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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B43036 it is the complementary color #4BCFC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B43036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B43036 shade: #B93031, #CA4244, #DB5457, #EC666A and #FD787D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B43036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B43036 shade: #B43036, #A31E23, #920C10, #810000 and #700000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B43036 shade: #B53036 and #B53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B43036 shade: #B53036, #B5305A, #B5307E, #B530A1 and #A430B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B43036 shade matches the following richer shades: #B53036, #C71D25 and #DA0B14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B43036 shade: #B53036, #A24247, #905558, #7D6768 and #6B7A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B43036 shade: #B5307D, #B5305A, #B53036, #B54D30 and #B57030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B43036 shade: #741E22, #94272C, #B53036, #CC4148 and #D56267

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B43036 shade: #B43036, #A1B530 and #306CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B43036 shade: #B43036, #36B530 and #3036B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B43036 shade: #B43036, #A1B530, #30B5AE and #4430B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B43036 shade: #B43036, #79B530, #30B5AE and #6C30B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 70 / 29

HEX #B43036

RGB 180 48 54

HSL 357.27, 0.58%, 0.45%

LAB 41.35, 52.88, 28.52

 

Complementary color

CMYK 64 / 0 / 3 / 19

HEX #4BCFC9

RGB 75 207 201

HSL 177.27, 0.58%, 0.55%

LAB 76.28, -36.8, -7.64

 

CMYK 0 / 74 / 74 / 27

HEX #B93031

RGB 185 48 49

HSL 359.56, 0.59%, 0.46%

LAB 42.23, 54.22, 32.78

 

CMYK 0 / 67 / 66 / 21

HEX #CA4244

RGB 202 66 68

HSL 359.12, 0.56%, 0.53%

LAB 48.1, 53.82, 29.32

 

CMYK 0 / 62 / 60 / 14

HEX #DB5457

RGB 219 84 87

HSL 358.67, 0.65%, 0.59%

LAB 54.12, 53.05, 26.41

 

CMYK 0 / 57 / 55 / 7

HEX #EC666A

RGB 236 102 106

HSL 358.21, 0.78%, 0.66%

LAB 60.23, 52.11, 23.94

 

CMYK 0 / 53 / 51 / 1

HEX #FD787D

RGB 253 120 125

HSL 357.74, 0.97%, 0.73%

LAB 66.36, 51.09, 21.82

 

CMYK 0 / 73 / 70 / 29

HEX #B43036

RGB 180 48 54

HSL 357.27, 0.58%, 0.45%

LAB 41.35, 52.88, 28.52

 

CMYK 0 / 82 / 79 / 36

HEX #A31E23

RGB 163 30 35

HSL 357.74, 0.69%, 0.38%

LAB 35.67, 52.63, 32.55

 

CMYK 0 / 92 / 89 / 43

HEX #920C10

RGB 146 12 16

HSL 358.21, 0.85%, 0.31%

LAB 30.43, 51.26, 36.93

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 73 / 70 / 29

HEX #B53036

RGB 181 48 54

HSL 357.29, 0.58%, 0.45%

LAB 41.54, 53.2, 28.8

 

CMYK 0 / 73 / 73 / 29

HEX #B53030

RGB 181 48 48

HSL 0, 0.58%, 0.45%

LAB 41.46, 52.91, 32.28

 

CMYK 0 / 73 / 70 / 29

HEX #B53036

RGB 181 48 54

HSL 357.29, 0.58%, 0.45%

LAB 41.54, 53.2, 28.8

 

CMYK 0 / 73 / 50 / 29

HEX #B5305A

RGB 181 48 90

HSL 341.05, 0.58%, 0.45%

LAB 42.27, 55.63, 7.43

 

CMYK 0 / 73 / 30 / 29

HEX #B5307E

RGB 181 48 126

HSL 324.81, 0.58%, 0.45%

LAB 43.42, 59.36, -13.23

 

CMYK 0 / 73 / 11 / 29

HEX #B530A1

RGB 181 48 161

HSL 309.02, 0.58%, 0.45%

LAB 44.96, 64.09, -32.06

 

CMYK 9 / 73 / 0 / 29

HEX #A430B5

RGB 164 48 181

HSL 292.33, 0.58%, 0.45%

LAB 43.28, 63.61, -46.77

 

CMYK 0 / 73 / 70 / 29

HEX #B53036

RGB 181 48 54

HSL 357.29, 0.58%, 0.45%

LAB 41.54, 53.2, 28.8

 

CMYK 0 / 85 / 81 / 22

HEX #C71D25

RGB 199 29 37

HSL 357.18, 0.75%, 0.45%

LAB 42.99, 63.17, 41.26

 

CMYK 0 / 95 / 91 / 15

HEX #DA0B14

RGB 218 11 20

HSL 357.39, 0.9%, 0.45%

LAB 45.9, 70.41, 53.45

 

CMYK 0 / 73 / 70 / 29

HEX #B53036

RGB 181 48 54

HSL 357.29, 0.58%, 0.45%

LAB 41.54, 53.2, 28.8

 

CMYK 0 / 59 / 56 / 36

HEX #A24247

RGB 162 66 71

HSL 356.88, 0.42%, 0.45%

LAB 41.27, 40.21, 17.36

 

