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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A3FF it is the complementary color #4B5C00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A3FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A3FF shade: #B9A3FA, #CAB5FF, #DBC7FF, #ECD9FF and #FDEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A3FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A3FF shade: #B4A3FF, #A391EC, #927FD9, #816DC6 and #705BB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A3FF shade: #B4A3FF, #CCA3FF, #E5A3FF, #FEA3FF and #FFA3E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A3FF shade: #B4A3FF and #A3A3FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A3FF shade matches the following richer shades: #B4A3FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A3FF shade: #B4A3FF, #B8AAF7, #BDB2F0, #C2B9E8 and #C6C0E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A3FF shade: #A3C3FF, #A3AAFF, #B4A3FF, #CCA3FF and #E4A3FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A3FF shade: #7050FF, #9279FF, #B4A3FF, #D5CCFF and #F7F5FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A3FF shade: #B4A3FF, #FFA3DB and #B7FFA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A3FF shade: #B4A3FF, #FFB4A3 and #A3FFB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A3FF shade: #B4A3FF, #FFA3DB, #EEFFA3 and #A3FFC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A3FF shade: #B4A3FF, #FFA3C0, #EEFFA3 and #A3FFE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

Complementary color

CMYK 18 / 0 / 100 / 64

HEX #4B5C00

RGB 75 92 0

HSL 71.09, 1%, 0.18%

LAB 36.27, -18.47, 43.14

 

CMYK 26 / 35 / 0 / 2

HEX #B9A3FA

RGB 185 163 250

HSL 255.17, 0.9%, 0.81%

LAB 71.83, 26, -40.45

 

CMYK 21 / 29 / 0 / 0

HEX #CAB5FF

RGB 202 181 255

HSL 257.03, 1%, 0.85%

LAB 77.77, 22.17, -33.83

 

CMYK 14 / 22 / 0 / 0

HEX #DBC7FF

RGB 219 199 255

HSL 261.43, 1%, 0.89%

LAB 83.51, 17.59, -24.91

 

CMYK 7 / 15 / 0 / 0

HEX #ECD9FF

RGB 236 217 255

HSL 270, 1%, 0.93%

LAB 89.24, 13.39, -16.1

 

CMYK 1 / 8 / 0 / 0

HEX #FDEBFF

RGB 253 235 255

HSL 294, 1%, 0.96%

LAB 94.96, 9.55, -7.44

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 31 / 39 / 0 / 7

HEX #A391EC

RGB 163 145 236

HSL 251.87, 0.71%, 0.75%

LAB 65.04, 26.55, -43.57

 

CMYK 33 / 41 / 0 / 15

HEX #927FD9

RGB 146 127 217

HSL 252.67, 0.54%, 0.67%

LAB 58.32, 27.37, -43.68

 

CMYK 35 / 45 / 0 / 22

HEX #816DC6

RGB 129 109 198

HSL 253.48, 0.44%, 0.6%

LAB 51.48, 28.3, -43.83

 

CMYK 37 / 49 / 0 / 30

HEX #705BB3

RGB 112 91 179

HSL 254.32, 0.37%, 0.53%

LAB 44.49, 29.34, -44.02

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 20 / 36 / 0 / 0

HEX #CCA3FF

RGB 204 163 255

HSL 266.74, 1%, 0.82%

LAB 73.71, 32.61, -40.11

 

CMYK 10 / 36 / 0 / 0

HEX #E5A3FF

RGB 229 163 255

HSL 283.04, 1%, 0.82%

LAB 76.11, 39.97, -36.19

 

CMYK 0 / 36 / 0 / 0

HEX #FEA3FF

RGB 254 163 255

HSL 299.35, 1%, 0.82%

LAB 78.74, 47.46, -31.91

 

CMYK 0 / 36 / 10 / 0

HEX #FFA3E6

RGB 255 163 230

HSL 316.3, 1%, 0.82%

LAB 77.97, 43.49, -19.57

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 36 / 36 / 0 / 0

HEX #A3A3FF

RGB 163 163 255

HSL 240, 1%, 0.82%

LAB 70.32, 21.22, -45.66

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 26 / 31 / 0 / 3

HEX #B8AAF7

RGB 184 170 247

HSL 250.91, 0.83%, 0.82%

LAB 73.32, 21.11, -36.52

 

