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Color name
HEX #B4940C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4940C it is the complementary color #4B6BF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4940C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4940C shade: #B99407, #CAA61A, #DBB82D, #ECCA40 and #FDDC53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4940C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4940C shade: #B4940C, #A38200, #927000, #815E00 and #704C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4940C shade: #B6950B, #B6670B, #B6390B, #B60B0B and #B60B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4940C shade: #B6950B, #A8B60B, #7AB60B, #4CB60B and #1EB60B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4940C shade matches the following richer shades: #B6950B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4940C shade: #B6950B, #A68B1B, #96822A, #87783A and #776E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4940C shade: #B6390B, #B6660B, #B6940B, #AAB60B and #7DB60B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4940C shade: #685506, #8F7509, #B6950B, #DCB50E and #F0C923

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4940C shade: #B4940C, #0BB60B and #4F0BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4940C shade: #B4940C, #0BB694 and #940BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4940C shade: #B4940C, #0BB60B, #0B2DB6 and #B60BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4940C shade: #B4940C, #0BB63E, #0B2DB6 and #B60B83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 93 / 29

HEX #B4940C

RGB 180 148 12

HSL 48.57, 0.88%, 0.38%

LAB 62.43, 0.38, 64.77

 

Complementary color

CMYK 69 / 56 / 0 / 5

HEX #4B6BF3

RGB 75 107 243

HSL 228.57, 0.88%, 0.62%

LAB 50.08, 32.69, -71.72

 

CMYK 0 / 20 / 96 / 27

HEX #B99407

RGB 185 148 7

HSL 47.53, 0.93%, 0.38%

LAB 62.94, 2.58, 66.1

 

CMYK 0 / 18 / 87 / 21

HEX #CAA61A

RGB 202 166 26

HSL 47.73, 0.77%, 0.45%

LAB 69.4, 0.82, 68.41

 

CMYK 0 / 16 / 79 / 14

HEX #DBB82D

RGB 219 184 45

HSL 47.93, 0.71%, 0.52%

LAB 75.78, -0.7, 69.3

 

CMYK 0 / 14 / 73 / 7

HEX #ECCA40

RGB 236 202 64

HSL 48.14, 0.82%, 0.59%

LAB 82.08, -2, 69.29

 

CMYK 0 / 13 / 67 / 1

HEX #FDDC53

RGB 253 220 83

HSL 48.35, 0.98%, 0.66%

LAB 88.3, -3.12, 68.76

 

CMYK 0 / 18 / 93 / 29

HEX #B4940C

RGB 180 148 12

HSL 48.57, 0.88%, 0.38%

LAB 62.43, 0.38, 64.77

 

CMYK 0 / 20 / 100 / 36

HEX #A38200

RGB 163 130 0

HSL 47.85, 1%, 0.32%

LAB 55.84, 2.32, 61.08

 

CMYK 0 / 23 / 100 / 43

HEX #927000

RGB 146 112 0

HSL 46.03, 1%, 0.29%

LAB 49.13, 4.52, 55.55

 

CMYK 0 / 27 / 100 / 49

HEX #815E00

RGB 129 94 0

HSL 43.72, 1%, 0.25%

LAB 42.27, 6.84, 49.91

 

CMYK 0 / 32 / 100 / 56

HEX #704C00

RGB 112 76 0

HSL 40.71, 1%, 0.22%

LAB 35.23, 9.31, 44.14

 

CMYK 0 / 18 / 94 / 29

HEX #B6950B

RGB 182 149 11

HSL 48.42, 0.89%, 0.38%

LAB 62.9, 0.73, 65.36

 

CMYK 0 / 43 / 94 / 29

HEX #B6670B

RGB 182 103 11

HSL 32.28, 0.89%, 0.38%

LAB 51.46, 26.13, 57.02

 

CMYK 0 / 69 / 94 / 29

HEX #B6390B

RGB 182 57 11

HSL 16.14, 0.89%, 0.38%

LAB 42.61, 48.77, 50.97

 

CMYK 0 / 94 / 94 / 29

HEX #B60B0B

RGB 182 11 11

HSL 0, 0.89%, 0.38%

LAB 38.21, 61.07, 48.23

 

CMYK 0 / 94 / 94 / 29

HEX #B60B0B

RGB 182 11 11

HSL 0, 0.89%, 0.38%

LAB 38.21, 61.07, 48.23

 

CMYK 0 / 18 / 94 / 29

HEX #B6950B

RGB 182 149 11

HSL 48.42, 0.89%, 0.38%

LAB 62.9, 0.73, 65.36

 

CMYK 8 / 0 / 94 / 29

HEX #A8B60B

RGB 168 182 11

HSL 64.91, 0.89%, 0.38%

LAB 70.74, -22.67, 70.78

 

CMYK 33 / 0 / 94 / 29

HEX #7AB60B

RGB 122 182 11

HSL 81.05, 0.89%, 0.38%

LAB 67.74, -41.37, 67.14

 

CMYK 58 / 0 / 94 / 29

HEX #4CB60B

RGB 76 182 11

HSL 97.19, 0.89%, 0.38%

LAB 65.76, -56.18, 64.72

 

CMYK 84 / 0 / 94 / 29

HEX #1EB60B

RGB 30 182 11

HSL 113.33, 0.89%, 0.38%

LAB 64.77, -64.65, 63.49

 

CMYK 0 / 18 / 94 / 29

HEX #B6950B

RGB 182 149 11

HSL 48.42, 0.89%, 0.38%

LAB 62.9, 0.73, 65.36

 

CMYK 0 / 18 / 94 / 29

HEX #B6950B

RGB 182 149 11

HSL 48.42, 0.89%, 0.38%

LAB 62.9, 0.73, 65.36

 

