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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47AE2 it is the complementary color #4B851D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47AE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47AE2 shade: #B97ADD, #CA8CF0, #DB9EFF, #ECB0FF and #FDC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47AE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47AE2 shade: #B47AE2, #A368CF, #9256BC, #8144A9 and #703296

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47AE2 shade: #B379E1, #CF79E1, #E179D7, #E179BB and #E1799F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47AE2 shade: #B379E1, #9779E1, #7B79E1 and #7979E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47AE2 shade matches the following richer shades: #B379E1, #B46BEE and #B65EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47AE2 shade: #B379E1, #B186D4, #B093C7, #AEA0BA and #ADADAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47AE2 shade: #7A79E1, #9679E1, #B279E1, #CE79E1 and #E179D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47AE2 shade: #8D35D2, #A057DA, #B379E1, #C69BE9 and #D9BCF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47AE2 shade: #B47AE2, #E17993 and #79E188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47AE2 shade: #B47AE2, #E1B279 and #79E1B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47AE2 shade: #B47AE2, #E17993, #A8E179 and #79E1C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47AE2 shade: #B47AE2, #E17E79, #A8E179 and #79DCE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 46 / 0 / 11

HEX #B47AE2

RGB 180 122 226

HSL 273.46, 0.64%, 0.68%

LAB 60.88, 41.77, -44.46

 

Complementary color

CMYK 44 / 0 / 78 / 48

HEX #4B851D

RGB 75 133 29

HSL 93.46, 0.64%, 0.32%

LAB 49.93, -36.8, 46.64

 

CMYK 16 / 45 / 0 / 13

HEX #B97ADD

RGB 185 122 221

HSL 278.18, 0.59%, 0.67%

LAB 61.18, 42.08, -41.16

 

CMYK 16 / 42 / 0 / 6

HEX #CA8CF0

RGB 202 140 240

HSL 277.2, 0.77%, 0.75%

LAB 67.73, 41.28, -41.29

 

CMYK 14 / 38 / 0 / 0

HEX #DB9EFF

RGB 219 158 255

HSL 277.73, 1%, 0.81%

LAB 74.02, 39.69, -39.52

 

CMYK 7 / 31 / 0 / 0

HEX #ECB0FF

RGB 236 176 255

HSL 285.57, 1%, 0.85%

LAB 79.67, 35.18, -30.64

 

CMYK 1 / 24 / 0 / 0

HEX #FDC2FF

RGB 253 194 255

HSL 298.03, 1%, 0.88%

LAB 85.35, 30.98, -21.84

 

CMYK 20 / 46 / 0 / 11

HEX #B47AE2

RGB 180 122 226

HSL 273.46, 0.64%, 0.68%

LAB 60.88, 41.77, -44.46

 

CMYK 21 / 50 / 0 / 19

HEX #A368CF

RGB 163 104 207

HSL 274.37, 0.52%, 0.61%

LAB 54.23, 42.63, -44.38

 

CMYK 22 / 54 / 0 / 26

HEX #9256BC

RGB 146 86 188

HSL 275.29, 0.43%, 0.54%

LAB 47.49, 43.49, -44.28

 

CMYK 24 / 60 / 0 / 34

HEX #8144A9

RGB 129 68 169

HSL 276.24, 0.43%, 0.46%

LAB 40.68, 44.31, -44.1

 

CMYK 25 / 67 / 0 / 41

HEX #703296

RGB 112 50 150

HSL 277.2, 0.5%, 0.39%

LAB 33.83, 44.97, -43.76

 

CMYK 20 / 46 / 0 / 12

HEX #B379E1

RGB 179 121 225

HSL 273.46, 0.63%, 0.68%

LAB 60.51, 41.81, -44.49

 

CMYK 8 / 46 / 0 / 12

HEX #CF79E1

RGB 207 121 225

HSL 289.62, 0.63%, 0.68%

LAB 63.65, 49.69, -39.34

 

