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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A736 it is the complementary color #4B58C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A736 shade: #B9A731, #CAB944, #DBCB57, #ECDD6A and #FDEF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A736 shade: #B4A736, #A39523, #928310, #817100 and #705F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A736 shade: #B4A735, #B48535, #B46335, #B44135 and #B43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A736 shade: #B4A735, #9FB435, #7DB435, #5BB435 and #39B435

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A736 shade matches the following richer shades: #B4A735, #C7B622 and #DAC50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A736 shade: #B4A735, #A19848, #8E895B, #7B7A6E and #686B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A736 shade: #B46235, #B48435, #B4A535, #A1B435 and #7FB435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A736 shade: #756C22, #948A2C, #B4A735, #C9BC4A and #D2C76A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A736 shade: #B4A736, #35B440 and #7335B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A736 shade: #B4A736, #35B4A5 and #A535B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A736 shade: #B4A736, #35B440, #3544B4 and #B435AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A736 shade: #B4A736, #35B466, #3544B4 and #B43584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 70 / 29

HEX #B4A736

RGB 180 167 54

HSL 53.81, 0.54%, 0.46%

LAB 67.73, -8.4, 57.26

 

Complementary color

CMYK 63 / 56 / 0 / 21

HEX #4B58C9

RGB 75 88 201

HSL 233.81, 0.54%, 0.54%

LAB 42.3, 30.07, -60.5

 

CMYK 0 / 10 / 74 / 27

HEX #B9A731

RGB 185 167 49

HSL 52.06, 0.58%, 0.46%

LAB 68.15, -6.45, 59.73

 

CMYK 0 / 8 / 66 / 21

HEX #CAB944

RGB 202 185 68

HSL 52.39, 0.56%, 0.53%

LAB 74.62, -7.5, 59.25

 

CMYK 0 / 7 / 60 / 14

HEX #DBCB57

RGB 219 203 87

HSL 52.73, 0.65%, 0.6%

LAB 80.99, -8.38, 58.4

 

CMYK 0 / 6 / 55 / 7

HEX #ECDD6A

RGB 236 221 106

HSL 53.08, 0.77%, 0.67%

LAB 87.28, -9.12, 57.37

 

CMYK 0 / 6 / 51 / 1

HEX #FDEF7D

RGB 253 239 125

HSL 53.44, 0.97%, 0.74%

LAB 93.49, -9.76, 56.26

 

CMYK 0 / 7 / 70 / 29

HEX #B4A736

RGB 180 167 54

HSL 53.81, 0.54%, 0.46%

LAB 67.73, -8.4, 57.26

 

CMYK 0 / 9 / 79 / 36

HEX #A39523

RGB 163 149 35

HSL 53.44, 0.65%, 0.39%

LAB 61.14, -7.26, 57.37

 

CMYK 0 / 10 / 89 / 43

HEX #928310

RGB 146 131 16

HSL 53.08, 0.8%, 0.32%

LAB 54.43, -5.86, 56.34

 

CMYK 0 / 12 / 100 / 49

HEX #817100

RGB 129 113 0

HSL 52.56, 1%, 0.25%

LAB 47.59, -4.16, 53.63

 

CMYK 0 / 15 / 100 / 56

HEX #705F00

RGB 112 95 0

HSL 50.89, 1%, 0.22%

LAB 40.62, -2.07, 47.86

 

CMYK 0 / 7 / 71 / 29

HEX #B4A735

RGB 180 167 53

HSL 53.86, 0.55%, 0.46%

LAB 67.72, -8.45, 57.65

 

CMYK 0 / 26 / 71 / 29

HEX #B48535

RGB 180 133 53

HSL 37.8, 0.55%, 0.46%

LAB 58.73, 10, 48.49

 

CMYK 0 / 45 / 71 / 29

HEX #B46335

RGB 180 99 53

HSL 21.73, 0.55%, 0.46%

LAB 50.55, 28.85, 39.7

 

