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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4C236 it is the complementary color #4B3DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4C236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4C236 shade: #B9C231, #CAD444, #DBE657, #ECF86A and #FDFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4C236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4C236 shade: #B4C236, #A3B023, #929E10, #818C00 and #707A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4C236 shade: #B4C236, #C2AB36, #C28536, #C25F36 and #C23936

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4C236 shade: #B4C236, #8FC236, #69C236, #43C236 and #36C24F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4C236 shade matches the following richer shades: #B4C236, #C5D722 and #D5EB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4C236 shade: #B4C236, #A4AE4B, #949A5F, #848673 and #747287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4C236 shade: #C28636, #C2AB36, #B4C236, #8FC236 and #6AC236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4C236 shade: #798224, #97A22D, #B4C236, #C2CE54 and #CDD774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4C236 shade: #B4C236, #36C260 and #9836C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4C236 shade: #B4C236, #36B4C2 and #C236B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4C236 shade: #B4C236, #36C260, #4436C2 and #C23698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4C236 shade: #B4C236, #36C28A, #4436C2 and #C2366E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

Complementary color

CMYK 63 / 70 / 0 / 21

HEX #4B3DC9

RGB 75 61 201

HSL 246, 0.56%, 0.51%

LAB 36.08, 46.39, -70.64

 

CMYK 5 / 0 / 75 / 24

HEX #B9C231

RGB 185 194 49

HSL 63.72, 0.6%, 0.48%

LAB 75.53, -20.27, 66.71

 

CMYK 5 / 0 / 68 / 17

HEX #CAD444

RGB 202 212 68

HSL 64.17, 0.63%, 0.55%

LAB 81.87, -21.09, 66.65

 

CMYK 5 / 0 / 62 / 10

HEX #DBE657

RGB 219 230 87

HSL 64.62, 0.74%, 0.62%

LAB 88.13, -21.77, 66.12

 

CMYK 5 / 0 / 57 / 3

HEX #ECF86A

RGB 236 248 106

HSL 65.07, 0.91%, 0.69%

LAB 94.32, -22.34, 65.32

 

CMYK 1 / 0 / 51 / 0

HEX #FDFF7D

RGB 253 255 125

HSL 60.92, 1%, 0.75%

LAB 97.58, -17.56, 61.08

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 7 / 0 / 80 / 31

HEX #A3B023

RGB 163 176 35

HSL 65.53, 0.67%, 0.41%

LAB 68.72, -21.25, 64.16

 

CMYK 8 / 0 / 90 / 38

HEX #929E10

RGB 146 158 16

HSL 65.07, 0.82%, 0.34%

LAB 62.17, -20.15, 62.57

 

CMYK 8 / 0 / 100 / 45

HEX #818C00

RGB 129 140 0

HSL 64.71, 1%, 0.27%

LAB 55.51, -18.81, 59.39

 

CMYK 8 / 0 / 100 / 52

HEX #707A00

RGB 112 122 0

HSL 64.92, 1%, 0.24%

LAB 48.72, -17.16, 53.75

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 0 / 12 / 72 / 24

HEX #C2AB36

RGB 194 171 54

HSL 50.14, 0.56%, 0.49%

LAB 70.08, -4.38, 60.01

 

CMYK 0 / 31 / 72 / 24

HEX #C28536

RGB 194 133 54

HSL 33.86, 0.56%, 0.49%

LAB 60.35, 16.2, 50.22

 

CMYK 0 / 51 / 72 / 24

HEX #C25F36

RGB 194 95 54

HSL 17.57, 0.56%, 0.49%

LAB 51.75, 36.7, 41.07

 

CMYK 0 / 71 / 72 / 24

HEX #C23936

RGB 194 57 54

HSL 1.29, 0.56%, 0.49%

LAB 45.17, 54.02, 33.67

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 26 / 0 / 72 / 24

HEX #8FC236

RGB 143 194 54

HSL 81.86, 0.56%, 0.49%

LAB 72.69, -37.05, 61.29

 

CMYK 46 / 0 / 72 / 24

HEX #69C236

RGB 105 194 54

HSL 98.14, 0.56%, 0.49%

LAB 70.77, -50.34, 58.74

 

CMYK 65 / 0 / 72 / 24

HEX #43C236

RGB 67 194 54

HSL 114.43, 0.56%, 0.49%

LAB 69.5, -60.28, 57.04

 

CMYK 72 / 0 / 59 / 24

HEX #36C24F

RGB 54 194 79

HSL 130.71, 0.56%, 0.49%

LAB 69.42, -60.16, 46.49

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 8 / 0 / 84 / 16

HEX #C5D722

RGB 197 215 34

HSL 65.97, 0.73%, 0.49%

LAB 82.16, -25.98, 76.95

 