CMYK 21 / 26 / 0 / 6

HEX #BDB2F0

RGB 189 178 240

HSL 250.65, 0.67%, 0.82%

LAB 75.42, 16.54, -29.46

 

CMYK 16 / 20 / 0 / 9

HEX #C2B9E8

RGB 194 185 232

HSL 251.49, 0.51%, 0.82%

LAB 77.28, 12.48, -22.26

 

CMYK 12 / 15 / 0 / 12

HEX #C6C0E1

RGB 198 192 225

HSL 250.91, 0.35%, 0.82%

LAB 79.12, 8.48, -15.67

 

CMYK 36 / 24 / 0 / 0

HEX #A3C3FF

RGB 163 195 255

HSL 219.13, 1%, 0.82%

LAB 78.48, 3.43, -32.96

 

CMYK 36 / 33 / 0 / 0

HEX #A3AAFF

RGB 163 170 255

HSL 235.43, 1%, 0.82%

LAB 72.07, 17.27, -42.92

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 20 / 36 / 0 / 0

HEX #CCA3FF

RGB 204 163 255

HSL 266.74, 1%, 0.82%

LAB 73.71, 32.61, -40.11

 

CMYK 11 / 36 / 0 / 0

HEX #E4A3FF

RGB 228 163 255

HSL 282.39, 1%, 0.82%

LAB 76.01, 39.67, -36.35

 

CMYK 56 / 69 / 0 / 0

HEX #7050FF

RGB 112 80 255

HSL 250.97, 1%, 0.66%

LAB 47.5, 57.41, -82.51

 

CMYK 43 / 53 / 0 / 0

HEX #9279FF

RGB 146 121 255

HSL 251.19, 1%, 0.74%

LAB 58.98, 41.04, -63.75

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 16 / 20 / 0 / 0

HEX #D5CCFF

RGB 213 204 255

HSL 250.59, 1%, 0.9%

LAB 84.25, 13.05, -23.82

 

CMYK 3 / 4 / 0 / 0

HEX #F7F5FF

RGB 247 245 255

HSL 252, 1%, 0.98%

LAB 96.94, 2.45, -4.56

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 0 / 36 / 14 / 0

HEX #FFA3DB

RGB 255 163 219

HSL 323.48, 1%, 0.82%

LAB 77.62, 41.73, -14.13

 

CMYK 28 / 0 / 36 / 0

HEX #B7FFA3

RGB 183 255 163

HSL 106.96, 1%, 0.82%

LAB 93.55, -38.81, 37.04

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 0 / 29 / 36 / 0

HEX #FFB4A3

RGB 255 180 163

HSL 11.09, 1%, 0.82%

LAB 79.92, 25.17, 19.59

 

CMYK 36 / 0 / 29 / 0

HEX #A3FFB4

RGB 163 255 180

HSL 131.09, 1%, 0.82%

LAB 92.84, -42.37, 27.41

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 0 / 36 / 14 / 0

HEX #FFA3DB

RGB 255 163 219

HSL 323.48, 1%, 0.82%

LAB 77.62, 41.73, -14.13

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA3

RGB 238 255 163

HSL 71.09, 1%, 0.82%

LAB 96.96, -19.52, 42.14

 

CMYK 36 / 0 / 22 / 0

HEX #A3FFC6

RGB 163 255 198

HSL 142.83, 1%, 0.82%

LAB 93.18, -39.19, 18.73

 

CMYK 29 / 36 / 0 / 0

HEX #B4A3FF

RGB 180 163 255

HSL 251.09, 1%, 0.82%

LAB 71.63, 25.81, -43.5

 

CMYK 0 / 36 / 25 / 0

HEX #FFA3C0

RGB 255 163 192

HSL 341.09, 1%, 0.82%

LAB 76.84, 37.75, -0.56

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA3

RGB 238 255 163

HSL 71.09, 1%, 0.82%

LAB 96.96, -19.52, 42.14

 

CMYK 36 / 0 / 12 / 0

HEX #A3FFE1

RGB 163 255 225

HSL 160.43, 1%, 0.82%

LAB 93.77, -33.87, 5.69

 

Description

Color code: HEX #B4A3FF | qconv.com Color code: HEX #B4A3FF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 163 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 163 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 36 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 36% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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