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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4ABA8 it is the complementary color #4B5457. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4ABA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4ABA8 shade: #B9ABA3, #CABDB6, #DBCFC9, #ECE1DC and #FDF3EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4ABA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4ABA8 shade: #B4ABA8, #A39995, #928782, #81756F and #70635C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4ABA8 shade: #B3AAA7 and #B3A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4ABA8 shade: #B3AAA7, #B3ADA7, #B3B0A7, #B2B3A7 and #AFB3A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4ABA8 shade matches the following richer shades: #B3AAA7, #C0A39A, #CD9D8D, #DA9680 and #E79072

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4ABA8 shade: #B3AAA7, #A5B1B4, #98B7C2, #8BBECF and #7EC4DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4ABA8 shade: #B3A7AA, #B3A7A7, #B3AAA7, #B3ADA7 and #B3B0A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4ABA8 shade: #8C7F7B, #9F9591, #B3AAA7, #C6BFBD and #D9D5D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4ABA8 shade: #B4ABA8, #ADB3A7 and #A7A9B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4ABA8 shade: #B4ABA8, #A7B3AA and #AAA7B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4ABA8 shade: #B4ABA8, #ADB3A7, #A7B0B3 and #ACA7B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4ABA8 shade: #B4ABA8, #AAB3A7, #A7B0B3 and #B0A7B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 7 / 29

HEX #B4ABA8

RGB 180 171 168

HSL 15, 0.07%, 0.68%

LAB 70.63, 2.68, 2.69

 

Complementary color

CMYK 14 / 3 / 0 / 66

HEX #4B5457

RGB 75 84 87

HSL 195, 0.07%, 0.32%

LAB 35.05, -2.84, -2.96

 

CMYK 0 / 8 / 12 / 27

HEX #B9ABA3

RGB 185 171 163

HSL 21.82, 0.14%, 0.68%

LAB 70.93, 3.65, 5.92

 

CMYK 0 / 6 / 10 / 21

HEX #CABDB6

RGB 202 189 182

HSL 21, 0.16%, 0.75%

LAB 77.48, 3.38, 5.17

 

CMYK 0 / 5 / 8 / 14

HEX #DBCFC9

RGB 219 207 201

HSL 20, 0.2%, 0.82%

LAB 83.92, 3.12, 4.45

 

CMYK 0 / 5 / 7 / 7

HEX #ECE1DC

RGB 236 225 220

HSL 18.75, 0.3%, 0.89%

LAB 90.25, 2.89, 3.77

 

CMYK 0 / 4 / 6 / 1

HEX #FDF3EF

RGB 253 243 239

HSL 17.14, 0.78%, 0.96%

LAB 96.5, 2.67, 3.11

 

CMYK 0 / 5 / 7 / 29

HEX #B4ABA8

RGB 180 171 168

HSL 15, 0.07%, 0.68%

LAB 70.63, 2.68, 2.69

 

CMYK 0 / 6 / 9 / 36

HEX #A39995

RGB 163 153 149

HSL 17.14, 0.07%, 0.61%

LAB 63.95, 2.94, 3.4

 

CMYK 0 / 8 / 11 / 43

HEX #928782

RGB 146 135 130

HSL 18.75, 0.07%, 0.54%

LAB 57.12, 3.22, 4.17

 

CMYK 0 / 9 / 14 / 49

HEX #81756F

RGB 129 117 111

HSL 20, 0.08%, 0.47%

LAB 50.14, 3.54, 4.98

 

CMYK 0 / 12 / 18 / 56

HEX #70635C

RGB 112 99 92

HSL 21, 0.1%, 0.4%

LAB 42.98, 3.91, 5.87

 

CMYK 0 / 5 / 7 / 30

HEX #B3AAA7

RGB 179 170 167

HSL 15, 0.07%, 0.68%

LAB 70.26, 2.69, 2.69

 

CMYK 0 / 7 / 7 / 30

HEX #B3A7A7

RGB 179 167 167

HSL 0, 0.07%, 0.68%

LAB 69.48, 4.32, 1.55

 

