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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4D4DD it is the complementary color #4B2B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4D4DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4D4DD shade: #B9D4D8, #CAE6EB, #DBF8FE, #ECFFFF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4D4DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4D4DD shade: #B4D4DD, #A3C2CA, #92B0B7, #819EA4 and #708C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4D4DD shade: #B5D4DD, #B5C9DD, #B5BEDD, #B6B5DD and #C1B5DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4D4DD shade: #B5D4DD, #B5C9DD, #B5BEDD and #B5B5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4D4DD shade matches the following richer shades: #B5D4DD, #ACD9E6, #A3DEEF and #9BE3F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4D4DD shade: #B5D4DD, #BDD0D5, #C6CBCC, #CFC6C3 and #D7C1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4D4DD shade: #B5DDD0, #B5DDDB, #B5D4DD, #B5CADD and #B5BFDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4D4DD shade: #7CB4C4, #98C4D1, #B5D4DD, #D1E5EA and #EEF5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4D4DD shade: #B4D4DD, #C6B5DD and #DDD6B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4D4DD shade: #B4D4DD, #DDB5D4 and #D4DDB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4D4DD shade: #B4D4DD, #C6B5DD, #DDBDB5 and #CCDDB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4D4DD shade: #B4D4DD, #D2B5DD, #DDBDB5 and #C0DDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 4 / 0 / 13

HEX #B4D4DD

RGB 180 212 221

HSL 193.17, 0.38%, 0.79%

LAB 82.92, -8.67, -7.99

 

Complementary color

CMYK 0 / 43 / 55 / 71

HEX #4B2B22

RGB 75 43 34

HSL 13.17, 0.38%, 0.21%

LAB 21.35, 13.69, 12.13

 

CMYK 14 / 2 / 0 / 15

HEX #B9D4D8

RGB 185 212 216

HSL 187.74, 0.28%, 0.79%

LAB 83.1, -8.14, -5.01

 

CMYK 14 / 2 / 0 / 8

HEX #CAE6EB

RGB 202 230 235

HSL 189.09, 0.45%, 0.86%

LAB 89.46, -8.16, -5.54

 

CMYK 14 / 2 / 0 / 0

HEX #DBF8FE

RGB 219 248 254

HSL 190.29, 0.95%, 0.93%

LAB 95.73, -8.18, -6.06

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 19 / 4 / 0 / 13

HEX #B4D4DD

RGB 180 212 221

HSL 193.17, 0.38%, 0.79%

LAB 82.92, -8.67, -7.99

 

CMYK 19 / 4 / 0 / 21

HEX #A3C2CA

RGB 163 194 202

HSL 192.31, 0.27%, 0.72%

LAB 76.46, -8.66, -7.49

 

CMYK 20 / 4 / 0 / 28

HEX #92B0B7

RGB 146 176 183

HSL 191.35, 0.2%, 0.65%

LAB 69.88, -8.66, -6.99

 

CMYK 21 / 4 / 0 / 36

HEX #819EA4

RGB 129 158 164

HSL 190.29, 0.16%, 0.57%

LAB 63.18, -8.67, -6.47

 

CMYK 23 / 3 / 0 / 43

HEX #708C91

RGB 112 140 145

HSL 189.09, 0.13%, 0.5%

LAB 56.33, -8.69, -5.94

 

CMYK 18 / 4 / 0 / 13

HEX #B5D4DD

RGB 181 212 221

HSL 193.5, 0.37%, 0.79%

LAB 82.98, -8.36, -7.88

 

CMYK 18 / 9 / 0 / 13

HEX #B5C9DD

RGB 181 201 221

HSL 210, 0.37%, 0.79%

LAB 80.08, -2.6, -12.21

 

CMYK 18 / 14 / 0 / 13

HEX #B5BEDD

RGB 181 190 221

HSL 226.5, 0.37%, 0.79%

LAB 77.2, 3.28, -16.53

 

