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Color name
HEX #B4820C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4820C it is the complementary color #4B7DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4820C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4820C shade: #B98207, #CA941A, #DBA62D, #ECB840 and #FDCA53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4820C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4820C shade: #B4820C, #A37000, #925E00, #814C00 and #703A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4820C shade: #B6830B, #B6550B, #B6270B and #B60B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4820C shade: #B6830B, #B6B10B, #8CB60B, #5EB60B and #30B60B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4820C shade matches the following richer shades: #B6830B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4820C shade: #B6830B, #A67D1B, #96762A, #87703A and #776A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4820C shade: #B6280B, #B6550B, #B6830B, #B6B00B and #8EB60B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4820C shade: #684B06, #8F6709, #B6830B, #DC9F0E and #F0B323

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4820C shade: #B4820C, #1CB60B and #3E0BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4820C shade: #B4820C, #0BB683 and #830BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4820C shade: #B4820C, #1CB60B, #0B3EB6 and #A50BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4820C shade: #B4820C, #0BB62D, #0B3EB6 and #B60B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 93 / 29

HEX #B4820C

RGB 180 130 12

HSL 42.14, 0.88%, 0.38%

LAB 57.75, 10.29, 61.27

 

Complementary color

CMYK 69 / 49 / 0 / 5

HEX #4B7DF3

RGB 75 125 243

HSL 222.14, 0.88%, 0.62%

LAB 54.69, 21.57, -64.25

 

CMYK 0 / 30 / 96 / 27

HEX #B98207

RGB 185 130 7

HSL 41.46, 0.93%, 0.38%

LAB 58.32, 12.48, 62.78

 

CMYK 0 / 27 / 87 / 21

HEX #CA941A

RGB 202 148 26

HSL 41.59, 0.77%, 0.45%

LAB 64.81, 10.51, 64.73

 

CMYK 0 / 24 / 79 / 14

HEX #DBA62D

RGB 219 166 45

HSL 41.72, 0.71%, 0.52%

LAB 71.23, 8.81, 65.23

 

CMYK 0 / 22 / 73 / 7

HEX #ECB840

RGB 236 184 64

HSL 41.86, 0.82%, 0.59%

LAB 77.57, 7.34, 64.89

 

CMYK 0 / 20 / 67 / 1

HEX #FDCA53

RGB 253 202 83

HSL 42, 0.98%, 0.66%

LAB 83.83, 6.07, 64.1

 

CMYK 0 / 28 / 93 / 29

HEX #B4820C

RGB 180 130 12

HSL 42.14, 0.88%, 0.38%

LAB 57.75, 10.29, 61.27

 

CMYK 0 / 31 / 100 / 36

HEX #A37000

RGB 163 112 0

HSL 41.23, 1%, 0.32%

LAB 51.12, 12.46, 57.86

 

CMYK 0 / 36 / 100 / 43

HEX #925E00

RGB 146 94 0

HSL 38.63, 1%, 0.29%

LAB 44.4, 14.91, 52.36

 

CMYK 0 / 41 / 100 / 49

HEX #814C00

RGB 129 76 0

HSL 35.35, 1%, 0.25%

LAB 37.55, 17.48, 46.78

 

CMYK 0 / 48 / 100 / 56

HEX #703A00

RGB 112 58 0

HSL 31.07, 1%, 0.22%

LAB 30.57, 20.15, 41.02

 

CMYK 0 / 28 / 94 / 29

HEX #B6830B

RGB 182 131 11

HSL 42.11, 0.89%, 0.38%

LAB 58.23, 10.62, 61.9

 

CMYK 0 / 53 / 94 / 29

HEX #B6550B

RGB 182 85 11

HSL 25.96, 0.89%, 0.38%

LAB 47.58, 35.71, 54.3

 

CMYK 0 / 79 / 94 / 29

HEX #B6270B

RGB 182 39 11

HSL 9.82, 0.89%, 0.38%

LAB 40.28, 55.19, 49.49

 

CMYK 0 / 94 / 94 / 29

HEX #B60B0B

RGB 182 11 11

HSL 0, 0.89%, 0.38%

LAB 38.21, 61.07, 48.23

 

CMYK 0 / 28 / 94 / 29

HEX #B6830B

RGB 182 131 11

HSL 42.11, 0.89%, 0.38%

LAB 58.23, 10.62, 61.9

 

CMYK 0 / 3 / 94 / 29

HEX #B6B10B

RGB 182 177 11

HSL 58.25, 0.89%, 0.38%

LAB 70.46, -14.06, 71.07

 

CMYK 23 / 0 / 94 / 29

HEX #8CB60B

RGB 140 182 11

HSL 74.74, 0.89%, 0.38%

LAB 68.79, -34.37, 68.43

 

CMYK 48 / 0 / 94 / 29

HEX #5EB60B

RGB 94 182 11

HSL 90.88, 0.89%, 0.38%

LAB 66.41, -51.03, 65.52

 

CMYK 74 / 0 / 94 / 29

HEX #30B60B

RGB 48 182 11

HSL 107.02, 0.89%, 0.38%

LAB 65.05, -62.18, 63.84

 

CMYK 0 / 28 / 94 / 29

HEX #B6830B

RGB 182 131 11

HSL 42.11, 0.89%, 0.38%

LAB 58.23, 10.62, 61.9

 

CMYK 0 / 28 / 94 / 29

HEX #B6830B

RGB 182 131 11

HSL 42.11, 0.89%, 0.38%

LAB 58.23, 10.62, 61.9

 

CMYK 0 / 25 / 84 / 35

HEX #A67D1B

RGB 166 125 27

HSL 42.3, 0.72%, 0.38%

LAB 54.92, 7.04, 54.58

 

