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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48179 it is the complementary color #4B7E86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48179 shade: #B98174, #CA9387, #DBA59A, #ECB7AD and #FDC9C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48179 shade: #B48179, #A36F66, #925D53, #814B40 and #70392D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48179 shade: #B38179 and #B37979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48179 shade: #B38179, #B39079, #B3A079, #B3B079 and #A7B379

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48179 shade matches the following richer shades: #B38179, #C47468, #D56857, #E65C46 and #F74F35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48179 shade: #B38179, #A28D8A, #91999B, #80A6AB and #70B2BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48179 shade: #B37990, #B37980, #B38079, #B39079 and #B3A079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48179 shade: #8B564E, #A4685E, #B38179, #C29993 and #D1B2AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48179 shade: #B48179, #A0B379 and #7988B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48179 shade: #B48179, #79B380 and #8079B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48179 shade: #B48179, #A0B379, #79ABB3 and #8C79B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48179 shade: #B48179, #8EB379, #79ABB3 and #9E79B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

Complementary color

CMYK 44 / 6 / 0 / 47

HEX #4B7E86

RGB 75 126 134

HSL 188.14, 0.28%, 0.41%

LAB 49.66, -14.86, -9.71

 

CMYK 0 / 30 / 37 / 27

HEX #B98174

RGB 185 129 116

HSL 11.3, 0.33%, 0.59%

LAB 59.23, 19.95, 15.73

 

CMYK 0 / 27 / 33 / 21

HEX #CA9387

RGB 202 147 135

HSL 10.75, 0.39%, 0.66%

LAB 65.88, 19.12, 14.53

 

CMYK 0 / 25 / 30 / 14

HEX #DBA59A

RGB 219 165 154

HSL 10.15, 0.47%, 0.73%

LAB 72.43, 18.39, 13.45

 

CMYK 0 / 22 / 27 / 7

HEX #ECB7AD

RGB 236 183 173

HSL 9.52, 0.62%, 0.8%

LAB 78.88, 17.73, 12.45

 

CMYK 0 / 21 / 24 / 1

HEX #FDC9C0

RGB 253 201 192

HSL 8.85, 0.94%, 0.87%

LAB 85.23, 17.14, 11.52

 

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

CMYK 0 / 32 / 37 / 36

HEX #A36F66

RGB 163 111 102

HSL 8.85, 0.25%, 0.52%

LAB 51.97, 19.46, 13.36

 

CMYK 0 / 36 / 43 / 43

HEX #925D53

RGB 146 93 83

HSL 9.52, 0.28%, 0.45%

LAB 45.03, 20.46, 14.75

 

CMYK 0 / 42 / 50 / 49

HEX #814B40

RGB 129 75 64

HSL 10.15, 0.34%, 0.38%

LAB 37.97, 21.62, 16.37

 

CMYK 0 / 49 / 60 / 56

HEX #70392D

RGB 112 57 45

HSL 10.75, 0.43%, 0.31%

LAB 30.78, 22.98, 18.34

 

CMYK 0 / 28 / 32 / 30

HEX #B38179

RGB 179 129 121

HSL 8.28, 0.28%, 0.59%

LAB 58.66, 18.2, 11.98

 

CMYK 0 / 32 / 32 / 30

HEX #B37979

RGB 179 121 121

HSL 0, 0.28%, 0.59%

LAB 56.72, 22.68, 9.24

 

CMYK 0 / 28 / 32 / 30

HEX #B38179

RGB 179 129 121

HSL 8.28, 0.28%, 0.59%

LAB 58.66, 18.2, 11.98

 

CMYK 0 / 20 / 32 / 30

HEX #B39079

RGB 179 144 121

HSL 23.79, 0.28%, 0.59%

LAB 62.43, 9.82, 17.22

 

CMYK 0 / 11 / 32 / 30

HEX #B3A079

RGB 179 160 121

HSL 40.34, 0.28%, 0.59%

LAB 66.6, 1.02, 22.9

 

CMYK 0 / 2 / 32 / 30

HEX #B3B079

RGB 179 176 121

HSL 56.9, 0.28%, 0.59%

LAB 70.88, -7.55, 28.62

 

CMYK 7 / 0 / 32 / 30

HEX #A7B379

RGB 167 179 121

HSL 72.41, 0.28%, 0.59%

LAB 70.76, -13.85, 28.28

 

CMYK 0 / 28 / 32 / 30

HEX #B38179

RGB 179 129 121

HSL 8.28, 0.28%, 0.59%

LAB 58.66, 18.2, 11.98

 

CMYK 0 / 41 / 47 / 23

HEX #C47468

RGB 196 116 104

HSL 7.83, 0.44%, 0.59%

LAB 57.29, 30.12, 20.16

 

CMYK 0 / 51 / 59 / 16

HEX #D56857

RGB 213 104 87

HSL 8.1, 0.6%, 0.59%

LAB 56.82, 41.46, 29.67

 

CMYK 0 / 60 / 70 / 10

HEX #E65C46

RGB 230 92 70

HSL 8.25, 0.76%, 0.59%

LAB 57, 52.29, 39.96

 

