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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47167 it is the complementary color #4B8E98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47167 shade: #B97162, #CA8375, #DB9588, #ECA79B and #FDB9AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47167 shade: #B47167, #A35F54, #924D41, #813B2E and #70291B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47167 shade: #B36F65 and #B36565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47167 shade: #B36F65, #B38465, #B39965, #B3AE65 and #A2B365

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47167 shade matches the following richer shades: #B36F65, #C56152, #D85340, #EA462D and #FD381A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47167 shade: #B36F65, #A07D77, #8E8A8A, #7B989C and #68A6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47167 shade: #B36585, #B36570, #B36E65, #B38365 and #B39765

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47167 shade: #844A41, #A0594E, #B36F65, #C08980 and #CEA39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47167 shade: #B47167, #9AB365 and #657BB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47167 shade: #B47167, #65B36E and #6E65B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47167 shade: #B47167, #9AB365, #65AAB3 and #7D65B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47167 shade: #B47167, #83B365, #65AAB3 and #9565B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 43 / 29

HEX #B47167

RGB 180 113 103

HSL 7.79, 0.34%, 0.55%

LAB 54.55, 25.32, 16.66

 

Complementary color

CMYK 51 / 7 / 0 / 40

HEX #4B8E98

RGB 75 142 152

HSL 187.79, 0.34%, 0.45%

LAB 55.18, -18.42, -11.89

 

CMYK 0 / 39 / 47 / 27

HEX #B97162

RGB 185 113 98

HSL 10.34, 0.38%, 0.55%

LAB 55.08, 26.78, 20.38

 

CMYK 0 / 35 / 42 / 21

HEX #CA8375

RGB 202 131 117

HSL 9.88, 0.45%, 0.63%

LAB 61.72, 25.71, 18.9

 

CMYK 0 / 32 / 38 / 14

HEX #DB9588

RGB 219 149 136

HSL 9.4, 0.54%, 0.7%

LAB 68.26, 24.76, 17.57

 

CMYK 0 / 29 / 34 / 7

HEX #ECA79B

RGB 236 167 155

HSL 8.89, 0.68%, 0.77%

LAB 74.72, 23.91, 16.38

 

CMYK 0 / 27 / 31 / 1

HEX #FDB9AE

RGB 253 185 174

HSL 8.35, 0.95%, 0.84%

LAB 81.09, 23.14, 15.28

 

CMYK 0 / 37 / 43 / 29

HEX #B47167

RGB 180 113 103

HSL 7.79, 0.34%, 0.55%

LAB 54.55, 25.32, 16.66

 

CMYK 0 / 42 / 48 / 36

HEX #A35F54

RGB 163 95 84

HSL 8.35, 0.32%, 0.48%

LAB 47.77, 26.44, 18.23

 

CMYK 0 / 47 / 55 / 43

HEX #924D41

RGB 146 77 65

HSL 8.89, 0.38%, 0.41%

LAB 40.9, 27.7, 20.08

 

CMYK 0 / 54 / 64 / 49

HEX #813B2E

RGB 129 59 46

HSL 9.4, 0.47%, 0.34%

LAB 33.97, 29.1, 22.31

 

CMYK 0 / 63 / 76 / 56

HEX #70291B

RGB 112 41 27

HSL 9.88, 0.61%, 0.27%

LAB 27.05, 30.55, 25.04

 

CMYK 0 / 38 / 44 / 30

HEX #B36F65

RGB 179 111 101

HSL 7.69, 0.34%, 0.55%

LAB 53.91, 25.8, 16.94

 

CMYK 0 / 44 / 44 / 30

HEX #B36565

RGB 179 101 101

HSL 0, 0.34%, 0.55%

LAB 51.65, 31.3, 13.82

 

CMYK 0 / 38 / 44 / 30

HEX #B36F65

RGB 179 111 101

HSL 7.69, 0.34%, 0.55%

LAB 53.91, 25.8, 16.94

 

CMYK 0 / 26 / 44 / 30

HEX #B38465

RGB 179 132 101

HSL 23.85, 0.34%, 0.55%

LAB 59, 14.07, 23.79

 

CMYK 0 / 15 / 44 / 30

HEX #B39965

RGB 179 153 101

HSL 40, 0.34%, 0.55%

LAB 64.41, 2.44, 30.86

 

CMYK 0 / 3 / 44 / 30

HEX #B3AE65

RGB 179 174 101

HSL 56.15, 0.34%, 0.55%

LAB 70.03, -8.81, 37.99

 

CMYK 9 / 0 / 44 / 30

HEX #A2B365

RGB 162 179 101

HSL 73.08, 0.34%, 0.55%

LAB 70.08, -18.3, 37.76

 

CMYK 0 / 38 / 44 / 30

HEX #B36F65

RGB 179 111 101

HSL 7.69, 0.34%, 0.55%

LAB 53.91, 25.8, 16.94

 

CMYK 0 / 51 / 58 / 23

HEX #C56152

RGB 197 97 82

HSL 7.83, 0.5%, 0.55%

LAB 52.98, 38.59, 27.15

 

CMYK 0 / 62 / 70 / 15

HEX #D85340

RGB 216 83 64

HSL 7.5, 0.66%, 0.55%

LAB 53.12, 51.13, 38.18

 

CMYK 0 / 70 / 81 / 8

HEX #EA462D

RGB 234 70 45

HSL 7.94, 0.82%, 0.55%

LAB 54.09, 61.62, 50.14

 

CMYK 0 / 78 / 90 / 1

HEX #FD381A

RGB 253 56 26

HSL 7.93, 0.98%, 0.55%

LAB 55.87, 71.37, 61.25

 

