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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4CE3B it is the complementary color #4B31C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4CE3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4CE3B shade: #B9CE36, #CAE049, #DBF25C, #ECFF6F and #FDFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4CE3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4CE3B shade: #B4CE3B, #A3BC28, #92AA15, #819802 and #708600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4CE3B shade: #B4CE3B, #CEC03B, #CE983B, #CE713B and #CE493B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4CE3B shade: #B4CE3B, #8CCE3B, #64CE3B, #3DCE3B and #3BCE60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4CE3B shade matches the following richer shades: #B4CE3B, #C0E127 and #CDF513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4CE3B shade: #B4CE3B, #A7BA4E, #9AA662, #8D9276 and #807E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4CE3B shade: #CE983B, #CEBF3B, #B5CE3B, #8ECE3B and #67CE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4CE3B shade: #7E9224, #9BB32C, #B4CE3B, #C0D65C and #CDDE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4CE3B shade: #B4CE3B, #3BCE71 and #AB3BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4CE3B shade: #B4CE3B, #3BB5CE and #CE3BB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4CE3B shade: #B4CE3B, #3BCE71, #533BCE and #CE3B98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4CE3B shade: #B4CE3B, #3BCE9D, #533BCE and #CE3B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

Complementary color

CMYK 62 / 75 / 0 / 23

HEX #4B31C4

RGB 75 49 196

HSL 250.61, 0.6%, 0.48%

LAB 33.3, 51.32, -72.29

 

CMYK 10 / 0 / 74 / 19

HEX #B9CE36

RGB 185 206 54

HSL 68.29, 0.61%, 0.51%

LAB 78.88, -25.9, 68.24

 

CMYK 10 / 0 / 67 / 12

HEX #CAE049

RGB 202 224 73

HSL 68.74, 0.71%, 0.58%

LAB 85.17, -26.59, 68.12

 

CMYK 10 / 0 / 62 / 5

HEX #DBF25C

RGB 219 242 92

HSL 69.2, 0.85%, 0.65%

LAB 91.39, -27.16, 67.57

 

CMYK 7 / 0 / 56 / 0

HEX #ECFF6F

RGB 236 255 111

HSL 67.92, 1%, 0.72%

LAB 96.2, -25.28, 65.3

 

CMYK 1 / 0 / 49 / 0

HEX #FDFF82

RGB 253 255 130

HSL 60.96, 1%, 0.75%

LAB 97.64, -17.15, 58.88

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 13 / 0 / 79 / 26

HEX #A3BC28

RGB 163 188 40

HSL 70.14, 0.65%, 0.45%

LAB 72.17, -26.94, 65.81

 

CMYK 14 / 0 / 88 / 33

HEX #92AA15

RGB 146 170 21

HSL 69.66, 0.78%, 0.37%

LAB 65.68, -25.99, 64.47

 

CMYK 15 / 0 / 99 / 40

HEX #819802

RGB 129 152 2

HSL 69.2, 0.97%, 0.3%

LAB 59.09, -24.84, 61.76

 

CMYK 16 / 0 / 100 / 47

HEX #708600

RGB 112 134 0

HSL 69.85, 1%, 0.26%

LAB 52.39, -23.35, 56.49

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 0 / 7 / 71 / 19

HEX #CEC03B

RGB 206 192 59

HSL 54.29, 0.6%, 0.52%

LAB 76.76, -9.87, 65.04

 

CMYK 0 / 26 / 71 / 19

HEX #CE983B

RGB 206 152 59

HSL 37.96, 0.6%, 0.52%

LAB 66.44, 11.29, 54.72

 

CMYK 0 / 45 / 71 / 19

HEX #CE713B

RGB 206 113 59

HSL 22.04, 0.6%, 0.52%

LAB 57.32, 32.35, 45.1

 

CMYK 0 / 65 / 71 / 19

HEX #CE493B

RGB 206 73 59

HSL 5.71, 0.6%, 0.52%

LAB 49.74, 51.79, 36.64

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 32 / 0 / 71 / 19

HEX #8CCE3B

RGB 140 206 59

HSL 86.94, 0.6%, 0.52%

LAB 76.09, -43.13, 62.83

 

CMYK 51 / 0 / 71 / 19

HEX #64CE3B

RGB 100 206 59

HSL 103.27, 0.6%, 0.52%

LAB 74.3, -56.06, 60.44

 

CMYK 70 / 0 / 71 / 19

HEX #3DCE3B

RGB 61 206 59

HSL 119.18, 0.6%, 0.52%

LAB 73.19, -64.99, 58.95

 

CMYK 71 / 0 / 53 / 19

HEX #3BCE60

RGB 59 206 96

HSL 135.1, 0.6%, 0.52%

LAB 73.49, -61.22, 43.4

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 15 / 0 / 83 / 12

HEX #C0E127

RGB 192 225 39

HSL 70.65, 0.76%, 0.52%

LAB 84.59, -32.57, 77.75

 

