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Color name
HEX #B4257A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4257A it is the complementary color #4BDA85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4257A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4257A shade: #B92575, #CA3788, #DB499B, #EC5BAE and #FD6DC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4257A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4257A shade: #B4257A, #A31367, #920154, #810041 and #70002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4257A shade: #B6257B, #B62554, #B6252D and #B62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4257A shade: #B6257B, #B625A2, #A225B6, #7B25B6 and #5425B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4257A shade matches the following richer shades: #B6257B, #C7137E and #D90181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4257A shade: #B6257B, #A43777, #924874, #805A71 and #6F6C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4257A shade: #A225B6, #B625A2, #B6257C, #B62555 and #B6252E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4257A shade: #71174C, #931E64, #B6257B, #D42F91 and #DB52A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4257A shade: #B4257A, #B67C25 and #25B6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4257A shade: #B4257A, #7CB625 and #257CB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4257A shade: #B4257A, #B67C25, #25B65F and #255FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4257A shade: #B4257A, #B6A725, #25B65F and #2533B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 32 / 29

HEX #B4257A

RGB 180 37 122

HSL 324.34, 0.66%, 0.43%

LAB 41.89, 62.02, -13.11

 

Complementary color

CMYK 66 / 0 / 39 / 15

HEX #4BDA85

RGB 75 218 133

HSL 144.34, 0.66%, 0.57%

LAB 78.07, -56.89, 30.92

 

CMYK 0 / 80 / 37 / 27

HEX #B92575

RGB 185 37 117

HSL 327.57, 0.67%, 0.44%

LAB 42.65, 62.72, -8.79

 

CMYK 0 / 73 / 33 / 21

HEX #CA3788

RGB 202 55 136

HSL 326.94, 0.58%, 0.5%

LAB 48.34, 63.72, -11.53

 

CMYK 0 / 67 / 29 / 14

HEX #DB499B

RGB 219 73 155

HSL 326.3, 0.67%, 0.57%

LAB 54.23, 64.05, -13.69

 

CMYK 0 / 61 / 26 / 7

HEX #EC5BAE

RGB 236 91 174

HSL 325.66, 0.79%, 0.64%

LAB 60.22, 63.94, -15.43

 

CMYK 0 / 57 / 24 / 1

HEX #FD6DC1

RGB 253 109 193

HSL 325, 0.97%, 0.71%

LAB 66.27, 63.57, -16.87

 

CMYK 0 / 79 / 32 / 29

HEX #B4257A

RGB 180 37 122

HSL 324.34, 0.66%, 0.43%

LAB 41.89, 62.02, -13.11

 

CMYK 0 / 88 / 37 / 36

HEX #A31367

RGB 163 19 103

HSL 325, 0.79%, 0.36%

LAB 36.43, 60.01, -9.77

 

CMYK 0 / 99 / 42 / 43

HEX #920154

RGB 146 1 84

HSL 325.66, 0.99%, 0.29%

LAB 31.28, 56.84, -5.55

 

CMYK 0 / 100 / 50 / 49

HEX #810041

RGB 129 0 65

HSL 329.77, 1%, 0.25%

LAB 26.87, 51.3, 0.22

 

CMYK 0 / 100 / 59 / 56

HEX #70002E

RGB 112 0 46

HSL 335.36, 1%, 0.22%

LAB 22.45, 45.58, 6.5

 

CMYK 0 / 80 / 32 / 29

HEX #B6257B

RGB 182 37 123

HSL 324.41, 0.66%, 0.43%

LAB 42.31, 62.63, -13.07

 

CMYK 0 / 80 / 54 / 29

HEX #B62554

RGB 182 37 84

HSL 340.55, 0.66%, 0.43%

LAB 41.07, 58.91, 9.54

 

CMYK 0 / 80 / 75 / 29

HEX #B6252D

RGB 182 37 45

HSL 356.69, 0.66%, 0.43%

LAB 40.34, 56.65, 32.84

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 80 / 32 / 29

HEX #B6257B

RGB 182 37 123

HSL 324.41, 0.66%, 0.43%

LAB 42.31, 62.63, -13.07

 

CMYK 0 / 80 / 11 / 29

HEX #B625A2

RGB 182 37 162

HSL 308.28, 0.66%, 0.43%

LAB 44.06, 67.68, -34.06

 

CMYK 11 / 80 / 0 / 29

HEX #A225B6

RGB 162 37 182

HSL 291.72, 0.66%, 0.43%

LAB 41.82, 66.84, -49.71

 

CMYK 32 / 80 / 0 / 29

HEX #7B25B6

RGB 123 37 182

HSL 275.59, 0.66%, 0.43%

LAB 35.81, 59.88, -59.71

 

CMYK 54 / 80 / 0 / 29

HEX #5425B6

RGB 84 37 182

HSL 259.45, 0.66%, 0.43%

LAB 30.84, 54.12, -68.05

 

CMYK 0 / 80 / 32 / 29

HEX #B6257B

RGB 182 37 123

HSL 324.41, 0.66%, 0.43%

LAB 42.31, 62.63, -13.07

 

CMYK 0 / 90 / 37 / 22

HEX #C7137E

RGB 199 19 126

HSL 324.33, 0.83%, 0.43%

LAB 44.4, 70.58, -11.44

 

CMYK 0 / 100 / 41 / 15

HEX #D90181

RGB 217 1 129

HSL 324.44, 0.99%, 0.43%

LAB 47.44, 76.5, -8.35

 

CMYK 0 / 80 / 32 / 29

HEX #B6257B

RGB 182 37 123

HSL 324.41, 0.66%, 0.43%

LAB 42.31, 62.63, -13.07

 

