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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B42AC6 it is the complementary color #4BD539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B42AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B42AC6 shade: #B92AC1, #CA3CD4, #DB4EE7, #EC60FA and #FD72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B42AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B42AC6 shade: #B42AC6, #A318B3, #9206A0, #81008D and #70007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B42AC6 shade: #B329C5, #C529AD, #C52983, #C52959 and #C5292F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B42AC6 shade: #B329C5, #8929C5, #5F29C5, #3529C5 and #2929C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B42AC6 shade matches the following richer shades: #B329C5, #C216D9 and #D103EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B42AC6 shade: #B329C5, #A43DB2, #95509E, #87648B and #787778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B42AC6 shade: #6029C5, #8A29C5, #B329C5, #C529AE and #C52984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B42AC6 shade: #751B81, #9422A3, #B329C5, #C542D6 and #D064DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B42AC6 shade: #B42AC6, #C53629 and #29C575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B42AC6 shade: #B42AC6, #C5B329 and #29C5B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B42AC6 shade: #B42AC6, #C53629, #3CC529 and #29B8C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B42AC6 shade: #B42AC6, #C56529, #3CC529 and #298AC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 79 / 0 / 22

HEX #B42AC6

RGB 180 42 198

HSL 293.08, 0.65%, 0.47%

LAB 46.23, 71.62, -51.83

 

Complementary color

CMYK 65 / 0 / 73 / 16

HEX #4BD539

RGB 75 213 57

HSL 113.08, 0.65%, 0.53%

LAB 75.69, -64.77, 62.31

 

CMYK 4 / 78 / 0 / 24

HEX #B92AC1

RGB 185 42 193

HSL 296.82, 0.64%, 0.46%

LAB 46.74, 71.75, -48.06

 

CMYK 5 / 72 / 0 / 17

HEX #CA3CD4

RGB 202 60 212

HSL 296.05, 0.64%, 0.53%

LAB 52.44, 72.86, -49.75

 

CMYK 5 / 66 / 0 / 9

HEX #DB4EE7

RGB 219 78 231

HSL 295.29, 0.76%, 0.61%

LAB 58.3, 73.33, -51.03

 

CMYK 6 / 62 / 0 / 2

HEX #EC60FA

RGB 236 96 250

HSL 294.55, 0.94%, 0.68%

LAB 64.24, 73.37, -52.01

 

CMYK 1 / 55 / 0 / 0

HEX #FD72FF

RGB 253 114 255

HSL 299.15, 1%, 0.72%

LAB 69.57, 70.73, -46.19

 

CMYK 9 / 79 / 0 / 22

HEX #B42AC6

RGB 180 42 198

HSL 293.08, 0.65%, 0.47%

LAB 46.23, 71.62, -51.83

 

CMYK 9 / 87 / 0 / 30

HEX #A318B3

RGB 163 24 179

HSL 293.81, 0.76%, 0.4%

LAB 40.73, 69.61, -49.68

 

CMYK 9 / 96 / 0 / 37

HEX #9206A0

RGB 146 6 160

HSL 294.55, 0.93%, 0.33%

LAB 35.56, 66.31, -46.78

 

CMYK 9 / 100 / 0 / 45

HEX #81008D

RGB 129 0 141

HSL 294.89, 1%, 0.28%

LAB 30.86, 61.22, -42.88

 

CMYK 8 / 100 / 0 / 52

HEX #70007A

RGB 112 0 122

HSL 295.08, 1%, 0.24%

LAB 26.3, 55.23, -38.45

 

CMYK 9 / 79 / 0 / 23

HEX #B329C5

RGB 179 41 197

HSL 293.08, 0.66%, 0.47%

LAB 45.91, 71.54, -51.77

 

CMYK 0 / 79 / 12 / 23

HEX #C529AD

RGB 197 41 173

HSL 309.23, 0.66%, 0.47%

LAB 47.59, 71.41, -34.86

 

