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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4CC1E it is the complementary color #4B33E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4CC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4CC1E shade: #B9CC19, #CADE2C, #DBF03F, #ECFF52 and #FDFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4CC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4CC1E shade: #B4CC1E, #A3BA0B, #92A800, #819600 and #708400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4CC1E shade: #B4CC1E, #CCB51E, #CC861E, #CC571E and #CC281E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4CC1E shade: #B4CC1E, #85CC1E, #56CC1E, #27CC1E and #1ECC44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4CC1E shade matches the following richer shades: #B4CC1E and #C1DF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4CC1E shade: #B4CC1E, #A6B931, #98A644, #8A9357 and #7D806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4CC1E shade: #CC861E, #CCB41E, #B4CC1E, #86CC1E and #58CC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4CC1E shade: #748413, #94A819, #B4CC1E, #C8E033 and #D2E557

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4CC1E shade: #B4CC1E, #1ECC58 and #9D1ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4CC1E shade: #B4CC1E, #1EB4CC and #CC1EB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4CC1E shade: #B4CC1E, #1ECC58, #351ECC and #CC1E92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4CC1E shade: #B4CC1E, #1ECC8C, #351ECC and #CC1E5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

Complementary color

CMYK 67 / 77 / 0 / 12

HEX #4B33E1

RGB 75 51 225

HSL 248.28, 0.74%, 0.54%

LAB 36.56, 58.87, -83.71

 

CMYK 9 / 0 / 88 / 20

HEX #B9CC19

RGB 185 204 25

HSL 66.37, 0.78%, 0.45%

LAB 78.21, -25.92, 75.12

 

CMYK 9 / 0 / 80 / 13

HEX #CADE2C

RGB 202 222 44

HSL 66.74, 0.73%, 0.52%

LAB 84.47, -26.95, 76.7

 

CMYK 9 / 0 / 74 / 6

HEX #DBF03F

RGB 219 240 63

HSL 67.12, 0.86%, 0.59%

LAB 90.66, -27.82, 77.32

 

CMYK 7 / 0 / 68 / 0

HEX #ECFF52

RGB 236 255 82

HSL 66.59, 1%, 0.66%

LAB 95.98, -27.15, 76.5

 

CMYK 1 / 0 / 60 / 0

HEX #FDFF65

RGB 253 255 101

HSL 60.78, 1%, 0.7%

LAB 97.37, -19.3, 71.09

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 12 / 0 / 94 / 27

HEX #A3BA0B

RGB 163 186 11

HSL 67.89, 0.89%, 0.39%

LAB 71.51, -26.75, 71.22

 

CMYK 13 / 0 / 100 / 34

HEX #92A800

RGB 146 168 0

HSL 67.86, 1%, 0.33%

LAB 65.05, -25.4, 67.08

 

CMYK 14 / 0 / 100 / 41

HEX #819600

RGB 129 150 0

HSL 68.4, 1%, 0.29%

LAB 58.49, -23.88, 61.62

 

CMYK 15 / 0 / 100 / 48

HEX #708400

RGB 112 132 0

HSL 69.09, 1%, 0.26%

LAB 51.78, -22.34, 56.03

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 0 / 11 / 85 / 20

HEX #CCB51E

RGB 204 181 30

HSL 52.07, 0.74%, 0.46%

LAB 73.53, -6.11, 70.92

 

CMYK 0 / 34 / 85 / 20

HEX #CC861E

RGB 204 134 30

HSL 35.86, 0.74%, 0.46%

LAB 61.64, 19.11, 61.11

 

CMYK 0 / 57 / 85 / 20

HEX #CC571E

RGB 204 87 30

HSL 19.66, 0.74%, 0.46%

LAB 51.55, 43.67, 52.66

 

CMYK 0 / 80 / 85 / 20

HEX #CC281E

RGB 204 40 30

HSL 3.45, 0.74%, 0.46%

LAB 44.87, 61.77, 46.97

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 35 / 0 / 85 / 20

HEX #85CC1E

RGB 133 204 30

HSL 84.48, 0.74%, 0.46%

LAB 74.99, -46.19, 70.14

 

CMYK 58 / 0 / 85 / 20

HEX #56CC1E

RGB 86 204 30

HSL 100.69, 0.74%, 0.46%

LAB 73.06, -60.71, 67.71

 