CMYK 16 / 0 / 92 / 4

HEX #CDF513

RGB 205 245 19

HSL 70.62, 0.92%, 0.52%

LAB 90.93, -36.94, 86.69

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 10 / 0 / 58 / 27

HEX #A7BA4E

RGB 167 186 78

HSL 70.56, 0.44%, 0.52%

LAB 72.15, -22.02, 51.42

 

CMYK 7 / 0 / 41 / 35

HEX #9AA662

RGB 154 166 98

HSL 70.59, 0.28%, 0.52%

LAB 65.77, -15.19, 33.75

 

CMYK 3 / 0 / 19 / 43

HEX #8D9276

RGB 141 146 118

HSL 70.71, 0.11%, 0.52%

LAB 59.46, -6.91, 14.26

 

CMYK 7 / 9 / 0 / 46

HEX #807E8A

RGB 128 126 138

HSL 250, 0.05%, 0.52%

LAB 53.33, 3.21, -6.22

 

CMYK 0 / 26 / 71 / 19

HEX #CE983B

RGB 206 152 59

HSL 37.96, 0.6%, 0.52%

LAB 66.44, 11.29, 54.72

 

CMYK 0 / 7 / 71 / 19

HEX #CEBF3B

RGB 206 191 59

HSL 53.88, 0.6%, 0.52%

LAB 76.5, -9.36, 64.78

 

CMYK 12 / 0 / 71 / 19

HEX #B5CE3B

RGB 181 206 59

HSL 70.2, 0.6%, 0.52%

LAB 78.63, -27.28, 66.19

 

CMYK 31 / 0 / 71 / 19

HEX #8ECE3B

RGB 142 206 59

HSL 86.12, 0.6%, 0.52%

LAB 76.2, -42.41, 62.98

 

CMYK 50 / 0 / 71 / 19

HEX #67CE3B

RGB 103 206 59

HSL 102.04, 0.6%, 0.52%

LAB 74.41, -55.21, 60.59

 

CMYK 14 / 0 / 75 / 43

HEX #7E9224

RGB 126 146 36

HSL 70.91, 0.6%, 0.36%

LAB 57.19, -22.1, 52.24

 

CMYK 13 / 0 / 75 / 30

HEX #9BB32C

RGB 155 179 44

HSL 70.67, 0.61%, 0.44%

LAB 69.03, -25.74, 61.47

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 10 / 0 / 57 / 16

HEX #C0D65C

RGB 192 214 92

HSL 70.82, 0.6%, 0.6%

LAB 81.88, -24.5, 56.59

 

CMYK 8 / 0 / 44 / 13

HEX #CDDE7D

RGB 205 222 125

HSL 70.52, 0.6%, 0.68%

LAB 85.35, -20.21, 45.51

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 71 / 0 / 45 / 19

HEX #3BCE71

RGB 59 206 113

HSL 142.04, 0.6%, 0.52%

LAB 73.72, -58.61, 35.34

 

CMYK 17 / 71 / 0 / 19

HEX #AB3BCE

RGB 171 59 206

HSL 285.71, 0.6%, 0.52%

LAB 47.29, 65.72, -54.82

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 71 / 12 / 0 / 19

HEX #3BB5CE

RGB 59 181 206

HSL 190.2, 0.6%, 0.52%

LAB 68.34, -25.12, -22.35

 

CMYK 0 / 71 / 12 / 19

HEX #CE3BB5

RGB 206 59 181

HSL 310.2, 0.6%, 0.52%

LAB 51.37, 69.23, -33.52

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 71 / 0 / 45 / 19

HEX #3BCE71

RGB 59 206 113

HSL 142.04, 0.6%, 0.52%

LAB 73.72, -58.61, 35.34

 

CMYK 60 / 71 / 0 / 19

HEX #533BCE

RGB 83 59 206

HSL 249.8, 0.6%, 0.52%

LAB 36.79, 50.1, -72.37

 

CMYK 0 / 71 / 26 / 19

HEX #CE3B98

RGB 206 59 152

HSL 322.04, 0.6%, 0.52%

LAB 50.12, 65.31, -18.36

 

CMYK 13 / 0 / 71 / 19

HEX #B4CE3B

RGB 180 206 59

HSL 70.61, 0.6%, 0.52%

LAB 78.56, -27.69, 66.1

 

CMYK 71 / 0 / 24 / 19

HEX #3BCE9D

RGB 59 206 157

HSL 160, 0.6%, 0.52%

LAB 74.51, -49.86, 13.43

 

CMYK 60 / 71 / 0 / 19

HEX #533BCE

RGB 83 59 206

HSL 249.8, 0.6%, 0.52%

LAB 36.79, 50.1, -72.37

 

CMYK 0 / 71 / 48 / 19

HEX #CE3B6C

RGB 206 59 108

HSL 340, 0.6%, 0.52%

LAB 48.68, 60.61, 6.05

 

Description

Color code: HEX #B4CE3B | qconv.com Color code: HEX #B4CE3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 206 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 206 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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