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Color name
HEX #B47854

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47854 it is the complementary color #4B87AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47854. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47854 shade: #B9784F, #CA8A62, #DB9C75, #ECAE88 and #FDC09B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47854. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47854 shade: #B47854, #A36641, #92542E, #81421B and #703008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47854 shade: #B47854, #B45E54 and #B45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47854 shade: #B47854, #B49254, #B4AC54, #A2B454 and #89B454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47854 shade matches the following richer shades: #B47854, #C87341, #DB6E2D and #EF6919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47854 shade: #B47854, #A07D68, #8C827C, #788790 and #658CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47854 shade: #B45464, #B45E54, #B47754, #B49154 and #B4AA54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47854 shade: #7E5237, #9B6544, #B47854, #C08F71 and #CDA58E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47854 shade: #B47854, #7EB454 and #5458B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47854 shade: #B47854, #54B477 and #7754B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47854 shade: #B47854, #7EB454, #5491B4 and #8A54B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47854 shade: #B47854, #61B454, #5491B4 and #A754B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

Complementary color

CMYK 56 / 21 / 0 / 33

HEX #4B87AB

RGB 75 135 171

HSL 202.5, 0.39%, 0.48%

LAB 53.78, -8.83, -24.97

 

CMYK 0 / 35 / 57 / 27

HEX #B9784F

RGB 185 120 79

HSL 23.21, 0.43%, 0.52%

LAB 56.4, 21.16, 32.8

 

CMYK 0 / 32 / 51 / 21

HEX #CA8A62

RGB 202 138 98

HSL 23.08, 0.5%, 0.59%

LAB 63.02, 19.97, 31.2

 

CMYK 0 / 29 / 47 / 14

HEX #DB9C75

RGB 219 156 117

HSL 22.94, 0.59%, 0.66%

LAB 69.56, 18.93, 29.73

 

CMYK 0 / 26 / 42 / 7

HEX #ECAE88

RGB 236 174 136

HSL 22.8, 0.72%, 0.73%

LAB 76, 18.02, 28.38

 

CMYK 0 / 24 / 39 / 1

HEX #FDC09B

RGB 253 192 155

HSL 22.65, 0.96%, 0.8%

LAB 82.35, 17.21, 27.13

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 0 / 37 / 60 / 36

HEX #A36641

RGB 163 102 65

HSL 22.65, 0.43%, 0.45%

LAB 49.09, 20.78, 30.93

 

CMYK 0 / 42 / 68 / 43

HEX #92542E

RGB 146 84 46

HSL 22.8, 0.52%, 0.38%

LAB 42.23, 22.29, 32.77

 

CMYK 0 / 49 / 79 / 49

HEX #81421B

RGB 129 66 27

HSL 22.94, 0.65%, 0.31%

LAB 35.29, 24.06, 34.66

 

CMYK 0 / 57 / 93 / 56

HEX #703008

RGB 112 48 8

HSL 23.08, 0.87%, 0.24%

LAB 28.32, 26.1, 36.01

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 0 / 48 / 53 / 29

HEX #B45E54

RGB 180 94 84

HSL 6.25, 0.39%, 0.52%

LAB 49.92, 33.76, 21.52

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 0 / 19 / 53 / 29

HEX #B49254

RGB 180 146 84

HSL 38.75, 0.39%, 0.52%

LAB 62.42, 5.03, 37.41

 

CMYK 0 / 4 / 53 / 29

HEX #B4AC54

RGB 180 172 84

HSL 55, 0.39%, 0.52%

LAB 69.36, -8.96, 45.69

 

CMYK 10 / 0 / 53 / 29

HEX #A2B454

RGB 162 180 84

HSL 71.25, 0.39%, 0.52%

LAB 70.15, -20.55, 46.25

 

CMYK 24 / 0 / 53 / 29

HEX #89B454

RGB 137 180 84

HSL 86.88, 0.39%, 0.52%

LAB 68.46, -30.42, 43.84

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 0 / 43 / 68 / 22

HEX #C87341

RGB 200 115 65

HSL 22.22, 0.55%, 0.52%

LAB 57, 29.16, 41.46

 

CMYK 0 / 50 / 79 / 14

HEX #DB6E2D

RGB 219 110 45

HSL 22.41, 0.71%, 0.52%

LAB 58.42, 38.52, 53.4

 

CMYK 0 / 56 / 90 / 6

HEX #EF6919

RGB 239 105 25

HSL 22.43, 0.87%, 0.52%

LAB 60.36, 48.11, 63.68

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 0 / 22 / 35 / 37

HEX #A07D68

RGB 160 125 104

HSL 22.5, 0.23%, 0.52%

LAB 55.22, 10.5, 16.63

 