CMYK 0 / 21 / 72 / 41

HEX #96762A

RGB 150 118 42

HSL 42.22, 0.56%, 0.38%

LAB 51.39, 4.29, 44.82

 

CMYK 0 / 17 / 57 / 47

HEX #87703A

RGB 135 112 58

HSL 42.08, 0.4%, 0.38%

LAB 48.32, 1.98, 33.04

 

CMYK 0 / 11 / 38 / 53

HEX #776A4A

RGB 119 106 74

HSL 42.67, 0.23%, 0.38%

LAB 45.25, 0.02, 19.86

 

CMYK 0 / 78 / 94 / 29

HEX #B6280B

RGB 182 40 11

HSL 10.18, 0.89%, 0.38%

LAB 40.39, 54.89, 49.56

 

CMYK 0 / 53 / 94 / 29

HEX #B6550B

RGB 182 85 11

HSL 25.96, 0.89%, 0.38%

LAB 47.58, 35.71, 54.3

 

CMYK 0 / 28 / 94 / 29

HEX #B6830B

RGB 182 131 11

HSL 42.11, 0.89%, 0.38%

LAB 58.23, 10.62, 61.9

 

CMYK 0 / 3 / 94 / 29

HEX #B6B00B

RGB 182 176 11

HSL 57.89, 0.89%, 0.38%

LAB 70.19, -13.55, 70.86

 

CMYK 22 / 0 / 94 / 29

HEX #8EB60B

RGB 142 182 11

HSL 74.04, 0.89%, 0.38%

LAB 68.92, -33.56, 68.58

 

CMYK 0 / 28 / 94 / 59

HEX #684B06

RGB 104 75 6

HSL 42.24, 0.89%, 0.22%

LAB 33.96, 6.11, 40.67

 

CMYK 0 / 28 / 94 / 44

HEX #8F6709

RGB 143 103 9

HSL 42.09, 0.88%, 0.3%

LAB 46.39, 8.45, 51.44

 

CMYK 0 / 28 / 94 / 29

HEX #B6830B

RGB 182 131 11

HSL 42.11, 0.89%, 0.38%

LAB 58.23, 10.62, 61.9

 

CMYK 0 / 28 / 94 / 14

HEX #DC9F0E

RGB 220 159 14

HSL 42.23, 0.88%, 0.46%

LAB 69.5, 12.28, 71.6

 

CMYK 0 / 25 / 85 / 6

HEX #F0B323

RGB 240 179 35

HSL 42.15, 0.87%, 0.54%

LAB 76.61, 10.69, 73.69

HEX #F0B323

CMYK 0 / 28 / 93 / 29

HEX #B4820C

RGB 180 130 12

HSL 42.14, 0.88%, 0.38%

LAB 57.75, 10.29, 61.27

 

CMYK 85 / 0 / 94 / 29

HEX #1CB60B

RGB 28 182 11

HSL 114.04, 0.89%, 0.38%

LAB 64.75, -64.86, 63.46

 

CMYK 66 / 94 / 0 / 29

HEX #3E0BB6

RGB 62 11 182

HSL 257.89, 0.89%, 0.38%

LAB 25.69, 60.61, -76.66

 

CMYK 0 / 28 / 93 / 29

HEX #B4820C

RGB 180 130 12

HSL 42.14, 0.88%, 0.38%

LAB 57.75, 10.29, 61.27

 

CMYK 94 / 0 / 28 / 29

HEX #0BB683

RGB 11 182 131

HSL 162.11, 0.89%, 0.38%

LAB 65.88, -50.83, 15.28

 

CMYK 28 / 94 / 0 / 29

HEX #830BB6

RGB 131 11 182

HSL 282.11, 0.89%, 0.38%

LAB 34.89, 67.38, -61.17

 

CMYK 0 / 28 / 93 / 29

HEX #B4820C

RGB 180 130 12

HSL 42.14, 0.88%, 0.38%

LAB 57.75, 10.29, 61.27

 

CMYK 85 / 0 / 94 / 29

HEX #1CB60B

RGB 28 182 11

HSL 114.04, 0.89%, 0.38%

LAB 64.75, -64.86, 63.46

 

CMYK 94 / 66 / 0 / 29

HEX #0B3EB6

RGB 11 62 182

HSL 222.11, 0.89%, 0.38%

LAB 31.56, 33.39, -67.02

 

CMYK 9 / 94 / 0 / 29

HEX #A50BB6

RGB 165 11 182

HSL 294.04, 0.89%, 0.38%

LAB 40.6, 72.42, -51.64

 

CMYK 0 / 28 / 93 / 29

HEX #B4820C

RGB 180 130 12

HSL 42.14, 0.88%, 0.38%

LAB 57.75, 10.29, 61.27

 

CMYK 94 / 0 / 75 / 29

HEX #0BB62D

RGB 11 182 45

HSL 131.93, 0.89%, 0.38%

LAB 64.74, -64.43, 55.17

 

CMYK 94 / 66 / 0 / 29

HEX #0B3EB6

RGB 11 62 182

HSL 222.11, 0.89%, 0.38%

LAB 31.56, 33.39, -67.02

 

CMYK 0 / 94 / 19 / 29

HEX #B60B94

RGB 182 11 148

HSL 311.93, 0.89%, 0.38%

LAB 41.72, 70.5, -29.29

 

Description

Color code: HEX #B4820C | qconv.com Color code: HEX #B4820C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 130 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 130 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 93 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 93% 29% C M Y K

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Provide designers and agencies with accurate color values.

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