CMYK 0 / 41 / 39 / 44

HEX #905558

RGB 144 85 88

HSL 356.95, 0.26%, 0.45%

LAB 42.96, 24.85, 8.8

 

CMYK 0 / 18 / 17 / 51

HEX #7D6768

RGB 125 103 104

HSL 357.27, 0.1%, 0.45%

LAB 45.72, 8.94, 2.72

 

CMYK 12 / 0 / 1 / 52

HEX #6B7A79

RGB 107 122 121

HSL 176, 0.07%, 0.45%

LAB 50.01, -5.74, -1.34

 

CMYK 0 / 73 / 31 / 29

HEX #B5307D

RGB 181 48 125

HSL 325.26, 0.58%, 0.45%

LAB 43.39, 59.24, -12.68

 

CMYK 0 / 73 / 50 / 29

HEX #B5305A

RGB 181 48 90

HSL 341.05, 0.58%, 0.45%

LAB 42.27, 55.63, 7.43

 

CMYK 0 / 73 / 70 / 29

HEX #B53036

RGB 181 48 54

HSL 357.29, 0.58%, 0.45%

LAB 41.54, 53.2, 28.8

 

CMYK 0 / 57 / 73 / 29

HEX #B54D30

RGB 181 77 48

HSL 13.08, 0.58%, 0.45%

LAB 46.1, 40.44, 37.49

 

CMYK 0 / 38 / 73 / 29

HEX #B57030

RGB 181 112 48

HSL 28.87, 0.58%, 0.45%

LAB 53.63, 21.87, 45.53

 

CMYK 0 / 74 / 71 / 55

HEX #741E22

RGB 116 30 34

HSL 357.21, 0.59%, 0.29%

LAB 26.03, 37.55, 19.59

 

CMYK 0 / 74 / 70 / 42

HEX #94272C

RGB 148 39 44

HSL 357.25, 0.58%, 0.37%

LAB 33.83, 45.38, 24.15

 

CMYK 0 / 73 / 70 / 29

HEX #B53036

RGB 181 48 54

HSL 357.29, 0.58%, 0.45%

LAB 41.54, 53.2, 28.8

 

CMYK 0 / 68 / 65 / 20

HEX #CC4148

RGB 204 65 72

HSL 356.98, 0.58%, 0.53%

LAB 48.37, 55.09, 27.37

 

CMYK 0 / 54 / 52 / 16

HEX #D56267

RGB 213 98 103

HSL 357.39, 0.58%, 0.61%

LAB 55.95, 45.7, 19.32

 

CMYK 0 / 73 / 70 / 29

HEX #B43036

RGB 180 48 54

HSL 357.27, 0.58%, 0.45%

LAB 41.35, 52.88, 28.52

 

CMYK 11 / 0 / 73 / 29

HEX #A1B530

RGB 161 181 48

HSL 69.02, 0.58%, 0.45%

LAB 70.06, -24.01, 61.25

 

CMYK 73 / 40 / 0 / 29

HEX #306CB5

RGB 48 108 181

HSL 212.93, 0.58%, 0.45%

LAB 45.21, 5.91, -44.29

 

CMYK 0 / 73 / 70 / 29

HEX #B43036

RGB 180 48 54

HSL 357.27, 0.58%, 0.45%

LAB 41.35, 52.88, 28.52

 

CMYK 70 / 0 / 73 / 29

HEX #36B530

RGB 54 181 48

HSL 117.29, 0.58%, 0.45%

LAB 65, -58.96, 54.55

 

CMYK 73 / 70 / 0 / 29

HEX #3036B5

RGB 48 54 181

HSL 237.29, 0.58%, 0.45%

LAB 30.89, 40.67, -67.49

 

CMYK 0 / 73 / 70 / 29

HEX #B43036

RGB 180 48 54

HSL 357.27, 0.58%, 0.45%

LAB 41.35, 52.88, 28.52

 

CMYK 11 / 0 / 73 / 29

HEX #A1B530

RGB 161 181 48

HSL 69.02, 0.58%, 0.45%

LAB 70.06, -24.01, 61.25

 

CMYK 73 / 0 / 4 / 29

HEX #30B5AE

RGB 48 181 174

HSL 176.84, 0.58%, 0.45%

LAB 67.08, -36.1, -6.62

 

CMYK 62 / 73 / 0 / 29

HEX #4430B5

RGB 68 48 181

HSL 249.02, 0.58%, 0.45%

LAB 31.06, 46.43, -67.15

 

CMYK 0 / 73 / 70 / 29

HEX #B43036

RGB 180 48 54

HSL 357.27, 0.58%, 0.45%

LAB 41.35, 52.88, 28.52

 

CMYK 33 / 0 / 73 / 29

HEX #79B530

RGB 121 181 48

HSL 87.07, 0.58%, 0.45%

LAB 67.52, -39.89, 57.9

 

CMYK 73 / 0 / 4 / 29

HEX #30B5AE

RGB 48 181 174

HSL 176.84, 0.58%, 0.45%

LAB 67.08, -36.1, -6.62

 

CMYK 40 / 73 / 0 / 29

HEX #6C30B5

RGB 108 48 181

HSL 267.07, 0.58%, 0.45%

LAB 35.28, 52.62, -60.08

 

Description

Color code: HEX #B43036 | qconv.com Color code: HEX #B43036 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 48 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 48 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 70 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 70% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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