CMYK 18 / 18 / 0 / 13

HEX #B6B5DD

RGB 182 181 221

HSL 241.5, 0.37%, 0.79%

LAB 74.96, 8.49, -19.91

 

CMYK 13 / 18 / 0 / 13

HEX #C1B5DD

RGB 193 181 221

HSL 258, 0.37%, 0.79%

LAB 75.83, 12, -18.51

 

CMYK 18 / 4 / 0 / 13

HEX #B5D4DD

RGB 181 212 221

HSL 193.5, 0.37%, 0.79%

LAB 82.98, -8.36, -7.88

 

CMYK 18 / 9 / 0 / 13

HEX #B5C9DD

RGB 181 201 221

HSL 210, 0.37%, 0.79%

LAB 80.08, -2.6, -12.21

 

CMYK 18 / 14 / 0 / 13

HEX #B5BEDD

RGB 181 190 221

HSL 226.5, 0.37%, 0.79%

LAB 77.2, 3.28, -16.53

 

CMYK 18 / 18 / 0 / 13

HEX #B5B5DD

RGB 181 181 221

HSL 240, 0.37%, 0.79%

LAB 74.88, 8.17, -20.03

 

CMYK 18 / 4 / 0 / 13

HEX #B5D4DD

RGB 181 212 221

HSL 193.5, 0.37%, 0.79%

LAB 82.98, -8.36, -7.88

 

CMYK 25 / 6 / 0 / 10

HEX #ACD9E6

RGB 172 217 230

HSL 193.45, 0.54%, 0.79%

LAB 84.02, -11.69, -11.18

 

CMYK 32 / 7 / 0 / 6

HEX #A3DEEF

RGB 163 222 239

HSL 193.42, 0.7%, 0.79%

LAB 85.13, -14.74, -14.34

 

CMYK 37 / 8 / 0 / 3

HEX #9BE3F7

RGB 155 227 247

HSL 193.04, 0.85%, 0.79%

LAB 86.32, -17.47, -16.82

 

CMYK 18 / 4 / 0 / 13

HEX #B5D4DD

RGB 181 212 221

HSL 193.5, 0.37%, 0.79%

LAB 82.98, -8.36, -7.88

 

CMYK 11 / 2 / 0 / 16

HEX #BDD0D5

RGB 189 208 213

HSL 192.5, 0.22%, 0.79%

LAB 82.24, -5.38, -4.67

 

CMYK 3 / 0 / 0 / 20

HEX #C6CBCC

RGB 198 203 204

HSL 190, 0.06%, 0.79%

LAB 81.33, -1.52, -1.1

 

CMYK 0 / 4 / 6 / 19

HEX #CFC6C3

RGB 207 198 195

HSL 15, 0.11%, 0.79%

LAB 80.51, 2.61, 2.61

 

CMYK 0 / 10 / 13 / 16

HEX #D7C1BB

RGB 215 193 187

HSL 12.86, 0.26%, 0.79%

LAB 79.71, 6.77, 5.84

 

CMYK 18 / 0 / 6 / 13

HEX #B5DDD0

RGB 181 221 208

HSL 160.5, 0.37%, 0.79%

LAB 85.04, -15.62, 2.04

 

CMYK 18 / 0 / 1 / 13

HEX #B5DDDB

RGB 181 221 219

HSL 177, 0.37%, 0.79%

LAB 85.33, -13.39, -3.36

 

CMYK 18 / 4 / 0 / 13

HEX #B5D4DD

RGB 181 212 221

HSL 193.5, 0.37%, 0.79%

LAB 82.98, -8.36, -7.88

 

CMYK 18 / 9 / 0 / 13

HEX #B5CADD

RGB 181 202 221

HSL 208.5, 0.37%, 0.79%

LAB 80.34, -3.13, -11.82

 

CMYK 18 / 14 / 0 / 13

HEX #B5BFDD

RGB 181 191 221

HSL 225, 0.37%, 0.79%

LAB 77.46, 2.74, -16.13

 