CMYK 0 / 7 / 11 / 45

HEX #8C827C

RGB 140 130 124

HSL 22.5, 0.07%, 0.52%

LAB 55.07, 2.68, 4.6

 

CMYK 17 / 6 / 0 / 44

HEX #788790

RGB 120 135 144

HSL 202.5, 0.1%, 0.52%

LAB 55.42, -3.44, -6.66

 

CMYK 38 / 15 / 0 / 36

HEX #658CA4

RGB 101 140 164

HSL 202.86, 0.26%, 0.52%

LAB 56.29, -7.2, -16.99

 

CMYK 0 / 53 / 44 / 29

HEX #B45464

RGB 180 84 100

HSL 350, 0.39%, 0.52%

LAB 48.21, 40.52, 9.65

 

CMYK 0 / 48 / 53 / 29

HEX #B45E54

RGB 180 94 84

HSL 6.25, 0.39%, 0.52%

LAB 49.92, 33.76, 21.52

 

CMYK 0 / 34 / 53 / 29

HEX #B47754

RGB 180 119 84

HSL 21.88, 0.39%, 0.52%

LAB 55.62, 20.05, 28.93

 

CMYK 0 / 19 / 53 / 29

HEX #B49154

RGB 180 145 84

HSL 38.13, 0.39%, 0.52%

LAB 62.16, 5.58, 37.09

 

CMYK 0 / 6 / 53 / 29

HEX #B4AA54

RGB 180 170 84

HSL 53.75, 0.39%, 0.52%

LAB 68.82, -7.91, 45.06

 

CMYK 0 / 35 / 56 / 51

HEX #7E5237

RGB 126 82 55

HSL 22.82, 0.39%, 0.35%

LAB 39.15, 15.27, 23.28

 

CMYK 0 / 35 / 56 / 39

HEX #9B6544

RGB 155 101 68

HSL 22.76, 0.39%, 0.44%

LAB 47.87, 18.14, 27.49

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 0 / 26 / 41 / 25

HEX #C08F71

RGB 192 143 113

HSL 22.78, 0.39%, 0.6%

LAB 63.38, 14.66, 23.19

 

CMYK 0 / 20 / 31 / 20

HEX #CDA58E

RGB 205 165 142

HSL 21.9, 0.39%, 0.68%

LAB 70.76, 11.39, 17.49

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 30 / 0 / 53 / 29

HEX #7EB454

RGB 126 180 84

HSL 93.75, 0.39%, 0.52%

LAB 67.81, -34.51, 42.91

 

CMYK 53 / 51 / 0 / 29

HEX #5458B4

RGB 84 88 180

HSL 237.5, 0.39%, 0.52%

LAB 41.47, 24.78, -49.58

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 53 / 0 / 34 / 29

HEX #54B477

RGB 84 180 119

HSL 141.88, 0.39%, 0.52%

LAB 66.41, -42.27, 22.73

 

CMYK 34 / 53 / 0 / 29

HEX #7754B4

RGB 119 84 180

HSL 261.88, 0.39%, 0.52%

LAB 43.59, 35.57, -46

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 30 / 0 / 53 / 29

HEX #7EB454

RGB 126 180 84

HSL 93.75, 0.39%, 0.52%

LAB 67.81, -34.51, 42.91

 

CMYK 53 / 19 / 0 / 29

HEX #5491B4

RGB 84 145 180

HSL 201.88, 0.39%, 0.52%

LAB 57.49, -9.69, -24.36

 

CMYK 23 / 53 / 0 / 29

HEX #8A54B4

RGB 138 84 180

HSL 273.75, 0.39%, 0.52%

LAB 45.69, 40.59, -42.54

 

CMYK 0 / 33 / 53 / 29

HEX #B47854

RGB 180 120 84

HSL 22.5, 0.39%, 0.52%

LAB 55.86, 19.49, 29.24

 

CMYK 46 / 0 / 53 / 29

HEX #61B454

RGB 97 180 84

HSL 111.88, 0.39%, 0.52%

LAB 66.39, -44.2, 40.86

 

CMYK 53 / 19 / 0 / 29

HEX #5491B4

RGB 84 145 180

HSL 201.88, 0.39%, 0.52%

LAB 57.49, -9.69, -24.36

 

CMYK 7 / 53 / 0 / 29

HEX #A754B4

RGB 167 84 180

HSL 291.88, 0.39%, 0.52%

LAB 49.32, 48.55, -36.57

 

Description

Color code: HEX #B47854 | qconv.com Color code: HEX #B47854 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 120 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 120 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 53 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 53% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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