CMYK 0 / 16 / 84 / 35

HEX #A68B1B

RGB 166 139 27

HSL 48.35, 0.72%, 0.38%

LAB 58.65, -0.74, 57.79

 

CMYK 0 / 13 / 72 / 41

HEX #96822A

RGB 150 130 42

HSL 48.89, 0.56%, 0.38%

LAB 54.68, -2.47, 48.15

 

CMYK 0 / 11 / 57 / 47

HEX #87783A

RGB 135 120 58

HSL 48.31, 0.4%, 0.38%

LAB 50.56, -2.59, 35.68

 

CMYK 0 / 8 / 38 / 53

HEX #776E4A

RGB 119 110 74

HSL 48, 0.23%, 0.38%

LAB 46.4, -2.31, 21.37

 

CMYK 0 / 69 / 94 / 29

HEX #B6390B

RGB 182 57 11

HSL 16.14, 0.89%, 0.38%

LAB 42.61, 48.77, 50.97

 

CMYK 0 / 44 / 94 / 29

HEX #B6660B

RGB 182 102 11

HSL 31.93, 0.89%, 0.38%

LAB 51.23, 26.68, 56.86

 

CMYK 0 / 19 / 94 / 29

HEX #B6940B

RGB 182 148 11

HSL 48.07, 0.89%, 0.38%

LAB 62.63, 1.28, 65.16

 

CMYK 7 / 0 / 94 / 29

HEX #AAB60B

RGB 170 182 11

HSL 64.21, 0.89%, 0.38%

LAB 70.89, -21.81, 70.97

 

CMYK 31 / 0 / 94 / 29

HEX #7DB60B

RGB 125 182 11

HSL 80, 0.89%, 0.38%

LAB 67.9, -40.24, 67.35

 

CMYK 0 / 18 / 94 / 59

HEX #685506

RGB 104 85 6

HSL 48.37, 0.89%, 0.22%

LAB 36.84, 0.04, 42.92

 

CMYK 0 / 18 / 94 / 44

HEX #8F7509

RGB 143 117 9

HSL 48.36, 0.88%, 0.3%

LAB 50.19, 0.41, 54.33

 

CMYK 0 / 18 / 94 / 29

HEX #B6950B

RGB 182 149 11

HSL 48.42, 0.89%, 0.38%

LAB 62.9, 0.73, 65.36

 

CMYK 0 / 18 / 94 / 14

HEX #DCB50E

RGB 220 181 14

HSL 48.64, 0.88%, 0.46%

LAB 75.01, 0.61, 75.64

 

CMYK 0 / 16 / 85 / 6

HEX #F0C923

RGB 240 201 35

HSL 48.59, 0.87%, 0.54%

LAB 82.07, -0.74, 78.12

 

CMYK 0 / 18 / 93 / 29

HEX #B4940C

RGB 180 148 12

HSL 48.57, 0.88%, 0.38%

LAB 62.43, 0.38, 64.77

 

CMYK 94 / 0 / 94 / 29

HEX #0BB60B

RGB 11 182 11

HSL 120, 0.89%, 0.38%

LAB 64.6, -66.13, 63.29

 

CMYK 57 / 94 / 0 / 29

HEX #4F0BB6

RGB 79 11 182

HSL 263.86, 0.89%, 0.38%

LAB 27.52, 61.78, -73.57

 

CMYK 0 / 18 / 93 / 29

HEX #B4940C

RGB 180 148 12

HSL 48.57, 0.88%, 0.38%

LAB 62.43, 0.38, 64.77

 

CMYK 94 / 0 / 19 / 29

HEX #0BB694

RGB 11 182 148

HSL 168.07, 0.89%, 0.38%

LAB 66.26, -46.61, 6.51

 

CMYK 19 / 94 / 0 / 29

HEX #940BB6

RGB 148 11 182

HSL 288.07, 0.89%, 0.38%

LAB 37.69, 69.79, -56.5

 

CMYK 0 / 18 / 93 / 29

HEX #B4940C

RGB 180 148 12

HSL 48.57, 0.88%, 0.38%

LAB 62.43, 0.38, 64.77

 

CMYK 94 / 0 / 94 / 29

HEX #0BB60B

RGB 11 182 11

HSL 120, 0.89%, 0.38%

LAB 64.6, -66.13, 63.29

 

CMYK 94 / 75 / 0 / 29

HEX #0B2DB6

RGB 11 45 182

HSL 228.07, 0.89%, 0.38%

LAB 27.64, 44.09, -73.49

 

CMYK 0 / 94 / 0 / 29

HEX #B60BB6

RGB 182 11 182

HSL 300, 0.89%, 0.38%

LAB 43.6, 75.23, -46.67

 

CMYK 0 / 18 / 93 / 29

HEX #B4940C

RGB 180 148 12

HSL 48.57, 0.88%, 0.38%

LAB 62.43, 0.38, 64.77

 

CMYK 94 / 0 / 66 / 29

HEX #0BB63E

RGB 11 182 62

HSL 137.89, 0.89%, 0.38%

LAB 64.86, -62.83, 48.7

 

CMYK 94 / 75 / 0 / 29

HEX #0B2DB6

RGB 11 45 182

HSL 228.07, 0.89%, 0.38%

LAB 27.64, 44.09, -73.49

 

CMYK 0 / 94 / 28 / 29

HEX #B60B83

RGB 182 11 131

HSL 317.89, 0.89%, 0.38%

LAB 40.93, 68.45, -20.11

 

Description

Color code: HEX #B4940C | qconv.com Color code: HEX #B4940C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 148 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 148 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 93 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 93% 29% C M Y K

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Provide designers and agencies with accurate color values.

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