CMYK 0 / 46 / 4 / 12

HEX #E179D7

RGB 225 121 215

HSL 305.77, 0.63%, 0.68%

LAB 65.43, 53.06, -30.83

 

CMYK 0 / 46 / 17 / 12

HEX #E179BB

RGB 225 121 187

HSL 321.92, 0.63%, 0.68%

LAB 64.38, 48.53, -16.7

 

CMYK 0 / 46 / 29 / 12

HEX #E1799F

RGB 225 121 159

HSL 338.08, 0.63%, 0.68%

LAB 63.5, 44.56, -2.11

 

CMYK 20 / 46 / 0 / 12

HEX #B379E1

RGB 179 121 225

HSL 273.46, 0.63%, 0.68%

LAB 60.51, 41.81, -44.49

 

CMYK 33 / 46 / 0 / 12

HEX #9779E1

RGB 151 121 225

HSL 257.31, 0.63%, 0.68%

LAB 57.74, 34.24, -49.05

 

CMYK 45 / 46 / 0 / 12

HEX #7B79E1

RGB 123 121 225

HSL 241.15, 0.63%, 0.68%

LAB 55.4, 27.27, -52.91

 

CMYK 46 / 46 / 0 / 12

HEX #7979E1

RGB 121 121 225

HSL 240, 0.63%, 0.68%

LAB 55.25, 26.8, -53.16

 

CMYK 20 / 46 / 0 / 12

HEX #B379E1

RGB 179 121 225

HSL 273.46, 0.63%, 0.68%

LAB 60.51, 41.81, -44.49

 

CMYK 24 / 55 / 0 / 7

HEX #B46BEE

RGB 180 107 238

HSL 273.44, 0.79%, 0.68%

LAB 58.41, 52.45, -55.07

 

CMYK 28 / 63 / 0 / 1

HEX #B65EFC

RGB 182 94 252

HSL 273.42, 0.96%, 0.68%

LAB 57.05, 62.48, -65

 

CMYK 20 / 46 / 0 / 12

HEX #B379E1

RGB 179 121 225

HSL 273.46, 0.63%, 0.68%

LAB 60.51, 41.81, -44.49

 

CMYK 17 / 37 / 0 / 17

HEX #B186D4

RGB 177 134 212

HSL 273.08, 0.48%, 0.68%

LAB 62.63, 31.14, -33.91

 

CMYK 12 / 26 / 0 / 22

HEX #B093C7

RGB 176 147 199

HSL 273.46, 0.32%, 0.68%

LAB 65.14, 20.69, -22.79

 

CMYK 6 / 14 / 0 / 27

HEX #AEA0BA

RGB 174 160 186

HSL 272.31, 0.16%, 0.68%

LAB 67.79, 10.04, -11.55

 

CMYK 0 / 0 / 1 / 32

HEX #ADADAC

RGB 173 173 172

HSL 60, 0.01%, 0.68%

LAB 70.7, -0.18, 0.5

 

CMYK 46 / 46 / 0 / 12

HEX #7A79E1

RGB 122 121 225

HSL 240.58, 0.63%, 0.68%

LAB 55.33, 27.04, -53.04

 

CMYK 33 / 46 / 0 / 12

HEX #9679E1

RGB 150 121 225

HSL 256.73, 0.63%, 0.68%

LAB 57.65, 33.98, -49.2

 

CMYK 21 / 46 / 0 / 12

HEX #B279E1

RGB 178 121 225

HSL 272.88, 0.63%, 0.68%

LAB 60.41, 41.54, -44.66

 

CMYK 8 / 46 / 0 / 12

HEX #CE79E1

RGB 206 121 225

HSL 289.04, 0.63%, 0.68%

LAB 63.53, 49.4, -39.53

 

CMYK 0 / 46 / 4 / 12

HEX #E179D8

RGB 225 121 216

HSL 305.19, 0.63%, 0.68%

LAB 65.47, 53.24, -31.33

 