CMYK 0 / 5 / 7 / 30

HEX #B3AAA7

RGB 179 170 167

HSL 15, 0.07%, 0.68%

LAB 70.26, 2.69, 2.69

 

CMYK 0 / 3 / 7 / 30

HEX #B3ADA7

RGB 179 173 167

HSL 30, 0.07%, 0.68%

LAB 71.05, 1.06, 3.83

 

CMYK 0 / 2 / 7 / 30

HEX #B3B0A7

RGB 179 176 167

HSL 45, 0.07%, 0.68%

LAB 71.84, -0.56, 4.97

 

CMYK 1 / 0 / 7 / 30

HEX #B2B3A7

RGB 178 179 167

HSL 65, 0.07%, 0.68%

LAB 72.56, -2.53, 5.99

 

CMYK 2 / 0 / 7 / 30

HEX #AFB3A7

RGB 175 179 167

HSL 80, 0.07%, 0.68%

LAB 72.32, -3.61, 5.63

 

CMYK 0 / 5 / 7 / 30

HEX #B3AAA7

RGB 179 170 167

HSL 15, 0.07%, 0.68%

LAB 70.26, 2.69, 2.69

 

CMYK 0 / 15 / 20 / 25

HEX #C0A39A

RGB 192 163 154

HSL 14.21, 0.23%, 0.68%

LAB 69.28, 9.18, 8.61

 

CMYK 0 / 23 / 31 / 20

HEX #CD9D8D

RGB 205 157 141

HSL 15, 0.39%, 0.68%

LAB 68.76, 15.61, 15.26

 

CMYK 0 / 31 / 41 / 15

HEX #DA9680

RGB 218 150 128

HSL 14.67, 0.55%, 0.68%

LAB 68.22, 22.92, 21.92

 

CMYK 0 / 38 / 51 / 9

HEX #E79072

RGB 231 144 114

HSL 15.38, 0.71%, 0.68%

LAB 68.13, 29.83, 29.76

 

CMYK 0 / 5 / 7 / 30

HEX #B3AAA7

RGB 179 170 167

HSL 15, 0.07%, 0.68%

LAB 70.26, 2.69, 2.69

 

CMYK 8 / 2 / 0 / 29

HEX #A5B1B4

RGB 165 177 180

HSL 192, 0.09%, 0.68%

LAB 71.38, -3.57, -2.98

 

CMYK 22 / 6 / 0 / 24

HEX #98B7C2

RGB 152 183 194

HSL 195.71, 0.26%, 0.68%

LAB 72.52, -8.05, -9.06

 

CMYK 33 / 8 / 0 / 19

HEX #8BBECF

RGB 139 190 207

HSL 195, 0.41%, 0.68%

LAB 74.08, -12.55, -13.91

 

CMYK 43 / 11 / 0 / 14

HEX #7EC4DC

RGB 126 196 220

HSL 195.32, 0.57%, 0.68%

LAB 75.5, -15.81, -18.87

 

CMYK 0 / 7 / 5 / 30

HEX #B3A7AA

RGB 179 167 170

HSL 345, 0.07%, 0.68%

LAB 69.56, 4.86, 0

 

CMYK 0 / 7 / 7 / 30

HEX #B3A7A7

RGB 179 167 167

HSL 0, 0.07%, 0.68%

LAB 69.48, 4.32, 1.55

 

CMYK 0 / 5 / 7 / 30

HEX #B3AAA7

RGB 179 170 167

HSL 15, 0.07%, 0.68%

LAB 70.26, 2.69, 2.69

 

CMYK 0 / 3 / 7 / 30

HEX #B3ADA7

RGB 179 173 167

HSL 30, 0.07%, 0.68%

LAB 71.05, 1.06, 3.83

 

CMYK 0 / 2 / 7 / 30

HEX #B3B0A7

RGB 179 176 167

HSL 45, 0.07%, 0.68%

LAB 71.84, -0.56, 4.97

 