CMYK 0 / 66 / 27 / 36

HEX #A43777

RGB 164 55 119

HSL 324.77, 0.5%, 0.43%

LAB 41.15, 51.1, -12.65

 

CMYK 0 / 51 / 21 / 43

HEX #924874

RGB 146 72 116

HSL 324.32, 0.34%, 0.43%

LAB 41.23, 36.82, -10.95

 

CMYK 0 / 30 / 12 / 50

HEX #805A71

RGB 128 90 113

HSL 323.68, 0.17%, 0.43%

LAB 42.9, 19.5, -6.83

 

CMYK 0 / 3 / 2 / 56

HEX #6F6C6D

RGB 111 108 109

HSL 340, 0.01%, 0.43%

LAB 45.92, 1.37, -0.15

 

CMYK 11 / 80 / 0 / 29

HEX #A225B6

RGB 162 37 182

HSL 291.72, 0.66%, 0.43%

LAB 41.82, 66.84, -49.71

 

CMYK 0 / 80 / 11 / 29

HEX #B625A2

RGB 182 37 162

HSL 308.28, 0.66%, 0.43%

LAB 44.06, 67.68, -34.06

 

CMYK 0 / 80 / 32 / 29

HEX #B6257C

RGB 182 37 124

HSL 324, 0.66%, 0.43%

LAB 42.34, 62.74, -13.63

 

CMYK 0 / 80 / 53 / 29

HEX #B62555

RGB 182 37 85

HSL 340.14, 0.66%, 0.43%

LAB 41.1, 58.99, 8.94

 

CMYK 0 / 80 / 75 / 29

HEX #B6252E

RGB 182 37 46

HSL 356.28, 0.66%, 0.43%

LAB 40.35, 56.69, 32.26

 

CMYK 0 / 80 / 33 / 56

HEX #71174C

RGB 113 23 76

HSL 324.67, 0.66%, 0.27%

LAB 25.7, 43.16, -9.32

 

CMYK 0 / 80 / 32 / 42

HEX #931E64

RGB 147 30 100

HSL 324.1, 0.66%, 0.35%

LAB 34.09, 53.07, -11.69

 

CMYK 0 / 80 / 32 / 29

HEX #B6257B

RGB 182 37 123

HSL 324.41, 0.66%, 0.43%

LAB 42.31, 62.63, -13.07

 

CMYK 0 / 78 / 32 / 17

HEX #D42F91

RGB 212 47 145

HSL 324.36, 0.66%, 0.51%

LAB 49.59, 69.71, -14.89

 

CMYK 0 / 63 / 26 / 14

HEX #DB52A3

RGB 219 82 163

HSL 324.53, 0.66%, 0.59%

LAB 55.83, 61.45, -15.96

 

CMYK 0 / 79 / 32 / 29

HEX #B4257A

RGB 180 37 122

HSL 324.34, 0.66%, 0.43%

LAB 41.89, 62.02, -13.11

 

CMYK 0 / 32 / 80 / 29

HEX #B67C25

RGB 182 124 37

HSL 36, 0.66%, 0.43%

LAB 56.58, 15.16, 53.21

 

CMYK 80 / 0 / 0 / 29

HEX #25B6B6

RGB 37 182 182

HSL 180, 0.66%, 0.43%

LAB 67.45, -35.38, -10.5

 

CMYK 0 / 79 / 32 / 29

HEX #B4257A

RGB 180 37 122

HSL 324.34, 0.66%, 0.43%

LAB 41.89, 62.02, -13.11

 

CMYK 32 / 0 / 80 / 29

HEX #7CB625

RGB 124 182 37

HSL 84, 0.66%, 0.43%

LAB 67.93, -39.81, 61.91

 

CMYK 80 / 32 / 0 / 29

HEX #257CB6

RGB 37 124 182

HSL 204, 0.66%, 0.43%

LAB 49.72, -4.84, -37.73

 

CMYK 0 / 79 / 32 / 29

HEX #B4257A

RGB 180 37 122

HSL 324.34, 0.66%, 0.43%

LAB 41.89, 62.02, -13.11

 

CMYK 0 / 32 / 80 / 29

HEX #B67C25

RGB 182 124 37

HSL 36, 0.66%, 0.43%

LAB 56.58, 15.16, 53.21

 

CMYK 80 / 0 / 48 / 29

HEX #25B65F

RGB 37 182 95

HSL 144, 0.66%, 0.43%

LAB 65.5, -56.09, 33.91

 

CMYK 80 / 48 / 0 / 29

HEX #255FB6

RGB 37 95 182

HSL 216, 0.66%, 0.43%

LAB 41.14, 13.26, -51.4

 

CMYK 0 / 79 / 32 / 29

HEX #B4257A

RGB 180 37 122

HSL 324.34, 0.66%, 0.43%

LAB 41.89, 62.02, -13.11

 

CMYK 0 / 8 / 80 / 29

HEX #B6A725

RGB 182 167 37

HSL 53.79, 0.66%, 0.43%

LAB 67.81, -8.26, 63.37

 

CMYK 80 / 0 / 48 / 29

HEX #25B65F

RGB 37 182 95

HSL 144, 0.66%, 0.43%

LAB 65.5, -56.09, 33.91

 

CMYK 80 / 72 / 0 / 29

HEX #2533B6

RGB 37 51 182

HSL 234.21, 0.66%, 0.43%

LAB 29.76, 41.84, -69.96

 

Description

Color code: HEX #B4257A | qconv.com Color code: HEX #B4257A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 37 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 37 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 32 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 32% 29% C M Y K

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Provide designers and agencies with accurate color values.

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