14

 

CMYK 18 / 0 / 85 / 42

HEX #7A9517

RGB 122 149 23

HSL 72.86, 0.73%, 0.34%

LAB 57.75, -25.89, 56.63

 

CMYK 18 / 0 / 85 / 28

HEX #97B81C

RGB 151 184 28

HSL 72.69, 0.74%, 0.42%

LAB 70.14, -30.42, 66.84

 

CMYK 18 / 0 / 85 / 14

HEX #B5DC22

RGB 181 220 34

HSL 72.58, 0.73%, 0.5%

LAB 82.45, -34.82, 76.75

 

CMYK 15 / 0 / 69 / 11

HEX #C1E246

RGB 193 226 70

HSL 72.69, 0.73%, 0.58%

LAB 85.08, -31.29, 68.93

 

CMYK 11 / 0 / 55 / 9

HEX #CDE769

RGB 205 231 105

HSL 72.38, 0.72%, 0.66%

LAB 87.56, -26.45, 57.52

 

CMYK 18 / 0 / 84 / 14

HEX #B4DB22

RGB 180 219 34

HSL 72.65, 0.73%, 0.5%

LAB 82.1, -34.76, 76.43

 

CMYK 85 / 0 / 51 / 14

HEX #22DC6C

RGB 34 220 108

HSL 143.87, 0.73%, 0.5%

LAB 77.64, -67.19, 42.66

 

CMYK 17 / 85 / 0 / 14

HEX #B722DC

RGB 183 34 220

HSL 288.06, 0.73%, 0.5%

LAB 47.47, 77.92, -62.47

 

CMYK 18 / 0 / 84 / 14

HEX #B4DB22

RGB 180 219 34

HSL 72.65, 0.73%, 0.5%

LAB 82.1, -34.76, 76.43

 

CMYK 85 / 17 / 0 / 14

HEX #22B7DC

RGB 34 183 220

HSL 191.94, 0.73%, 0.5%

LAB 69.02, -24.12, -29.02

 

CMYK 0 / 85 / 17 / 14

HEX #DC22B7

RGB 220 34 183

HSL 311.94, 0.73%, 0.5%

LAB 51.59, 79.06, -34.17

 

CMYK 18 / 0 / 84 / 14

HEX #B4DB22

RGB 180 219 34

HSL 72.65, 0.73%, 0.5%

LAB 82.1, -34.76, 76.43

 

CMYK 85 / 0 / 51 / 14

HEX #22DC6C

RGB 34 220 108

HSL 143.87, 0.73%, 0.5%

LAB 77.64, -67.19, 42.66

 

CMYK 68 / 85 / 0 / 14

HEX #4722DC

RGB 71 34 220

HSL 251.94, 0.73%, 0.5%

LAB 33.25, 64.32, -86.33

 

CMYK 0 / 85 / 34 / 14

HEX #DC2292

RGB 220 34 146

HSL 323.87, 0.73%, 0.5%

LAB 50.02, 74.75, -14.69

 

CMYK 18 / 0 / 84 / 14

HEX #B4DB22

RGB 180 219 34

HSL 72.65, 0.73%, 0.5%

LAB 82.1, -34.76, 76.43

 

CMYK 85 / 0 / 25 / 14

HEX #22DCA4

RGB 34 220 164

HSL 161.94, 0.73%, 0.5%

LAB 78.58, -56.42, 15.38

 

CMYK 68 / 85 / 0 / 14

HEX #4722DC

RGB 71 34 220

HSL 251.94, 0.73%, 0.5%

LAB 33.25, 64.32, -86.33

 

CMYK 0 / 85 / 59 / 14

HEX #DC225A

RGB 220 34 90

HSL 341.94, 0.73%, 0.5%

LAB 48.38, 70.08, 17.05

 

Description

Color code: HEX #B4DB22 | qconv.com Color code: HEX #B4DB22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 219 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 219 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 84 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 84% 14% C M Y K

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Provide designers and agencies with accurate color values.

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