CMYK 37 / 8 / 0 / 23

HEX #7CB4C4

RGB 124 180 196

HSL 193.33, 0.38%, 0.63%

LAB 70.12, -14.18, -13.93

 

CMYK 27 / 6 / 0 / 18

HEX #98C4D1

RGB 152 196 209

HSL 193.68, 0.38%, 0.71%

LAB 76.53, -11.48, -11.24

 

CMYK 18 / 4 / 0 / 13

HEX #B5D4DD

RGB 181 212 221

HSL 193.5, 0.37%, 0.79%

LAB 82.98, -8.36, -7.88

 

CMYK 11 / 2 / 0 / 8

HEX #D1E5EA

RGB 209 229 234

HSL 192, 0.37%, 0.87%

LAB 89.64, -5.63, -4.7

 

CMYK 4 / 1 / 0 / 3

HEX #EEF5F7

RGB 238 245 247

HSL 193.33, 0.36%, 0.95%

LAB 96.08, -1.94, -1.78

 

CMYK 19 / 4 / 0 / 13

HEX #B4D4DD

RGB 180 212 221

HSL 193.17, 0.38%, 0.79%

LAB 82.92, -8.67, -7.99

 

CMYK 10 / 18 / 0 / 13

HEX #C6B5DD

RGB 198 181 221

HSL 265.5, 0.37%, 0.79%

LAB 76.24, 13.62, -17.85

 

CMYK 0 / 3 / 18 / 13

HEX #DDD6B5

RGB 221 214 181

HSL 49.5, 0.37%, 0.79%

LAB 85.4, -2.97, 17.18

 

CMYK 19 / 4 / 0 / 13

HEX #B4D4DD

RGB 180 212 221

HSL 193.17, 0.38%, 0.79%

LAB 82.92, -8.67, -7.99

 

CMYK 0 / 18 / 4 / 13

HEX #DDB5D4

RGB 221 181 212

HSL 313.5, 0.37%, 0.79%

LAB 77.98, 19.57, -10.16

 

CMYK 4 / 0 / 18 / 13

HEX #D4DDB5

RGB 212 221 181

HSL 73.5, 0.37%, 0.79%

LAB 86.53, -9.82, 18.65

 

CMYK 19 / 4 / 0 / 13

HEX #B4D4DD

RGB 180 212 221

HSL 193.17, 0.38%, 0.79%

LAB 82.92, -8.67, -7.99

 

CMYK 10 / 18 / 0 / 13

HEX #C6B5DD

RGB 198 181 221

HSL 265.5, 0.37%, 0.79%

LAB 76.24, 13.62, -17.85

 

CMYK 0 / 14 / 18 / 13

HEX #DDBDB5

RGB 221 189 181

HSL 12, 0.37%, 0.79%

LAB 79.1, 10.14, 8.26

 

CMYK 8 / 0 / 18 / 13

HEX #CCDDB5

RGB 204 221 181

HSL 85.5, 0.37%, 0.79%

LAB 85.95, -12.68, 17.75

 

CMYK 19 / 4 / 0 / 13

HEX #B4D4DD

RGB 180 212 221

HSL 193.17, 0.38%, 0.79%

LAB 82.92, -8.67, -7.99

 

CMYK 5 / 18 / 0 / 13

HEX #D2B5DD

RGB 210 181 221

HSL 283.5, 0.37%, 0.79%

LAB 77.26, 17.55, -16.21

 

CMYK 0 / 14 / 18 / 13

HEX #DDBDB5

RGB 221 189 181

HSL 12, 0.37%, 0.79%

LAB 79.1, 10.14, 8.26

 

CMYK 13 / 0 / 18 / 13

HEX #C0DDB5

RGB 192 221 181

HSL 103.5, 0.37%, 0.79%

LAB 85.13, -16.89, 16.48

 

Description

Color code: HEX #B4D4DD | qconv.com Color code: HEX #B4D4DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 212 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 212 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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