CMYK 0 / 64 / 71 / 29

HEX #B44135

RGB 180 65 53

HSL 5.67, 0.55%, 0.46%

LAB 43.86, 45.95, 32.09

 

CMYK 0 / 71 / 71 / 29

HEX #B43535

RGB 180 53 53

HSL 0, 0.55%, 0.46%

LAB 42.01, 50.97, 29.91

 

CMYK 0 / 7 / 71 / 29

HEX #B4A735

RGB 180 167 53

HSL 53.86, 0.55%, 0.46%

LAB 67.72, -8.45, 57.65

 

CMYK 12 / 0 / 71 / 29

HEX #9FB435

RGB 159 180 53

HSL 69.92, 0.55%, 0.46%

LAB 69.66, -24.09, 59.01

 

CMYK 31 / 0 / 71 / 29

HEX #7DB435

RGB 125 180 53

HSL 85.98, 0.55%, 0.46%

LAB 67.47, -37.64, 56.09

 

CMYK 49 / 0 / 71 / 29

HEX #5BB435

RGB 91 180 53

HSL 102.05, 0.55%, 0.46%

LAB 65.84, -49.18, 53.91

 

CMYK 68 / 0 / 71 / 29

HEX #39B435

RGB 57 180 53

HSL 118.11, 0.55%, 0.46%

LAB 64.78, -57.63, 52.47

 

CMYK 0 / 7 / 71 / 29

HEX #B4A735

RGB 180 167 53

HSL 53.86, 0.55%, 0.46%

LAB 67.72, -8.45, 57.65

 

CMYK 0 / 9 / 83 / 22

HEX #C7B622

RGB 199 182 34

HSL 53.82, 0.71%, 0.46%

LAB 73.36, -8.7, 69.61

 

CMYK 0 / 10 / 93 / 15

HEX #DAC50F

RGB 218 197 15

HSL 53.79, 0.87%, 0.46%

LAB 78.97, -8.52, 78.39

 

CMYK 0 / 7 / 71 / 29

HEX #B4A735

RGB 180 167 53

HSL 53.86, 0.55%, 0.46%

LAB 67.72, -8.45, 57.65

 

CMYK 0 / 6 / 55 / 37

HEX #A19848

RGB 161 152 72

HSL 53.93, 0.38%, 0.46%

LAB 62.08, -7.5, 42.65

 

CMYK 0 / 4 / 36 / 44

HEX #8E895B

RGB 142 137 91

HSL 54.12, 0.22%, 0.46%

LAB 56.48, -5.48, 25.37

 

CMYK 0 / 1 / 11 / 52

HEX #7B7A6E

RGB 123 122 110

HSL 55.38, 0.06%, 0.46%

LAB 50.99, -1.9, 6.7

 

CMYK 19 / 17 / 0 / 49

HEX #686B81

RGB 104 107 129

HSL 232.8, 0.11%, 0.46%

LAB 45.69, 3.85, -12.55

 

CMYK 0 / 46 / 71 / 29

HEX #B46235

RGB 180 98 53

HSL 21.26, 0.55%, 0.46%

LAB 50.33, 29.39, 39.45

 

CMYK 0 / 27 / 71 / 29

HEX #B48435

RGB 180 132 53

HSL 37.32, 0.55%, 0.46%

LAB 58.47, 10.56, 48.22

 

CMYK 0 / 8 / 71 / 29

HEX #B4A535

RGB 180 165 53

HSL 52.91, 0.55%, 0.46%

LAB 67.18, -7.4, 57.11

 

CMYK 11 / 0 / 71 / 29

HEX #A1B435

RGB 161 180 53

HSL 68.98, 0.55%, 0.46%

LAB 69.81, -23.25, 59.2

 

CMYK 29 / 0 / 71 / 29

HEX #7FB435

RGB 127 180 53

HSL 85.04, 0.55%, 0.46%

LAB 67.58, -36.89, 56.24

 