CMYK 33 / 75 / 0 / 18

HEX #8D35D2

RGB 141 53 210

HSL 273.63, 0.64%, 0.52%

LAB 42.55, 63.16, -64.99

 

CMYK 27 / 60 / 0 / 15

HEX #A057DA

RGB 160 87 218

HSL 273.44, 0.64%, 0.6%

LAB 51.1, 53.33, -55.65

 

CMYK 20 / 46 / 0 / 12

HEX #B379E1

RGB 179 121 225

HSL 273.46, 0.63%, 0.68%

LAB 60.51, 41.81, -44.49

 

CMYK 15 / 33 / 0 / 9

HEX #C69BE9

RGB 198 155 233

HSL 273.08, 0.64%, 0.76%

LAB 70.41, 30.42, -33.31

 

CMYK 10 / 22 / 0 / 6

HEX #D9BCF0

RGB 217 188 240

HSL 273.46, 0.63%, 0.84%

LAB 80.18, 19.8, -21.97

 

CMYK 20 / 46 / 0 / 11

HEX #B47AE2

RGB 180 122 226

HSL 273.46, 0.64%, 0.68%

LAB 60.88, 41.77, -44.46

 

CMYK 0 / 46 / 35 / 12

HEX #E17993

RGB 225 121 147

HSL 345, 0.63%, 0.68%

LAB 63.17, 43.06, 4.27

 

CMYK 46 / 0 / 40 / 12

HEX #79E188

RGB 121 225 136

HSL 128.65, 0.63%, 0.68%

LAB 81.67, -48.64, 34.4

 

CMYK 20 / 46 / 0 / 11

HEX #B47AE2

RGB 180 122 226

HSL 273.46, 0.64%, 0.68%

LAB 60.88, 41.77, -44.46

 

CMYK 0 / 21 / 46 / 12

HEX #E1B279

RGB 225 178 121

HSL 32.88, 0.63%, 0.68%

LAB 75.59, 9.96, 35.56

 

CMYK 46 / 0 / 21 / 12

HEX #79E1B2

RGB 121 225 178

HSL 152.88, 0.63%, 0.68%

LAB 82.45, -40.97, 13.75

 

CMYK 20 / 46 / 0 / 11

HEX #B47AE2

RGB 180 122 226

HSL 273.46, 0.64%, 0.68%

LAB 60.88, 41.77, -44.46

 

CMYK 0 / 46 / 35 / 12

HEX #E17993

RGB 225 121 147

HSL 345, 0.63%, 0.68%

LAB 63.17, 43.06, 4.27

 

CMYK 25 / 0 / 46 / 12

HEX #A8E179

RGB 168 225 121

HSL 92.88, 0.63%, 0.68%

LAB 83.73, -35.84, 44.92

 

CMYK 46 / 0 / 12 / 12

HEX #79E1C7

RGB 121 225 199

HSL 165, 0.63%, 0.68%

LAB 82.93, -36.4, 3.37

 

CMYK 20 / 46 / 0 / 11

HEX #B47AE2

RGB 180 122 226

HSL 273.46, 0.64%, 0.68%

LAB 60.88, 41.77, -44.46

 

CMYK 0 / 44 / 46 / 12

HEX #E17E79

RGB 225 126 121

HSL 2.88, 0.63%, 0.68%

LAB 63.6, 37.63, 19.68

 

CMYK 25 / 0 / 46 / 12

HEX #A8E179

RGB 168 225 121

HSL 92.88, 0.63%, 0.68%

LAB 83.73, -35.84, 44.92

 

CMYK 46 / 2 / 0 / 12

HEX #79DCE1

RGB 121 220 225

HSL 182.88, 0.63%, 0.68%

LAB 82.21, -27.74, -11.49

 

Description

Color code: HEX #B47AE2 | qconv.com Color code: HEX #B47AE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 122 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 122 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 46 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 46% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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