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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4A638 it is the complementary color #4B59C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4A638. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4A638 shade: #B9A633, #CAB846, #DBCA59, #ECDC6C and #FDEE7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4A638. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4A638 shade: #B4A638, #A39425, #928212, #817000 and #705E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4A638 shade: #B3A537, #B38337, #B36237, #B34037 and #B33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4A638 shade: #B3A537, #9FB337, #7EB337, #5CB337 and #3BB337

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4A638 shade matches the following richer shades: #B3A537, #C6B424 and #D9C211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4A638 shade: #B3A537, #A0964A, #8D885D, #7A7970 and #676A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4A638 shade: #B36237, #B38337, #B3A437, #A0B337 and #7FB337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4A638 shade: #746B23, #93882D, #B3A537, #C7B94B and #D1C66B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4A638 shade: #B4A638, #37B341 and #7337B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4A638 shade: #B4A638, #37B3A4 and #A437B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4A638 shade: #B4A638, #37B341, #3745B3 and #B337A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4A638 shade: #B4A638, #37B366, #3745B3 and #B33783

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 69 / 29

HEX #B4A638

RGB 180 166 56

HSL 53.23, 0.53%, 0.46%

LAB 67.47, -7.76, 56.2

 

Complementary color

CMYK 62 / 55 / 0 / 22

HEX #4B59C7

RGB 75 89 199

HSL 233.23, 0.53%, 0.54%

LAB 42.41, 28.76, -59.17

 

CMYK 0 / 10 / 72 / 27

HEX #B9A633

RGB 185 166 51

HSL 51.49, 0.57%, 0.46%

LAB 67.89, -5.83, 58.74

 

CMYK 0 / 9 / 65 / 21

HEX #CAB846

RGB 202 184 70

HSL 51.82, 0.55%, 0.53%

LAB 74.37, -6.87, 58.15

HEX #CAB846

CMYK 0 / 8 / 59 / 14

HEX #DBCA59

RGB 219 202 89

HSL 52.15, 0.64%, 0.6%

LAB 80.75, -7.73, 57.24

HEX #DBCA59

CMYK 0 / 7 / 54 / 7

HEX #ECDC6C

RGB 236 220 108

HSL 52.5, 0.77%, 0.67%

LAB 87.05, -8.47, 56.18

HEX #ECDC6C

CMYK 0 / 6 / 50 / 1

HEX #FDEE7F

RGB 253 238 127

HSL 52.86, 0.97%, 0.75%

LAB 93.26, -9.09, 55.05

HEX #FDEE7F

CMYK 0 / 8 / 69 / 29

HEX #B4A638

RGB 180 166 56

HSL 53.23, 0.53%, 0.46%

LAB 67.47, -7.76, 56.2

 

CMYK 0 / 9 / 77 / 36

HEX #A39425

RGB 163 148 37

HSL 52.86, 0.63%, 0.39%

LAB 60.87, -6.64, 56.45

 

CMYK 0 / 11 / 88 / 43

HEX #928212

RGB 146 130 18

HSL 52.5, 0.78%, 0.32%

LAB 54.15, -5.26, 55.65

 

CMYK 0 / 13 / 100 / 49

HEX #817000

RGB 129 112 0

HSL 52.09, 1%, 0.25%

LAB 47.31, -3.6, 53.43

 

CMYK 0 / 16 / 100 / 56

HEX #705E00

RGB 112 94 0

HSL 50.36, 1%, 0.22%

LAB 40.33, -1.48, 47.66

 

CMYK 0 / 8 / 69 / 30

HEX #B3A537

RGB 179 165 55

HSL 53.23, 0.53%, 0.46%

LAB 67.1, -7.73, 56.21

 

CMYK 0 / 27 / 69 / 30

HEX #B38337

RGB 179 131 55

HSL 36.77, 0.53%, 0.46%

LAB 58.12, 10.78, 46.9

 