CMYK 0 / 38 / 44 / 30

HEX #B36F65

RGB 179 111 101

HSL 7.69, 0.34%, 0.55%

LAB 53.91, 25.8, 16.94

 

CMYK 0 / 22 / 26 / 37

HEX #A07D77

RGB 160 125 119

HSL 8.78, 0.18%, 0.55%

LAB 55.56, 12.61, 8.45

 

CMYK 0 / 3 / 3 / 44

HEX #8E8A8A

RGB 142 138 138

HSL 0, 0.02%, 0.55%

LAB 57.81, 1.49, 0.52

 

CMYK 21 / 3 / 0 / 39

HEX #7B989C

RGB 123 152 156

HSL 187.27, 0.14%, 0.55%

LAB 60.84, -9.17, -5.46

 

CMYK 41 / 5 / 0 / 31

HEX #68A6AF

RGB 104 166 175

HSL 187.61, 0.31%, 0.55%

LAB 64.41, -17.58, -10.95

 

CMYK 0 / 44 / 26 / 30

HEX #B36585

RGB 179 101 133

HSL 335.38, 0.34%, 0.55%

LAB 52.49, 35.39, -3.91

 

CMYK 0 / 44 / 37 / 30

HEX #B36570

RGB 179 101 112

HSL 351.54, 0.34%, 0.55%

LAB 51.91, 32.58, 7.68

 

CMYK 0 / 39 / 44 / 30

HEX #B36E65

RGB 179 110 101

HSL 6.92, 0.34%, 0.55%

LAB 53.68, 26.36, 16.62

 

CMYK 0 / 27 / 44 / 30

HEX #B38365

RGB 179 131 101

HSL 23.08, 0.34%, 0.55%

LAB 58.75, 14.63, 23.46

 

CMYK 0 / 16 / 44 / 30

HEX #B39765

RGB 179 151 101

HSL 38.46, 0.34%, 0.55%

LAB 63.88, 3.54, 30.18

 

CMYK 0 / 44 / 51 / 48

HEX #844A41

RGB 132 74 65

HSL 8.06, 0.34%, 0.39%

LAB 38.17, 23.58, 16.1

 

CMYK 0 / 44 / 51 / 37

HEX #A0594E

RGB 160 89 78

HSL 8.05, 0.34%, 0.47%

LAB 45.86, 27.96, 19.19

 

CMYK 0 / 38 / 44 / 30

HEX #B36F65

RGB 179 111 101

HSL 7.69, 0.34%, 0.55%

LAB 53.91, 25.8, 16.94

 

CMYK 0 / 29 / 33 / 25

HEX #C08980

RGB 192 137 128

HSL 8.44, 0.34%, 0.63%

LAB 62.22, 19.8, 13.18

 

CMYK 0 / 21 / 24 / 19

HEX #CEA39C

RGB 206 163 156

HSL 8.4, 0.34%, 0.71%

LAB 70.68, 14.8, 9.68

 

CMYK 0 / 37 / 43 / 29

HEX #B47167

RGB 180 113 103

HSL 7.79, 0.34%, 0.55%

LAB 54.55, 25.32, 16.66

 

CMYK 14 / 0 / 44 / 30

HEX #9AB365

RGB 154 179 101

HSL 79.23, 0.34%, 0.55%

LAB 69.5, -21.46, 36.92

 

CMYK 44 / 31 / 0 / 30

HEX #657BB3

RGB 101 123 179

HSL 223.08, 0.34%, 0.55%

LAB 52.05, 6.96, -32.16

 

CMYK 0 / 37 / 43 / 29

HEX #B47167

RGB 180 113 103

HSL 7.79, 0.34%, 0.55%

LAB 54.55, 25.32, 16.66

 

CMYK 44 / 0 / 39 / 30

HEX #65B36E

RGB 101 179 110

HSL 126.92, 0.34%, 0.55%

LAB 66.62, -38.78, 27.92

 

CMYK 39 / 44 / 0 / 30

HEX #6E65B3

RGB 110 101 179

HSL 246.92, 0.34%, 0.55%

LAB 46.81, 22.74, -40.34

 

CMYK 0 / 37 / 43 / 29

HEX #B47167

RGB 180 113 103

HSL 7.79, 0.34%, 0.55%

LAB 54.55, 25.32, 16.66

 

CMYK 14 / 0 / 44 / 30

HEX #9AB365

RGB 154 179 101

HSL 79.23, 0.34%, 0.55%

LAB 69.5, -21.46, 36.92

 

CMYK 44 / 5 / 0 / 30

HEX #65AAB3

RGB 101 170 179

HSL 186.92, 0.34%, 0.55%

LAB 65.57, -19.38, -11.46

 

CMYK 30 / 44 / 0 / 30

HEX #7D65B3

RGB 125 101 179

HSL 258.46, 0.34%, 0.55%

LAB 48.16, 26.9, -38.12

 

CMYK 0 / 37 / 43 / 29

HEX #B47167

RGB 180 113 103

HSL 7.79, 0.34%, 0.55%

LAB 54.55, 25.32, 16.66

 

CMYK 27 / 0 / 44 / 30

HEX #83B365

RGB 131 179 101

HSL 96.92, 0.34%, 0.55%

LAB 68.02, -30.16, 34.74

 

CMYK 44 / 5 / 0 / 30

HEX #65AAB3

RGB 101 170 179

HSL 186.92, 0.34%, 0.55%

LAB 65.57, -19.38, -11.46

 

CMYK 17 / 44 / 0 / 30

HEX #9565B3

RGB 149 101 179

HSL 276.92, 0.34%, 0.55%

LAB 50.63, 33.95, -34.07

 

Description

Color code: HEX #B47167 | qconv.com Color code: HEX #B47167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 113 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 113 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 43 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 43% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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