CMYK 0 / 9 / 12 / 45

HEX #8C7F7B

RGB 140 127 123

HSL 14.12, 0.07%, 0.52%

LAB 54.22, 4.22, 3.96

 

CMYK 0 / 6 / 9 / 38

HEX #9F9591

RGB 159 149 145

HSL 17.14, 0.07%, 0.6%

LAB 62.43, 2.96, 3.42

 

CMYK 0 / 5 / 7 / 30

HEX #B3AAA7

RGB 179 170 167

HSL 15, 0.07%, 0.68%

LAB 70.26, 2.69, 2.69

 

CMYK 0 / 4 / 5 / 22

HEX #C6BFBD

RGB 198 191 189

HSL 13.33, 0.07%, 0.76%

LAB 77.84, 2.09, 1.87

 

CMYK 0 / 2 / 3 / 15

HEX #D9D5D3

RGB 217 213 211

HSL 20, 0.07%, 0.84%

LAB 85.53, 1.02, 1.46

 

CMYK 0 / 5 / 7 / 29

HEX #B4ABA8

RGB 180 171 168

HSL 15, 0.07%, 0.68%

LAB 70.63, 2.68, 2.69

 

CMYK 3 / 0 / 7 / 30

HEX #ADB3A7

RGB 173 179 167

HSL 90, 0.07%, 0.68%

LAB 72.17, -4.33, 5.39

 

CMYK 7 / 6 / 0 / 30

HEX #A7A9B3

RGB 167 169 179

HSL 230, 0.07%, 0.68%

LAB 69.36, 1.25, -5.38

 

CMYK 0 / 5 / 7 / 29

HEX #B4ABA8

RGB 180 171 168

HSL 15, 0.07%, 0.68%

LAB 70.63, 2.68, 2.69

 

CMYK 7 / 0 / 5 / 30

HEX #A7B3AA

RGB 167 179 170

HSL 135, 0.07%, 0.68%

LAB 71.8, -5.9, 3.15

 

CMYK 5 / 7 / 0 / 30

HEX #AAA7B3

RGB 170 167 179

HSL 255, 0.07%, 0.68%

LAB 69.07, 3.39, -5.79

 

CMYK 0 / 5 / 7 / 29

HEX #B4ABA8

RGB 180 171 168

HSL 15, 0.07%, 0.68%

LAB 70.63, 2.68, 2.69

 

CMYK 3 / 0 / 7 / 30

HEX #ADB3A7

RGB 173 179 167

HSL 90, 0.07%, 0.68%

LAB 72.17, -4.33, 5.39

 

CMYK 7 / 2 / 0 / 30

HEX #A7B0B3

RGB 167 176 179

HSL 195, 0.07%, 0.68%

LAB 71.23, -2.55, -2.63

 

CMYK 4 / 7 / 0 / 30

HEX #ACA7B3

RGB 172 167 179

HSL 265, 0.07%, 0.68%

LAB 69.23, 4.08, -5.53

 

CMYK 0 / 5 / 7 / 29

HEX #B4ABA8

RGB 180 171 168

HSL 15, 0.07%, 0.68%

LAB 70.63, 2.68, 2.69

 

CMYK 5 / 0 / 7 / 30

HEX #AAB3A7

RGB 170 179 167

HSL 105, 0.07%, 0.68%

LAB 71.94, -5.4, 5.03

 

CMYK 7 / 2 / 0 / 30

HEX #A7B0B3

RGB 167 176 179

HSL 195, 0.07%, 0.68%

LAB 71.23, -2.55, -2.63

 

CMYK 2 / 7 / 0 / 30

HEX #B0A7B3

RGB 176 167 179

HSL 285, 0.07%, 0.68%

LAB 69.56, 5.48, -5.01

 

Description

Color code: HEX #B4ABA8 | qconv.com Color code: HEX #B4ABA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 171 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 171 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 7 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 7% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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