CMYK 9 / 0 / 94 / 8

HEX #D5EB0E

RGB 213 235 14

HSL 65.97, 0.89%, 0.49%

LAB 88.73, -29.22, 85.75

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 6 / 0 / 57 / 32

HEX #A4AE4B

RGB 164 174 75

HSL 66.06, 0.4%, 0.49%

LAB 68.51, -17.48, 48.64

 

CMYK 4 / 0 / 38 / 40

HEX #949A5F

RGB 148 154 95

HSL 66.1, 0.24%, 0.49%

LAB 61.86, -11.7, 30.25

 

CMYK 1 / 0 / 14 / 47

HEX #848673

RGB 132 134 115

HSL 66.32, 0.08%, 0.49%

LAB 55.27, -4.28, 9.99

 

CMYK 14 / 16 / 0 / 47

HEX #747287

RGB 116 114 135

HSL 245.71, 0.08%, 0.49%

LAB 48.88, 5.3, -11.21

 

CMYK 0 / 31 / 72 / 24

HEX #C28636

RGB 194 134 54

HSL 34.29, 0.56%, 0.49%

LAB 60.59, 15.65, 50.48

 

CMYK 0 / 12 / 72 / 24

HEX #C2AB36

RGB 194 171 54

HSL 50.14, 0.56%, 0.49%

LAB 70.08, -4.38, 60.01

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 26 / 0 / 72 / 24

HEX #8FC236

RGB 143 194 54

HSL 81.86, 0.56%, 0.49%

LAB 72.69, -37.05, 61.29

 

CMYK 45 / 0 / 72 / 24

HEX #6AC236

RGB 106 194 54

HSL 97.71, 0.56%, 0.49%

LAB 70.81, -50.02, 58.8

 

CMYK 7 / 0 / 72 / 49

HEX #798224

RGB 121 130 36

HSL 65.74, 0.57%, 0.33%

LAB 52.01, -16.02, 47.08

 

CMYK 7 / 0 / 72 / 36

HEX #97A22D

RGB 151 162 45

HSL 65.64, 0.57%, 0.41%

LAB 63.84, -18.93, 56.05

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 6 / 0 / 59 / 19

HEX #C2CE54

RGB 194 206 84

HSL 65.9, 0.55%, 0.57%

LAB 79.76, -20.41, 57.77

 

CMYK 5 / 0 / 46 / 16

HEX #CDD774

RGB 205 215 116

HSL 66.06, 0.55%, 0.65%

LAB 83.36, -17.69, 47.42

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 72 / 0 / 51 / 24

HEX #36C260

RGB 54 194 96

HSL 138, 0.56%, 0.49%

LAB 69.62, -57.82, 38.63

 

CMYK 22 / 72 / 0 / 24

HEX #9836C2

RGB 152 54 194

HSL 282, 0.56%, 0.49%

LAB 43.08, 61.42, -54.8

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 72 / 7 / 0 / 24

HEX #36B4C2

RGB 54 180 194

HSL 186, 0.56%, 0.49%

LAB 67.52, -28.97, -16.99

 

CMYK 0 / 72 / 7 / 24

HEX #C236B4

RGB 194 54 180

HSL 306, 0.56%, 0.49%

LAB 48.76, 67.98, -37.16

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 72 / 0 / 51 / 24

HEX #36C260

RGB 54 194 96

HSL 138, 0.56%, 0.49%

LAB 69.62, -57.82, 38.63

 

CMYK 65 / 72 / 0 / 24

HEX #4436C2

RGB 68 54 194

HSL 246, 0.56%, 0.49%

LAB 33.48, 47.21, -70.84

 

CMYK 0 / 72 / 22 / 24

HEX #C23698

RGB 194 54 152

HSL 318, 0.56%, 0.49%

LAB 47.46, 63.97, -22.61

 

CMYK 7 / 0 / 72 / 24

HEX #B4C236

RGB 180 194 54

HSL 66, 0.56%, 0.49%

LAB 75.17, -22.14, 64.56

 

CMYK 72 / 0 / 29 / 24

HEX #36C28A

RGB 54 194 138

HSL 156, 0.56%, 0.49%

LAB 70.32, -50, 17.74

 

CMYK 65 / 72 / 0 / 24

HEX #4436C2

RGB 68 54 194

HSL 246, 0.56%, 0.49%

LAB 33.48, 47.21, -70.84

 

CMYK 0 / 72 / 43 / 24

HEX #C2366E

RGB 194 54 110

HSL 336, 0.56%, 0.49%

LAB 45.95, 59.12, 0.62

 

Description

Color code: HEX #B4C236 | qconv.com Color code: HEX #B4C236 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 194 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 194 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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