CMYK 0 / 45 / 69 / 30

HEX #B36237

RGB 179 98 55

HSL 20.81, 0.53%, 0.46%

LAB 50.21, 29.09, 38.23

 

CMYK 0 / 64 / 69 / 30

HEX #B34037

RGB 179 64 55

HSL 4.35, 0.53%, 0.46%

LAB 43.55, 46.15, 30.51

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 0 / 8 / 69 / 30

HEX #B3A537

RGB 179 165 55

HSL 53.23, 0.53%, 0.46%

LAB 67.1, -7.73, 56.21

 

CMYK 11 / 0 / 69 / 30

HEX #9FB337

RGB 159 179 55

HSL 69.68, 0.53%, 0.46%

LAB 69.39, -23.48, 57.98

 

CMYK 30 / 0 / 69 / 30

HEX #7EB337

RGB 126 179 55

HSL 85.65, 0.53%, 0.46%

LAB 67.24, -36.68, 55.1

 

CMYK 49 / 0 / 69 / 30

HEX #5CB337

RGB 92 179 55

HSL 102.1, 0.53%, 0.46%

LAB 65.59, -48.32, 52.87

 

CMYK 67 / 0 / 69 / 30

HEX #3BB337

RGB 59 179 55

HSL 118.06, 0.53%, 0.46%

LAB 64.52, -56.71, 51.42

 

CMYK 0 / 8 / 69 / 30

HEX #B3A537

RGB 179 165 55

HSL 53.23, 0.53%, 0.46%

LAB 67.1, -7.73, 56.21

 

CMYK 0 / 9 / 82 / 22

HEX #C6B424

RGB 198 180 36

HSL 53.33, 0.69%, 0.46%

LAB 72.74, -8.05, 68.52

 

CMYK 0 / 11 / 92 / 15

HEX #D9C211

RGB 217 194 17

HSL 53.1, 0.85%, 0.46%

LAB 78.1, -7.39, 77.42

 

CMYK 0 / 8 / 69 / 30

HEX #B3A537

RGB 179 165 55

HSL 53.23, 0.53%, 0.46%

LAB 67.1, -7.73, 56.21

 

CMYK 0 / 6 / 54 / 37

HEX #A0964A

RGB 160 150 74

HSL 53.02, 0.37%, 0.46%

LAB 61.46, -6.68, 40.91

 

CMYK 0 / 4 / 34 / 45

HEX #8D885D

RGB 141 136 93

HSL 53.75, 0.21%, 0.46%

LAB 56.15, -5.09, 23.8

 

CMYK 0 / 1 / 8 / 52

HEX #7A7970

RGB 122 121 112

HSL 54, 0.04%, 0.46%

LAB 50.67, -1.35, 5.06

 

CMYK 21 / 19 / 0 / 49

HEX #676A83

RGB 103 106 131

HSL 233.57, 0.12%, 0.46%

LAB 45.4, 4.6, -14.19

 

CMYK 0 / 45 / 69 / 30

HEX #B36237

RGB 179 98 55

HSL 20.81, 0.53%, 0.46%

LAB 50.21, 29.09, 38.23

 

CMYK 0 / 27 / 69 / 30

HEX #B38337

RGB 179 131 55

HSL 36.77, 0.53%, 0.46%

LAB 58.12, 10.78, 46.9

 

CMYK 0 / 8 / 69 / 30

HEX #B3A437

RGB 179 164 55

HSL 52.74, 0.53%, 0.46%

LAB 66.83, -7.2, 55.93

 

CMYK 11 / 0 / 69 / 30

HEX #A0B337

RGB 160 179 55

HSL 69.19, 0.53%, 0.46%

LAB 69.46, -23.07, 58.08

 

CMYK 29 / 0 / 69 / 30

HEX #7FB337

RGB 127 179 55

HSL 85.16, 0.53%, 0.46%

LAB 67.3, -36.3, 55.18

 