CMYK 0 / 68 / 79 / 3

HEX #F74F35

RGB 247 79 53

HSL 8.04, 0.92%, 0.59%

LAB 57.68, 62.65, 50.46

 

CMYK 0 / 28 / 32 / 30

HEX #B38179

RGB 179 129 121

HSL 8.28, 0.28%, 0.59%

LAB 58.66, 18.2, 11.98

 

CMYK 0 / 13 / 15 / 36

HEX #A28D8A

RGB 162 141 138

HSL 7.5, 0.11%, 0.59%

LAB 60.4, 7.36, 4.49

 

CMYK 6 / 1 / 0 / 39

HEX #91999B

RGB 145 153 155

HSL 192, 0.05%, 0.59%

LAB 62.65, -2.46, -2.05

 

CMYK 25 / 3 / 0 / 33

HEX #80A6AB

RGB 128 166 171

HSL 186.98, 0.2%, 0.59%

LAB 65.59, -11.69, -6.81

 

CMYK 40 / 5 / 0 / 26

HEX #70B2BC

RGB 112 178 188

HSL 187.89, 0.36%, 0.59%

LAB 68.69, -18.38, -11.72

 

CMYK 0 / 32 / 20 / 30

HEX #B37990

RGB 179 121 144

HSL 336.21, 0.28%, 0.59%

LAB 57.34, 26.05, -3.2

 

CMYK 0 / 32 / 28 / 30

HEX #B37980

RGB 179 121 128

HSL 352.76, 0.28%, 0.59%

LAB 56.9, 23.65, 5.43

 

CMYK 0 / 28 / 32 / 30

HEX #B38079

RGB 179 128 121

HSL 7.24, 0.28%, 0.59%

LAB 58.42, 18.76, 11.63

 

CMYK 0 / 20 / 32 / 30

HEX #B39079

RGB 179 144 121

HSL 23.79, 0.28%, 0.59%

LAB 62.43, 9.82, 17.22

 

CMYK 0 / 11 / 32 / 30

HEX #B3A079

RGB 179 160 121

HSL 40.34, 0.28%, 0.59%

LAB 66.6, 1.02, 22.9

 

CMYK 0 / 38 / 44 / 45

HEX #8B564E

RGB 139 86 78

HSL 7.87, 0.28%, 0.43%

LAB 42.3, 21, 13.89

 

CMYK 0 / 37 / 43 / 36

HEX #A4685E

RGB 164 104 94

HSL 8.57, 0.28%, 0.51%

LAB 50.22, 22.87, 15.67

 

CMYK 0 / 28 / 32 / 30

HEX #B38179

RGB 179 129 121

HSL 8.28, 0.28%, 0.59%

LAB 58.66, 18.2, 11.98

 

CMYK 0 / 21 / 24 / 24

HEX #C29993

RGB 194 153 147

HSL 7.66, 0.28%, 0.67%

LAB 66.79, 14.38, 8.99

 

CMYK 0 / 15 / 17 / 18

HEX #D1B2AD

RGB 209 178 173

HSL 8.33, 0.28%, 0.75%

LAB 75.08, 10.37, 6.69

 

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

CMYK 11 / 0 / 32 / 30

HEX #A0B379

RGB 160 179 121

HSL 79.66, 0.28%, 0.59%

LAB 70.24, -16.56, 27.5

 

CMYK 32 / 24 / 0 / 30

HEX #7988B3

RGB 121 136 179

HSL 224.48, 0.28%, 0.59%

LAB 57.01, 4.94, -24.36

 

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

CMYK 32 / 0 / 28 / 30

HEX #79B380

RGB 121 179 128

HSL 127.24, 0.28%, 0.59%

LAB 67.92, -29.42, 20.2

 

CMYK 28 / 32 / 0 / 30

HEX #8079B3

RGB 128 121 179

HSL 247.24, 0.28%, 0.59%

LAB 53.51, 15.86, -29.72

 

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

CMYK 11 / 0 / 32 / 30

HEX #A0B379

RGB 160 179 121

HSL 79.66, 0.28%, 0.59%

LAB 70.24, -16.56, 27.5

 

CMYK 32 / 4 / 0 / 30

HEX #79ABB3

RGB 121 171 179

HSL 188.28, 0.28%, 0.59%

LAB 66.86, -14.52, -9.43

 

CMYK 22 / 32 / 0 / 30

HEX #8C79B3

RGB 140 121 179

HSL 259.66, 0.28%, 0.59%

LAB 54.56, 19.56, -28.02

 

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

CMYK 21 / 0 / 32 / 30

HEX #8EB379

RGB 142 179 121

HSL 98.28, 0.28%, 0.59%

LAB 69.02, -23.3, 25.66

 

CMYK 32 / 4 / 0 / 30

HEX #79ABB3

RGB 121 171 179

HSL 188.28, 0.28%, 0.59%

LAB 66.86, -14.52, -9.43

 

CMYK 12 / 32 / 0 / 30

HEX #9E79B3

RGB 158 121 179

HSL 278.28, 0.28%, 0.59%

LAB 56.29, 25.32, -25.21

 

Description

Color code: HEX #B48179 | qconv.com Color code: HEX #B48179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 129 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 129 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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