CMYK 0 / 79 / 34 / 23

HEX #C52983

RGB 197 41 131

HSL 325.38, 0.66%, 0.47%

LAB 45.76, 66.13, -12.47

 

CMYK 0 / 79 / 55 / 23

HEX #C52959

RGB 197 41 89

HSL 341.54, 0.66%, 0.47%

LAB 44.49, 62.28, 11.6

 

CMYK 0 / 79 / 76 / 23

HEX #C5292F

RGB 197 41 47

HSL 357.69, 0.66%, 0.47%

LAB 43.74, 59.97, 36.28

 

CMYK 9 / 79 / 0 / 23

HEX #B329C5

RGB 179 41 197

HSL 293.08, 0.66%, 0.47%

LAB 45.91, 71.54, -51.77

 

CMYK 30 / 79 / 0 / 23

HEX #8929C5

RGB 137 41 197

HSL 276.92, 0.66%, 0.47%

LAB 39.47, 64.07, -62.49

 

CMYK 52 / 79 / 0 / 23

HEX #5F29C5

RGB 95 41 197

HSL 260.77, 0.66%, 0.47%

LAB 34.09, 57.81, -71.52

 

CMYK 73 / 79 / 0 / 23

HEX #3529C5

RGB 53 41 197

HSL 244.62, 0.66%, 0.47%

LAB 30.34, 53.45, -77.83

 

CMYK 79 / 79 / 0 / 23

HEX #2929C5

RGB 41 41 197

HSL 240, 0.66%, 0.47%

LAB 29.63, 52.63, -79.02

 

CMYK 9 / 79 / 0 / 23

HEX #B329C5

RGB 179 41 197

HSL 293.08, 0.66%, 0.47%

LAB 45.91, 71.54, -51.77

 

CMYK 11 / 90 / 0 / 15

HEX #C216D9

RGB 194 22 217

HSL 292.92, 0.82%, 0.47%

LAB 48.33, 81.32, -59.28

 

CMYK 11 / 99 / 0 / 7

HEX #D103EC

RGB 209 3 236

HSL 293.05, 0.97%, 0.47%

LAB 51.47, 88.4, -64.87

 

CMYK 9 / 79 / 0 / 23

HEX #B329C5

RGB 179 41 197

HSL 293.08, 0.66%, 0.47%

LAB 45.91, 71.54, -51.77

 

CMYK 8 / 66 / 0 / 30

HEX #A43DB2

RGB 164 61 178

HSL 292.82, 0.49%, 0.47%

LAB 44.86, 58.08, -42.46

 

CMYK 6 / 49 / 0 / 38

HEX #95509E

RGB 149 80 158

HSL 293.08, 0.33%, 0.47%

LAB 45.08, 41.09, -30.43

 

CMYK 3 / 28 / 0 / 45

HEX #87648B

RGB 135 100 139

HSL 293.85, 0.16%, 0.47%

LAB 47.14, 21.25, -16.04

 

CMYK 0 / 1 / 0 / 53

HEX #787778

RGB 120 119 120

HSL 300, 0%, 0.47%

LAB 50.15, 0.58, -0.42

 

CMYK 51 / 79 / 0 / 23

HEX #6029C5

RGB 96 41 197

HSL 261.15, 0.66%, 0.47%

LAB 34.2, 57.94, -71.33

 

CMYK 30 / 79 / 0 / 23

HEX #8A29C5

RGB 138 41 197

HSL 277.31, 0.66%, 0.47%

LAB 39.61, 64.23, -62.25

 

CMYK 9 / 79 / 0 / 23

HEX #B329C5

RGB 179 41 197

HSL 293.08, 0.66%, 0.47%

LAB 45.91, 71.54, -51.77

 

CMYK 0 / 79 / 12 / 23

HEX #C529AE

RGB 197 41 174

HSL 308.85, 0.66%, 0.47%

LAB 47.64, 71.56, -35.37

 

