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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46F02 it is the complementary color #4B90FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46F02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46F02 shade: #B96F00, #CA8110, #DB9323, #ECA536 and #FDB749

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46F02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46F02 shade: #B46F02, #A35D00, #924B00, #813900 and #702700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46F02 shade: #B57001, #B53F01, #B50E01 and #B50101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46F02 shade: #B57001, #B5A001, #9AB501, #69B501 and #39B501

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46F02 shade matches the following richer shades: #B57001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46F02 shade: #B57001, #A66C10, #98691F, #89662E and #7A623D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46F02 shade: #B50D01, #B53D01, #B56D01, #B59D01 and #9DB501

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46F02 shade: #643D01, #8C5601, #B57001, #DE8902 and #FC9F0D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46F02 shade: #B46F02, #25B501 and #2501B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46F02 shade: #B46F02, #01B56D and #6D01B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46F02 shade: #B46F02, #25B501, #0149B5 and #9101B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46F02 shade: #B46F02, #01B513, #0149B5 and #B501A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 99 / 29

HEX #B46F02

RGB 180 111 2

HSL 36.74, 0.98%, 0.36%

LAB 53.03, 20.73, 59.76

 

Complementary color

CMYK 70 / 43 / 0 / 1

HEX #4B90FD

RGB 75 144 253

HSL 216.74, 0.98%, 0.64%

LAB 60.37, 13.53, -60.66

 

CMYK 0 / 40 / 100 / 27

HEX #B96F00

RGB 185 111 0

HSL 36, 1%, 0.36%

LAB 53.69, 22.9, 60.9

 

CMYK 0 / 36 / 92 / 21

HEX #CA8110

RGB 202 129 16

HSL 36.45, 0.85%, 0.43%

LAB 60.15, 20.67, 63.46

 

CMYK 0 / 33 / 84 / 14

HEX #DB9323

RGB 219 147 35

HSL 36.52, 0.72%, 0.5%

LAB 66.56, 18.69, 64.41

 

CMYK 0 / 30 / 77 / 7

HEX #ECA536

RGB 236 165 54

HSL 36.59, 0.83%, 0.57%

LAB 72.9, 16.95, 64.23

 

CMYK 0 / 28 / 71 / 1

HEX #FDB749

RGB 253 183 73

HSL 36.67, 0.98%, 0.64%

LAB 79.17, 15.43, 63.45

 

CMYK 0 / 38 / 99 / 29

HEX #B46F02

RGB 180 111 2

HSL 36.74, 0.98%, 0.36%

LAB 53.03, 20.73, 59.76

 

CMYK 0 / 43 / 100 / 36

HEX #A35D00

RGB 163 93 0

HSL 34.23, 1%, 0.32%

LAB 46.47, 23.2, 54.83

 

CMYK 0 / 49 / 100 / 43

HEX #924B00

RGB 146 75 0

HSL 30.82, 1%, 0.29%

LAB 39.82, 25.76, 49.46

 

CMYK 0 / 56 / 100 / 49

HEX #813900

RGB 129 57 0

HSL 26.51, 1%, 0.25%

LAB 33.12, 28.31, 44.07

 

CMYK 0 / 65 / 100 / 56

HEX #702700

RGB 112 39 0

HSL 20.89, 1%, 0.22%

LAB 26.44, 30.66, 37.65

 

CMYK 0 / 38 / 99 / 29

HEX #B57001

RGB 181 112 1

HSL 37, 0.99%, 0.36%

LAB 53.4, 20.6, 60.26

 

CMYK 0 / 65 / 99 / 29

HEX #B53F01

RGB 181 63 1

HSL 20.67, 0.99%, 0.36%

LAB 43.33, 45.76, 54.21

 

CMYK 0 / 92 / 99 / 29

HEX #B50E01

RGB 181 14 1

HSL 4.33, 0.99%, 0.36%

LAB 38.09, 60.31, 51.76

 

CMYK 0 / 99 / 99 / 29

HEX #B50101

RGB 181 1 1

HSL 0, 0.99%, 0.36%

LAB 37.57, 61.83, 51.55

 

CMYK 0 / 38 / 99 / 29

HEX #B57001

RGB 181 112 1

HSL 37, 0.99%, 0.36%

LAB 53.4, 20.6, 60.26

 

CMYK 0 / 12 / 99 / 29

HEX #B5A001

RGB 181 160 1

HSL 53, 0.99%, 0.36%

LAB 65.72, -5.76, 68.76

 

CMYK 15 / 0 / 99 / 29

HEX #9AB501

RGB 154 181 1

HSL 69, 0.99%, 0.36%

LAB 69.41, -28.27, 70.48

 

CMYK 42 / 0 / 99 / 29

HEX #69B501

RGB 105 181 1

HSL 85.33, 0.99%, 0.36%

LAB 66.56, -47.23, 67.05

 

CMYK 69 / 0 / 99 / 29

HEX #39B501

RGB 57 181 1

HSL 101.33, 0.99%, 0.36%

LAB 64.9, -60.42, 65.03

 

CMYK 0 / 38 / 99 / 29

HEX #B57001

RGB 181 112 1

HSL 37, 0.99%, 0.36%

LAB 53.4, 20.6, 60.26

 

CMYK 0 / 38 / 99 / 29

HEX #B57001

RGB 181 112 1

HSL 37, 0.99%, 0.36%

LAB 53.4, 20.6, 60.26

 