CMYK 81 / 0 / 85 / 20

HEX #27CC1E

RGB 39 204 30

HSL 116.9, 0.74%, 0.46%

LAB 72.03, -69.41, 66.4

 

CMYK 85 / 0 / 67 / 20

HEX #1ECC44

RGB 30 204 68

HSL 133.1, 0.74%, 0.46%

LAB 72.15, -67.6, 54.22

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 13 / 0 / 95 / 13

HEX #C1DF0B

RGB 193 223 11

HSL 68.49, 0.91%, 0.46%

LAB 84.04, -31.81, 81.81

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 10 / 0 / 74 / 27

HEX #A6B931

RGB 166 185 49

HSL 68.38, 0.58%, 0.46%

LAB 71.57, -23.83, 62.48

 

CMYK 8 / 0 / 59 / 35

HEX #98A644

RGB 152 166 68

HSL 68.57, 0.42%, 0.46%

LAB 65.25, -19.01, 47.95

 

CMYK 6 / 0 / 41 / 42

HEX #8A9357

RGB 138 147 87

HSL 69, 0.26%, 0.46%

LAB 58.94, -13.08, 30.65

 

CMYK 2 / 0 / 17 / 50

HEX #7D806A

RGB 125 128 106

HSL 68.18, 0.09%, 0.46%

LAB 52.77, -5.22, 11.58

 

CMYK 0 / 34 / 85 / 20

HEX #CC861E

RGB 204 134 30

HSL 35.86, 0.74%, 0.46%

LAB 61.64, 19.11, 61.11

 

CMYK 0 / 12 / 85 / 20

HEX #CCB41E

RGB 204 180 30

HSL 51.72, 0.74%, 0.46%

LAB 73.27, -5.58, 70.71

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 34 / 0 / 85 / 20

HEX #86CC1E

RGB 134 204 30

HSL 84.14, 0.74%, 0.46%

LAB 75.04, -45.84, 70.2

 

CMYK 57 / 0 / 85 / 20

HEX #58CC1E

RGB 88 204 30

HSL 100, 0.74%, 0.46%

LAB 73.12, -60.2, 67.79

 

CMYK 12 / 0 / 86 / 48

HEX #748413

RGB 116 132 19

HSL 68.5, 0.75%, 0.3%

LAB 52.13, -20.09, 52.65

 

CMYK 12 / 0 / 85 / 34

HEX #94A819

RGB 148 168 25

HSL 68.39, 0.74%, 0.38%

LAB 65.26, -24.05, 63.31

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 11 / 0 / 77 / 12

HEX #C8E033

RGB 200 224 51

HSL 68.32, 0.74%, 0.54%

LAB 84.91, -28.46, 75.13

 

CMYK 8 / 0 / 62 / 10

HEX #D2E557

RGB 210 229 87

HSL 68.03, 0.73%, 0.62%

LAB 87.21, -24.9, 64.93

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 23 / 85 / 0 / 20

HEX #9D1ECC

RGB 157 30 204

HSL 283.79, 0.74%, 0.46%

LAB 41.93, 71.79, -62.43

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 85 / 12 / 0 / 20

HEX #1EB4CC

RGB 30 180 204

HSL 188.28, 0.74%, 0.46%

LAB 67.49, -28.13, -22.59

 

CMYK 0 / 85 / 12 / 20

HEX #CC1EB4

RGB 204 30 180

HSL 308.28, 0.74%, 0.46%

LAB 48.34, 76.24, -37.72

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 74 / 85 / 0 / 20

HEX #351ECC

RGB 53 30 204

HSL 247.93, 0.74%, 0.46%

LAB 29.53, 60.27, -83.28

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 85 / 0 / 31 / 20

HEX #1ECC8C

RGB 30 204 140

HSL 157.93, 0.74%, 0.46%

LAB 73.13, -56.04, 20.49

 

CMYK 74 / 85 / 0 / 20

HEX #351ECC

RGB 53 30 204

HSL 247.93, 0.74%, 0.46%

LAB 29.53, 60.27, -83.28

 

CMYK 0 / 85 / 54 / 20

HEX #CC1E5E

RGB 204 30 94

HSL 337.93, 0.74%, 0.46%

LAB 45.05, 67.12, 9.47

 

Description

Color code: HEX #B4CC1E | qconv.com Color code: HEX #B4CC1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 204 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 204 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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