CMYK 0 / 8 / 71 / 54

HEX #756C22

RGB 117 108 34

HSL 53.49, 0.55%, 0.3%

LAB 45.11, -5.89, 40.87

 

CMYK 0 / 7 / 70 / 42

HEX #948A2C

RGB 148 138 44

HSL 54.23, 0.54%, 0.38%

LAB 56.74, -7.67, 49.32

 

CMYK 0 / 7 / 71 / 29

HEX #B4A735

RGB 180 167 53

HSL 53.86, 0.55%, 0.46%

LAB 67.72, -8.45, 57.65

 

CMYK 0 / 6 / 63 / 21

HEX #C9BC4A

RGB 201 188 74

HSL 53.86, 0.54%, 0.54%

LAB 75.38, -9.11, 57.49

 

CMYK 0 / 5 / 50 / 18

HEX #D2C76A

RGB 210 199 106

HSL 53.65, 0.54%, 0.62%

LAB 79.38, -8.56, 47.53

 

CMYK 0 / 7 / 70 / 29

HEX #B4A736

RGB 180 167 54

HSL 53.81, 0.54%, 0.46%

LAB 67.73, -8.4, 57.26

 

CMYK 71 / 0 / 64 / 29

HEX #35B440

RGB 53 180 64

HSL 125.2, 0.55%, 0.46%

LAB 64.78, -57.3, 47.9

 

CMYK 36 / 71 / 0 / 29

HEX #7335B4

RGB 115 53 180

HSL 269.29, 0.55%, 0.46%

LAB 36.9, 51.35, -56.8

 

CMYK 0 / 7 / 70 / 29

HEX #B4A736

RGB 180 167 54

HSL 53.81, 0.54%, 0.46%

LAB 67.73, -8.4, 57.26

 

CMYK 71 / 0 / 8 / 29

HEX #35B4A5

RGB 53 180 165

HSL 172.91, 0.55%, 0.46%

LAB 66.61, -37.51, -2.31

 

CMYK 8 / 71 / 0 / 29

HEX #A535B4

RGB 165 53 180

HSL 292.91, 0.55%, 0.46%

LAB 44, 61.84, -45

 

CMYK 0 / 7 / 70 / 29

HEX #B4A736

RGB 180 167 54

HSL 53.81, 0.54%, 0.46%

LAB 67.73, -8.4, 57.26

 

CMYK 71 / 0 / 64 / 29

HEX #35B440

RGB 53 180 64

HSL 125.2, 0.55%, 0.46%

LAB 64.78, -57.3, 47.9

 

CMYK 71 / 62 / 0 / 29

HEX #3544B4

RGB 53 68 180

HSL 232.91, 0.55%, 0.46%

LAB 34.37, 32.14, -61.18

 

CMYK 0 / 71 / 6 / 29

HEX #B435AA

RGB 180 53 170

HSL 304.72, 0.55%, 0.46%

LAB 45.84, 63.55, -36.03

 

CMYK 0 / 7 / 70 / 29

HEX #B4A736

RGB 180 167 54

HSL 53.81, 0.54%, 0.46%

LAB 67.73, -8.4, 57.26

 

CMYK 71 / 0 / 43 / 29

HEX #35B466

RGB 53 180 102

HSL 143.15, 0.55%, 0.46%

LAB 65.25, -51.88, 30.03

 

CMYK 71 / 62 / 0 / 29

HEX #3544B4

RGB 53 68 180

HSL 232.91, 0.55%, 0.46%

LAB 34.37, 32.14, -61.18

 

CMYK 0 / 71 / 27 / 29

HEX #B43584

RGB 180 53 132

HSL 322.68, 0.55%, 0.46%

LAB 44.11, 58.07, -15.88

 

Description

Color code: HEX #B4A736 | qconv.com Color code: HEX #B4A736 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 167 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 167 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 70 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 70% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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