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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4BA17 it is the complementary color #4B45E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4BA17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4BA17 shade: #B9BA12, #CACC25, #DBDE38, #ECF04B and #FDFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4BA17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4BA17 shade: #B4BA17, #A3A804, #929600, #818400 and #707200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4BA17 shade: #B4BA17, #BA9417, #BA6817, #BA3C17 and #BA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4BA17 shade: #B4BA17, #88BA17, #5CBA17, #30BA17 and #17BA29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4BA17 shade matches the following richer shades: #B4BA17 and #C3CB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4BA17 shade: #B4BA17, #A4A927, #949838, #858749 and #75765A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4BA17 shade: #BA6817, #BA9417, #B4BA17, #89BA17 and #5DBA17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4BA17 shade: #6D700D, #909512, #B4BA17, #D7DE1B and #E0E63C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4BA17 shade: #B4BA17, #17BA3D and #7E17BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4BA17 shade: #B4BA17, #17B4BA and #BA17B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4BA17 shade: #B4BA17, #17BA3D, #1C17BA and #BA1794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4BA17 shade: #B4BA17, #17BA6D, #1C17BA and #BA1763

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

Complementary color

CMYK 68 / 70 / 0 / 9

HEX #4B45E8

RGB 75 69 232

HSL 242.21, 0.78%, 0.59%

LAB 40.54, 51.68, -81.13

 

CMYK 1 / 0 / 90 / 27

HEX #B9BA12

RGB 185 186 18

HSL 60.36, 0.82%, 0.4%

LAB 73.2, -17.21, 72.31

 

CMYK 1 / 0 / 82 / 20

HEX #CACC25

RGB 202 204 37

HSL 60.72, 0.69%, 0.47%

LAB 79.54, -18.45, 74.21

 

CMYK 1 / 0 / 75 / 13

HEX #DBDE38

RGB 219 222 56

HSL 61.08, 0.72%, 0.55%

LAB 85.8, -19.51, 74.97

 

CMYK 2 / 0 / 69 / 6

HEX #ECF04B

RGB 236 240 75

HSL 61.45, 0.85%, 0.62%

LAB 91.98, -20.4, 75.02

 

CMYK 1 / 0 / 63 / 0

HEX #FDFF5E

RGB 253 255 94

HSL 60.75, 1%, 0.68%

LAB 97.31, -19.72, 73.8

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 3 / 0 / 98 / 34

HEX #A3A804

RGB 163 168 4

HSL 61.83, 0.95%, 0.34%

LAB 66.37, -17.93, 68.13

 

CMYK 3 / 0 / 100 / 41

HEX #929600

RGB 146 150 0

HSL 61.6, 1%, 0.29%

LAB 59.82, -16.32, 63.2

 

CMYK 2 / 0 / 100 / 48

HEX #818400

RGB 129 132 0

HSL 61.36, 1%, 0.26%

LAB 53.13, -14.61, 57.64

 

CMYK 2 / 0 / 100 / 55

HEX #707200

RGB 112 114 0

HSL 61.05, 1%, 0.22%

LAB 46.28, -12.85, 51.95

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 0 / 20 / 88 / 27

HEX #BA9417

RGB 186 148 23

HSL 46.01, 0.78%, 0.41%

LAB 63.08, 3.3, 63.35

 

CMYK 0 / 44 / 88 / 27

HEX #BA6817

RGB 186 104 23

HSL 29.82, 0.78%, 0.41%

LAB 52.29, 27.52, 54.68

 

CMYK 0 / 68 / 88 / 27

HEX #BA3C17

RGB 186 60 23

HSL 13.62, 0.78%, 0.41%

LAB 43.85, 49.13, 47.89

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 27 / 0 / 88 / 27

HEX #88BA17

RGB 136 186 23

HSL 78.4, 0.78%, 0.41%

LAB 69.76, -37.5, 67.21

 

CMYK 51 / 0 / 88 / 27

HEX #5CBA17

RGB 92 186 23

HSL 94.6, 0.78%, 0.41%

LAB 67.62, -52.83, 64.53

 

CMYK 74 / 0 / 88 / 27

HEX #30BA17

RGB 48 186 23

HSL 110.8, 0.78%, 0.41%

LAB 66.37, -63.05, 62.97

 

CMYK 88 / 0 / 78 / 27

HEX #17BA29

RGB 23 186 41

HSL 126.63, 0.78%, 0.41%

LAB 66.11, -65.12, 57.87

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 4 / 0 / 97 / 20

HEX #C3CB06

RGB 195 203 6

HSL 62.44, 0.94%, 0.41%

LAB 78.65, -21.5, 78.24

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 3 / 0 / 77 / 34

HEX #A4A927

RGB 164 169 39

HSL 62.31, 0.63%, 0.41%

LAB 66.84, -17.13, 61.3

 