CMYK 0 / 79 / 33 / 23

HEX #C52984

RGB 197 41 132

HSL 325, 0.66%, 0.47%

LAB 45.8, 66.24, -13.03

 

CMYK 9 / 79 / 0 / 49

HEX #751B81

RGB 117 27 129

HSL 292.94, 0.65%, 0.31%

LAB 29.79, 51.29, -37.23

 

CMYK 9 / 79 / 0 / 36

HEX #9422A3

RGB 148 34 163

HSL 293.02, 0.65%, 0.39%

LAB 37.99, 61.64, -44.66

 

CMYK 9 / 79 / 0 / 23

HEX #B329C5

RGB 179 41 197

HSL 293.08, 0.66%, 0.47%

LAB 45.91, 71.54, -51.77

 

CMYK 8 / 69 / 0 / 16

HEX #C542D6

RGB 197 66 214

HSL 293.11, 0.64%, 0.55%

LAB 52.53, 70.05, -50.79

 

CMYK 6 / 55 / 0 / 13

HEX #D064DE

RGB 208 100 222

HSL 293.11, 0.65%, 0.63%

LAB 59.71, 59.75, -43.85

 

CMYK 9 / 79 / 0 / 22

HEX #B42AC6

RGB 180 42 198

HSL 293.08, 0.65%, 0.47%

LAB 46.23, 71.62, -51.83

 

CMYK 0 / 73 / 79 / 23

HEX #C53629

RGB 197 54 41

HSL 5, 0.66%, 0.47%

LAB 45.18, 55.57, 41.14

 

CMYK 79 / 0 / 41 / 23

HEX #29C575

RGB 41 197 117

HSL 149.23, 0.66%, 0.47%

LAB 70.66, -57.08, 29.26

 

CMYK 9 / 79 / 0 / 22

HEX #B42AC6

RGB 180 42 198

HSL 293.08, 0.65%, 0.47%

LAB 46.23, 71.62, -51.83

 

CMYK 0 / 9 / 79 / 23

HEX #C5B329

RGB 197 179 41

HSL 53.08, 0.66%, 0.47%

LAB 72.41, -7.8, 66.76

 

CMYK 79 / 0 / 9 / 23

HEX #29C5B3

RGB 41 197 179

HSL 173.08, 0.66%, 0.47%

LAB 72, -42.63, -2.11

 

CMYK 9 / 79 / 0 / 22

HEX #B42AC6

RGB 180 42 198

HSL 293.08, 0.65%, 0.47%

LAB 46.23, 71.62, -51.83

 

CMYK 0 / 73 / 79 / 23

HEX #C53629

RGB 197 54 41

HSL 5, 0.66%, 0.47%

LAB 45.18, 55.57, 41.14

 

CMYK 70 / 0 / 79 / 23

HEX #3CC529

RGB 60 197 41

HSL 112.69, 0.66%, 0.47%

LAB 70.21, -63.55, 62.01

 

CMYK 79 / 7 / 0 / 23

HEX #29B8C5

RGB 41 184 197

HSL 185, 0.66%, 0.47%

LAB 68.59, -31.41, -17.04

 

CMYK 9 / 79 / 0 / 22

HEX #B42AC6

RGB 180 42 198

HSL 293.08, 0.65%, 0.47%

LAB 46.23, 71.62, -51.83

 

CMYK 0 / 49 / 79 / 23

HEX #C56529

RGB 197 101 41

HSL 23.08, 0.66%, 0.47%

LAB 53.32, 34.23, 49.17

 

CMYK 70 / 0 / 79 / 23

HEX #3CC529

RGB 60 197 41

HSL 112.69, 0.66%, 0.47%

LAB 70.21, -63.55, 62.01

 

CMYK 79 / 30 / 0 / 23

HEX #298AC5

RGB 41 138 197

HSL 202.69, 0.66%, 0.47%

LAB 54.74, -7.12, -38.41

 

Description

Color code: HEX #B42AC6 | qconv.com Color code: HEX #B42AC6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 42 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 42 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 79 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 79% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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