CMYK 0 / 35 / 90 / 35

HEX #A66C10

RGB 166 108 16

HSL 36.8, 0.82%, 0.36%

LAB 50.53, 16.36, 54.2

 

CMYK 0 / 31 / 80 / 40

HEX #98691F

RGB 152 105 31

HSL 36.69, 0.66%, 0.36%

LAB 48.11, 12.13, 46.38

 

CMYK 0 / 26 / 66 / 46

HEX #89662E

RGB 137 102 46

HSL 36.92, 0.5%, 0.36%

LAB 45.66, 7.76, 36.33

 

CMYK 0 / 20 / 50 / 52

HEX #7A623D

RGB 122 98 61

HSL 36.39, 0.33%, 0.36%

LAB 43.08, 4.52, 24.64

 

CMYK 0 / 93 / 99 / 29

HEX #B50D01

RGB 181 13 1

HSL 4, 0.99%, 0.36%

LAB 38.05, 60.45, 51.74

 

CMYK 0 / 66 / 99 / 29

HEX #B53D01

RGB 181 61 1

HSL 20, 0.99%, 0.36%

LAB 43.01, 46.62, 54.04

 

CMYK 0 / 40 / 99 / 29

HEX #B56D01

RGB 181 109 1

HSL 36, 0.99%, 0.36%

LAB 52.69, 22.26, 59.8

 

CMYK 0 / 13 / 99 / 29

HEX #B59D01

RGB 181 157 1

HSL 52, 0.99%, 0.36%

LAB 64.91, -4.16, 68.18

 

CMYK 13 / 0 / 99 / 29

HEX #9DB501

RGB 157 181 1

HSL 68, 0.99%, 0.36%

LAB 69.62, -27.01, 70.74

 

CMYK 0 / 39 / 99 / 61

HEX #643D01

RGB 100 61 1

HSL 36.36, 0.98%, 0.2%

LAB 29.54, 12.6, 39.04

 

CMYK 0 / 39 / 99 / 45

HEX #8C5601

RGB 140 86 1

HSL 36.69, 0.99%, 0.28%

LAB 41.58, 16.78, 49.85

 

CMYK 0 / 38 / 99 / 29

HEX #B57001

RGB 181 112 1

HSL 37, 0.99%, 0.36%

LAB 53.4, 20.6, 60.26

 

CMYK 0 / 38 / 99 / 13

HEX #DE8902

RGB 222 137 2

HSL 36.82, 0.98%, 0.44%

LAB 64.5, 24.8, 69.91

 

CMYK 0 / 37 / 95 / 1

HEX #FC9F0D

RGB 252 159 13

HSL 36.65, 0.98%, 0.52%

LAB 73.23, 25.92, 76.11

 

CMYK 0 / 38 / 99 / 29

HEX #B46F02

RGB 180 111 2

HSL 36.74, 0.98%, 0.36%

LAB 53.03, 20.73, 59.76

 

CMYK 80 / 0 / 99 / 29

HEX #25B501

RGB 37 181 1

HSL 108, 0.99%, 0.36%

LAB 64.52, -63.74, 64.57

 

CMYK 80 / 99 / 0 / 29

HEX #2501B5

RGB 37 1 181

HSL 252, 0.99%, 0.36%

LAB 22.83, 61.48, -80.87

 

CMYK 0 / 38 / 99 / 29

HEX #B46F02

RGB 180 111 2

HSL 36.74, 0.98%, 0.36%

LAB 53.03, 20.73, 59.76

 

CMYK 99 / 0 / 40 / 29

HEX #01B56D

RGB 1 181 109

HSL 156, 0.99%, 0.36%

LAB 65.09, -55.65, 26.03

 

CMYK 40 / 99 / 0 / 29

HEX #6D01B5

RGB 109 1 181

HSL 276, 0.99%, 0.36%

LAB 30.9, 65.98, -67.25

 

CMYK 0 / 38 / 99 / 29

HEX #B46F02

RGB 180 111 2

HSL 36.74, 0.98%, 0.36%

LAB 53.03, 20.73, 59.76

 

CMYK 80 / 0 / 99 / 29

HEX #25B501

RGB 37 181 1

HSL 108, 0.99%, 0.36%

LAB 64.52, -63.74, 64.57

 

CMYK 99 / 60 / 0 / 29

HEX #0149B5

RGB 1 73 181

HSL 216, 0.99%, 0.36%

LAB 34.21, 25.29, -62.1

 

CMYK 20 / 99 / 0 / 29

HEX #9101B5

RGB 145 1 181

HSL 288, 0.99%, 0.36%

LAB 36.7, 70.37, -57.52

 

CMYK 0 / 38 / 99 / 29

HEX #B46F02

RGB 180 111 2

HSL 36.74, 0.98%, 0.36%

LAB 53.03, 20.73, 59.76

 

CMYK 99 / 0 / 90 / 29

HEX #01B513

RGB 1 181 19

HSL 126, 0.99%, 0.36%

LAB 64.24, -66.09, 61.71

 

CMYK 99 / 60 / 0 / 29

HEX #0149B5

RGB 1 73 181

HSL 216, 0.99%, 0.36%

LAB 34.21, 25.29, -62.1

 

CMYK 0 / 99 / 10 / 29

HEX #B501A3

RGB 181 1 163

HSL 306, 0.99%, 0.36%

LAB 41.98, 73.3, -37.95

 

Description

Color code: HEX #B46F02 | qconv.com Color code: HEX #B46F02 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 111 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 111 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 99 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 99% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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