CMYK 3 / 0 / 63 / 40

HEX #949838

RGB 148 152 56

HSL 62.5, 0.46%, 0.41%

LAB 60.82, -14.39, 48.42

 

CMYK 1 / 0 / 46 / 47

HEX #858749

RGB 133 135 73

HSL 61.94, 0.3%, 0.41%

LAB 54.86, -10.34, 32.93

 

CMYK 1 / 0 / 24 / 54

HEX #75765A

RGB 117 118 90

HSL 62.14, 0.13%, 0.41%

LAB 48.86, -5.44, 15.35

 

CMYK 0 / 44 / 88 / 27

HEX #BA6817

RGB 186 104 23

HSL 29.82, 0.78%, 0.41%

LAB 52.29, 27.52, 54.68

 

CMYK 0 / 20 / 88 / 27

HEX #BA9417

RGB 186 148 23

HSL 46.01, 0.78%, 0.41%

LAB 63.08, 3.3, 63.35

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 26 / 0 / 88 / 27

HEX #89BA17

RGB 137 186 23

HSL 78.04, 0.78%, 0.41%

LAB 69.82, -37.11, 67.28

 

CMYK 50 / 0 / 88 / 27

HEX #5DBA17

RGB 93 186 23

HSL 94.23, 0.78%, 0.41%

LAB 67.66, -52.53, 64.58

 

CMYK 3 / 0 / 88 / 56

HEX #6D700D

RGB 109 112 13

HSL 61.82, 0.79%, 0.25%

LAB 45.45, -12.85, 48.29

 

CMYK 3 / 0 / 88 / 42

HEX #909512

RGB 144 149 18

HSL 62.29, 0.78%, 0.33%

LAB 59.4, -16.37, 59.87

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 3 / 0 / 88 / 13

HEX #D7DE1B

RGB 215 222 27

HSL 62.15, 0.78%, 0.49%

LAB 85.39, -22.02, 81.49

 

CMYK 3 / 0 / 74 / 10

HEX #E0E63C

RGB 224 230 60

HSL 62.12, 0.77%, 0.57%

LAB 88.34, -21.16, 76.22

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 88 / 0 / 67 / 27

HEX #17BA3D

RGB 23 186 61

HSL 133.99, 0.78%, 0.41%

LAB 66.24, -63.4, 50.65

 

CMYK 32 / 88 / 0 / 27

HEX #7E17BA

RGB 126 23 186

HSL 277.91, 0.78%, 0.41%

LAB 35.19, 65.28, -63.08

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 88 / 3 / 0 / 27

HEX #17B4BA

RGB 23 180 186

HSL 182.21, 0.78%, 0.41%

LAB 66.8, -34.26, -13.7

 

CMYK 0 / 88 / 3 / 27

HEX #BA17B4

RGB 186 23 180

HSL 302.21, 0.78%, 0.41%

LAB 44.73, 74.06, -43.64

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 88 / 0 / 67 / 27

HEX #17BA3D

RGB 23 186 61

HSL 133.99, 0.78%, 0.41%

LAB 66.24, -63.4, 50.65

 

CMYK 85 / 88 / 0 / 27

HEX #1C17BA

RGB 28 23 186

HSL 241.84, 0.78%, 0.41%

LAB 24.97, 56.66, -80.3

 

CMYK 0 / 88 / 20 / 27

HEX #BA1794

RGB 186 23 148

HSL 313.99, 0.78%, 0.41%

LAB 43.05, 69.65, -27.16

 

CMYK 3 / 0 / 88 / 27

HEX #B4BA17

RGB 180 186 23

HSL 62.21, 0.78%, 0.41%

LAB 72.81, -19.27, 70.97

 

CMYK 88 / 0 / 41 / 27

HEX #17BA6D

RGB 23 186 109

HSL 151.66, 0.78%, 0.41%

LAB 66.83, -56.32, 28.35

 

CMYK 85 / 88 / 0 / 27

HEX #1C17BA

RGB 28 23 186

HSL 241.84, 0.78%, 0.41%

LAB 24.97, 56.66, -80.3

 

CMYK 0 / 88 / 47 / 27

HEX #BA1763

RGB 186 23 99

HSL 332.02, 0.78%, 0.41%

LAB 41.14, 64.41, 0.27

 

Description

Color code: HEX #B4BA17 | qconv.com Color code: HEX #B4BA17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 186 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 186 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 88% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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