CMYK 0 / 8 / 70 / 55

HEX #746B23

RGB 116 107 35

HSL 53.33, 0.54%, 0.3%

LAB 44.73, -5.73, 40

 

CMYK 0 / 7 / 69 / 42

HEX #93882D

RGB 147 136 45

HSL 53.53, 0.53%, 0.38%

LAB 56.09, -6.97, 48.22

 

CMYK 0 / 8 / 69 / 30

HEX #B3A537

RGB 179 165 55

HSL 53.23, 0.53%, 0.46%

LAB 67.1, -7.73, 56.21

 

CMYK 0 / 7 / 62 / 22

HEX #C7B94B

RGB 199 185 75

HSL 53.23, 0.53%, 0.54%

LAB 74.41, -8.35, 55.97

 

CMYK 0 / 5 / 49 / 18

HEX #D1C66B

RGB 209 198 107

HSL 53.53, 0.53%, 0.62%

LAB 79.04, -8.37, 46.62

 

CMYK 0 / 8 / 69 / 29

HEX #B4A638

RGB 180 166 56

HSL 53.23, 0.53%, 0.46%

LAB 67.47, -7.76, 56.2

 

CMYK 69 / 0 / 64 / 30

HEX #37B341

RGB 55 179 65

HSL 124.84, 0.53%, 0.46%

LAB 64.51, -56.48, 47.18

 

CMYK 36 / 69 / 0 / 30

HEX #7337B3

RGB 115 55 179

HSL 269.03, 0.53%, 0.46%

LAB 37.17, 50.14, -55.77

 

CMYK 0 / 8 / 69 / 29

HEX #B4A638

RGB 180 166 56

HSL 53.23, 0.53%, 0.46%

LAB 67.47, -7.76, 56.2

 

CMYK 69 / 0 / 8 / 30

HEX #37B3A4

RGB 55 179 164

HSL 172.74, 0.53%, 0.46%

LAB 66.32, -37.05, -2.19

 

CMYK 8 / 69 / 0 / 30

HEX #A437B3

RGB 164 55 179

HSL 292.74, 0.53%, 0.46%

LAB 44.06, 60.68, -44.33

 

CMYK 0 / 8 / 69 / 29

HEX #B4A638

RGB 180 166 56

HSL 53.23, 0.53%, 0.46%

LAB 67.47, -7.76, 56.2

 

CMYK 69 / 0 / 64 / 30

HEX #37B341

RGB 55 179 65

HSL 124.84, 0.53%, 0.46%

LAB 64.51, -56.48, 47.18

 

CMYK 69 / 61 / 0 / 30

HEX #3745B3

RGB 55 69 179

HSL 233.23, 0.53%, 0.46%

LAB 34.65, 31.41, -60.13

 

CMYK 0 / 69 / 6 / 30

HEX #B337A9

RGB 179 55 169

HSL 304.84, 0.53%, 0.46%

LAB 45.88, 62.44, -35.39

 

CMYK 0 / 8 / 69 / 29

HEX #B4A638

RGB 180 166 56

HSL 53.23, 0.53%, 0.46%

LAB 67.47, -7.76, 56.2

 

CMYK 69 / 0 / 43 / 30

HEX #37B366

RGB 55 179 102

HSL 142.74, 0.53%, 0.46%

LAB 64.97, -51.16, 29.69

 

CMYK 69 / 61 / 0 / 30

HEX #3745B3

RGB 55 69 179

HSL 233.23, 0.53%, 0.46%

LAB 34.65, 31.41, -60.13

 

CMYK 0 / 69 / 27 / 30

HEX #B33783

RGB 179 55 131

HSL 323.23, 0.53%, 0.46%

LAB 44.17, 56.92, -15.2

 

Description

Color code: HEX #B4A638 | qconv.com Color code: HEX #B4A638 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 166 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 166 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 69 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 69% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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